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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 163 110 it is the complementary color RGB 253 92 145. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 163 110. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 163 110 shade: RGB 7 163 105, RGB 24 181 124, RGB 41 199 143, RGB 58 217 162 and RGB 75 235 181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 163 110. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 163 110 shade: RGB 2 163 110, RGB 0 145 91, RGB 0 127 72, RGB 0 109 53 and RGB 0 91 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 163 110 shade: RGB 1 161 108, RGB 1 161 65, RGB 1 161 22, RGB 23 161 1 and RGB 66 161 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 163 110 shade: RGB 1 161 108, RGB 1 161 152, RGB 1 127 161, RGB 1 84 161 and RGB 1 41 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 163 110 shade matches the following richer shades: RGB 1 161 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 163 110 shade: RGB 1 161 108, RGB 14 148 104, RGB 28 135 99, RGB 41 121 95 and RGB 54 108 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 163 110 shade: RGB 1 161 22, RGB 1 161 65, RGB 1 161 108, RGB 1 161 150 and RGB 1 129 161

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 163 110 shade: RGB 0 79 53, RGB 1 120 81, RGB 1 161 108, RGB 2 202 136 and RGB 2 243 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 163 110 shade: RGB 2 163 110, RGB 1 22 161 and RGB 161 44 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 163 110 shade: RGB 2 163 110, RGB 108 1 161 and RGB 161 108 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 163 110 shade: RGB 2 163 110, RGB 1 22 161, RGB 161 1 54 and RGB 161 140 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 163 110 shade: RGB 2 163 110, RGB 28 1 161, RGB 161 1 54 and RGB 134 161 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 33 / 36

HEX #02A36E

RGB 2 163 110

HSL 160.25, 0.98%, 0.32%

LAB 59.28, -48.78, 17.67

 

Complementary color

CMYK 0 / 64 / 43 / 1

HEX #FD5C91

RGB 253 92 145

HSL 340.25, 0.98%, 0.68%

LAB 62.15, 65.27, 4.48

 

CMYK 96 / 0 / 36 / 36

HEX #07A369

RGB 7 163 105

HSL 157.69, 0.92%, 0.33%

LAB 59.21, -49.65, 20.33

 

CMYK 87 / 0 / 31 / 29

HEX #18B57C

RGB 24 181 124

HSL 158.22, 0.77%, 0.4%

LAB 65.51, -51.3, 18.59

 

CMYK 79 / 0 / 28 / 22

HEX #29C78F

RGB 41 199 143

HSL 158.73, 0.66%, 0.47%

LAB 71.76, -52.47, 17.02

 

CMYK 73 / 0 / 25 / 15

HEX #3AD9A2

RGB 58 217 162

HSL 159.25, 0.68%, 0.54%

LAB 77.95, -53.27, 15.6

 

CMYK 68 / 0 / 23 / 8

HEX #4BEBB5

RGB 75 235 181

HSL 159.75, 0.8%, 0.61%

LAB 84.1, -53.81, 14.31

 

CMYK 99 / 0 / 33 / 36

HEX #02A36E

RGB 2 163 110

HSL 160.25, 0.98%, 0.32%

LAB 59.28, -48.78, 17.67

 

CMYK 100 / 0 / 37 / 43

HEX #00915B

RGB 0 145 91

HSL 157.66, 1%, 0.28%

LAB 52.96, -46.3, 19.61

 

CMYK 100 / 0 / 43 / 50

HEX #007F48

RGB 0 127 72

HSL 154.02, 1%, 0.25%

LAB 46.51, -43.58, 21.66

 

CMYK 100 / 0 / 51 / 57

HEX #006D35

RGB 0 109 53

HSL 149.17, 1%, 0.21%

LAB 39.91, -40.66, 23.8

 

CMYK 100 / 0 / 63 / 64

HEX #005B22

RGB 0 91 34

HSL 142.42, 1%, 0.18%

LAB 33.13, -37.42, 25.9

 

