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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 0 190 it is the complementary color RGB 222 255 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 0 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 0 190 shade: RGB 38 0 185, RGB 55 18 204, RGB 72 36 223, RGB 89 54 242 and RGB 106 72 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 0 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 0 190 shade: RGB 33 0 190, RGB 16 0 171, RGB 0 0 152, RGB 0 0 133 and RGB 0 0 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 0 190 shade: RGB 32 0 188, RGB 83 0 188, RGB 134 0 188, RGB 185 0 188 and RGB 188 0 141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 0 190 shade: RGB 32 0 188 and RGB 0 0 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 0 190 shade matches the following richer shades: RGB 32 0 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 0 190 shade: RGB 32 0 188, RGB 42 15 173, RGB 52 30 158, RGB 62 45 142 and RGB 72 61 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 0 190 shade: RGB 0 69 188, RGB 0 18 188, RGB 31 0 188, RGB 81 0 188 and RGB 132 0 188

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 0 190 shade: RGB 18 0 106, RGB 25 0 147, RGB 32 0 188, RGB 39 0 229 and RGB 57 16 255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 0 190 shade: RGB 33 0 190, RGB 188 0 119 and RGB 44 188 0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 0 190 shade: RGB 33 0 190, RGB 188 31 0 and RGB 0 188 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 0 190 shade: RGB 33 0 190, RGB 188 0 119, RGB 157 188 0 and RGB 0 188 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 0 190 shade: RGB 33 0 190, RGB 188 0 62, RGB 157 188 0 and RGB 0 188 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 100 / 0 / 25

HEX #2100BE

RGB 33 0 190

HSL 250.42, 1%, 0.37%

LAB 23.81, 63.84, -84.6

 

Complementary color

CMYK 13 / 0 / 75 / 0

HEX #DEFF41

RGB 222 255 65

HSL 70.42, 1%, 0.63%

LAB 94.92, -33.48, 80.76

 

CMYK 79 / 100 / 0 / 27

HEX #2600B9

RGB 38 0 185

HSL 252.32, 1%, 0.36%

LAB 23.39, 62.72, -82.32

 

CMYK 73 / 91 / 0 / 20

HEX #3712CC

RGB 55 18 204

HSL 251.94, 0.84%, 0.44%

LAB 28.39, 64.21, -85.16

 

CMYK 68 / 84 / 0 / 13

HEX #4824DF

RGB 72 36 223

HSL 251.55, 0.75%, 0.51%

LAB 33.91, 64.46, -86.94

 

CMYK 63 / 78 / 0 / 5

HEX #5936F2

RGB 89 54 242

HSL 251.17, 0.88%, 0.58%

LAB 39.87, 63.67, -87.85

 

CMYK 58 / 72 / 0 / 0

HEX #6A48FF

RGB 106 72 255

HSL 251.15, 1%, 0.64%

LAB 45.52, 60.68, -85.77

 

CMYK 83 / 100 / 0 / 25

HEX #2100BE

RGB 33 0 190

HSL 250.42, 1%, 0.37%

LAB 23.81, 63.84, -84.6

 

CMYK 91 / 100 / 0 / 33

HEX #1000AB

RGB 16 0 171

HSL 245.61, 1%, 0.34%

LAB 20.24, 58.84, -79.2

 

CMYK 100 / 100 / 0 / 40

HEX #000098

RGB 0 0 152

HSL 240, 1%, 0.3%

LAB 16.83, 53.83, -73.31

 

CMYK 100 / 100 / 0 / 48

HEX #000085

RGB 0 0 133

HSL 240, 1%, 0.26%

LAB 13.79, 48.84, -66.52

 

CMYK 100 / 100 / 0 / 55

HEX #000072

RGB 0 0 114

HSL 240, 1%, 0.22%

LAB 10.67, 43.72, -59.55

 

CMYK 83 / 100 / 0 / 26

HEX #2000BC

RGB 32 0 188

HSL 250.21, 1%, 0.37%

LAB 23.47, 63.33, -83.99

 

CMYK 56 / 100 / 0 / 26

HEX #5300BC

RGB 83 0 188

HSL 266.49, 1%, 0.37%

LAB 28.03, 65.45, -76.26

 

CMYK 29 / 100 / 0 / 26

HEX #8600BC

RGB 134 0 188

HSL 282.77, 1%, 0.37%

LAB 35.4, 70.34, -63.87

 

CMYK 2 / 100 / 0 / 26

HEX #B900BC

RGB 185 0 188

HSL 299.04, 1%, 0.37%

LAB 44.15, 77.65, -49.27

 

CMYK 0 / 100 / 25 / 26

HEX #BC008D

RGB 188 0 141

HSL 315, 1%, 0.37%

LAB 42.18, 71.92, -24.23

 

CMYK 83 / 100 / 0 / 26

HEX #2000BC

RGB 32 0 188

HSL 250.21, 1%, 0.37%

LAB 23.47, 63.33, -83.99

 

CMYK 100 / 100 / 0 / 26

HEX #0000BC

RGB 0 0 188

HSL 240, 1%, 0.37%

LAB 22.41, 62.98, -85.78

 

CMYK 83 / 100 / 0 / 26

HEX #2000BC

RGB 32 0 188

HSL 250.21, 1%, 0.37%

LAB 23.47, 63.33, -83.99

 

CMYK 83 / 100 / 0 / 26

HEX #2000BC

RGB 32 0 188

HSL 250.21, 1%, 0.37%

LAB 23.47, 63.33, -83.99

 

