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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 128 110 it is the complementary color RGB 226 127 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 128 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 128 110 shade: RGB 34 128 105, RGB 51 146 124, RGB 68 164 143, RGB 85 182 162 and RGB 102 200 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 128 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 128 110 shade: RGB 29 128 110, RGB 12 110 91, RGB 0 92 72, RGB 0 74 53 and RGB 0 56 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 128 110 shade: RGB 29 128 110, RGB 29 128 83, RGB 29 128 57, RGB 29 128 30 and RGB 55 128 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 128 110 shade: RGB 29 128 110, RGB 29 120 128, RGB 29 93 128, RGB 29 66 128 and RGB 29 39 128

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 128 110 shade matches the following richer shades: RGB 29 128 110, RGB 16 141 118 and RGB 3 154 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 128 110 shade: RGB 29 128 110, RGB 42 116 102, RGB 54 103 94, RGB 67 90 86 and RGB 80 77 78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 128 110 shade: RGB 29 128 57, RGB 29 128 84, RGB 29 128 110, RGB 29 120 128 and RGB 29 93 128

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 128 110 shade: RGB 13 61 52, RGB 21 95 81, RGB 29 128 110, RGB 36 162 139 and RGB 44 196 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 128 110 shade: RGB 29 128 110, RGB 30 29 128 and RGB 128 70 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 128 110 shade: RGB 29 128 110, RGB 110 29 128 and RGB 128 110 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 128 110 shade: RGB 29 128 110, RGB 30 29 128, RGB 128 29 47 and RGB 127 128 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 128 110 shade: RGB 29 128 110, RGB 60 29 128, RGB 128 29 47 and RGB 97 128 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 14 / 50

HEX #1D806E

RGB 29 128 110

HSL 169.09, 0.63%, 0.31%

LAB 48.04, -32.07, 1.84

 

Complementary color

CMYK 0 / 44 / 36 / 11

HEX #E27F91

RGB 226 127 145

HSL 349.09, 0.63%, 0.69%

LAB 64.48, 40.09, 7.31

 

CMYK 73 / 0 / 18 / 50

HEX #228069

RGB 34 128 105

HSL 165.32, 0.58%, 0.32%

LAB 48, -32.75, 4.75

 

CMYK 65 / 0 / 15 / 43

HEX #33927C

RGB 51 146 124

HSL 166.11, 0.48%, 0.39%

LAB 54.78, -33.2, 3.53

 

CMYK 59 / 0 / 13 / 36

HEX #44A48F

RGB 68 164 143

HSL 166.88, 0.41%, 0.45%

LAB 61.45, -33.41, 2.47

 

CMYK 53 / 0 / 11 / 29

HEX #55B6A2

RGB 85 182 162

HSL 167.63, 0.4%, 0.52%

LAB 68.02, -33.48, 1.51

 

CMYK 49 / 0 / 10 / 22

HEX #66C8B5

RGB 102 200 181

HSL 168.37, 0.47%, 0.59%

LAB 74.49, -33.46, 0.63

 

CMYK 77 / 0 / 14 / 50

HEX #1D806E

RGB 29 128 110

HSL 169.09, 0.63%, 0.31%

LAB 48.04, -32.07, 1.84

 

CMYK 89 / 0 / 17 / 57

HEX #0C6E5B

RGB 12 110 91

HSL 168.37, 0.8%, 0.24%

LAB 41.19, -30.96, 3.23

 

CMYK 100 / 0 / 22 / 64

HEX #005C48

RGB 0 92 72

HSL 166.96, 1%, 0.18%

LAB 34.24, -29.23, 4.87

 

CMYK 100 / 0 / 28 / 71

HEX #004A35

RGB 0 74 53

HSL 162.97, 1%, 0.15%

LAB 27.17, -26.48, 6.86

 

CMYK 100 / 0 / 39 / 78

HEX #003822

RGB 0 56 34

HSL 156.43, 1%, 0.11%

LAB 19.82, -23.55, 9.06

 

CMYK 77 / 0 / 14 / 50

HEX #1D806E

RGB 29 128 110

HSL 169.09, 0.63%, 0.31%

LAB 48.04, -32.07, 1.84

 

