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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 197 21 it is the complementary color RGB 224 58 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 197 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 197 21 shade: RGB 36 197 16, RGB 53 215 35, RGB 70 233 54, RGB 87 251 73 and RGB 104 255 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 197 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 197 21 shade: RGB 31 197 21, RGB 14 179 2, RGB 0 161 0, RGB 0 143 0 and RGB 0 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 197 21 shade: RGB 30 198 20, RGB 78 198 20, RGB 126 198 20, RGB 174 198 20 and RGB 198 174 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 197 21 shade: RGB 30 198 20, RGB 20 198 58, RGB 20 198 106, RGB 20 198 154 and RGB 20 194 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 197 21 shade matches the following richer shades: RGB 30 198 20 and RGB 15 216 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 197 21 shade: RGB 30 198 20, RGB 46 180 38, RGB 62 162 56, RGB 78 145 74 and RGB 93 127 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 197 21 shade: RGB 127 198 20, RGB 80 198 20, RGB 32 198 20, RGB 20 198 56 and RGB 20 198 103

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 197 21 shade: RGB 19 123 12, RGB 25 161 16, RGB 30 198 20, RGB 40 231 29 and RGB 76 235 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 197 21 shade: RGB 31 197 21, RGB 20 174 198 and RGB 198 20 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 197 21 shade: RGB 31 197 21, RGB 20 32 198 and RGB 198 20 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 197 21 shade: RGB 31 197 21, RGB 20 174 198, RGB 186 20 198 and RGB 198 44 20

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 197 21 shade: RGB 31 197 21, RGB 20 121 198, RGB 186 20 198 and RGB 198 97 20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 89 / 23

HEX #1FC515

RGB 31 197 21

HSL 116.59, 0.81%, 0.43%

LAB 69.67, -68.59, 66.1

 

Complementary color

CMYK 4 / 75 / 0 / 8

HEX #E03AEA

RGB 224 58 234

HSL 296.59, 0.81%, 0.57%

LAB 56.89, 81.48, -54.9

 

CMYK 82 / 0 / 92 / 23

HEX #24C510

RGB 36 197 16

HSL 113.37, 0.85%, 0.42%

LAB 69.71, -68.21, 66.98

 

CMYK 75 / 0 / 84 / 16

HEX #35D723

RGB 53 215 35

HSL 114, 0.72%, 0.49%

LAB 75.75, -70.59, 68.66

 

CMYK 70 / 0 / 77 / 9

HEX #46E936

RGB 70 233 54

HSL 114.64, 0.8%, 0.56%

LAB 81.75, -72.33, 69.22

 

CMYK 65 / 0 / 71 / 2

HEX #57FB49

RGB 87 251 73

HSL 115.28, 0.96%, 0.64%

LAB 87.73, -73.57, 69.04

 

CMYK 59 / 0 / 64 / 0

HEX #68FF5C

RGB 104 255 92

HSL 115.58, 1%, 0.68%

LAB 89.5, -69.73, 63.91

 

CMYK 84 / 0 / 89 / 23

HEX #1FC515

RGB 31 197 21

HSL 116.59, 0.81%, 0.43%

LAB 69.67, -68.59, 66.1

 

CMYK 92 / 0 / 99 / 30

HEX #0EB302

RGB 14 179 2

HSL 115.93, 0.98%, 0.35%

LAB 63.62, -65.33, 63.62

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 100 / 0 / 100 / 51

HEX #007D00

RGB 0 125 0

HSL 120, 1%, 0.25%

LAB 45.18, -50.82, 49.05

 

CMYK 85 / 0 / 90 / 22

HEX #1EC614

RGB 30 198 20

HSL 116.63, 0.82%, 0.43%

LAB 69.98, -69.01, 66.54

 

CMYK 61 / 0 / 90 / 22

HEX #4EC614

RGB 78 198 20

HSL 100.45, 0.82%, 0.43%

LAB 70.91, -60.97, 67.71

 

CMYK 36 / 0 / 90 / 22

HEX #7EC614

RGB 126 198 20

HSL 84.27, 0.82%, 0.43%

LAB 72.81, -46.48, 70.06

 

