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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 138 177 it is the complementary color RGB 224 117 78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 138 177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 138 177 shade: RGB 36 138 172, RGB 53 156 191, RGB 70 174 210, RGB 87 192 229 and RGB 104 210 248

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 138 177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 138 177 shade: RGB 31 138 177, RGB 14 120 158, RGB 0 102 139, RGB 0 84 120 and RGB 0 66 101

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 138 177 shade: RGB 31 138 177, RGB 31 99 177, RGB 31 59 177, RGB 42 31 177 and RGB 81 31 177

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 138 177 shade: RGB 31 138 177, RGB 31 99 177, RGB 31 59 177 and RGB 31 31 177

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 138 177 shade matches the following richer shades: RGB 31 138 177 and RGB 14 146 194

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 138 177 shade: RGB 31 138 177, RGB 48 130 160, RGB 65 122 143, RGB 82 114 126 and RGB 99 107 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 138 177 shade: RGB 31 177 138, RGB 31 177 177, RGB 31 138 177, RGB 31 99 177 and RGB 31 60 177

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 138 177 shade: RGB 18 83 107, RGB 25 111 142, RGB 31 138 177, RGB 37 165 212 and RGB 69 181 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 138 177 shade: RGB 31 138 177, RGB 99 31 177 and RGB 177 158 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 138 177 shade: RGB 31 138 177, RGB 177 31 138 and RGB 138 177 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 138 177 shade: RGB 31 138 177, RGB 99 31 177, RGB 177 70 31 and RGB 109 177 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 138 177 shade: RGB 31 138 177, RGB 143 31 177, RGB 177 70 31 and RGB 65 177 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 22 / 0 / 31

HEX #1F8AB1

RGB 31 138 177

HSL 196.03, 0.7%, 0.41%

LAB 53.65, -15.27, -28.73

 

Complementary color

CMYK 0 / 48 / 65 / 12

HEX #E0754E

RGB 224 117 78

HSL 16.03, 0.7%, 0.59%

LAB 60.89, 38.47, 39.98

 

CMYK 79 / 20 / 0 / 33

HEX #248AAC

RGB 36 138 172

HSL 195, 0.65%, 0.41%

LAB 53.53, -16.52, -26.03

 

CMYK 72 / 18 / 0 / 25

HEX #359CBF

RGB 53 156 191

HSL 195.22, 0.57%, 0.48%

LAB 60.15, -17.76, -26.57

 

CMYK 67 / 17 / 0 / 18

HEX #46AED2

RGB 70 174 210

HSL 195.43, 0.61%, 0.55%

LAB 66.69, -18.69, -27.05

 

CMYK 62 / 16 / 0 / 10

HEX #57C0E5

RGB 87 192 229

HSL 195.63, 0.73%, 0.62%

LAB 73.14, -19.41, -27.48

 

CMYK 58 / 15 / 0 / 3

HEX #68D2F8

RGB 104 210 248

HSL 195.83, 0.91%, 0.69%

LAB 79.51, -19.97, -27.89

 

CMYK 82 / 22 / 0 / 31

HEX #1F8AB1

RGB 31 138 177

HSL 196.03, 0.7%, 0.41%

LAB 53.65, -15.27, -28.73

 

CMYK 91 / 24 / 0 / 38

HEX #0E789E

RGB 14 120 158

HSL 195.83, 0.84%, 0.34%

LAB 46.97, -13.34, -28.11

 

CMYK 100 / 27 / 0 / 45

HEX #00668B

RGB 0 102 139

HSL 195.97, 1%, 0.27%

LAB 40.19, -10.89, -27.39

 

CMYK 100 / 30 / 0 / 53

HEX #005478

RGB 0 84 120

HSL 198, 1%, 0.24%

LAB 33.34, -7.58, -26.51

 

CMYK 100 / 35 / 0 / 60

HEX #004265

RGB 0 66 101

HSL 200.79, 1%, 0.2%

LAB 26.26, -4.04, -25.66

 