CMYK 77 / 0 / 35 / 50

HEX #1D8053

RGB 29 128 83

HSL 152.73, 0.63%, 0.31%

LAB 47.4, -38.91, 16.67

 

CMYK 77 / 0 / 55 / 50

HEX #1D8039

RGB 29 128 57

HSL 136.97, 0.63%, 0.31%

LAB 46.97, -43.82, 30.46

 

CMYK 77 / 0 / 77 / 50

HEX #1D801E

RGB 29 128 30

HSL 120.61, 0.63%, 0.31%

LAB 46.7, -47.02, 42.57

 

CMYK 57 / 0 / 77 / 50

HEX #37801D

RGB 55 128 29

HSL 104.24, 0.63%, 0.31%

LAB 47.42, -41.17, 43.9

 

CMYK 77 / 0 / 14 / 50

HEX #1D806E

RGB 29 128 110

HSL 169.09, 0.63%, 0.31%

LAB 48.04, -32.07, 1.84

 

CMYK 77 / 6 / 0 / 50

HEX #1D7880

RGB 29 120 128

HSL 184.85, 0.63%, 0.31%

LAB 45.98, -22.61, -11.87

 

CMYK 77 / 27 / 0 / 50

HEX #1D5D80

RGB 29 93 128

HSL 201.21, 0.63%, 0.31%

LAB 37.2, -7.34, -25.35

 

CMYK 77 / 48 / 0 / 50

HEX #1D4280

RGB 29 66 128

HSL 217.58, 0.63%, 0.31%

LAB 28.68, 10.29, -38.86

 

CMYK 77 / 70 / 0 / 50

HEX #1D2780

RGB 29 39 128

HSL 233.94, 0.63%, 0.31%

LAB 21.1, 29.04, -51.19

 

CMYK 77 / 0 / 14 / 50

HEX #1D806E

RGB 29 128 110

HSL 169.09, 0.63%, 0.31%

LAB 48.04, -32.07, 1.84

 

CMYK 89 / 0 / 16 / 45

HEX #108D76

RGB 16 141 118

HSL 168.96, 0.8%, 0.31%

LAB 52.36, -36.99, 3.41

 

CMYK 98 / 0 / 18 / 40

HEX #039A7F

RGB 3 154 127

HSL 169.27, 0.96%, 0.31%

LAB 56.75, -40.83, 4.57

 

CMYK 77 / 0 / 14 / 50

HEX #1D806E

RGB 29 128 110

HSL 169.09, 0.63%, 0.31%

LAB 48.04, -32.07, 1.84

 

CMYK 64 / 0 / 12 / 55

HEX #2A7466

RGB 42 116 102

HSL 168.65, 0.47%, 0.31%

LAB 44.15, -26.43, 0.98

 

CMYK 48 / 0 / 9 / 60

HEX #36675E

RGB 54 103 94

HSL 168.98, 0.31%, 0.31%

LAB 40.07, -19.03, -0.08

 

CMYK 26 / 0 / 4 / 65

HEX #435A56

RGB 67 90 86

HSL 169.57, 0.15%, 0.31%

LAB 36.32, -9.65, -0.54

 

CMYK 0 / 4 / 2 / 69

HEX #504D4E

RGB 80 77 78

HSL 340, 0.02%, 0.31%

LAB 33.06, 1.45, -0.16

 

CMYK 77 / 0 / 55 / 50

HEX #1D8039

RGB 29 128 57

HSL 136.97, 0.63%, 0.31%

LAB 46.97, -43.82, 30.46

 

CMYK 77 / 0 / 34 / 50

HEX #1D8054

RGB 29 128 84

HSL 153.33, 0.63%, 0.31%

LAB 47.42, -38.68, 16.13

 

CMYK 77 / 0 / 14 / 50

HEX #1D806E

RGB 29 128 110

HSL 169.09, 0.63%, 0.31%

LAB 48.04, -32.07, 1.84

 

CMYK 77 / 6 / 0 / 50

HEX #1D7880

RGB 29 120 128

HSL 184.85, 0.63%, 0.31%

LAB 45.98, -22.61, -11.87

 

