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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 29 219 118 it is the complementary color RGB 226 36 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 29 219 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 29 219 118 shade: RGB 34 219 113, RGB 51 237 132, RGB 68 255 151, RGB 85 255 170 and RGB 102 255 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 29 219 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 29 219 118 shade: RGB 29 219 118, RGB 12 201 99, RGB 0 183 80, RGB 0 165 61 and RGB 0 147 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 29 219 118 shade: RGB 28 221 118, RGB 28 221 66, RGB 42 221 28, RGB 94 221 28 and RGB 146 221 28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 29 219 118 shade: RGB 28 221 118, RGB 28 221 170, RGB 28 219 221, RGB 28 167 221 and RGB 28 115 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 29 219 118 shade matches the following richer shades: RGB 28 221 118 and RGB 8 241 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 29 219 118 shade: RGB 28 221 118, RGB 48 200 120, RGB 69 180 121, RGB 89 160 122 and RGB 109 140 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 29 219 118 shade: RGB 41 221 28, RGB 28 221 67, RGB 28 221 118, RGB 28 221 169 and RGB 28 221 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 29 219 118 shade: RGB 19 148 79, RGB 23 184 99, RGB 28 221 118, RGB 61 229 140 and RGB 97 234 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 29 219 118 shade: RGB 29 219 118, RGB 28 92 221 and RGB 221 41 28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 29 219 118 shade: RGB 29 219 118, RGB 118 28 221 and RGB 221 118 28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 29 219 118 shade: RGB 29 219 118, RGB 28 92 221, RGB 221 28 131 and RGB 221 157 28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 29 219 118 shade: RGB 29 219 118, RGB 28 35 221, RGB 221 28 131 and RGB 221 214 28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 46 / 14

HEX #1DDB76

RGB 29 219 118

HSL 148.11, 0.77%, 0.49%

LAB 77.42, -65.65, 37.49

 

Complementary color

CMYK 0 / 84 / 39 / 11

HEX #E22489

RGB 226 36 137

HSL 328.11, 0.77%, 0.51%

LAB 50.96, 74.83, -7.75

 

CMYK 84 / 0 / 48 / 14

HEX #22DB71

RGB 34 219 113

HSL 145.62, 0.73%, 0.5%

LAB 77.4, -66.08, 39.93

 

CMYK 78 / 0 / 44 / 7

HEX #33ED84

RGB 51 237 132

HSL 146.13, 0.84%, 0.56%

LAB 83.41, -67.35, 38.3

 

CMYK 73 / 0 / 41 / 0

HEX #44FF97

RGB 68 255 151

HSL 146.63, 1%, 0.63%

LAB 89.39, -68.25, 36.75

 

CMYK 67 / 0 / 33 / 0

HEX #55FFAA

RGB 85 255 170

HSL 150, 1%, 0.67%

LAB 90.02, -62.28, 28.19

 

CMYK 60 / 0 / 26 / 0

HEX #66FFBD

RGB 102 255 189

HSL 154.12, 1%, 0.7%

LAB 90.79, -55.53, 19.65

 

CMYK 87 / 0 / 46 / 14

HEX #1DDB76

RGB 29 219 118

HSL 148.11, 0.77%, 0.49%

LAB 77.42, -65.65, 37.49

 

CMYK 94 / 0 / 51 / 21

HEX #0CC963

RGB 12 201 99

HSL 147.62, 0.89%, 0.42%

LAB 71.39, -63.78, 39.24

 

CMYK 100 / 0 / 56 / 28

HEX #00B750

RGB 0 183 80

HSL 146.23, 1%, 0.36%

LAB 65.32, -61.35, 41.04

 

CMYK 100 / 0 / 63 / 35

HEX #00A53D

RGB 0 165 61

HSL 142.18, 1%, 0.32%

LAB 59.2, -58.23, 42.8

 

CMYK 100 / 0 / 71 / 42

HEX #00932A

RGB 0 147 42

HSL 137.14, 1%, 0.29%

LAB 52.99, -54.8, 44.22

 

