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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 47 24 it is the complementary color RGB 224 208 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 47 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 47 24 shade: RGB 36 47 19, RGB 53 65 38, RGB 70 83 57, RGB 87 101 76 and RGB 104 119 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 47 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 47 24 shade: RGB 31 47 24, RGB 14 29 5 and RGB 0 11 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 47 24 shade: RGB 31 47 24, RGB 37 47 24, RGB 43 47 24, RGB 47 44 24 and RGB 47 38 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 47 24 shade: RGB 31 47 24, RGB 25 47 24, RGB 24 47 29, RGB 24 47 35 and RGB 24 47 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 47 24 shade matches the following richer shades: RGB 31 47 24, RGB 28 52 18, RGB 26 58 12, RGB 24 64 6 and RGB 22 70 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 47 24 shade: RGB 31 47 24, RGB 33 41 30, RGB 35 35 35, RGB 38 29 41 and RGB 40 24 47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 47 24 shade: RGB 43 47 24, RGB 37 47 24, RGB 31 47 24, RGB 25 47 24 and RGB 24 47 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 47 24 shade: RGB 31 47 24, RGB 24 47 44 and RGB 47 24 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 47 24 shade: RGB 31 47 24, RGB 24 31 47 and RGB 47 24 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 47 24 shade: RGB 31 47 24, RGB 24 47 44, RGB 39 24 47 and RGB 47 24 26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 47 24 shade: RGB 31 47 24, RGB 24 42 47, RGB 39 24 47 and RGB 47 28 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 49 / 82

HEX #1F2F18

RGB 31 47 24

HSL 101.74, 0.32%, 0.14%

LAB 17.41, -12.09, 12.69

 

Complementary color

CMYK 3 / 10 / 0 / 9

HEX #E0D0E7

RGB 224 208 231

HSL 281.74, 0.32%, 0.86%

LAB 85.37, 9.65, -9.32

 

CMYK 23 / 0 / 60 / 82

HEX #242F13

RGB 36 47 19

HSL 83.57, 0.42%, 0.13%

LAB 17.71, -10.54, 16.36

 

CMYK 18 / 0 / 42 / 75

HEX #354126

RGB 53 65 38

HSL 86.67, 0.26%, 0.2%

LAB 25.8, -10.57, 14.91

 

CMYK 16 / 0 / 31 / 67

HEX #465339

RGB 70 83 57

HSL 90, 0.19%, 0.27%

LAB 33.53, -10.52, 13.59

 

CMYK 14 / 0 / 25 / 60

HEX #57654C

RGB 87 101 76

HSL 93.6, 0.14%, 0.35%

LAB 40.99, -10.46, 12.42

 

CMYK 13 / 0 / 20 / 53

HEX #68775F

RGB 104 119 95

HSL 97.5, 0.11%, 0.42%

LAB 48.21, -10.41, 11.37

 

CMYK 34 / 0 / 49 / 82

HEX #1F2F18

RGB 31 47 24

HSL 101.74, 0.32%, 0.14%

LAB 17.41, -12.09, 12.69

 

CMYK 52 / 0 / 83 / 89

HEX #0E1D05

RGB 14 29 5

HSL 97.5, 0.71%, 0.07%

LAB 8.85, -11.61, 10.98

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 34 / 0 / 49 / 82

HEX #1F2F18

RGB 31 47 24

HSL 101.74, 0.32%, 0.14%

LAB 17.41, -12.09, 12.69

 

CMYK 21 / 0 / 49 / 82

HEX #252F18

RGB 37 47 24

HSL 86.09, 0.32%, 0.14%

LAB 17.88, -9.3, 13.39

 

CMYK 9 / 0 / 49 / 82

HEX #2B2F18

RGB 43 47 24

HSL 70.43, 0.32%, 0.14%

LAB 18.42, -6.35, 14.18

 

CMYK 0 / 6 / 49 / 82

HEX #2F2C18

RGB 47 44 24

HSL 52.17, 0.32%, 0.14%

LAB 17.79, -2.34, 13.46

 

CMYK 0 / 19 / 49 / 82

HEX #2F2618

RGB 47 38 24

HSL 36.52, 0.32%, 0.14%

LAB 15.78, 1.74, 10.86

 

CMYK 34 / 0 / 49 / 82

HEX #1F2F18

RGB 31 47 24

HSL 101.74, 0.32%, 0.14%

LAB 17.41, -12.09, 12.69

 

CMYK 47 / 0 / 49 / 82

HEX #192F18

RGB 25 47 24

HSL 117.39, 0.32%, 0.14%

LAB 17.02, -14.64, 12.1

 

CMYK 49 / 0 / 38 / 82

HEX #182F1D

RGB 24 47 29

HSL 133.04, 0.32%, 0.14%

LAB 17.06, -13.98, 8.81

 

CMYK 49 / 0 / 26 / 82

HEX #182F23

RGB 24 47 35

HSL 148.7, 0.32%, 0.14%

LAB 17.22, -12.52, 4.91

 

CMYK 49 / 0 / 13 / 82

HEX #182F29

RGB 24 47 41

HSL 164.35, 0.32%, 0.14%

LAB 17.4, -10.86, 1.02

 

CMYK 34 / 0 / 49 / 82

HEX #1F2F18

RGB 31 47 24

HSL 101.74, 0.32%, 0.14%

LAB 17.41, -12.09, 12.69

 

CMYK 46 / 0 / 65 / 80

HEX #1C3412

RGB 28 52 18

HSL 102.35, 0.49%, 0.14%

LAB 19, -17.19, 18.37

 

