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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 2 131 217 it is the complementary color RGB 253 124 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 2 131 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 2 131 217 shade: RGB 7 131 212, RGB 24 149 231, RGB 41 167 250, RGB 58 185 255 and RGB 75 203 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 2 131 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 2 131 217 shade: RGB 2 131 217, RGB 0 113 198, RGB 0 95 179, RGB 0 77 160 and RGB 0 59 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 2 131 217 shade: RGB 2 131 217, RGB 2 73 217, RGB 2 15 217, RGB 47 2 217 and RGB 105 2 217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 2 131 217 shade: RGB 2 131 217, RGB 2 73 217, RGB 2 15 217 and RGB 2 2 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 2 131 217 shade matches the following richer shades: RGB 2 131 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 2 131 217 shade: RGB 2 131 217, RGB 19 127 199, RGB 37 124 181, RGB 55 120 163 and RGB 73 116 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 2 131 217 shade: RGB 2 217 188, RGB 2 188 217, RGB 2 131 217, RGB 2 73 217 and RGB 2 16 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 2 131 217 shade: RGB 1 81 135, RGB 1 106 176, RGB 2 131 217, RGB 8 154 252 and RGB 48 171 252

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 2 131 217 shade: RGB 2 131 217, RGB 131 2 217 and RGB 217 217 2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 2 131 217 shade: RGB 2 131 217, RGB 217 2 131 and RGB 131 217 2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 2 131 217 shade: RGB 2 131 217, RGB 131 2 217, RGB 217 88 2 and RGB 88 217 2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 2 131 217 shade: RGB 2 131 217, RGB 195 2 217, RGB 217 88 2 and RGB 23 217 2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 40 / 0 / 15

HEX #0283D9

RGB 2 131 217

HSL 204, 0.98%, 0.43%

LAB 53.23, 2.26, -52.15

 

Complementary color

CMYK 0 / 51 / 85 / 1

HEX #FD7C26

RGB 253 124 38

HSL 24, 0.98%, 0.57%

LAB 66.09, 44.52, 64.83

 

CMYK 97 / 38 / 0 / 17

HEX #0783D4

RGB 7 131 212

HSL 203.71, 0.94%, 0.43%

LAB 52.98, 0.49, -49.71

 

CMYK 90 / 35 / 0 / 9

HEX #1895E7

RGB 24 149 231

HSL 203.77, 0.81%, 0.5%

LAB 59.4, -2.3, -50.14

 

CMYK 84 / 33 / 0 / 2

HEX #29A7FA

RGB 41 167 250

HSL 203.83, 0.95%, 0.57%

LAB 65.76, -4.61, -50.49

 

CMYK 77 / 27 / 0 / 0

HEX #3AB9FF

RGB 58 185 255

HSL 201.32, 1%, 0.61%

LAB 71.43, -11.3, -44.25

 

CMYK 71 / 20 / 0 / 0

HEX #4BCBFF

RGB 75 203 255

HSL 197.33, 1%, 0.65%

LAB 76.94, -18.83, -35.65

 

CMYK 99 / 40 / 0 / 15

HEX #0283D9

RGB 2 131 217

HSL 204, 0.98%, 0.43%

LAB 53.23, 2.26, -52.15

 

CMYK 100 / 43 / 0 / 22

HEX #0071C6

RGB 0 113 198

HSL 205.76, 1%, 0.39%

LAB 46.83, 5.84, -51.58

 

CMYK 100 / 47 / 0 / 30

HEX #005FB3

RGB 0 95 179

HSL 208.16, 1%, 0.35%

LAB 40.31, 9.7, -51.01

 

CMYK 100 / 52 / 0 / 37

HEX #004DA0

RGB 0 77 160

HSL 211.13, 1%, 0.31%

LAB 33.66, 13.84, -50.46

 