CMYK 82 / 22 / 0 / 31

HEX #1F8AB1

RGB 31 138 177

HSL 196.03, 0.7%, 0.41%

LAB 53.65, -15.27, -28.73

 

CMYK 82 / 44 / 0 / 31

HEX #1F63B1

RGB 31 99 177

HSL 212.05, 0.7%, 0.41%

LAB 41.83, 8.11, -47.37

 

CMYK 82 / 67 / 0 / 31

HEX #1F3BB1

RGB 31 59 177

HSL 228.49, 0.7%, 0.41%

LAB 30.86, 34.56, -65.18

 

CMYK 76 / 82 / 0 / 31

HEX #2A1FB1

RGB 42 31 177

HSL 244.52, 0.7%, 0.41%

LAB 25.7, 51.31, -73.68

 

CMYK 54 / 82 / 0 / 31

HEX #511FB1

RGB 81 31 177

HSL 260.55, 0.7%, 0.41%

LAB 29.17, 54.88, -67.84

 

CMYK 82 / 22 / 0 / 31

HEX #1F8AB1

RGB 31 138 177

HSL 196.03, 0.7%, 0.41%

LAB 53.65, -15.27, -28.73

 

CMYK 82 / 44 / 0 / 31

HEX #1F63B1

RGB 31 99 177

HSL 212.05, 0.7%, 0.41%

LAB 41.83, 8.11, -47.37

 

CMYK 82 / 67 / 0 / 31

HEX #1F3BB1

RGB 31 59 177

HSL 228.49, 0.7%, 0.41%

LAB 30.86, 34.56, -65.18

 

CMYK 82 / 82 / 0 / 31

HEX #1F1FB1

RGB 31 31 177

HSL 240, 0.7%, 0.41%

LAB 25.09, 50.69, -74.71

 

CMYK 82 / 22 / 0 / 31

HEX #1F8AB1

RGB 31 138 177

HSL 196.03, 0.7%, 0.41%

LAB 53.65, -15.27, -28.73

 

CMYK 93 / 25 / 0 / 24

HEX #0E92C2

RGB 14 146 194

HSL 196, 0.87%, 0.41%

LAB 56.63, -14.69, -33.78

 

CMYK 82 / 22 / 0 / 31

HEX #1F8AB1

RGB 31 138 177

HSL 196.03, 0.7%, 0.41%

LAB 53.65, -15.27, -28.73

 

CMYK 70 / 19 / 0 / 37

HEX #3082A0

RGB 48 130 160

HSL 196.07, 0.54%, 0.41%

LAB 50.84, -14.66, -23.22

 

CMYK 55 / 15 / 0 / 44

HEX #417A8F

RGB 65 122 143

HSL 196.15, 0.38%, 0.41%

LAB 48.29, -12.45, -17.13

 

CMYK 35 / 10 / 0 / 51

HEX #52727E

RGB 82 114 126

HSL 196.36, 0.21%, 0.41%

LAB 46.09, -8.29, -10.31

 

CMYK 10 / 3 / 0 / 57

HEX #636B6E

RGB 99 107 110

HSL 196.36, 0.05%, 0.41%

LAB 44.65, -2.38, -2.73

 

CMYK 82 / 0 / 22 / 31

HEX #1FB18A

RGB 31 177 138

HSL 163.97, 0.7%, 0.41%

LAB 64.62, -45.83, 9.7

 

CMYK 82 / 0 / 0 / 31

HEX #1FB1B1

RGB 31 177 177

HSL 180, 0.7%, 0.41%

LAB 65.68, -35.06, -10.39

 

CMYK 82 / 22 / 0 / 31

HEX #1F8AB1

RGB 31 138 177

HSL 196.03, 0.7%, 0.41%

LAB 53.65, -15.27, -28.73

 

CMYK 82 / 44 / 0 / 31

HEX #1F63B1

RGB 31 99 177

HSL 212.05, 0.7%, 0.41%

LAB 41.83, 8.11, -47.37

 

