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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 190 30 it is the complementary color RGB 222 65 225. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 190 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 190 30 shade: RGB 38 190 25, RGB 55 208 44, RGB 72 226 63, RGB 89 244 82 and RGB 106 255 101

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 190 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 190 30 shade: RGB 33 190 30, RGB 16 172 11, RGB 0 154 0, RGB 0 136 0 and RGB 0 118 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 190 30 shade: RGB 32 189 29, RGB 75 189 29, RGB 118 189 29, RGB 162 189 29 and RGB 189 174 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 190 30 shade: RGB 32 189 29, RGB 29 189 69, RGB 29 189 112, RGB 29 189 156 and RGB 29 180 189

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 190 30 shade matches the following richer shades: RGB 32 189 29 and RGB 15 207 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 190 30 shade: RGB 32 189 29, RGB 49 171 47, RGB 66 154 65, RGB 83 136 82 and RGB 100 118 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 190 30 shade: RGB 120 189 29, RGB 77 189 29, RGB 34 189 29, RGB 29 189 66 and RGB 29 189 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 190 30 shade: RGB 20 118 18, RGB 26 154 24, RGB 32 189 29, RGB 42 221 39 and RGB 77 226 74

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 190 30 shade: RGB 33 190 30, RGB 29 163 189 and RGB 189 29 98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 190 30 shade: RGB 33 190 30, RGB 29 34 189 and RGB 189 29 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 190 30 shade: RGB 33 190 30, RGB 29 163 189, RGB 184 29 189 and RGB 189 56 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 190 30 shade: RGB 33 190 30, RGB 29 114 189, RGB 184 29 189 and RGB 189 104 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 84 / 25

HEX #21BE1E

RGB 33 190 30

HSL 118.88, 0.73%, 0.43%

LAB 67.46, -65.98, 62.27

 

Complementary color

CMYK 1 / 71 / 0 / 12

HEX #DE41E1

RGB 222 65 225

HSL 298.88, 0.73%, 0.57%

LAB 56.83, 77.53, -49.96

 

CMYK 80 / 0 / 87 / 25

HEX #26BE19

RGB 38 190 25

HSL 115.27, 0.77%, 0.42%

LAB 67.51, -65.62, 63.48

 

CMYK 74 / 0 / 79 / 18

HEX #37D02C

RGB 55 208 44

HSL 115.98, 0.65%, 0.49%

LAB 73.61, -67.69, 64.31

 

CMYK 68 / 0 / 72 / 11

HEX #48E23F

RGB 72 226 63

HSL 116.69, 0.74%, 0.57%

LAB 79.69, -69.14, 64.24

 

CMYK 64 / 0 / 66 / 4

HEX #59F452

RGB 89 244 82

HSL 117.41, 0.88%, 0.64%

LAB 85.72, -70.14, 63.63

 

CMYK 58 / 0 / 60 / 0

HEX #6AFF65

RGB 106 255 101

HSL 118.05, 1%, 0.7%

LAB 89.64, -68.39, 60.38

 

CMYK 83 / 0 / 84 / 25

HEX #21BE1E

RGB 33 190 30

HSL 118.88, 0.73%, 0.43%

LAB 67.46, -65.98, 62.27

 

CMYK 91 / 0 / 94 / 33

HEX #10AC0B

RGB 16 172 11

HSL 118.14, 0.88%, 0.36%

LAB 61.34, -63.01, 60.57

 

CMYK 100 / 0 / 100 / 40

HEX #009A00

RGB 0 154 0

HSL 120, 1%, 0.3%

LAB 55.19, -59.14, 57.08

 

CMYK 100 / 0 / 100 / 47

HEX #008800

RGB 0 136 0

HSL 120, 1%, 0.27%

LAB 49.02, -54.02, 52.13

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 83 / 0 / 85 / 26

HEX #20BD1D

RGB 32 189 29

HSL 118.88, 0.73%, 0.43%

LAB 67.12, -65.84, 62.2

 

