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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 30 255 187 it is the complementary color RGB 225 0 68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 30 255 187. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 30 255 187 shade: RGB 35 255 182, RGB 52 255 201, RGB 69 255 220, RGB 86 255 239 and RGB 103 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 30 255 187. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 30 255 187 shade: RGB 30 255 187, RGB 13 237 168, RGB 0 219 149, RGB 0 201 130 and RGB 0 183 111

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 30 255 187 shade: RGB 30 255 187, RGB 30 255 126, RGB 30 255 66, RGB 55 255 30 and RGB 116 255 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 30 255 187 shade: RGB 30 255 187, RGB 30 255 247, RGB 30 201 255, RGB 30 141 255 and RGB 30 80 255

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 30 255 187 shade matches the following richer shades: RGB 30 255 187

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 30 255 187 shade: RGB 30 255 187, RGB 48 236 180, RGB 66 218 172, RGB 85 200 165 and RGB 103 182 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 30 255 187 shade: RGB 30 255 64, RGB 30 255 124, RGB 30 255 183, RGB 30 255 243 and RGB 30 206 255

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 30 255 187 shade: RGB 0 203 141, RGB 0 244 170, RGB 30 255 187, RGB 71 255 199 and RGB 113 255 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 30 255 187 shade: RGB 30 255 187, RGB 30 56 255 and RGB 255 94 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 30 255 187 shade: RGB 30 255 187, RGB 183 30 255 and RGB 255 183 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 30 255 187 shade: RGB 30 255 187, RGB 30 56 255, RGB 255 30 101 and RGB 255 228 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 30 255 187 shade: RGB 30 255 187, RGB 71 30 255, RGB 255 30 101 and RGB 213 255 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 27 / 0

HEX #1EFFBB

RGB 30 255 187

HSL 161.87, 1%, 0.56%

LAB 89.57, -64.59, 18.8

 

Complementary color

CMYK 0 / 100 / 70 / 12

HEX #E10044

RGB 225 0 68

HSL 341.87, 1%, 0.44%

LAB 47.53, 74.35, 29.61

 

CMYK 86 / 0 / 29 / 0

HEX #23FFB6

RGB 35 255 182

HSL 160.09, 1%, 0.57%

LAB 89.51, -65.39, 21.28

 

CMYK 80 / 0 / 21 / 0

HEX #34FFC9

RGB 52 255 201

HSL 164.04, 1%, 0.6%

LAB 90.08, -59.83, 12.35

 

CMYK 73 / 0 / 14 / 0

HEX #45FFDC

RGB 69 255 220

HSL 168.71, 1%, 0.64%

LAB 90.76, -53.51, 3.55

 

CMYK 66 / 0 / 6 / 0

HEX #56FFEF

RGB 86 255 239

HSL 174.32, 1%, 0.67%

LAB 91.56, -46.53, -5.08

 

CMYK 60 / 0 / 0 / 0

HEX #67FFFF

RGB 103 255 255

HSL 180, 1%, 0.7%

LAB 92.41, -39.79, -12.07

 

CMYK 88 / 0 / 27 / 0

HEX #1EFFBB

RGB 30 255 187

HSL 161.87, 1%, 0.56%

LAB 89.57, -64.59, 18.8

 

CMYK 95 / 0 / 29 / 7

HEX #0DEDA8

RGB 13 237 168

HSL 161.52, 0.9%, 0.49%

LAB 83.69, -62.94, 20.39

 

CMYK 100 / 0 / 32 / 14

HEX #00DB95

RGB 0 219 149

HSL 160.82, 1%, 0.43%

LAB 77.78, -60.94, 22.1

 

CMYK 100 / 0 / 35 / 21

HEX #00C982

RGB 0 201 130

HSL 158.81, 1%, 0.39%

LAB 71.82, -58.52, 23.95

 

CMYK 100 / 0 / 39 / 28

HEX #00B76F

RGB 0 183 111

HSL 156.39, 1%, 0.36%

LAB 65.76, -56, 25.87

 

