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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 120 241 it is the complementary color RGB 224 135 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 120 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 120 241 shade: RGB 36 120 236, RGB 53 138 255, RGB 70 156 255, RGB 87 174 255 and RGB 104 192 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 120 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 120 241 shade: RGB 31 120 241, RGB 14 102 222, RGB 0 84 203, RGB 0 66 184 and RGB 0 48 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 120 241 shade: RGB 29 119 240, RGB 29 62 240, RGB 54 29 240, RGB 110 29 240 and RGB 167 29 240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 120 241 shade: RGB 29 119 240, RGB 29 62 240 and RGB 29 29 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 120 241 shade matches the following richer shades: RGB 29 119 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 120 241 shade: RGB 29 119 240, RGB 49 122 221, RGB 68 124 201, RGB 87 127 182 and RGB 107 130 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 120 241 shade: RGB 29 233 240, RGB 29 177 240, RGB 29 121 240, RGB 29 64 240 and RGB 50 29 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 120 241 shade: RGB 11 81 176, RGB 13 99 215, RGB 29 119 240, RGB 68 142 243 and RGB 107 165 245

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 120 241 shade: RGB 31 120 241, RGB 191 29 240 and RGB 205 240 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 120 241 shade: RGB 31 120 241, RGB 240 29 121 and RGB 121 240 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 120 241 shade: RGB 31 120 241, RGB 191 29 240, RGB 240 149 29 and RGB 78 240 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 120 241 shade: RGB 31 120 241, RGB 240 29 226, RGB 240 149 29 and RGB 29 240 43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 50 / 0 / 5

HEX #1F78F1

RGB 31 120 241

HSL 214.57, 0.88%, 0.53%

LAB 51.92, 19.53, -67.68

 

Complementary color

CMYK 0 / 40 / 94 / 12

HEX #E0870E

RGB 224 135 14

HSL 34.57, 0.88%, 0.47%

LAB 64.33, 26.83, 68.12

 

CMYK 85 / 49 / 0 / 7

HEX #2478EC

RGB 36 120 236

HSL 214.8, 0.84%, 0.53%

LAB 51.68, 17.95, -65.27

 

CMYK 79 / 46 / 0 / 0

HEX #358AFF

RGB 53 138 255

HSL 214.75, 1%, 0.6%

LAB 58.18, 15.32, -65.3

 

CMYK 73 / 39 / 0 / 0

HEX #469CFF

RGB 70 156 255

HSL 212.11, 1%, 0.64%

LAB 63.59, 6.45, -56.62

 

CMYK 66 / 32 / 0 / 0

HEX #57AEFF

RGB 87 174 255

HSL 208.93, 1%, 0.67%

LAB 69.13, -1.45, -47.82

 

CMYK 59 / 25 / 0 / 0

HEX #68C0FF

RGB 104 192 255

HSL 205.03, 1%, 0.7%

LAB 74.74, -8.44, -38.99

 

CMYK 87 / 50 / 0 / 5

HEX #1F78F1

RGB 31 120 241

HSL 214.57, 0.88%, 0.53%

LAB 51.92, 19.53, -67.68

 

CMYK 94 / 54 / 0 / 13

HEX #0E66DE

RGB 14 102 222

HSL 214.62, 0.88%, 0.46%

LAB 45.46, 22.86, -67.49

 

CMYK 100 / 59 / 0 / 20

HEX #0054CB

RGB 0 84 203

HSL 215.17, 1%, 0.4%

LAB 38.99, 26.72, -67.15

 

CMYK 100 / 64 / 0 / 28

HEX #0042B8

RGB 0 66 184

HSL 218.48, 1%, 0.36%

LAB 32.61, 31.16, -66.49

 

CMYK 100 / 71 / 0 / 35

HEX #0030A5

RGB 0 48 165

HSL 222.55, 1%, 0.32%

LAB 26.25, 35.63, -65.61

 

CMYK 88 / 50 / 0 / 6

HEX #1D77F0

RGB 29 119 240

HSL 214.41, 0.88%, 0.53%

LAB 51.55, 19.66, -67.72

 

CMYK 88 / 74 / 0 / 6

HEX #1D3EF0

RGB 29 62 240

HSL 230.62, 0.88%, 0.53%

LAB 37.84, 54.84, -90.18

 

CMYK 78 / 88 / 0 / 6

HEX #361DF0

RGB 54 29 240

HSL 247.11, 0.88%, 0.53%

LAB 33.89, 70.44, -96.72

 

CMYK 54 / 88 / 0 / 6

HEX #6E1DF0

RGB 110 29 240

HSL 263.03, 0.88%, 0.53%

LAB 38.7, 73.98, -88.59

 

CMYK 30 / 88 / 0 / 6

HEX #A71DF0

RGB 167 29 240

HSL 279.24, 0.88%, 0.53%

LAB 46.16, 80.29, -76.05

 

CMYK 88 / 50 / 0 / 6

HEX #1D77F0

RGB 29 119 240

HSL 214.41, 0.88%, 0.53%

LAB 51.55, 19.66, -67.72

 

CMYK 88 / 74 / 0 / 6

HEX #1D3EF0

RGB 29 62 240

HSL 230.62, 0.88%, 0.53%

LAB 37.84, 54.84, -90.18

 

CMYK 88 / 88 / 0 / 6

HEX #1D1DF0

RGB 29 29 240

HSL 240, 0.88%, 0.53%

LAB 32.77, 69.69, -98.61

 

CMYK 88 / 50 / 0 / 6

HEX #1D77F0

RGB 29 119 240

HSL 214.41, 0.88%, 0.53%

LAB 51.55, 19.66, -67.72

 

CMYK 88 / 50 / 0 / 6

HEX #1D77F0

RGB 29 119 240

HSL 214.41, 0.88%, 0.53%

LAB 51.55, 19.66, -67.72

 