CMYK 99 / 0 / 33 / 37

HEX #01A16C

RGB 1 161 108

HSL 160.13, 0.99%, 0.32%

LAB 58.58, -48.52, 17.81

 

CMYK 99 / 0 / 60 / 37

HEX #01A141

RGB 1 161 65

HSL 144, 0.99%, 0.32%

LAB 57.92, -56.39, 39.46

 

CMYK 99 / 0 / 86 / 37

HEX #01A116

RGB 1 161 22

HSL 127.88, 0.99%, 0.32%

LAB 57.61, -60.32, 55.24

 

CMYK 86 / 0 / 99 / 37

HEX #17A101

RGB 23 161 1

HSL 111.75, 0.99%, 0.32%

LAB 57.73, -59.49, 59.04

 

CMYK 59 / 0 / 99 / 37

HEX #42A101

RGB 66 161 1

HSL 95.63, 0.99%, 0.32%

LAB 58.65, -51.58, 60.17

 

CMYK 99 / 0 / 33 / 37

HEX #01A16C

RGB 1 161 108

HSL 160.13, 0.99%, 0.32%

LAB 58.58, -48.52, 17.81

 

CMYK 99 / 0 / 6 / 37

HEX #01A198

RGB 1 161 152

HSL 176.63, 0.99%, 0.32%

LAB 59.67, -36.81, -5.34

 

CMYK 99 / 21 / 0 / 37

HEX #017FA1

RGB 1 127 161

HSL 192.75, 0.99%, 0.32%

LAB 49.2, -16.76, -26.4

 

CMYK 99 / 48 / 0 / 37

HEX #0154A1

RGB 1 84 161

HSL 208.88, 0.99%, 0.32%

LAB 35.83, 9.57, -47.55

 

CMYK 99 / 75 / 0 / 37

HEX #0129A1

RGB 1 41 161

HSL 225, 0.99%, 0.32%

LAB 24.21, 38.61, -66.54

 

CMYK 99 / 0 / 33 / 37

HEX #01A16C

RGB 1 161 108

HSL 160.13, 0.99%, 0.32%

LAB 58.58, -48.52, 17.81

 

CMYK 99 / 0 / 33 / 37

HEX #01A16C

RGB 1 161 108

HSL 160.13, 0.99%, 0.32%

LAB 58.58, -48.52, 17.81

 

CMYK 91 / 0 / 30 / 42

HEX #0E9468

RGB 14 148 104

HSL 160.3, 0.83%, 0.32%

LAB 54.32, -43.7, 14.18

 

CMYK 79 / 0 / 27 / 47

HEX #1C8763

RGB 28 135 99

HSL 159.81, 0.66%, 0.32%

LAB 50.07, -38.23, 11.15

 

CMYK 66 / 0 / 21 / 53

HEX #29795F

RGB 41 121 95

HSL 160.5, 0.49%, 0.32%

LAB 45.6, -30.9, 7.22

 

CMYK 50 / 0 / 17 / 58

HEX #366C5A

RGB 54 108 90

HSL 160, 0.33%, 0.32%

LAB 41.61, -22.72, 4.57

 

CMYK 99 / 0 / 86 / 37

HEX #01A116

RGB 1 161 22

HSL 127.88, 0.99%, 0.32%

LAB 57.61, -60.32, 55.24

 

CMYK 99 / 0 / 60 / 37

HEX #01A141

RGB 1 161 65

HSL 144, 0.99%, 0.32%

LAB 57.92, -56.39, 39.46

 

CMYK 99 / 0 / 33 / 37

HEX #01A16C

RGB 1 161 108

HSL 160.13, 0.99%, 0.32%

LAB 58.58, -48.52, 17.81

 

CMYK 99 / 0 / 7 / 37

HEX #01A196

RGB 1 161 150

HSL 175.88, 0.99%, 0.32%

LAB 59.62, -37.41, -4.29

 