CMYK 60 / 0 / 85 / 26

HEX #4BBD1D

RGB 75 189 29

HSL 102.75, 0.73%, 0.43%

LAB 68.01, -58.29, 63.33

 

CMYK 38 / 0 / 85 / 26

HEX #76BD1D

RGB 118 189 29

HSL 86.63, 0.73%, 0.43%

LAB 69.71, -45.31, 65.49

 

CMYK 14 / 0 / 85 / 26

HEX #A2BD1D

RGB 162 189 29

HSL 70.13, 0.73%, 0.43%

LAB 72.34, -28.22, 68.78

 

CMYK 0 / 8 / 85 / 26

HEX #BDAE1D

RGB 189 174 29

HSL 54.38, 0.73%, 0.43%

LAB 70.3, -9.08, 67.94

 

CMYK 83 / 0 / 85 / 26

HEX #20BD1D

RGB 32 189 29

HSL 118.88, 0.73%, 0.43%

LAB 67.12, -65.84, 62.2

 

CMYK 85 / 0 / 63 / 26

HEX #1DBD45

RGB 29 189 69

HSL 135, 0.73%, 0.43%

LAB 67.34, -62.94, 48.48

 

CMYK 85 / 0 / 41 / 26

HEX #1DBD70

RGB 29 189 112

HSL 151.13, 0.73%, 0.43%

LAB 67.89, -56.35, 28.2

 

CMYK 85 / 0 / 17 / 26

HEX #1DBD9C

RGB 29 189 156

HSL 167.63, 0.73%, 0.43%

LAB 68.79, -46.39, 5.77

 

CMYK 85 / 5 / 0 / 26

HEX #1DB4BD

RGB 29 180 189

HSL 183.38, 0.73%, 0.43%

LAB 66.96, -32.95, -15.11

 

CMYK 83 / 0 / 85 / 26

HEX #20BD1D

RGB 32 189 29

HSL 118.88, 0.73%, 0.43%

LAB 67.12, -65.84, 62.2

 

CMYK 93 / 0 / 95 / 19

HEX #0FCF0B

RGB 15 207 11

HSL 118.78, 0.9%, 0.43%

LAB 72.73, -72.82, 70.04

 

CMYK 83 / 0 / 85 / 26

HEX #20BD1D

RGB 32 189 29

HSL 118.88, 0.73%, 0.43%

LAB 67.12, -65.84, 62.2

 

CMYK 71 / 0 / 73 / 33

HEX #31AB2F

RGB 49 171 47

HSL 119.03, 0.57%, 0.43%

LAB 61.64, -56.62, 51.46

 

CMYK 57 / 0 / 58 / 40

HEX #429A41

RGB 66 154 65

HSL 119.33, 0.41%, 0.43%

LAB 56.73, -44.78, 38.34

 

CMYK 39 / 0 / 40 / 47

HEX #538852

RGB 83 136 82

HSL 118.89, 0.25%, 0.43%

LAB 51.9, -29.28, 23.58

 

CMYK 15 / 0 / 15 / 54

HEX #647664

RGB 100 118 100

HSL 120, 0.08%, 0.43%

LAB 47.73, -10.44, 7.71

 

CMYK 37 / 0 / 85 / 26

HEX #78BD1D

RGB 120 189 29

HSL 85.88, 0.73%, 0.43%

LAB 69.81, -44.6, 65.61

 

CMYK 59 / 0 / 85 / 26

HEX #4DBD1D

RGB 77 189 29

HSL 102, 0.73%, 0.43%

LAB 68.07, -57.8, 63.41

 

CMYK 82 / 0 / 85 / 26

HEX #22BD1D

RGB 34 189 29

HSL 118.13, 0.73%, 0.43%

LAB 67.14, -65.62, 62.24

 

CMYK 85 / 0 / 65 / 26

HEX #1DBD42

RGB 29 189 66

HSL 133.88, 0.73%, 0.43%

LAB 67.31, -63.27, 49.75

 

CMYK 85 / 0 / 42 / 26

HEX #1DBD6D

RGB 29 189 109

HSL 150, 0.73%, 0.43%

LAB 67.84, -56.91, 29.7

 

