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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 62 51 it is the complementary color RGB 224 193 204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 62 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 62 51 shade: RGB 36 62 46, RGB 53 80 65, RGB 70 98 84, RGB 87 116 103 and RGB 104 134 122

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 62 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 62 51 shade: RGB 31 62 51, RGB 14 44 32, RGB 0 26 13 and RGB 0 8 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 62 51 shade: RGB 30 61 50, RGB 30 61 42, RGB 30 61 33, RGB 35 61 30 and RGB 43 61 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 62 51 shade: RGB 30 61 50, RGB 30 61 58, RGB 30 55 61, RGB 30 47 61 and RGB 30 39 61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 62 51 shade matches the following richer shades: RGB 30 61 50, RGB 23 68 52, RGB 15 75 54, RGB 8 83 56 and RGB 1 90 58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 62 51 shade: RGB 30 61 50, RGB 38 53 48, RGB 45 46 45, RGB 53 38 43 and RGB 60 31 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 62 51 shade: RGB 30 61 33, RGB 30 61 41, RGB 30 61 49, RGB 30 61 58 and RGB 30 55 61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 62 51 shade: RGB 3 6 5, RGB 16 33 27, RGB 30 61 50, RGB 44 88 72 and RGB 58 115 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 62 51 shade: RGB 31 62 51, RGB 30 35 61 and RGB 61 37 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 62 51 shade: RGB 31 62 51, RGB 49 30 61 and RGB 61 49 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 62 51 shade: RGB 31 62 51, RGB 30 35 61, RGB 61 30 41 and RGB 61 55 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 62 51 shade: RGB 31 62 51, RGB 34 30 61, RGB 61 30 41 and RGB 57 61 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 18 / 76

HEX #1F3E33

RGB 31 62 51

HSL 158.71, 0.33%, 0.18%

LAB 23.59, -14.68, 3.2

 

Complementary color

CMYK 0 / 14 / 9 / 12

HEX #E0C1CC

RGB 224 193 204

HSL 338.71, 0.33%, 0.82%

LAB 80.93, 12.79, -1.44

 

CMYK 42 / 0 / 26 / 76

HEX #243E2E

RGB 36 62 46

HSL 143.08, 0.27%, 0.19%

LAB 23.73, -14.23, 6.75

 

CMYK 34 / 0 / 19 / 69

HEX #355041

RGB 53 80 65

HSL 146.67, 0.2%, 0.26%

LAB 31.52, -13.93, 5.62

 

CMYK 29 / 0 / 14 / 62

HEX #466254

RGB 70 98 84

HSL 150, 0.17%, 0.33%

LAB 39.03, -13.67, 4.64

 

CMYK 25 / 0 / 11 / 55

HEX #577467

RGB 87 116 103

HSL 153.1, 0.14%, 0.4%

LAB 46.31, -13.46, 3.77

 

CMYK 22 / 0 / 9 / 47

HEX #68867A

RGB 104 134 122

HSL 156, 0.13%, 0.47%

LAB 53.38, -13.28, 2.97

 

CMYK 50 / 0 / 18 / 76

HEX #1F3E33

RGB 31 62 51

HSL 158.71, 0.33%, 0.18%

LAB 23.59, -14.68, 3.2

 

CMYK 68 / 0 / 27 / 83

HEX #0E2C20

RGB 14 44 32

HSL 156, 0.52%, 0.11%

LAB 15.48, -14.84, 4.47

 

CMYK 100 / 0 / 50 / 90

HEX #001A0D

RGB 0 26 13

HSL 150, 1%, 0.05%

LAB 6.94, -11.79, 4.73

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 51 / 0 / 18 / 76

HEX #1E3D32

RGB 30 61 50

HSL 158.71, 0.34%, 0.18%

LAB 23.15, -14.69, 3.23

 

CMYK 51 / 0 / 31 / 76

HEX #1E3D2A

RGB 30 61 42

HSL 143.23, 0.34%, 0.18%

LAB 22.93, -16.73, 8.22

 

CMYK 51 / 0 / 46 / 76

HEX #1E3D21

RGB 30 61 33

HSL 125.81, 0.34%, 0.18%

LAB 22.73, -18.69, 13.78

 

