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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 54 147 it is the complementary color RGB 224 201 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 54 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 54 147 shade: RGB 36 54 142, RGB 53 72 161, RGB 70 90 180, RGB 87 108 199 and RGB 104 126 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 54 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 54 147 shade: RGB 31 54 147, RGB 14 36 128, RGB 0 18 109, RGB 0 0 90 and RGB 0 0 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 54 147 shade: RGB 31 54 147, RGB 39 31 147, RGB 70 31 147, RGB 102 31 147 and RGB 133 31 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 54 147 shade: RGB 31 54 147 and RGB 31 31 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 54 147 shade matches the following richer shades: RGB 31 54 147, RGB 16 45 161 and RGB 2 36 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 54 147 shade: RGB 31 54 147, RGB 45 62 132, RGB 60 71 118, RGB 74 80 103 and RGB 89 89 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 54 147 shade: RGB 31 116 147, RGB 31 85 147, RGB 31 54 147, RGB 38 31 147 and RGB 69 31 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 54 147 shade: RGB 16 29 79, RGB 24 41 113, RGB 31 54 147, RGB 38 66 181 and RGB 49 81 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 54 147 shade: RGB 31 54 147, RGB 147 31 147 and RGB 100 147 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 54 147 shade: RGB 31 54 147, RGB 147 31 54 and RGB 54 147 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 54 147 shade: RGB 31 54 147, RGB 147 31 147, RGB 147 124 31 and RGB 31 147 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 54 147 shade: RGB 31 54 147, RGB 147 31 112, RGB 147 124 31 and RGB 31 147 66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 63 / 0 / 42

HEX #1F3693

RGB 31 54 147

HSL 228.1, 0.65%, 0.35%

LAB 26.84, 26.43, -53.63

 

Complementary color

CMYK 0 / 10 / 52 / 12

HEX #E0C96C

RGB 224 201 108

HSL 48.1, 0.65%, 0.65%

LAB 81.13, -3.69, 48.95

 

CMYK 75 / 62 / 0 / 44

HEX #24368E

RGB 36 54 142

HSL 229.81, 0.6%, 0.35%

LAB 26.64, 25.09, -50.86

 

CMYK 67 / 55 / 0 / 37

HEX #3548A1

RGB 53 72 161

HSL 229.44, 0.5%, 0.42%

LAB 33.91, 22.62, -50.58

 

CMYK 61 / 50 / 0 / 29

HEX #465AB4

RGB 70 90 180

HSL 229.09, 0.44%, 0.49%

LAB 41.07, 20.67, -50.26

 

CMYK 56 / 46 / 0 / 22

HEX #576CC7

RGB 87 108 199

HSL 228.75, 0.5%, 0.56%

LAB 48.1, 19.11, -49.96

 

CMYK 52 / 42 / 0 / 15

HEX #687EDA

RGB 104 126 218

HSL 228.42, 0.61%, 0.63%

LAB 55, 17.82, -49.71

 

CMYK 79 / 63 / 0 / 42

HEX #1F3693

RGB 31 54 147

HSL 228.1, 0.65%, 0.35%

LAB 26.84, 26.43, -53.63

 

CMYK 89 / 72 / 0 / 50

HEX #0E2480

RGB 14 36 128

HSL 228.42, 0.8%, 0.28%

LAB 19.69, 29.77, -53.53

 

CMYK 100 / 83 / 0 / 57

HEX #00126D

RGB 0 18 109

HSL 230.09, 1%, 0.21%

LAB 12.84, 33.29, -52.66

 

CMYK 100 / 100 / 0 / 65

HEX #00005A

RGB 0 0 90

HSL 240, 1%, 0.18%

LAB 6.67, 36.68, -50.3

 

CMYK 100 / 100 / 0 / 72

HEX #000047

RGB 0 0 71

HSL 240, 1%, 0.14%

LAB 4.11, 27.68, -41.39

 

