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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 51 212 it is the complementary color RGB 224 204 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 51 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 51 212 shade: RGB 36 51 207, RGB 53 69 226, RGB 70 87 245, RGB 87 105 255 and RGB 104 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 51 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 51 212 shade: RGB 31 51 212, RGB 14 33 193, RGB 0 15 174, RGB 0 0 155 and RGB 0 0 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 51 212 shade: RGB 31 51 212, RGB 60 31 212, RGB 109 31 212, RGB 158 31 212 and RGB 207 31 212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 51 212 shade: RGB 31 51 212 and RGB 31 31 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 51 212 shade matches the following richer shades: RGB 31 51 212 and RGB 12 36 232

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 51 212 shade: RGB 31 51 212, RGB 51 67 193, RGB 71 82 173, RGB 91 98 153 and RGB 111 113 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 51 212 shade: RGB 31 149 212, RGB 31 101 212, RGB 31 52 212, RGB 58 31 212 and RGB 107 31 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 51 212 shade: RGB 21 34 141, RGB 26 43 177, RGB 31 51 212, RGB 60 78 225 and RGB 96 111 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 51 212 shade: RGB 31 51 212, RGB 212 31 197 and RGB 125 212 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 51 212 shade: RGB 31 51 212, RGB 212 31 52 and RGB 52 212 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 51 212 shade: RGB 31 51 212, RGB 212 31 197, RGB 212 191 31 and RGB 31 212 46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 51 212 shade: RGB 31 51 212, RGB 212 31 143, RGB 212 191 31 and RGB 31 212 101

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 76 / 0 / 17

HEX #1F33D4

RGB 31 51 212

HSL 233.37, 0.74%, 0.48%

LAB 32.73, 51.69, -82.64

 

Complementary color

CMYK 0 / 9 / 81 / 12

HEX #E0CC2B

RGB 224 204 43

HSL 53.37, 0.74%, 0.52%

LAB 81.41, -8.91, 74.98

 

CMYK 83 / 75 / 0 / 19

HEX #2433CF

RGB 36 51 207

HSL 234.74, 0.7%, 0.48%

LAB 32.36, 50.29, -80.34

 

CMYK 77 / 69 / 0 / 11

HEX #3545E2

RGB 53 69 226

HSL 234.45, 0.75%, 0.55%

LAB 38.73, 47.57, -80.73

 

CMYK 71 / 64 / 0 / 4

HEX #4657F5

RGB 70 87 245

HSL 234.17, 0.9%, 0.62%

LAB 45.24, 44.97, -80.75

 

CMYK 66 / 59 / 0 / 0

HEX #5769FF

RGB 87 105 255

HSL 233.57, 1%, 0.67%

LAB 51.09, 39.62, -76.71

 

CMYK 59 / 52 / 0 / 0

HEX #687BFF

RGB 104 123 255

HSL 232.45, 1%, 0.7%

LAB 56.42, 31.45, -68.04

 

CMYK 85 / 76 / 0 / 17

HEX #1F33D4

RGB 31 51 212

HSL 233.37, 0.74%, 0.48%

LAB 32.73, 51.69, -82.64

 

CMYK 93 / 83 / 0 / 24

HEX #0E21C1

RGB 14 33 193

HSL 233.63, 0.86%, 0.41%

LAB 26.82, 54.18, -81.36

 

CMYK 100 / 91 / 0 / 32

HEX #000FAE

RGB 0 15 174

HSL 234.83, 1%, 0.34%

LAB 21.57, 55.44, -78.81

 

CMYK 100 / 100 / 0 / 39

HEX #00009B

RGB 0 0 155

HSL 240, 1%, 0.3%

LAB 17.3, 54.61, -74.37

 

CMYK 100 / 100 / 0 / 47

HEX #000088

RGB 0 0 136

HSL 240, 1%, 0.27%

LAB 14.27, 49.64, -67.6

 

CMYK 85 / 76 / 0 / 17

HEX #1F33D4

RGB 31 51 212

HSL 233.37, 0.74%, 0.48%

LAB 32.73, 51.69, -82.64

 

CMYK 72 / 85 / 0 / 17

HEX #3C1FD4

RGB 60 31 212

HSL 249.61, 0.74%, 0.48%

LAB 31.1, 62.52, -85.3

 

CMYK 49 / 85 / 0 / 17

HEX #6D1FD4

RGB 109 31 212

HSL 265.86, 0.74%, 0.48%

LAB 35.95, 66.76, -77.11

 

CMYK 25 / 85 / 0 / 17

HEX #9E1FD4

RGB 158 31 212

HSL 282.1, 0.74%, 0.48%

LAB 42.77, 73.23, -65.69

 

CMYK 2 / 85 / 0 / 17

HEX #CF1FD4

RGB 207 31 212

HSL 298.34, 0.74%, 0.48%

LAB 50.69, 81.24, -52.51

 

CMYK 85 / 76 / 0 / 17

HEX #1F33D4

RGB 31 51 212

HSL 233.37, 0.74%, 0.48%

LAB 32.73, 51.69, -82.64

 

CMYK 85 / 85 / 0 / 17

HEX #1F1FD4

RGB 31 31 212

HSL 240, 0.74%, 0.48%

LAB 29.47, 61.2, -88.05

 

CMYK 85 / 76 / 0 / 17

HEX #1F33D4

RGB 31 51 212

HSL 233.37, 0.74%, 0.48%

LAB 32.73, 51.69, -82.64

 

CMYK 95 / 84 / 0 / 9

HEX #0C24E8

RGB 12 36 232

HSL 233.45, 0.9%, 0.48%

LAB 32.18, 64.59, -95.05

 

CMYK 85 / 76 / 0 / 17

HEX #1F33D4

RGB 31 51 212

HSL 233.37, 0.74%, 0.48%

LAB 32.73, 51.69, -82.64

 