CMYK 88 / 0 / 27 / 0

HEX #1EFFBB

RGB 30 255 187

HSL 161.87, 1%, 0.56%

LAB 89.57, -64.59, 18.8

 

CMYK 88 / 0 / 51 / 0

HEX #1EFF7E

RGB 30 255 126

HSL 145.6, 1%, 0.56%

LAB 88.59, -75.94, 47.67

 

CMYK 88 / 0 / 74 / 0

HEX #1EFF42

RGB 30 255 66

HSL 129.6, 1%, 0.56%

LAB 88.06, -82.54, 71.46

 

CMYK 78 / 0 / 88 / 0

HEX #37FF1E

RGB 55 255 30

HSL 113.33, 1%, 0.56%

LAB 88.17, -82.08, 80.55

 

CMYK 55 / 0 / 88 / 0

HEX #74FF1E

RGB 116 255 30

HSL 97.07, 1%, 0.56%

LAB 89.55, -70.52, 82.27

 

CMYK 88 / 0 / 27 / 0

HEX #1EFFBB

RGB 30 255 187

HSL 161.87, 1%, 0.56%

LAB 89.57, -64.59, 18.8

 

CMYK 88 / 0 / 3 / 0

HEX #1EFFF7

RGB 30 255 247

HSL 177.87, 1%, 0.56%

LAB 91.01, -49.5, -10.13

 

CMYK 88 / 21 / 0 / 0

HEX #1EC9FF

RGB 30 201 255

HSL 194.4, 1%, 0.56%

LAB 75.62, -21.87, -37.75

 

CMYK 88 / 45 / 0 / 0

HEX #1E8DFF

RGB 30 141 255

HSL 210.4, 1%, 0.56%

LAB 58.55, 11.79, -64.73

 

CMYK 88 / 69 / 0 / 0

HEX #1E50FF

RGB 30 80 255

HSL 226.67, 1%, 0.56%

LAB 43.11, 49.64, -89.88

 

CMYK 88 / 0 / 27 / 0

HEX #1EFFBB

RGB 30 255 187

HSL 161.87, 1%, 0.56%

LAB 89.57, -64.59, 18.8

 

CMYK 88 / 0 / 27 / 0

HEX #1EFFBB

RGB 30 255 187

HSL 161.87, 1%, 0.56%

LAB 89.57, -64.59, 18.8

 

CMYK 80 / 0 / 24 / 7

HEX #30ECB4

RGB 48 236 180

HSL 162.13, 0.83%, 0.56%

LAB 83.92, -57.72, 14.52

 

CMYK 70 / 0 / 21 / 15

HEX #42DAAC

RGB 66 218 172

HSL 161.84, 0.67%, 0.56%

LAB 78.62, -50.29, 11.28

 

CMYK 58 / 0 / 18 / 22

HEX #55C8A5

RGB 85 200 165

HSL 161.74, 0.51%, 0.56%

LAB 73.52, -40.97, 7.81

 

CMYK 43 / 0 / 13 / 29

HEX #67B69E

RGB 103 182 158

HSL 161.77, 0.35%, 0.56%

LAB 68.61, -30.07, 4.66

 

CMYK 88 / 0 / 75 / 0

HEX #1EFF40

RGB 30 255 64

HSL 129.07, 1%, 0.56%

LAB 88.05, -82.68, 72.08

 

CMYK 88 / 0 / 51 / 0

HEX #1EFF7C

RGB 30 255 124

HSL 145.07, 1%, 0.56%

LAB 88.57, -76.23, 48.57

 

CMYK 88 / 0 / 28 / 0

HEX #1EFFB7

RGB 30 255 183

HSL 160.8, 1%, 0.56%

LAB 89.49, -65.47, 20.74

 

CMYK 88 / 0 / 5 / 0

HEX #1EFFF3

RGB 30 255 243

HSL 176.8, 1%, 0.56%

LAB 90.9, -50.61, -8.22

 