CMYK 79 / 63 / 0 / 42

HEX #1F3693

RGB 31 54 147

HSL 228.1, 0.65%, 0.35%

LAB 26.84, 26.43, -53.63

 

CMYK 73 / 79 / 0 / 42

HEX #271F93

RGB 39 31 147

HSL 244.14, 0.65%, 0.35%

LAB 22.01, 41.61, -61.55

 

CMYK 52 / 79 / 0 / 42

HEX #461F93

RGB 70 31 147

HSL 260.17, 0.65%, 0.35%

LAB 24.92, 45.3, -56.66

 

CMYK 31 / 79 / 0 / 42

HEX #661F93

RGB 102 31 147

HSL 276.72, 0.65%, 0.35%

LAB 29.19, 50.62, -49.5

 

CMYK 10 / 79 / 0 / 42

HEX #851F93

RGB 133 31 147

HSL 292.76, 0.65%, 0.35%

LAB 34.13, 56.66, -41.27

 

CMYK 79 / 63 / 0 / 42

HEX #1F3693

RGB 31 54 147

HSL 228.1, 0.65%, 0.35%

LAB 26.84, 26.43, -53.63

 

CMYK 79 / 79 / 0 / 42

HEX #1F1F93

RGB 31 31 147

HSL 240, 0.65%, 0.35%

LAB 21.5, 40.95, -62.41

 

CMYK 79 / 63 / 0 / 42

HEX #1F3693

RGB 31 54 147

HSL 228.1, 0.65%, 0.35%

LAB 26.84, 26.43, -53.63

 

CMYK 90 / 72 / 0 / 37

HEX #102DA1

RGB 16 45 161

HSL 228, 0.82%, 0.35%

LAB 25.44, 36.63, -64.5

 

CMYK 99 / 80 / 0 / 31

HEX #0224B0

RGB 2 36 176

HSL 228.28, 0.98%, 0.35%

LAB 24.98, 46.89, -74.33

 

CMYK 79 / 63 / 0 / 42

HEX #1F3693

RGB 31 54 147

HSL 228.1, 0.65%, 0.35%

LAB 26.84, 26.43, -53.63

 

CMYK 66 / 53 / 0 / 48

HEX #2D3E84

RGB 45 62 132

HSL 228.28, 0.49%, 0.35%

LAB 28.56, 17.2, -41.51

 

CMYK 49 / 40 / 0 / 54

HEX #3C4776

RGB 60 71 118

HSL 228.62, 0.33%, 0.35%

LAB 31.29, 9.54, -28.35

 

CMYK 28 / 22 / 0 / 60

HEX #4A5067

RGB 74 80 103

HSL 227.59, 0.16%, 0.35%

LAB 34.34, 3.42, -14.11

 

CMYK 0 / 0 / 0 / 65

HEX #595959

RGB 89 89 89

HSL 0, 0%, 0.35%

LAB 37.82, 0, -0

 

CMYK 79 / 21 / 0 / 42

HEX #1F7493

RGB 31 116 147

HSL 196.03, 0.65%, 0.35%

LAB 45.48, -13.64, -23.91

 

CMYK 79 / 42 / 0 / 42

HEX #1F5593

RGB 31 85 147

HSL 212.07, 0.65%, 0.35%

LAB 35.78, 5.38, -39.17

 

CMYK 79 / 63 / 0 / 42

HEX #1F3693

RGB 31 54 147

HSL 228.1, 0.65%, 0.35%

LAB 26.84, 26.43, -53.63

 

CMYK 74 / 79 / 0 / 42

HEX #261F93

RGB 38 31 147

HSL 243.62, 0.65%, 0.35%

LAB 21.94, 41.52, -61.67

 

CMYK 53 / 79 / 0 / 42

HEX #451F93

RGB 69 31 147

HSL 259.66, 0.65%, 0.35%

LAB 24.8, 45.16, -56.85

 