CMYK 78 / 45 / 0 / 13

HEX #317ADD

RGB 49 122 221

HSL 214.53, 0.72%, 0.53%

LAB 51.6, 12.21, -56.96

 

CMYK 66 / 38 / 0 / 21

HEX #447CC9

RGB 68 124 201

HSL 214.74, 0.55%, 0.53%

LAB 51.68, 6.33, -45.46

 

CMYK 52 / 30 / 0 / 29

HEX #577FB6

RGB 87 127 182

HSL 214.74, 0.39%, 0.53%

LAB 52.49, 2, -33.25

 

CMYK 34 / 20 / 0 / 36

HEX #6B82A3

RGB 107 130 163

HSL 215.36, 0.23%, 0.53%

LAB 53.75, -0.01, -20.26

 

CMYK 88 / 3 / 0 / 6

HEX #1DE9F0

RGB 29 233 240

HSL 181.99, 0.88%, 0.53%

LAB 84.4, -41.97, -16.36

 

CMYK 88 / 26 / 0 / 6

HEX #1DB1F0

RGB 29 177 240

HSL 197.91, 0.88%, 0.53%

LAB 68.02, -14.47, -41.5

 

CMYK 88 / 50 / 0 / 6

HEX #1D79F0

RGB 29 121 240

HSL 213.84, 0.88%, 0.53%

LAB 52.09, 18.4, -66.84

 

CMYK 88 / 73 / 0 / 6

HEX #1D40F0

RGB 29 64 240

HSL 230.05, 0.88%, 0.53%

LAB 38.23, 53.73, -89.53

 

CMYK 79 / 88 / 0 / 6

HEX #321DF0

RGB 50 29 240

HSL 245.97, 0.88%, 0.53%

LAB 33.66, 70.28, -97.09

 

CMYK 94 / 54 / 0 / 31

HEX #0B51B0

RGB 11 81 176

HSL 214.55, 0.88%, 0.37%

LAB 36.16, 18.23, -55.95

 

CMYK 94 / 54 / 0 / 16

HEX #0D63D7

RGB 13 99 215

HSL 214.46, 0.89%, 0.45%

LAB 44.11, 22.02, -65.69

 

CMYK 88 / 50 / 0 / 6

HEX #1D77F0

RGB 29 119 240

HSL 214.41, 0.88%, 0.53%

LAB 51.55, 19.66, -67.72

 

CMYK 72 / 42 / 0 / 5

HEX #448EF3

RGB 68 142 243

HSL 214.63, 0.88%, 0.61%

LAB 59.02, 10.27, -57.33

 

CMYK 56 / 33 / 0 / 4

HEX #6BA5F5

RGB 107 165 245

HSL 214.78, 0.87%, 0.69%

LAB 67, 4.02, -45.68

 

CMYK 87 / 50 / 0 / 5

HEX #1F78F1

RGB 31 120 241

HSL 214.57, 0.88%, 0.53%

LAB 51.92, 19.53, -67.68

 

CMYK 20 / 88 / 0 / 6

HEX #BF1DF0

RGB 191 29 240

HSL 286.07, 0.88%, 0.53%

LAB 49.79, 83.63, -69.97

 

CMYK 15 / 0 / 88 / 6

HEX #CDF01D

RGB 205 240 29

HSL 69.95, 0.88%, 0.53%

LAB 89.57, -34.51, 84.22

 

CMYK 87 / 50 / 0 / 5

HEX #1F78F1

RGB 31 120 241

HSL 214.57, 0.88%, 0.53%

LAB 51.92, 19.53, -67.68

 

CMYK 0 / 88 / 50 / 6

HEX #F01D79

RGB 240 29 121

HSL 333.84, 0.88%, 0.53%

LAB 52.71, 77.97, 4.78

 

CMYK 50 / 0 / 88 / 6

HEX #79F01D

RGB 121 240 29

HSL 93.84, 0.88%, 0.53%

LAB 85.24, -63.98, 78.86

 

CMYK 87 / 50 / 0 / 5

HEX #1F78F1

RGB 31 120 241

HSL 214.57, 0.88%, 0.53%

LAB 51.92, 19.53, -67.68

 

CMYK 20 / 88 / 0 / 6

HEX #BF1DF0

RGB 191 29 240

HSL 286.07, 0.88%, 0.53%

LAB 49.79, 83.63, -69.97

 

CMYK 0 / 38 / 88 / 6

HEX #F0951D

RGB 240 149 29

HSL 34.12, 0.88%, 0.53%

LAB 69.55, 26.38, 69.6

 

CMYK 68 / 0 / 88 / 6

HEX #4EF01D

RGB 78 240 29

HSL 106.07, 0.88%, 0.53%

LAB 83.98, -74.2, 77.29

 

CMYK 87 / 50 / 0 / 5

HEX #1F78F1

RGB 31 120 241

HSL 214.57, 0.88%, 0.53%

LAB 51.92, 19.53, -67.68

 

CMYK 0 / 88 / 6 / 6

HEX #F01DE2

RGB 240 29 226

HSL 303.98, 0.88%, 0.53%

LAB 56.97, 89.36, -50.12

 

CMYK 0 / 38 / 88 / 6

HEX #F0951D

RGB 240 149 29

HSL 34.12, 0.88%, 0.53%

LAB 69.55, 26.38, 69.6

 

CMYK 88 / 0 / 82 / 6

HEX #1DF02B

RGB 29 240 43

HSL 123.98, 0.88%, 0.53%

LAB 83.31, -79.87, 73.49

 

Description

Color code: RGB 31 120 241 | qconv.com Color code: RGB 31 120 241 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 120 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 120 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 50 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 50% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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