CMYK 100 / 58 / 0 / 45

HEX #003B8D

RGB 0 59 141

HSL 214.89, 1%, 0.28%

LAB 26.88, 18.29, -49.89

 

CMYK 99 / 40 / 0 / 15

HEX #0283D9

RGB 2 131 217

HSL 204, 0.98%, 0.43%

LAB 53.23, 2.26, -52.15

 

CMYK 99 / 66 / 0 / 15

HEX #0249D9

RGB 2 73 217

HSL 220.19, 0.98%, 0.43%

LAB 37.46, 39.37, -77.73

 

CMYK 99 / 93 / 0 / 15

HEX #020FD9

RGB 2 15 217

HSL 236.37, 0.98%, 0.43%

LAB 27.75, 67.18, -93.84

 

CMYK 78 / 99 / 0 / 15

HEX #2F02D9

RGB 47 2 217

HSL 252.56, 0.98%, 0.43%

LAB 28.53, 70.33, -92.5

 

CMYK 52 / 99 / 0 / 15

HEX #6902D9

RGB 105 2 217

HSL 268.74, 0.98%, 0.43%

LAB 34.1, 73.15, -83.08

 

CMYK 99 / 40 / 0 / 15

HEX #0283D9

RGB 2 131 217

HSL 204, 0.98%, 0.43%

LAB 53.23, 2.26, -52.15

 

CMYK 99 / 66 / 0 / 15

HEX #0249D9

RGB 2 73 217

HSL 220.19, 0.98%, 0.43%

LAB 37.46, 39.37, -77.73

 

CMYK 99 / 93 / 0 / 15

HEX #020FD9

RGB 2 15 217

HSL 236.37, 0.98%, 0.43%

LAB 27.75, 67.18, -93.84

 

CMYK 99 / 99 / 0 / 15

HEX #0202D9

RGB 2 2 217

HSL 240, 0.98%, 0.43%

LAB 26.92, 69.74, -95.22

 

CMYK 99 / 40 / 0 / 15

HEX #0283D9

RGB 2 131 217

HSL 204, 0.98%, 0.43%

LAB 53.23, 2.26, -52.15

 

CMYK 99 / 40 / 0 / 15

HEX #0283D9

RGB 2 131 217

HSL 204, 0.98%, 0.43%

LAB 53.23, 2.26, -52.15

 

CMYK 90 / 36 / 0 / 22

HEX #137FC7

RGB 19 127 199

HSL 204, 0.83%, 0.43%

LAB 51.2, -1.63, -45.17

 

CMYK 80 / 31 / 0 / 29

HEX #257CB5

RGB 37 124 181

HSL 203.75, 0.66%, 0.43%

LAB 49.67, -5.21, -37.23

 

CMYK 66 / 26 / 0 / 36

HEX #3778A3

RGB 55 120 163

HSL 203.89, 0.5%, 0.43%

LAB 48.12, -6.76, -29.17

 

CMYK 50 / 21 / 0 / 43

HEX #497492

RGB 73 116 146

HSL 204.66, 0.33%, 0.43%

LAB 46.95, -6.15, -20.92

 

CMYK 99 / 0 / 13 / 15

HEX #02D9BC

RGB 2 217 188

HSL 171.91, 0.98%, 0.43%

LAB 78.03, -50.68, 1.82

 

CMYK 99 / 13 / 0 / 15

HEX #02BCD9

RGB 2 188 217

HSL 188.09, 0.98%, 0.43%

LAB 70.17, -28.98, -25.63

 

CMYK 99 / 40 / 0 / 15

HEX #0283D9

RGB 2 131 217

HSL 204, 0.98%, 0.43%

LAB 53.23, 2.26, -52.15

 

CMYK 99 / 66 / 0 / 15

HEX #0249D9

RGB 2 73 217

HSL 220.19, 0.98%, 0.43%

LAB 37.46, 39.37, -77.73

 