CMYK 83 / 0 / 85 / 54

HEX #147612

RGB 20 118 18

HSL 118.8, 0.74%, 0.27%

LAB 42.99, -45.92, 43.04

 

CMYK 83 / 0 / 84 / 40

HEX #1A9A18

RGB 26 154 24

HSL 119.08, 0.73%, 0.35%

LAB 55.48, -56.25, 52.88

 

CMYK 83 / 0 / 85 / 26

HEX #20BD1D

RGB 32 189 29

HSL 118.88, 0.73%, 0.43%

LAB 67.12, -65.84, 62.2

 

CMYK 81 / 0 / 82 / 13

HEX #2ADD27

RGB 42 221 39

HSL 119.01, 0.73%, 0.51%

LAB 77.49, -73.57, 69.21

 

CMYK 66 / 0 / 67 / 11

HEX #4DE24A

RGB 77 226 74

HSL 118.82, 0.72%, 0.59%

LAB 79.88, -67.28, 60.39

 

CMYK 83 / 0 / 84 / 25

HEX #21BE1E

RGB 33 190 30

HSL 118.88, 0.73%, 0.43%

LAB 67.46, -65.98, 62.27

 

CMYK 85 / 14 / 0 / 26

HEX #1DA3BD

RGB 29 163 189

HSL 189.75, 0.73%, 0.43%

LAB 61.77, -24.58, -23.01

 

CMYK 0 / 85 / 48 / 26

HEX #BD1D62

RGB 189 29 98

HSL 334.13, 0.73%, 0.43%

LAB 42.12, 63.87, 2.4

 

CMYK 83 / 0 / 84 / 25

HEX #21BE1E

RGB 33 190 30

HSL 118.88, 0.73%, 0.43%

LAB 67.46, -65.98, 62.27

 

CMYK 85 / 82 / 0 / 26

HEX #1D22BD

RGB 29 34 189

HSL 238.13, 0.73%, 0.43%

LAB 26.96, 52.93, -78.76

 

CMYK 0 / 85 / 82 / 26

HEX #BD1D22

RGB 189 29 34

HSL 358.13, 0.73%, 0.43%

LAB 40.92, 60.33, 40.18

 

CMYK 83 / 0 / 84 / 25

HEX #21BE1E

RGB 33 190 30

HSL 118.88, 0.73%, 0.43%

LAB 67.46, -65.98, 62.27

 

CMYK 85 / 14 / 0 / 26

HEX #1DA3BD

RGB 29 163 189

HSL 189.75, 0.73%, 0.43%

LAB 61.77, -24.58, -23.01

 

CMYK 3 / 85 / 0 / 26

HEX #B81DBD

RGB 184 29 189

HSL 298.13, 0.73%, 0.43%

LAB 45.28, 73.98, -48.07

 

CMYK 0 / 70 / 85 / 26

HEX #BD381D

RGB 189 56 29

HSL 10.13, 0.73%, 0.43%

LAB 43.85, 51.88, 45.44

 

CMYK 83 / 0 / 84 / 25

HEX #21BE1E

RGB 33 190 30

HSL 118.88, 0.73%, 0.43%

LAB 67.46, -65.98, 62.27

 

CMYK 85 / 40 / 0 / 26

HEX #1D72BD

RGB 29 114 189

HSL 208.13, 0.73%, 0.43%

LAB 46.94, 3.12, -46.2

 

CMYK 3 / 85 / 0 / 26

HEX #B81DBD

RGB 184 29 189

HSL 298.13, 0.73%, 0.43%

LAB 45.28, 73.98, -48.07

 

CMYK 0 / 45 / 85 / 26

HEX #BD681D

RGB 189 104 29

HSL 28.13, 0.73%, 0.43%

LAB 52.74, 28.94, 53.16

 

Description

Color code: RGB 33 190 30 | qconv.com Color code: RGB 33 190 30 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 190 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 190 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 84 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 84% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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