CMYK 82 / 66 / 0 / 31

HEX #1F3CB1

RGB 31 60 177

HSL 228.08, 0.7%, 0.41%

LAB 31.11, 33.91, -64.78

 

CMYK 83 / 22 / 0 / 58

HEX #12536B

RGB 18 83 107

HSL 196.18, 0.71%, 0.25%

LAB 32.65, -10.65, -19.46

 

CMYK 82 / 22 / 0 / 44

HEX #196F8E

RGB 25 111 142

HSL 195.9, 0.7%, 0.33%

LAB 43.55, -13.25, -23.94

 

CMYK 82 / 22 / 0 / 31

HEX #1F8AB1

RGB 31 138 177

HSL 196.03, 0.7%, 0.41%

LAB 53.65, -15.27, -28.73

 

CMYK 83 / 22 / 0 / 17

HEX #25A5D4

RGB 37 165 212

HSL 196.11, 0.7%, 0.49%

LAB 63.39, -17.2, -33.32

 

CMYK 69 / 18 / 0 / 13

HEX #45B5DE

RGB 69 181 222

HSL 196.08, 0.7%, 0.57%

LAB 69.17, -18.71, -29.82

 

CMYK 82 / 22 / 0 / 31

HEX #1F8AB1

RGB 31 138 177

HSL 196.03, 0.7%, 0.41%

LAB 53.65, -15.27, -28.73

 

CMYK 44 / 82 / 0 / 31

HEX #631FB1

RGB 99 31 177

HSL 267.95, 0.7%, 0.41%

LAB 31.36, 57.18, -64.15

 

CMYK 0 / 11 / 82 / 31

HEX #B19E1F

RGB 177 158 31

HSL 52.19, 0.7%, 0.41%

LAB 64.88, -5.93, 62.4

 

CMYK 82 / 22 / 0 / 31

HEX #1F8AB1

RGB 31 138 177

HSL 196.03, 0.7%, 0.41%

LAB 53.65, -15.27, -28.73

 

CMYK 0 / 82 / 22 / 31

HEX #B11F8A

RGB 177 31 138

HSL 316.03, 0.7%, 0.41%

LAB 41.47, 64.79, -23.65

 

CMYK 22 / 0 / 82 / 31

HEX #8AB11F

RGB 138 177 31

HSL 76.03, 0.7%, 0.41%

LAB 67.24, -32.34, 63.26

 

CMYK 82 / 22 / 0 / 31

HEX #1F8AB1

RGB 31 138 177

HSL 196.03, 0.7%, 0.41%

LAB 53.65, -15.27, -28.73

 

CMYK 44 / 82 / 0 / 31

HEX #631FB1

RGB 99 31 177

HSL 267.95, 0.7%, 0.41%

LAB 31.36, 57.18, -64.15

 

CMYK 0 / 60 / 82 / 31

HEX #B1461F

RGB 177 70 31

HSL 16.03, 0.7%, 0.41%

LAB 43.98, 41.64, 43.82

 

CMYK 38 / 0 / 82 / 31

HEX #6DB11F

RGB 109 177 31

HSL 87.95, 0.7%, 0.41%

LAB 65.59, -43.4, 61.17

 

CMYK 82 / 22 / 0 / 31

HEX #1F8AB1

RGB 31 138 177

HSL 196.03, 0.7%, 0.41%

LAB 53.65, -15.27, -28.73

 

CMYK 19 / 82 / 0 / 31

HEX #8F1FB1

RGB 143 31 177

HSL 286.03, 0.7%, 0.41%

LAB 37.83, 64.14, -53.33

 

CMYK 0 / 60 / 82 / 31

HEX #B1461F

RGB 177 70 31

HSL 16.03, 0.7%, 0.41%

LAB 43.98, 41.64, 43.82

 

CMYK 63 / 0 / 82 / 31

HEX #41B11F

RGB 65 177 31

HSL 106.03, 0.7%, 0.41%

LAB 63.89, -56.43, 59

 

Description

Color code: RGB 31 138 177 | qconv.com Color code: RGB 31 138 177 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 138 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 138 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 22 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 22% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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