CMYK 80 / 63 / 0 / 69

HEX #101D4F

RGB 16 29 79

HSL 227.62, 0.66%, 0.19%

LAB 12.94, 14.75, -32.4

 

CMYK 79 / 64 / 0 / 56

HEX #182971

RGB 24 41 113

HSL 228.54, 0.65%, 0.27%

LAB 19.93, 21.19, -43.54

 

CMYK 79 / 63 / 0 / 42

HEX #1F3693

RGB 31 54 147

HSL 228.1, 0.65%, 0.35%

LAB 26.84, 26.43, -53.63

 

CMYK 79 / 64 / 0 / 29

HEX #2642B5

RGB 38 66 181

HSL 228.25, 0.65%, 0.43%

LAB 33.23, 32.1, -63.66

 

CMYK 77 / 62 / 0 / 17

HEX #3151D3

RGB 49 81 211

HSL 228.15, 0.65%, 0.51%

LAB 39.98, 34.58, -70.1

 

CMYK 79 / 63 / 0 / 42

HEX #1F3693

RGB 31 54 147

HSL 228.1, 0.65%, 0.35%

LAB 26.84, 26.43, -53.63

 

CMYK 0 / 79 / 0 / 42

HEX #931F93

RGB 147 31 147

HSL 300, 0.65%, 0.35%

LAB 36.54, 59.56, -37.3

 

CMYK 32 / 0 / 79 / 42

HEX #64931F

RGB 100 147 31

HSL 84.31, 0.65%, 0.35%

LAB 55.76, -33.61, 51.98

 

CMYK 79 / 63 / 0 / 42

HEX #1F3693

RGB 31 54 147

HSL 228.1, 0.65%, 0.35%

LAB 26.84, 26.43, -53.63

 

CMYK 0 / 79 / 63 / 42

HEX #931F36

RGB 147 31 54

HSL 348.1, 0.65%, 0.35%

LAB 32.81, 48.47, 16.4

 

CMYK 63 / 0 / 79 / 42

HEX #36931F

RGB 54 147 31

HSL 108.1, 0.65%, 0.35%

LAB 53.76, -48.46, 49.37

 

CMYK 79 / 63 / 0 / 42

HEX #1F3693

RGB 31 54 147

HSL 228.1, 0.65%, 0.35%

LAB 26.84, 26.43, -53.63

 

CMYK 0 / 79 / 0 / 42

HEX #931F93

RGB 147 31 147

HSL 300, 0.65%, 0.35%

LAB 36.54, 59.56, -37.3

 

CMYK 0 / 16 / 79 / 42

HEX #937C1F

RGB 147 124 31

HSL 48.1, 0.65%, 0.35%

LAB 52.64, -1.02, 50.4

 

CMYK 79 / 0 / 79 / 42

HEX #1F931F

RGB 31 147 31

HSL 120, 0.65%, 0.35%

LAB 53.23, -52.94, 48.68

 

CMYK 79 / 63 / 0 / 42

HEX #1F3693

RGB 31 54 147

HSL 228.1, 0.65%, 0.35%

LAB 26.84, 26.43, -53.63

 

CMYK 0 / 79 / 24 / 42

HEX #931F70

RGB 147 31 112

HSL 318.1, 0.65%, 0.35%

LAB 34.71, 54.29, -18.39

 

CMYK 0 / 16 / 79 / 42

HEX #937C1F

RGB 147 124 31

HSL 48.1, 0.65%, 0.35%

LAB 52.64, -1.02, 50.4

 

CMYK 79 / 0 / 55 / 42

HEX #1F9342

RGB 31 147 66

HSL 138.1, 0.65%, 0.35%

LAB 53.55, -49.07, 33.83

 

Description

Color code: RGB 31 54 147 | qconv.com Color code: RGB 31 54 147 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 54 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 54 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 63 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 63% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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