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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 192 188 it is the complementary color RGB 253 63 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 192 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 192 188 shade: RGB 7 192 183, RGB 24 210 202, RGB 41 228 221, RGB 58 246 240 and RGB 75 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 192 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 192 188 shade: RGB 2 192 188, RGB 0 174 169, RGB 0 156 150, RGB 0 138 131 and RGB 0 120 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 192 188 shade: RGB 1 191 187, RGB 1 191 136, RGB 1 191 85, RGB 1 191 34 and RGB 20 191 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 192 188 shade: RGB 1 191 187, RGB 1 144 191, RGB 1 93 191, RGB 1 42 191 and RGB 1 1 191

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 192 188 shade matches the following richer shades: RGB 1 191 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 192 188 shade: RGB 1 191 187, RGB 17 176 172, RGB 33 160 157, RGB 48 144 142 and RGB 64 129 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 192 188 shade: RGB 1 191 84, RGB 1 191 134, RGB 1 191 185, RGB 1 147 191 and RGB 1 96 191

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 192 188 shade: RGB 1 110 107, RGB 1 151 147, RGB 1 191 187, RGB 2 232 227 and RGB 23 252 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 192 188 shade: RGB 2 192 188, RGB 33 1 191 and RGB 191 109 1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 192 188 shade: RGB 2 192 188, RGB 185 1 191 and RGB 191 185 1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 192 188 shade: RGB 2 192 188, RGB 33 1 191, RGB 191 1 8 and RGB 160 191 1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 192 188 shade: RGB 2 192 188, RGB 90 1 191, RGB 191 1 8 and RGB 103 191 1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 2 / 25

HEX #02C0BC

RGB 2 192 188

HSL 178.74, 0.98%, 0.38%

LAB 70.42, -39.98, -9.4

 

Complementary color

CMYK 0 / 75 / 74 / 1

HEX #FD3F43

RGB 253 63 67

HSL 358.74, 0.98%, 0.62%

LAB 56.92, 70.4, 42.58

 

CMYK 96 / 0 / 5 / 25

HEX #07C0B7

RGB 7 192 183

HSL 177.08, 0.93%, 0.39%

LAB 70.29, -41.3, -6.85

 

CMYK 89 / 0 / 4 / 18

HEX #18D2CA

RGB 24 210 202

HSL 177.42, 0.79%, 0.46%

LAB 76.41, -43.08, -8.07

 

CMYK 82 / 0 / 3 / 11

HEX #29E4DD

RGB 41 228 221

HSL 177.75, 0.78%, 0.53%

LAB 82.47, -44.5, -9.18

 

CMYK 76 / 0 / 2 / 4

HEX #3AF6F0

RGB 58 246 240

HSL 178.09, 0.91%, 0.6%

LAB 88.5, -45.64, -10.2

 

CMYK 71 / 0 / 0 / 0

HEX #4BFFFF

RGB 75 255 255

HSL 180, 1%, 0.65%

LAB 91.79, -43.68, -13.06

 

CMYK 99 / 0 / 2 / 25

HEX #02C0BC

RGB 2 192 188

HSL 178.74, 0.98%, 0.38%

LAB 70.42, -39.98, -9.4

 

CMYK 100 / 0 / 3 / 32

HEX #00AEA9

RGB 0 174 169

HSL 178.28, 1%, 0.34%

LAB 64.27, -37.62, -8.06

 

CMYK 100 / 0 / 4 / 39

HEX #009C96

RGB 0 156 150

HSL 177.69, 1%, 0.31%

LAB 58.02, -35.17, -6.66

 

CMYK 100 / 0 / 5 / 46

HEX #008A83

RGB 0 138 131

HSL 176.96, 1%, 0.27%

LAB 51.63, -32.67, -5.22

 

CMYK 100 / 0 / 7 / 53

HEX #007870

RGB 0 120 112

HSL 176, 1%, 0.24%

LAB 45.09, -30.11, -3.71

 

