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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 33 238 31 it is the complementary color RGB 222 17 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 33 238 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 33 238 31 shade: RGB 38 238 26, RGB 55 255 45, RGB 72 255 64, RGB 89 255 83 and RGB 106 255 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 33 238 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 33 238 31 shade: RGB 33 238 31, RGB 16 220 12, RGB 0 202 0, RGB 0 184 0 and RGB 0 166 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 33 238 31 shade: RGB 34 238 32, RGB 89 238 32, RGB 145 238 32, RGB 200 238 32 and RGB 238 220 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 33 238 31 shade: RGB 34 238 32, RGB 32 238 85, RGB 32 238 141, RGB 32 238 196 and RGB 32 223 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 33 238 31 shade matches the following richer shades: RGB 34 238 32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 33 238 31 shade: RGB 34 238 32, RGB 53 218 51, RGB 72 199 70, RGB 91 180 90 and RGB 110 160 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 33 238 31 shade: RGB 145 238 32, RGB 90 238 32, RGB 35 238 32, RGB 32 238 83 and RGB 32 238 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 33 238 31 shade: RGB 14 174 13, RGB 17 213 16, RGB 34 238 32, RGB 72 241 70 and RGB 110 243 108

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 33 238 31 shade: RGB 33 238 31, RGB 32 200 238 and RGB 238 32 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 33 238 31 shade: RGB 33 238 31, RGB 32 35 238 and RGB 238 32 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 33 238 31 shade: RGB 33 238 31, RGB 32 200 238, RGB 234 32 238 and RGB 238 69 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 33 238 31 shade: RGB 33 238 31, RGB 32 138 238, RGB 234 32 238 and RGB 238 131 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 87 / 7

HEX #21EE1F

RGB 33 238 31

HSL 119.42, 0.86%, 0.53%

LAB 82.68, -79.54, 75.54

 

Complementary color

CMYK 1 / 92 / 0 / 12

HEX #DE11E0

RGB 222 17 224

HSL 299.42, 0.86%, 0.47%

LAB 53.29, 87.48, -55.04

 

CMYK 84 / 0 / 89 / 7

HEX #26EE1A

RGB 38 238 26

HSL 116.6, 0.86%, 0.52%

LAB 82.72, -79.28, 76.47

 

CMYK 78 / 0 / 82 / 0

HEX #37FF2D

RGB 55 255 45

HSL 117.14, 1%, 0.59%

LAB 88.22, -81.5, 77.58

 

CMYK 72 / 0 / 75 / 0

HEX #48FF40

RGB 72 255 64

HSL 117.49, 1%, 0.63%

LAB 88.58, -78.08, 72.78

 

CMYK 65 / 0 / 67 / 0

HEX #59FF53

RGB 89 255 83

HSL 117.91, 1%, 0.66%

LAB 89.05, -73.66, 66.8

 

CMYK 58 / 0 / 60 / 0

HEX #6AFF66

RGB 106 255 102

HSL 118.43, 1%, 0.7%

LAB 89.65, -68.29, 59.96

 

CMYK 86 / 0 / 87 / 7

HEX #21EE1F

RGB 33 238 31

HSL 119.42, 0.86%, 0.53%

LAB 82.68, -79.54, 75.54

 

CMYK 93 / 0 / 95 / 14

HEX #10DC0C

RGB 16 220 12

HSL 118.85, 0.9%, 0.45%

LAB 76.87, -76.27, 73.36

 

CMYK 100 / 0 / 100 / 21

HEX #00CA00

RGB 0 202 0

HSL 120, 1%, 0.4%

LAB 71.04, -72.31, 69.79

 

CMYK 100 / 0 / 100 / 28

HEX #00B800

RGB 0 184 0

HSL 120, 1%, 0.36%

LAB 65.18, -67.45, 65.1

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 86 / 0 / 87 / 7

HEX #22EE20

RGB 34 238 32

HSL 119.42, 0.86%, 0.53%

LAB 82.7, -79.42, 75.37

 