CMYK 87 / 0 / 47 / 13

HEX #1CDD76

RGB 28 221 118

HSL 147.98, 0.78%, 0.49%

LAB 78.03, -66.38, 38.27

 

CMYK 87 / 0 / 70 / 13

HEX #1CDD42

RGB 28 221 66

HSL 131.81, 0.78%, 0.49%

LAB 77.49, -73.01, 60.68

 

CMYK 81 / 0 / 87 / 13

HEX #2ADD1C

RGB 42 221 28

HSL 115.65, 0.78%, 0.49%

LAB 77.45, -74.05, 71.6

 

CMYK 57 / 0 / 87 / 13

HEX #5EDD1C

RGB 94 221 28

HSL 99.48, 0.78%, 0.49%

LAB 78.56, -64.61, 72.99

 

CMYK 34 / 0 / 87 / 13

HEX #92DD1C

RGB 146 221 28

HSL 83.32, 0.78%, 0.49%

LAB 80.69, -48.67, 75.64

 

CMYK 87 / 0 / 47 / 13

HEX #1CDD76

RGB 28 221 118

HSL 147.98, 0.78%, 0.49%

LAB 78.03, -66.38, 38.27

 

CMYK 87 / 0 / 23 / 13

HEX #1CDDAA

RGB 28 221 170

HSL 164.15, 0.78%, 0.49%

LAB 78.96, -55.81, 12.74

 

CMYK 87 / 1 / 0 / 13

HEX #1CDBDD

RGB 28 219 221

HSL 180.62, 0.78%, 0.49%

LAB 79.69, -41.34, -13.36

 

CMYK 87 / 24 / 0 / 13

HEX #1CA7DD

RGB 28 167 221

HSL 196.79, 0.78%, 0.49%

LAB 64.25, -15.79, -36.97

 

CMYK 87 / 48 / 0 / 13

HEX #1C73DD

RGB 28 115 221

HSL 212.95, 0.78%, 0.49%

LAB 49.17, 14.82, -60.91

 

CMYK 87 / 0 / 47 / 13

HEX #1CDD76

RGB 28 221 118

HSL 147.98, 0.78%, 0.49%

LAB 78.03, -66.38, 38.27

 

CMYK 97 / 0 / 51 / 5

HEX #08F175

RGB 8 241 117

HSL 148.07, 0.94%, 0.49%

LAB 84.09, -73.86, 46.31

 

CMYK 87 / 0 / 47 / 13

HEX #1CDD76

RGB 28 221 118

HSL 147.98, 0.78%, 0.49%

LAB 78.03, -66.38, 38.27

 

CMYK 76 / 0 / 40 / 22

HEX #30C878

RGB 48 200 120

HSL 148.42, 0.61%, 0.49%

LAB 71.75, -56.77, 29.17

 

CMYK 62 / 0 / 33 / 29

HEX #45B479

RGB 69 180 121

HSL 148.11, 0.45%, 0.49%

LAB 65.97, -45.28, 20.98

 

CMYK 44 / 0 / 24 / 37

HEX #59A07A

RGB 89 160 122

HSL 147.89, 0.29%, 0.49%

LAB 60.49, -31.3, 12.97

 

CMYK 22 / 0 / 12 / 45

HEX #6D8C7B

RGB 109 140 123

HSL 147.1, 0.12%, 0.49%

LAB 55.52, -14.6, 5.51

 

CMYK 81 / 0 / 87 / 13

HEX #29DD1C

RGB 41 221 28

HSL 115.96, 0.78%, 0.49%

LAB 77.44, -74.16, 71.58

 

CMYK 87 / 0 / 70 / 13

HEX #1CDD43

RGB 28 221 67

HSL 132.12, 0.78%, 0.49%

LAB 77.5, -72.92, 60.32

 

CMYK 87 / 0 / 47 / 13

HEX #1CDD76

RGB 28 221 118

HSL 147.98, 0.78%, 0.49%

LAB 78.03, -66.38, 38.27

 

CMYK 87 / 0 / 24 / 13

HEX #1CDDA9

RGB 28 221 169

HSL 163.83, 0.78%, 0.49%

LAB 78.94, -56.05, 13.24

 