CMYK 99 / 93 / 0 / 15

HEX #0210D9

RGB 2 16 217

HSL 236.09, 0.98%, 0.43%

LAB 27.83, 66.94, -93.71

 

CMYK 99 / 40 / 0 / 47

HEX #015187

RGB 1 81 135

HSL 204.18, 0.99%, 0.27%

LAB 33.22, 0.64, -35.96

 

CMYK 99 / 40 / 0 / 31

HEX #016AB0

RGB 1 106 176

HSL 204, 0.99%, 0.35%

LAB 43.43, 1.46, -44.25

 

CMYK 99 / 40 / 0 / 15

HEX #0283D9

RGB 2 131 217

HSL 204, 0.98%, 0.43%

LAB 53.23, 2.26, -52.15

 

CMYK 97 / 39 / 0 / 1

HEX #089AFC

RGB 8 154 252

HSL 204.1, 0.98%, 0.51%

LAB 61.82, 2.06, -57.86

 

CMYK 81 / 32 / 0 / 1

HEX #30ABFC

RGB 48 171 252

HSL 203.82, 0.97%, 0.59%

LAB 67.11, -5.58, -49.43

 

CMYK 99 / 40 / 0 / 15

HEX #0283D9

RGB 2 131 217

HSL 204, 0.98%, 0.43%

LAB 53.23, 2.26, -52.15

 

CMYK 40 / 99 / 0 / 15

HEX #8302D9

RGB 131 2 217

HSL 276, 0.98%, 0.43%

LAB 37.62, 75.42, -77.15

 

CMYK 0 / 0 / 99 / 15

HEX #D9D902

RGB 217 217 2

HSL 60, 0.98%, 0.43%

LAB 84.16, -19.07, 83.47

 

CMYK 99 / 40 / 0 / 15

HEX #0283D9

RGB 2 131 217

HSL 204, 0.98%, 0.43%

LAB 53.23, 2.26, -52.15

 

CMYK 0 / 99 / 40 / 15

HEX #D90283

RGB 217 2 131

HSL 324, 0.98%, 0.43%

LAB 47.54, 76.6, -9.42

 

CMYK 40 / 0 / 99 / 15

HEX #83D902

RGB 131 217 2

HSL 84, 0.98%, 0.43%

LAB 78.73, -52.73, 76.96

 

CMYK 99 / 40 / 0 / 15

HEX #0283D9

RGB 2 131 217

HSL 204, 0.98%, 0.43%

LAB 53.23, 2.26, -52.15

 

CMYK 40 / 99 / 0 / 15

HEX #8302D9

RGB 131 2 217

HSL 276, 0.98%, 0.43%

LAB 37.62, 75.42, -77.15

 

CMYK 0 / 59 / 99 / 15

HEX #D95802

RGB 217 88 2

HSL 24, 0.98%, 0.43%

LAB 53.75, 47.63, 62.95

 

CMYK 59 / 0 / 99 / 15

HEX #58D902

RGB 88 217 2

HSL 96, 0.98%, 0.43%

LAB 77.1, -65.29, 74.99

 

CMYK 99 / 40 / 0 / 15

HEX #0283D9

RGB 2 131 217

HSL 204, 0.98%, 0.43%

LAB 53.23, 2.26, -52.15

 

CMYK 10 / 99 / 0 / 15

HEX #C302D9

RGB 195 2 217

HSL 293.86, 0.98%, 0.43%

LAB 47.82, 83.46, -60.08

 

CMYK 0 / 59 / 99 / 15

HEX #D95802

RGB 217 88 2

HSL 24, 0.98%, 0.43%

LAB 53.75, 47.63, 62.95

 

CMYK 89 / 0 / 99 / 15

HEX #17D902

RGB 23 217 2

HSL 114.14, 0.98%, 0.43%

LAB 75.95, -75.24, 73.59

 

Description

Color code: RGB 2 131 217 | qconv.com Color code: RGB 2 131 217 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 131 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 131 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 40 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 40% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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