CMYK 77 / 27 / 0 / 50

HEX #1D5D80

RGB 29 93 128

HSL 201.21, 0.63%, 0.31%

LAB 37.2, -7.34, -25.35

 

CMYK 79 / 0 / 15 / 76

HEX #0D3D34

RGB 13 61 52

HSL 168.75, 0.65%, 0.15%

LAB 22.55, -18.38, 0.95

 

CMYK 78 / 0 / 15 / 63

HEX #155F51

RGB 21 95 81

HSL 168.65, 0.64%, 0.23%

LAB 35.86, -25.73, 1.66

 

CMYK 77 / 0 / 14 / 50

HEX #1D806E

RGB 29 128 110

HSL 169.09, 0.63%, 0.31%

LAB 48.04, -32.07, 1.84

 

CMYK 78 / 0 / 14 / 36

HEX #24A28B

RGB 36 162 139

HSL 169.05, 0.64%, 0.39%

LAB 59.96, -38.66, 2.46

 

CMYK 78 / 0 / 14 / 23

HEX #2CC4A8

RGB 44 196 168

HSL 168.95, 0.63%, 0.47%

LAB 71.45, -44.85, 3.08

 

CMYK 77 / 0 / 14 / 50

HEX #1D806E

RGB 29 128 110

HSL 169.09, 0.63%, 0.31%

LAB 48.04, -32.07, 1.84

 

CMYK 77 / 77 / 0 / 50

HEX #1E1D80

RGB 30 29 128

HSL 240.61, 0.63%, 0.31%

LAB 18.86, 35.48, -54.88

 

CMYK 0 / 45 / 77 / 50

HEX #80461D

RGB 128 70 29

HSL 24.85, 0.63%, 0.31%

LAB 36.1, 21.41, 34.42

 

CMYK 77 / 0 / 14 / 50

HEX #1D806E

RGB 29 128 110

HSL 169.09, 0.63%, 0.31%

LAB 48.04, -32.07, 1.84

 

CMYK 14 / 77 / 0 / 50

HEX #6E1D80

RGB 110 29 128

HSL 289.09, 0.63%, 0.31%

LAB 28.78, 48.91, -38.28

 

CMYK 0 / 14 / 77 / 50

HEX #806E1D

RGB 128 110 29

HSL 49.09, 0.63%, 0.31%

LAB 46.75, -2.09, 44.95

 

CMYK 77 / 0 / 14 / 50

HEX #1D806E

RGB 29 128 110

HSL 169.09, 0.63%, 0.31%

LAB 48.04, -32.07, 1.84

 

CMYK 77 / 77 / 0 / 50

HEX #1E1D80

RGB 30 29 128

HSL 240.61, 0.63%, 0.31%

LAB 18.86, 35.48, -54.88

 

CMYK 0 / 77 / 63 / 50

HEX #801D2F

RGB 128 29 47

HSL 349.09, 0.63%, 0.31%

LAB 28.57, 42.77, 14.71

 

CMYK 1 / 0 / 77 / 50

HEX #7F801D

RGB 127 128 29

HSL 60.61, 0.63%, 0.31%

LAB 51.88, -12.58, 49.73

 

CMYK 77 / 0 / 14 / 50

HEX #1D806E

RGB 29 128 110

HSL 169.09, 0.63%, 0.31%

LAB 48.04, -32.07, 1.84

 

CMYK 53 / 77 / 0 / 50

HEX #3C1D80

RGB 60 29 128

HSL 258.79, 0.63%, 0.31%

LAB 21.57, 39.32, -50.32

 

CMYK 0 / 77 / 63 / 50

HEX #801D2F

RGB 128 29 47

HSL 349.09, 0.63%, 0.31%

LAB 28.57, 42.77, 14.71

 

CMYK 24 / 0 / 77 / 50

HEX #61801D

RGB 97 128 29

HSL 78.79, 0.63%, 0.31%

LAB 49.58, -25.91, 46.74

 

Description

Color code: RGB 29 128 110 | qconv.com Color code: RGB 29 128 110 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 128 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 128 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 14 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 14% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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