CMYK 87 / 0 / 0 / 13

HEX #1CDDDD

RGB 28 221 221

HSL 180, 0.78%, 0.49%

LAB 80.28, -42.23, -12.47

 

CMYK 87 / 0 / 47 / 42

HEX #13944F

RGB 19 148 79

HSL 147.91, 0.77%, 0.33%

LAB 53.9, -48.61, 27.45

 

CMYK 88 / 0 / 46 / 28

HEX #17B863

RGB 23 184 99

HSL 148.32, 0.78%, 0.41%

LAB 66.03, -57.45, 32.51

 

CMYK 87 / 0 / 47 / 13

HEX #1CDD76

RGB 28 221 118

HSL 147.98, 0.78%, 0.49%

LAB 78.03, -66.38, 38.27

 

CMYK 73 / 0 / 39 / 10

HEX #3DE58C

RGB 61 229 140

HSL 148.21, 0.76%, 0.57%

LAB 81.25, -61.9, 31.51

 

CMYK 59 / 0 / 31 / 8

HEX #61EAA1

RGB 97 234 161

HSL 148.03, 0.77%, 0.65%

LAB 83.95, -53.67, 24.55

 

CMYK 87 / 0 / 46 / 14

HEX #1DDB76

RGB 29 219 118

HSL 148.11, 0.77%, 0.49%

LAB 77.42, -65.65, 37.49

 

CMYK 87 / 58 / 0 / 13

HEX #1C5CDD

RGB 28 92 221

HSL 220.1, 0.78%, 0.49%

LAB 42.95, 29.59, -71

 

CMYK 0 / 81 / 87 / 13

HEX #DD291C

RGB 221 41 28

HSL 4.04, 0.78%, 0.49%

LAB 48.31, 66.3, 52.11

 

CMYK 87 / 0 / 46 / 14

HEX #1DDB76

RGB 29 219 118

HSL 148.11, 0.77%, 0.49%

LAB 77.42, -65.65, 37.49

 

CMYK 47 / 87 / 0 / 13

HEX #761CDD

RGB 118 28 221

HSL 267.98, 0.78%, 0.49%

LAB 37.67, 70.65, -79.44

 

CMYK 0 / 47 / 87 / 13

HEX #DD761C

RGB 221 118 28

HSL 27.98, 0.78%, 0.49%

LAB 60.26, 34.75, 61.53

 

CMYK 87 / 0 / 46 / 14

HEX #1DDB76

RGB 29 219 118

HSL 148.11, 0.77%, 0.49%

LAB 77.42, -65.65, 37.49

 

CMYK 87 / 58 / 0 / 13

HEX #1C5CDD

RGB 28 92 221

HSL 220.1, 0.78%, 0.49%

LAB 42.95, 29.59, -71

 

CMYK 0 / 87 / 41 / 13

HEX #DD1C83

RGB 221 28 131

HSL 327.98, 0.78%, 0.49%

LAB 49.3, 74.6, -6.7

 

CMYK 0 / 29 / 87 / 13

HEX #DD9D1C

RGB 221 157 28

HSL 40.1, 0.78%, 0.49%

LAB 69.16, 14.02, 68.59

 

CMYK 87 / 0 / 46 / 14

HEX #1DDB76

RGB 29 219 118

HSL 148.11, 0.77%, 0.49%

LAB 77.42, -65.65, 37.49

 

CMYK 87 / 84 / 0 / 13

HEX #1C23DD

RGB 28 35 221

HSL 237.82, 0.78%, 0.49%

LAB 31.04, 62.11, -90.64

 

CMYK 0 / 87 / 41 / 13

HEX #DD1C83

RGB 221 28 131

HSL 327.98, 0.78%, 0.49%

LAB 49.3, 74.6, -6.7

 

CMYK 0 / 3 / 87 / 13

HEX #DDD61C

RGB 221 214 28

HSL 57.82, 0.78%, 0.49%

LAB 83.73, -15.57, 80.19

 

Description

Color code: RGB 29 219 118 | qconv.com Color code: RGB 29 219 118 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 219 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 219 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 46 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 46% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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