CMYK 63 / 0 / 87 / 7

HEX #59EE20

RGB 89 238 32

HSL 103.4, 0.86%, 0.53%

LAB 83.64, -71.26, 76.56

 

CMYK 39 / 0 / 87 / 7

HEX #91EE20

RGB 145 238 32

HSL 87.09, 0.86%, 0.53%

LAB 85.64, -55.73, 79.06

 

CMYK 16 / 0 / 87 / 7

HEX #C8EE20

RGB 200 238 32

HSL 71.07, 0.86%, 0.53%

LAB 88.7, -35.52, 82.85

 

CMYK 0 / 8 / 87 / 7

HEX #EEDC20

RGB 238 220 32

HSL 54.76, 0.86%, 0.53%

LAB 86.74, -11.27, 82.44

 

CMYK 86 / 0 / 87 / 7

HEX #22EE20

RGB 34 238 32

HSL 119.42, 0.86%, 0.53%

LAB 82.7, -79.42, 75.37

 

CMYK 87 / 0 / 64 / 7

HEX #20EE55

RGB 32 238 85

HSL 135.44, 0.86%, 0.53%

LAB 82.97, -75.86, 59.17

 

CMYK 87 / 0 / 41 / 7

HEX #20EE8D

RGB 32 238 141

HSL 151.75, 0.86%, 0.53%

LAB 83.64, -67.8, 34.1

 

CMYK 87 / 0 / 18 / 7

HEX #20EEC4

RGB 32 238 196

HSL 167.77, 0.86%, 0.53%

LAB 84.71, -55.9, 7.26

 

CMYK 87 / 6 / 0 / 7

HEX #20DFEE

RGB 32 223 238

HSL 184.37, 0.86%, 0.53%

LAB 81.43, -37.87, -19.77

 

CMYK 86 / 0 / 87 / 7

HEX #22EE20

RGB 34 238 32

HSL 119.42, 0.86%, 0.53%

LAB 82.7, -79.42, 75.37

 

CMYK 86 / 0 / 87 / 7

HEX #22EE20

RGB 34 238 32

HSL 119.42, 0.86%, 0.53%

LAB 82.7, -79.42, 75.37

 

CMYK 76 / 0 / 77 / 15

HEX #35DA33

RGB 53 218 51

HSL 119.28, 0.69%, 0.53%

LAB 76.76, -70.6, 65.2

 

CMYK 64 / 0 / 65 / 22

HEX #48C746

RGB 72 199 70

HSL 119.07, 0.54%, 0.53%

LAB 71.33, -59.5, 52.71

 

CMYK 49 / 0 / 50 / 29

HEX #5BB45A

RGB 91 180 90

HSL 119.33, 0.38%, 0.53%

LAB 66.22, -45.17, 37.64

 

CMYK 31 / 0 / 32 / 37

HEX #6EA06D

RGB 110 160 109

HSL 118.82, 0.21%, 0.53%

LAB 61.27, -27.19, 21.42

 

CMYK 39 / 0 / 87 / 7

HEX #91EE20

RGB 145 238 32

HSL 87.09, 0.86%, 0.53%

LAB 85.64, -55.73, 79.06

 

CMYK 62 / 0 / 87 / 7

HEX #5AEE20

RGB 90 238 32

HSL 103.11, 0.86%, 0.53%

LAB 83.67, -71.04, 76.59

 

CMYK 85 / 0 / 87 / 7

HEX #23EE20

RGB 35 238 32

HSL 119.13, 0.86%, 0.53%

LAB 82.71, -79.34, 75.38

 

CMYK 87 / 0 / 65 / 7

HEX #20EE53

RGB 32 238 83

HSL 134.85, 0.86%, 0.53%

LAB 82.96, -76.07, 59.96

 

CMYK 87 / 0 / 42 / 7

HEX #20EE8A

RGB 32 238 138

HSL 150.87, 0.86%, 0.53%

LAB 83.6, -68.34, 35.53

 