CMYK 76 / 91 / 0 / 32

HEX #2A0FAD

RGB 42 15 173

HSL 250.25, 0.84%, 0.37%

LAB 23.17, 56.22, -75.49

 

CMYK 67 / 81 / 0 / 38

HEX #341E9E

RGB 52 30 158

HSL 250.31, 0.68%, 0.37%

LAB 24.09, 46.8, -64.85

 

CMYK 56 / 68 / 0 / 44

HEX #3E2D8E

RGB 62 45 142

HSL 250.52, 0.52%, 0.37%

LAB 26.31, 34.96, -51.31

 

CMYK 43 / 52 / 0 / 50

HEX #483D7F

RGB 72 61 127

HSL 250, 0.35%, 0.37%

LAB 30.03, 22.28, -35.93

 

CMYK 100 / 63 / 0 / 26

HEX #0045BC

RGB 0 69 188

HSL 217.98, 1%, 0.37%

LAB 33.75, 30.74, -66.98

 

CMYK 100 / 90 / 0 / 26

HEX #0012BC

RGB 0 18 188

HSL 234.26, 1%, 0.37%

LAB 23.88, 58.45, -83.32

 

CMYK 84 / 100 / 0 / 26

HEX #1F00BC

RGB 31 0 188

HSL 249.89, 1%, 0.37%

LAB 23.41, 63.31, -84.08

 

CMYK 57 / 100 / 0 / 26

HEX #5100BC

RGB 81 0 188

HSL 265.85, 1%, 0.37%

LAB 27.79, 65.31, -76.67

 

CMYK 30 / 100 / 0 / 26

HEX #8400BC

RGB 132 0 188

HSL 282.13, 1%, 0.37%

LAB 35.08, 70.1, -64.41

 

CMYK 83 / 100 / 0 / 58

HEX #12006A

RGB 18 0 106

HSL 250.19, 1%, 0.21%

LAB 10.33, 41.87, -54.85

 

CMYK 83 / 100 / 0 / 42

HEX #190093

RGB 25 0 147

HSL 250.2, 1%, 0.29%

LAB 17.05, 52.87, -69.82

 

CMYK 83 / 100 / 0 / 26

HEX #2000BC

RGB 32 0 188

HSL 250.21, 1%, 0.37%

LAB 23.47, 63.33, -83.99

 

CMYK 83 / 100 / 0 / 10

HEX #2700E5

RGB 39 0 229

HSL 250.22, 1%, 0.45%

LAB 29.63, 73.38, -97.57

 

CMYK 78 / 94 / 0 / 0

HEX #3910FF

RGB 57 16 255

HSL 250.29, 1%, 0.53%

LAB 34.92, 77.51, -103.44

 

CMYK 83 / 100 / 0 / 25

HEX #2100BE

RGB 33 0 190

HSL 250.42, 1%, 0.37%

LAB 23.81, 63.84, -84.6

 

CMYK 0 / 100 / 37 / 26

HEX #BC0077

RGB 188 0 119

HSL 322.02, 1%, 0.37%

LAB 41.25, 69.55, -12.07

 

CMYK 77 / 0 / 100 / 26

HEX #2CBC00

RGB 44 188 0

HSL 105.96, 1%, 0.37%

LAB 66.9, -64.87, 66.65

 

CMYK 83 / 100 / 0 / 25

HEX #2100BE

RGB 33 0 190

HSL 250.42, 1%, 0.37%

LAB 23.81, 63.84, -84.6

 

CMYK 0 / 84 / 100 / 26

HEX #BC1F00

RGB 188 31 0

HSL 9.89, 1%, 0.37%

LAB 40.69, 59.02, 54.06

 

CMYK 100 / 0 / 84 / 26

HEX #00BC1F

RGB 0 188 31

HSL 129.89, 1%, 0.37%

LAB 66.57, -67.55, 61.12

 

CMYK 83 / 100 / 0 / 25

HEX #2100BE

RGB 33 0 190

HSL 250.42, 1%, 0.37%

LAB 23.81, 63.84, -84.6

 

CMYK 0 / 100 / 37 / 26

HEX #BC0077

RGB 188 0 119

HSL 322.02, 1%, 0.37%

LAB 41.25, 69.55, -12.07

 

CMYK 16 / 0 / 100 / 26

HEX #9DBC00

RGB 157 188 0

HSL 69.89, 1%, 0.37%

LAB 71.65, -30.36, 72.37

 

CMYK 100 / 0 / 63 / 26

HEX #00BC45

RGB 0 188 69

HSL 142.02, 1%, 0.37%

LAB 66.82, -64.34, 47.85

 

CMYK 83 / 100 / 0 / 25

HEX #2100BE

RGB 33 0 190

HSL 250.42, 1%, 0.37%

LAB 23.81, 63.84, -84.6

 

CMYK 0 / 100 / 67 / 26

HEX #BC003E

RGB 188 0 62

HSL 340.21, 1%, 0.37%

LAB 39.65, 65.31, 21.79

 

CMYK 16 / 0 / 100 / 26

HEX #9DBC00

RGB 157 188 0

HSL 69.89, 1%, 0.37%

LAB 71.65, -30.36, 72.37

 

CMYK 100 / 0 / 34 / 26

HEX #00BC7D

RGB 0 188 125

HSL 159.89, 1%, 0.37%

LAB 67.61, -54.87, 20.9

 

Description

Color code: RGB 33 0 190 | qconv.com Color code: RGB 33 0 190 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, none green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 0 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 100 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 100% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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