CMYK 99 / 20 / 0 / 37

HEX #0181A1

RGB 1 129 161

HSL 192, 0.99%, 0.32%

LAB 49.83, -17.86, -25.42

 

CMYK 100 / 0 / 33 / 69

HEX #004F35

RGB 0 79 53

HSL 160.25, 1%, 0.15%

LAB 29.03, -28.72, 9.44

 

CMYK 99 / 0 / 33 / 53

HEX #017851

RGB 1 120 81

HSL 160.34, 0.98%, 0.24%

LAB 44.28, -38.77, 13.52

 

CMYK 99 / 0 / 33 / 37

HEX #01A16C

RGB 1 161 108

HSL 160.13, 0.99%, 0.32%

LAB 58.58, -48.52, 17.81

 

CMYK 99 / 0 / 33 / 21

HEX #02CA88

RGB 2 202 136

HSL 160.2, 0.98%, 0.4%

LAB 72.25, -57.53, 21.38

 

CMYK 99 / 0 / 33 / 5

HEX #02F3A3

RGB 2 243 163

HSL 160.08, 0.98%, 0.48%

LAB 85.38, -66.44, 25.27

 

CMYK 99 / 0 / 33 / 36

HEX #02A36E

RGB 2 163 110

HSL 160.25, 0.98%, 0.32%

LAB 59.28, -48.78, 17.67

 

CMYK 99 / 86 / 0 / 37

HEX #0116A1

RGB 1 22 161

HSL 232.13, 0.99%, 0.32%

LAB 20.65, 48.91, -72.46

 

CMYK 0 / 73 / 99 / 37

HEX #A12C01

RGB 161 44 1

HSL 16.13, 0.99%, 0.32%

LAB 36.71, 46.6, 48.76

 

CMYK 99 / 0 / 33 / 36

HEX #02A36E

RGB 2 163 110

HSL 160.25, 0.98%, 0.32%

LAB 59.28, -48.78, 17.67

 

CMYK 33 / 99 / 0 / 37

HEX #6C01A1

RGB 108 1 161

HSL 280.13, 0.99%, 0.32%

LAB 28.86, 61.78, -58.57

 

CMYK 0 / 33 / 99 / 37

HEX #A16C01

RGB 161 108 1

HSL 40.13, 0.99%, 0.32%

LAB 49.86, 13.83, 56.68

 

CMYK 99 / 0 / 33 / 36

HEX #02A36E

RGB 2 163 110

HSL 160.25, 0.98%, 0.32%

LAB 59.28, -48.78, 17.67

 

CMYK 99 / 86 / 0 / 37

HEX #0116A1

RGB 1 22 161

HSL 232.13, 0.99%, 0.32%

LAB 20.65, 48.91, -72.46

 

CMYK 0 / 99 / 66 / 37

HEX #A10136

RGB 161 1 54

HSL 340.13, 0.99%, 0.32%

LAB 33.7, 58.21, 18.13

 

CMYK 0 / 13 / 99 / 37

HEX #A18C01

RGB 161 140 1

HSL 52.13, 0.99%, 0.32%

LAB 58.35, -4.1, 62.59

 

CMYK 99 / 0 / 33 / 36

HEX #02A36E

RGB 2 163 110

HSL 160.25, 0.98%, 0.32%

LAB 59.28, -48.78, 17.67

 

CMYK 83 / 99 / 0 / 37

HEX #1C01A1

RGB 28 1 161

HSL 250.13, 0.99%, 0.32%

LAB 19.4, 56.23, -74.52

 

CMYK 0 / 99 / 66 / 37

HEX #A10136

RGB 161 1 54

HSL 340.13, 0.99%, 0.32%

LAB 33.7, 58.21, 18.13

 

CMYK 17 / 0 / 99 / 37

HEX #86A101

RGB 134 161 1

HSL 70.13, 0.99%, 0.32%

LAB 62.13, -27.11, 64.37

 

Description

Color code: RGB 2 163 110 | qconv.com Color code: RGB 2 163 110 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 163 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 163 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 33 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 33% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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