CMYK 92 / 0 / 93 / 32

HEX #0EAE0D

RGB 14 174 13

HSL 119.63, 0.86%, 0.37%

LAB 61.99, -63.66, 60.83

 

CMYK 92 / 0 / 92 / 16

HEX #11D510

RGB 17 213 16

HSL 119.7, 0.86%, 0.45%

LAB 74.66, -74.24, 71.06

 

CMYK 86 / 0 / 87 / 7

HEX #22EE20

RGB 34 238 32

HSL 119.42, 0.86%, 0.53%

LAB 82.7, -79.42, 75.37

 

CMYK 70 / 0 / 71 / 5

HEX #48F146

RGB 72 241 70

HSL 119.3, 0.86%, 0.61%

LAB 84.34, -73.34, 66.53

 

CMYK 55 / 0 / 56 / 5

HEX #6EF36C

RGB 110 243 108

HSL 119.11, 0.85%, 0.69%

LAB 86.26, -62.39, 53.45

 

CMYK 86 / 0 / 87 / 7

HEX #21EE1F

RGB 33 238 31

HSL 119.42, 0.86%, 0.53%

LAB 82.68, -79.54, 75.54

 

CMYK 87 / 16 / 0 / 7

HEX #20C8EE

RGB 32 200 238

HSL 191.07, 0.86%, 0.53%

LAB 74.69, -26.88, -30.06

 

CMYK 0 / 87 / 51 / 7

HEX #EE2075

RGB 238 32 117

HSL 335.24, 0.86%, 0.53%

LAB 52.39, 76.71, 6.69

 

CMYK 86 / 0 / 87 / 7

HEX #21EE1F

RGB 33 238 31

HSL 119.42, 0.86%, 0.53%

LAB 82.68, -79.54, 75.54

 

CMYK 87 / 85 / 0 / 7

HEX #2023EE

RGB 32 35 238

HSL 239.13, 0.86%, 0.53%

LAB 33.31, 67.1, -96.57

 

CMYK 0 / 87 / 85 / 7

HEX #EE2023

RGB 238 32 35

HSL 359.13, 0.86%, 0.53%

LAB 51.07, 72.92, 52.54

 

CMYK 86 / 0 / 87 / 7

HEX #21EE1F

RGB 33 238 31

HSL 119.42, 0.86%, 0.53%

LAB 82.68, -79.54, 75.54

 

CMYK 87 / 16 / 0 / 7

HEX #20C8EE

RGB 32 200 238

HSL 191.07, 0.86%, 0.53%

LAB 74.69, -26.88, -30.06

 

CMYK 2 / 87 / 0 / 7

HEX #EA20EE

RGB 234 32 238

HSL 298.83, 0.86%, 0.53%

LAB 56.78, 89.6, -57.24

 

CMYK 0 / 71 / 87 / 7

HEX #EE4520

RGB 238 69 32

HSL 10.78, 0.86%, 0.53%

LAB 54.59, 62.92, 56.74

 

CMYK 86 / 0 / 87 / 7

HEX #21EE1F

RGB 33 238 31

HSL 119.42, 0.86%, 0.53%

LAB 82.68, -79.54, 75.54

 

CMYK 87 / 42 / 0 / 7

HEX #208AEE

RGB 32 138 238

HSL 209.13, 0.86%, 0.53%

LAB 56.74, 7.32, -58.25

 

CMYK 2 / 87 / 0 / 7

HEX #EA20EE

RGB 234 32 238

HSL 298.83, 0.86%, 0.53%

LAB 56.78, 89.6, -57.24

 

CMYK 0 / 45 / 87 / 7

HEX #EE8320

RGB 238 131 32

HSL 28.83, 0.86%, 0.53%

LAB 65.37, 35, 65.35

 

Description

Color code: RGB 33 238 31 | qconv.com Color code: RGB 33 238 31 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 33 red, 238 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
33 238 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 87 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 87% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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