CMYK 43 / 0 / 51 / 76

HEX #233D1E

RGB 35 61 30

HSL 110.32, 0.34%, 0.18%

LAB 22.96, -17.35, 16.01

 

CMYK 30 / 0 / 51 / 76

HEX #2B3D1E

RGB 43 61 30

HSL 94.84, 0.34%, 0.18%

LAB 23.49, -13.98, 16.79

 

CMYK 51 / 0 / 18 / 76

HEX #1E3D32

RGB 30 61 50

HSL 158.71, 0.34%, 0.18%

LAB 23.15, -14.69, 3.23

 

CMYK 51 / 0 / 5 / 76

HEX #1E3D3A

RGB 30 61 58

HSL 174.19, 0.34%, 0.18%

LAB 23.4, -12.39, -1.74

 

CMYK 51 / 10 / 0 / 76

HEX #1E373D

RGB 30 55 61

HSL 191.61, 0.34%, 0.18%

LAB 21.38, -7.72, -6.77

 

CMYK 51 / 23 / 0 / 76

HEX #1E2F3D

RGB 30 47 61

HSL 207.1, 0.34%, 0.18%

LAB 18.57, -2.42, -11.05

 

CMYK 51 / 36 / 0 / 76

HEX #1E273D

RGB 30 39 61

HSL 222.58, 0.34%, 0.18%

LAB 15.82, 3.22, -15.31

 

CMYK 51 / 0 / 18 / 76

HEX #1E3D32

RGB 30 61 50

HSL 158.71, 0.34%, 0.18%

LAB 23.15, -14.69, 3.23

 

CMYK 66 / 0 / 24 / 73

HEX #174434

RGB 23 68 52

HSL 158.67, 0.49%, 0.18%

LAB 25.46, -19.97, 5.16

 

CMYK 80 / 0 / 28 / 71

HEX #0F4B36

RGB 15 75 54

HSL 159, 0.67%, 0.18%

LAB 27.85, -24.58, 7.2

 

CMYK 90 / 0 / 33 / 67

HEX #085338

RGB 8 83 56

HSL 158.4, 0.82%, 0.18%

LAB 30.7, -28.72, 9.89

 

CMYK 99 / 0 / 36 / 65

HEX #015A3A

RGB 1 90 58

HSL 158.43, 0.98%, 0.18%

LAB 33.19, -32.04, 12.05

 

CMYK 51 / 0 / 18 / 76

HEX #1E3D32

RGB 30 61 50

HSL 158.71, 0.34%, 0.18%

LAB 23.15, -14.69, 3.23

 

CMYK 28 / 0 / 9 / 79

HEX #263530

RGB 38 53 48

HSL 160, 0.16%, 0.18%

LAB 20.72, -7.5, 1.13

 

CMYK 2 / 0 / 2 / 82

HEX #2D2E2D

RGB 45 46 45

HSL 120, 0.01%, 0.18%

LAB 18.81, -0.68, 0.49

 

CMYK 0 / 28 / 19 / 79

HEX #35262B

RGB 53 38 43

HSL 340, 0.16%, 0.18%

LAB 17.07, 8.05, -0.54

 

CMYK 0 / 48 / 32 / 76

HEX #3C1F29

RGB 60 31 41

HSL 339.31, 0.32%, 0.18%

LAB 16.01, 15.6, -0.56

 

CMYK 51 / 0 / 46 / 76

HEX #1E3D21

RGB 30 61 33

HSL 125.81, 0.34%, 0.18%

LAB 22.73, -18.69, 13.78

 

CMYK 51 / 0 / 33 / 76

HEX #1E3D29

RGB 30 61 41

HSL 141.29, 0.34%, 0.18%

LAB 22.91, -16.97, 8.84

 

CMYK 51 / 0 / 20 / 76

HEX #1E3D31

RGB 30 61 49

HSL 156.77, 0.34%, 0.18%

LAB 23.12, -14.96, 3.85

 

CMYK 51 / 0 / 5 / 76

HEX #1E3D3A

RGB 30 61 58

HSL 174.19, 0.34%, 0.18%

LAB 23.4, -12.39, -1.74

 