CMYK 74 / 65 / 0 / 24

HEX #3343C1

RGB 51 67 193

HSL 233.24, 0.58%, 0.48%

LAB 35.14, 37.17, -67.58

 

CMYK 59 / 53 / 0 / 32

HEX #4752AD

RGB 71 82 173

HSL 233.53, 0.42%, 0.48%

LAB 38.54, 23.59, -50.22

 

CMYK 41 / 36 / 0 / 40

HEX #5B6299

RGB 91 98 153

HSL 233.23, 0.25%, 0.48%

LAB 43.15, 11.78, -30.9

 

CMYK 17 / 15 / 0 / 48

HEX #6F7185

RGB 111 113 133

HSL 234.55, 0.09%, 0.48%

LAB 48.11, 3.67, -11.22

 

CMYK 85 / 30 / 0 / 17

HEX #1F95D4

RGB 31 149 212

HSL 200.88, 0.74%, 0.48%

LAB 58.55, -8.86, -40.89

 

CMYK 85 / 52 / 0 / 17

HEX #1F65D4

RGB 31 101 212

HSL 216.8, 0.74%, 0.48%

LAB 44.73, 20.49, -62.96

 

CMYK 85 / 75 / 0 / 17

HEX #1F34D4

RGB 31 52 212

HSL 233.04, 0.74%, 0.48%

LAB 32.92, 51.14, -82.32

 

CMYK 73 / 85 / 0 / 17

HEX #3A1FD4

RGB 58 31 212

HSL 248.95, 0.74%, 0.48%

LAB 30.96, 62.4, -85.54

 

CMYK 50 / 85 / 0 / 17

HEX #6B1FD4

RGB 107 31 212

HSL 265.19, 0.74%, 0.48%

LAB 35.71, 66.54, -77.52

 

CMYK 85 / 76 / 0 / 45

HEX #15228D

RGB 21 34 141

HSL 233.5, 0.74%, 0.32%

LAB 20.93, 36.41, -59.64

 

CMYK 85 / 76 / 0 / 31

HEX #1A2BB1

RGB 26 43 177

HSL 233.25, 0.74%, 0.4%

LAB 27.08, 44.1, -71.43

 

CMYK 85 / 76 / 0 / 17

HEX #1F33D4

RGB 31 51 212

HSL 233.37, 0.74%, 0.48%

LAB 32.73, 51.69, -82.64

 

CMYK 73 / 65 / 0 / 12

HEX #3C4EE1

RGB 60 78 225

HSL 233.45, 0.73%, 0.56%

LAB 40.97, 42.52, -76.47

 

CMYK 58 / 52 / 0 / 9

HEX #606FE7

RGB 96 111 231

HSL 233.33, 0.74%, 0.64%

LAB 51.41, 29.51, -62.79

 

CMYK 85 / 76 / 0 / 17

HEX #1F33D4

RGB 31 51 212

HSL 233.37, 0.74%, 0.48%

LAB 32.73, 51.69, -82.64

 

CMYK 0 / 85 / 7 / 17

HEX #D41FC5

RGB 212 31 197

HSL 304.97, 0.74%, 0.48%

LAB 50.7, 79.95, -43.81

 

CMYK 41 / 0 / 85 / 17

HEX #7DD41F

RGB 125 212 31

HSL 88.84, 0.74%, 0.48%

LAB 77.01, -52.17, 71.51

 

CMYK 85 / 76 / 0 / 17

HEX #1F33D4

RGB 31 51 212

HSL 233.37, 0.74%, 0.48%

LAB 32.73, 51.69, -82.64

 

CMYK 0 / 85 / 75 / 17

HEX #D41F34

RGB 212 31 52

HSL 353.04, 0.74%, 0.48%

LAB 45.94, 66.74, 36.65

 

CMYK 75 / 0 / 85 / 17

HEX #34D41F

RGB 52 212 31

HSL 113.04, 0.74%, 0.48%

LAB 74.77, -70.02, 68.69

 

CMYK 85 / 76 / 0 / 17

HEX #1F33D4

RGB 31 51 212

HSL 233.37, 0.74%, 0.48%

LAB 32.73, 51.69, -82.64

 

CMYK 0 / 85 / 7 / 17

HEX #D41FC5

RGB 212 31 197

HSL 304.97, 0.74%, 0.48%

LAB 50.7, 79.95, -43.81

 

CMYK 0 / 10 / 85 / 17

HEX #D4BF1F

RGB 212 191 31

HSL 53.04, 0.74%, 0.48%

LAB 76.9, -7.76, 73.75

 

CMYK 85 / 0 / 78 / 17

HEX #1FD42E

RGB 31 212 46

HSL 124.97, 0.74%, 0.48%

LAB 74.56, -71.68, 64.5

 

CMYK 85 / 76 / 0 / 17

HEX #1F33D4

RGB 31 51 212

HSL 233.37, 0.74%, 0.48%

LAB 32.73, 51.69, -82.64

 

CMYK 0 / 85 / 33 / 17

HEX #D41F8F

RGB 212 31 143

HSL 322.87, 0.74%, 0.48%

LAB 48.21, 73.23, -15.78

 

CMYK 0 / 10 / 85 / 17

HEX #D4BF1F

RGB 212 191 31

HSL 53.04, 0.74%, 0.48%

LAB 76.9, -7.76, 73.75

 

CMYK 85 / 0 / 52 / 17

HEX #1FD465

RGB 31 212 101

HSL 143.2, 0.74%, 0.48%

LAB 75.02, -65.88, 42.79

 

Description

Color code: RGB 31 51 212 | qconv.com Color code: RGB 31 51 212 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 51 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 51 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 76 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 76% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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