CMYK 88 / 19 / 0 / 0

HEX #1ECEFF

RGB 30 206 255

HSL 193.07, 1%, 0.56%

LAB 77.06, -24.41, -35.51

 

CMYK 100 / 0 / 31 / 20

HEX #00CB8D

RGB 0 203 141

HSL 161.67, 1%, 0.4%

LAB 72.65, -56.86, 19.27

 

CMYK 100 / 0 / 30 / 4

HEX #00F4AA

RGB 0 244 170

HSL 161.8, 1%, 0.48%

LAB 85.81, -65.37, 22.27

 

CMYK 88 / 0 / 27 / 0

HEX #1EFFBB

RGB 30 255 187

HSL 161.87, 1%, 0.56%

LAB 89.57, -64.59, 18.8

 

CMYK 72 / 0 / 22 / 0

HEX #47FFC7

RGB 71 255 199

HSL 161.74, 1%, 0.64%

LAB 90.31, -58.24, 13.76

 

CMYK 56 / 0 / 17 / 0

HEX #71FFD4

RGB 113 255 212

HSL 161.83, 1%, 0.72%

LAB 91.59, -48.47, 9.01

 

CMYK 88 / 0 / 27 / 0

HEX #1EFFBB

RGB 30 255 187

HSL 161.87, 1%, 0.56%

LAB 89.57, -64.59, 18.8

 

CMYK 88 / 78 / 0 / 0

HEX #1E38FF

RGB 30 56 255

HSL 233.07, 1%, 0.56%

LAB 38.42, 62.83, -97.65

 

CMYK 0 / 63 / 88 / 0

HEX #FF5E1E

RGB 255 94 30

HSL 17.07, 1%, 0.56%

LAB 61.1, 58.75, 63.79

 

CMYK 88 / 0 / 27 / 0

HEX #1EFFBB

RGB 30 255 187

HSL 161.87, 1%, 0.56%

LAB 89.57, -64.59, 18.8

 

CMYK 28 / 88 / 0 / 0

HEX #B71EFF

RGB 183 30 255

HSL 280.8, 1%, 0.56%

LAB 49.76, 85.05, -78.48

 

CMYK 0 / 28 / 88 / 0

HEX #FFB71E

RGB 255 183 30

HSL 40.8, 1%, 0.56%

LAB 79.17, 14.88, 77.58

 

CMYK 88 / 0 / 27 / 0

HEX #1EFFBB

RGB 30 255 187

HSL 161.87, 1%, 0.56%

LAB 89.57, -64.59, 18.8

 

CMYK 88 / 78 / 0 / 0

HEX #1E38FF

RGB 30 56 255

HSL 233.07, 1%, 0.56%

LAB 38.42, 62.83, -97.65

 

CMYK 0 / 88 / 60 / 0

HEX #FF1E65

RGB 255 30 101

HSL 341.07, 1%, 0.56%

LAB 55.2, 80.03, 20.74

 

CMYK 0 / 11 / 88 / 0

HEX #FFE41E

RGB 255 228 30

HSL 52.8, 1%, 0.56%

LAB 90.25, -8.12, 86.21

 

CMYK 88 / 0 / 27 / 0

HEX #1EFFBB

RGB 30 255 187

HSL 161.87, 1%, 0.56%

LAB 89.57, -64.59, 18.8

 

CMYK 72 / 88 / 0 / 0

HEX #471EFF

RGB 71 30 255

HSL 250.93, 1%, 0.56%

LAB 36.91, 74.76, -100.11

 

CMYK 0 / 88 / 60 / 0

HEX #FF1E65

RGB 255 30 101

HSL 341.07, 1%, 0.56%

LAB 55.2, 80.03, 20.74

 

CMYK 16 / 0 / 88 / 0

HEX #D5FF1E

RGB 213 255 30

HSL 71.2, 1%, 0.56%

LAB 94.21, -38.09, 88.03

 

Description

Color code: RGB 30 255 187 | qconv.com Color code: RGB 30 255 187 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 30 red, 255 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
30 255 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 27 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 27% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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