CMYK 99 / 0 / 2 / 25

HEX #01BFBB

RGB 1 191 187

HSL 178.74, 0.99%, 0.38%

LAB 70.07, -39.86, -9.36

 

CMYK 99 / 0 / 29 / 25

HEX #01BF88

RGB 1 191 136

HSL 162.63, 0.99%, 0.38%

LAB 68.78, -53.48, 16.6

 

CMYK 99 / 0 / 55 / 25

HEX #01BF55

RGB 1 191 85

HSL 146.53, 0.99%, 0.38%

LAB 67.96, -63.12, 41.83

 

CMYK 99 / 0 / 82 / 25

HEX #01BF22

RGB 1 191 34

HSL 130.42, 0.99%, 0.38%

LAB 67.56, -68.18, 61.26

 

CMYK 90 / 0 / 99 / 25

HEX #14BF01

RGB 20 191 1

HSL 114, 0.99%, 0.38%

LAB 67.59, -68.31, 66.95

 

CMYK 99 / 0 / 2 / 25

HEX #01BFBB

RGB 1 191 187

HSL 178.74, 0.99%, 0.38%

LAB 70.07, -39.86, -9.36

 

CMYK 99 / 25 / 0 / 25

HEX #0190BF

RGB 1 144 191

HSL 194.84, 0.99%, 0.38%

LAB 55.8, -15.15, -33.38

 

CMYK 99 / 51 / 0 / 25

HEX #015DBF

RGB 1 93 191

HSL 210.95, 0.99%, 0.38%

LAB 40.57, 15.96, -57.61

 

CMYK 99 / 78 / 0 / 25

HEX #012ABF

RGB 1 42 191

HSL 227.05, 0.99%, 0.38%

LAB 27.91, 48.68, -78.38

 

CMYK 99 / 99 / 0 / 25

HEX #0101BF

RGB 1 1 191

HSL 240, 0.99%, 0.38%

LAB 22.96, 63.5, -86.63

 

CMYK 99 / 0 / 2 / 25

HEX #01BFBB

RGB 1 191 187

HSL 178.74, 0.99%, 0.38%

LAB 70.07, -39.86, -9.36

 

CMYK 99 / 0 / 2 / 25

HEX #01BFBB

RGB 1 191 187

HSL 178.74, 0.99%, 0.38%

LAB 70.07, -39.86, -9.36

 

CMYK 90 / 0 / 2 / 31

HEX #11B0AC

RGB 17 176 172

HSL 178.49, 0.82%, 0.38%

LAB 65.08, -36.99, -8.51

 

CMYK 79 / 0 / 2 / 37

HEX #21A09D

RGB 33 160 157

HSL 178.58, 0.66%, 0.38%

LAB 59.8, -32.91, -7.95

 

CMYK 67 / 0 / 1 / 44

HEX #30908E

RGB 48 144 142

HSL 178.75, 0.5%, 0.38%

LAB 54.58, -27.73, -7.12

 

CMYK 50 / 0 / 2 / 49

HEX #40817F

RGB 64 129 127

HSL 178.15, 0.34%, 0.38%

LAB 49.89, -21.22, -5.32

 

CMYK 99 / 0 / 56 / 25

HEX #01BF54

RGB 1 191 84

HSL 146.21, 0.99%, 0.38%

LAB 67.95, -63.27, 42.29

 

CMYK 99 / 0 / 30 / 25

HEX #01BF86

RGB 1 191 134

HSL 162, 0.99%, 0.38%

LAB 68.74, -53.94, 17.62

 

CMYK 99 / 0 / 3 / 25

HEX #01BFB9

RGB 1 191 185

HSL 178.11, 0.99%, 0.38%

LAB 70.02, -40.45, -8.35

 

CMYK 99 / 23 / 0 / 25

HEX #0193BF

RGB 1 147 191

HSL 193.89, 0.99%, 0.38%

LAB 56.72, -16.79, -31.95

 

CMYK 99 / 50 / 0 / 25

HEX #0160BF

RGB 1 96 191

HSL 210, 0.99%, 0.38%

LAB 41.43, 13.98, -56.22

 