CMYK 51 / 10 / 0 / 76

HEX #1E373D

RGB 30 55 61

HSL 191.61, 0.34%, 0.18%

LAB 21.38, -7.72, -6.77

 

CMYK 50 / 0 / 17 / 98

HEX #030605

RGB 3 6 5

HSL 160, 0.33%, 0.02%

LAB 1.45, -0.92, 0.1

 

CMYK 52 / 0 / 18 / 87

HEX #10211B

RGB 16 33 27

HSL 158.82, 0.35%, 0.1%

LAB 11.11, -8.96, 1.84

 

CMYK 51 / 0 / 18 / 76

HEX #1E3D32

RGB 30 61 50

HSL 158.71, 0.34%, 0.18%

LAB 23.15, -14.69, 3.23

 

CMYK 50 / 0 / 18 / 65

HEX #2C5848

RGB 44 88 72

HSL 158.18, 0.33%, 0.26%

LAB 33.95, -19.6, 4.6

 

CMYK 50 / 0 / 17 / 55

HEX #3A735F

RGB 58 115 95

HSL 158.95, 0.33%, 0.34%

LAB 44.21, -23.97, 5.33

 

CMYK 50 / 0 / 18 / 76

HEX #1F3E33

RGB 31 62 51

HSL 158.71, 0.33%, 0.18%

LAB 23.59, -14.68, 3.2

 

CMYK 51 / 43 / 0 / 76

HEX #1E233D

RGB 30 35 61

HSL 230.32, 0.34%, 0.18%

LAB 14.48, 6.15, -17.4

 

CMYK 0 / 39 / 51 / 76

HEX #3D251E

RGB 61 37 30

HSL 13.55, 0.34%, 0.18%

LAB 17.5, 10.39, 9.35

 

CMYK 50 / 0 / 18 / 76

HEX #1F3E33

RGB 31 62 51

HSL 158.71, 0.33%, 0.18%

LAB 23.59, -14.68, 3.2

 

CMYK 20 / 51 / 0 / 76

HEX #311E3D

RGB 49 30 61

HSL 276.77, 0.34%, 0.18%

LAB 15.05, 16.28, -16.37

 

CMYK 0 / 20 / 51 / 76

HEX #3D311E

RGB 61 49 30

HSL 36.77, 0.34%, 0.18%

LAB 21.14, 2.31, 14.15

 

CMYK 50 / 0 / 18 / 76

HEX #1F3E33

RGB 31 62 51

HSL 158.71, 0.33%, 0.18%

LAB 23.59, -14.68, 3.2

 

CMYK 51 / 43 / 0 / 76

HEX #1E233D

RGB 30 35 61

HSL 230.32, 0.34%, 0.18%

LAB 14.48, 6.15, -17.4

 

CMYK 0 / 51 / 33 / 76

HEX #3D1E29

RGB 61 30 41

HSL 338.71, 0.34%, 0.18%

LAB 15.91, 16.7, -0.69

 

CMYK 0 / 10 / 51 / 76

HEX #3D371E

RGB 61 55 30

HSL 48.39, 0.34%, 0.18%

LAB 23.06, -1.63, 16.59

 

CMYK 50 / 0 / 18 / 76

HEX #1F3E33

RGB 31 62 51

HSL 158.71, 0.33%, 0.18%

LAB 23.59, -14.68, 3.2

 

CMYK 44 / 51 / 0 / 76

HEX #221E3D

RGB 34 30 61

HSL 247.74, 0.34%, 0.18%

LAB 13.26, 11.12, -19.31

 

CMYK 0 / 51 / 33 / 76

HEX #3D1E29

RGB 61 30 41

HSL 338.71, 0.34%, 0.18%

LAB 15.91, 16.7, -0.69

 

CMYK 7 / 0 / 51 / 76

HEX #393D1E

RGB 57 61 30

HSL 67.74, 0.34%, 0.18%

LAB 24.64, -7.42, 18.48

 

Description

Color code: RGB 31 62 51 | qconv.com Color code: RGB 31 62 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 62 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 62 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 18 yellow and 76 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 18% 76% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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