CMYK 55 / 0 / 79 / 77

HEX #1A3A0C

RGB 26 58 12

HSL 101.74, 0.66%, 0.14%

LAB 21.1, -21.76, 23.89

 

CMYK 63 / 0 / 91 / 75

HEX #184006

RGB 24 64 6

HSL 101.38, 0.83%, 0.14%

LAB 23.25, -25.77, 28.62

 

CMYK 69 / 0 / 99 / 73

HEX #164601

RGB 22 70 1

HSL 101.74, 0.97%, 0.14%

LAB 25.42, -29.32, 32.75

 

CMYK 34 / 0 / 49 / 82

HEX #1F2F18

RGB 31 47 24

HSL 101.74, 0.32%, 0.14%

LAB 17.41, -12.09, 12.69

 

CMYK 20 / 0 / 27 / 84

HEX #21291E

RGB 33 41 30

HSL 103.64, 0.15%, 0.14%

LAB 15.5, -6.21, 6.08

 

CMYK 0 / 0 / 0 / 86

HEX #232323

RGB 35 35 35

HSL 0, 0%, 0.14%

LAB 13.71, 0, -0

 

CMYK 7 / 29 / 0 / 84

HEX #261D29

RGB 38 29 41

HSL 285, 0.17%, 0.14%

LAB 12.29, 7.22, -6.44

 

CMYK 15 / 49 / 0 / 82

HEX #28182F

RGB 40 24 47

HSL 281.74, 0.32%, 0.14%

LAB 11.34, 13.28, -12.25

 

CMYK 9 / 0 / 49 / 82

HEX #2B2F18

RGB 43 47 24

HSL 70.43, 0.32%, 0.14%

LAB 18.42, -6.35, 14.18

 

CMYK 21 / 0 / 49 / 82

HEX #252F18

RGB 37 47 24

HSL 86.09, 0.32%, 0.14%

LAB 17.88, -9.3, 13.39

 

CMYK 34 / 0 / 49 / 82

HEX #1F2F18

RGB 31 47 24

HSL 101.74, 0.32%, 0.14%

LAB 17.41, -12.09, 12.69

 

CMYK 47 / 0 / 49 / 82

HEX #192F18

RGB 25 47 24

HSL 117.39, 0.32%, 0.14%

LAB 17.02, -14.64, 12.1

 

CMYK 49 / 0 / 38 / 82

HEX #182F1D

RGB 24 47 29

HSL 133.04, 0.32%, 0.14%

LAB 17.06, -13.98, 8.81

 

CMYK 34 / 0 / 49 / 82

HEX #1F2F18

RGB 31 47 24

HSL 101.74, 0.32%, 0.14%

LAB 17.41, -12.09, 12.69

 

CMYK 49 / 0 / 6 / 82

HEX #182F2C

RGB 24 47 44

HSL 172.17, 0.32%, 0.14%

LAB 17.5, -9.96, -0.92

 

CMYK 0 / 49 / 15 / 82

HEX #2F1828

RGB 47 24 40

HSL 318.26, 0.32%, 0.14%

LAB 12.03, 14.45, -5.99

 

CMYK 34 / 0 / 49 / 82

HEX #1F2F18

RGB 31 47 24

HSL 101.74, 0.32%, 0.14%

LAB 17.41, -12.09, 12.69

 

CMYK 49 / 34 / 0 / 82

HEX #181F2F

RGB 24 31 47

HSL 221.74, 0.32%, 0.14%

LAB 11.82, 2.06, -11.64

 

CMYK 0 / 49 / 34 / 82

HEX #2F181F

RGB 47 24 31

HSL 341.74, 0.32%, 0.14%

LAB 11.67, 12.69, 0.12

 

CMYK 34 / 0 / 49 / 82

HEX #1F2F18

RGB 31 47 24

HSL 101.74, 0.32%, 0.14%

LAB 17.41, -12.09, 12.69

 

CMYK 49 / 0 / 6 / 82

HEX #182F2C

RGB 24 47 44

HSL 172.17, 0.32%, 0.14%

LAB 17.5, -9.96, -0.92

 

CMYK 17 / 49 / 0 / 82

HEX #27182F

RGB 39 24 47

HSL 279.13, 0.32%, 0.14%

LAB 11.2, 12.89, -12.48

 

CMYK 0 / 49 / 45 / 82

HEX #2F181A

RGB 47 24 26

HSL 354.78, 0.32%, 0.14%

LAB 11.5, 11.85, 3.59

 

CMYK 34 / 0 / 49 / 82

HEX #1F2F18

RGB 31 47 24

HSL 101.74, 0.32%, 0.14%

LAB 17.41, -12.09, 12.69

 

CMYK 49 / 11 / 0 / 82

HEX #182A2F

RGB 24 42 47

HSL 193.04, 0.32%, 0.14%

LAB 15.78, -5.75, -5.59

 

CMYK 17 / 49 / 0 / 82

HEX #27182F

RGB 39 24 47

HSL 279.13, 0.32%, 0.14%

LAB 11.2, 12.89, -12.48

 

CMYK 0 / 40 / 49 / 82

HEX #2F1C18

RGB 47 28 24

HSL 10.43, 0.32%, 0.14%

LAB 12.61, 8.76, 6.61

 

Description

Color code: RGB 31 47 24 | qconv.com Color code: RGB 31 47 24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 47 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 47 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 49 yellow and 82 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 49% 82% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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