CMYK 99 / 0 / 3 / 57

HEX #016E6B

RGB 1 110 107

HSL 178.35, 0.98%, 0.22%

LAB 41.56, -26.81, -5.93

 

CMYK 99 / 0 / 3 / 41

HEX #019793

RGB 1 151 147

HSL 178.4, 0.99%, 0.3%

LAB 56.33, -33.73, -7.45

 

CMYK 99 / 0 / 2 / 25

HEX #01BFBB

RGB 1 191 187

HSL 178.74, 0.99%, 0.38%

LAB 70.07, -39.86, -9.36

 

CMYK 99 / 0 / 2 / 9

HEX #02E8E3

RGB 2 232 227

HSL 178.7, 0.98%, 0.46%

LAB 83.59, -46.17, -10.73

 

CMYK 91 / 0 / 2 / 1

HEX #17FCF7

RGB 23 252 247

HSL 178.69, 0.97%, 0.54%

LAB 90.1, -48.51, -11.49

 

CMYK 99 / 0 / 2 / 25

HEX #02C0BC

RGB 2 192 188

HSL 178.74, 0.98%, 0.38%

LAB 70.42, -39.98, -9.4

 

CMYK 83 / 99 / 0 / 25

HEX #2101BF

RGB 33 1 191

HSL 250.11, 0.99%, 0.38%

LAB 24.02, 63.87, -84.84

 

CMYK 0 / 43 / 99 / 25

HEX #BF6D01

RGB 191 109 1

HSL 34.11, 0.99%, 0.38%

LAB 54.04, 26.61, 61.33

 

CMYK 99 / 0 / 2 / 25

HEX #02C0BC

RGB 2 192 188

HSL 178.74, 0.98%, 0.38%

LAB 70.42, -39.98, -9.4

 

CMYK 3 / 99 / 0 / 25

HEX #B901BF

RGB 185 1 191

HSL 298.11, 0.99%, 0.38%

LAB 44.37, 78.01, -50.68

 

CMYK 0 / 3 / 99 / 25

HEX #BFB901

RGB 191 185 1

HSL 58.11, 0.99%, 0.38%

LAB 73.4, -14.31, 74.72

 

CMYK 99 / 0 / 2 / 25

HEX #02C0BC

RGB 2 192 188

HSL 178.74, 0.98%, 0.38%

LAB 70.42, -39.98, -9.4

 

CMYK 83 / 99 / 0 / 25

HEX #2101BF

RGB 33 1 191

HSL 250.11, 0.99%, 0.38%

LAB 24.02, 63.87, -84.84

 

CMYK 0 / 99 / 96 / 25

HEX #BF0108

RGB 191 1 8

HSL 357.79, 0.99%, 0.38%

LAB 39.77, 64.44, 51.17

 

CMYK 16 / 0 / 99 / 25

HEX #A0BF01

RGB 160 191 1

HSL 69.79, 0.99%, 0.38%

LAB 72.72, -30.51, 73.16

 

CMYK 99 / 0 / 2 / 25

HEX #02C0BC

RGB 2 192 188

HSL 178.74, 0.98%, 0.38%

LAB 70.42, -39.98, -9.4

 

CMYK 53 / 99 / 0 / 25

HEX #5A01BF

RGB 90 1 191

HSL 268.11, 0.99%, 0.38%

LAB 29.3, 66.45, -75.9

 

CMYK 0 / 99 / 96 / 25

HEX #BF0108

RGB 191 1 8

HSL 357.79, 0.99%, 0.38%

LAB 39.77, 64.44, 51.17

 

CMYK 46 / 0 / 99 / 25

HEX #67BF01

RGB 103 191 1

HSL 87.79, 0.99%, 0.38%

LAB 69.57, -51.82, 69.37

 

Description

Color code: RGB 2 192 188 | qconv.com Color code: RGB 2 192 188 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 192 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 192 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 2 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 2% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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