CMYK 12 / 0 / 90 / 22

HEX #AEC614

RGB 174 198 20

HSL 68.09, 0.82%, 0.43%

LAB 75.72, -27.74, 73.64

 

CMYK 0 / 12 / 90 / 22

HEX #C6AE14

RGB 198 174 20

HSL 51.91, 0.82%, 0.43%

LAB 71.1, -5.3, 70.82

 

CMYK 85 / 0 / 90 / 22

HEX #1EC614

RGB 30 198 20

HSL 116.63, 0.82%, 0.43%

LAB 69.98, -69.01, 66.54

 

CMYK 90 / 0 / 71 / 22

HEX #14C63A

RGB 20 198 58

HSL 132.81, 0.82%, 0.43%

LAB 70.07, -67.52, 55.9

 

CMYK 90 / 0 / 46 / 22

HEX #14C66A

RGB 20 198 106

HSL 148.99, 0.82%, 0.43%

LAB 70.58, -61.23, 34.75

 

CMYK 90 / 0 / 22 / 22

HEX #14C69A

RGB 20 198 154

HSL 165.17, 0.82%, 0.43%

LAB 71.47, -51.13, 10.66

 

CMYK 90 / 2 / 0 / 22

HEX #14C2C6

RGB 20 194 198

HSL 181.35, 0.82%, 0.43%

LAB 71.43, -37.26, -13.34

 

CMYK 85 / 0 / 90 / 22

HEX #1EC614

RGB 30 198 20

HSL 116.63, 0.82%, 0.43%

LAB 69.98, -69.01, 66.54

 

CMYK 93 / 0 / 99 / 15

HEX #0FD803

RGB 15 216 3

HSL 116.62, 0.97%, 0.43%

LAB 75.59, -75.4, 73.17

 

CMYK 85 / 0 / 90 / 22

HEX #1EC614

RGB 30 198 20

HSL 116.63, 0.82%, 0.43%

LAB 69.98, -69.01, 66.54

 

CMYK 74 / 0 / 79 / 29

HEX #2EB426

RGB 46 180 38

HSL 116.62, 0.65%, 0.43%

LAB 64.45, -60.73, 57.33

 

CMYK 62 / 0 / 65 / 36

HEX #3EA238

RGB 62 162 56

HSL 116.6, 0.49%, 0.43%

LAB 59.11, -49.89, 45.19

 

CMYK 46 / 0 / 49 / 43

HEX #4E914A

RGB 78 145 74

HSL 116.62, 0.32%, 0.43%

LAB 54.41, -36.31, 31.07

 

CMYK 27 / 0 / 28 / 50

HEX #5D7F5B

RGB 93 127 91

HSL 116.67, 0.17%, 0.43%

LAB 49.81, -19.66, 15.79

 

CMYK 36 / 0 / 90 / 22

HEX #7FC614

RGB 127 198 20

HSL 83.93, 0.82%, 0.43%

LAB 72.86, -46.13, 70.12

 

CMYK 60 / 0 / 90 / 22

HEX #50C614

RGB 80 198 20

HSL 99.78, 0.82%, 0.43%

LAB 70.97, -60.48, 67.78

 

CMYK 84 / 0 / 90 / 22

HEX #20C614

RGB 32 198 20

HSL 115.96, 0.82%, 0.43%

LAB 70, -68.81, 66.56

 

CMYK 90 / 0 / 72 / 22

HEX #14C638

RGB 20 198 56

HSL 132.13, 0.82%, 0.43%

LAB 70.05, -67.7, 56.64

 

CMYK 90 / 0 / 48 / 22

HEX #14C667

RGB 20 198 103

HSL 147.98, 0.82%, 0.43%

LAB 70.54, -61.74, 36.2

 

CMYK 85 / 0 / 90 / 52

HEX #137B0C

RGB 19 123 12

HSL 116.22, 0.82%, 0.26%

LAB 44.7, -47.98, 46.17

 

CMYK 84 / 0 / 90 / 37

HEX #19A110

RGB 25 161 16

HSL 116.28, 0.82%, 0.35%

LAB 57.78, -58.85, 56.76

 

CMYK 85 / 0 / 90 / 22

HEX #1EC614

RGB 30 198 20

HSL 116.63, 0.82%, 0.43%

LAB 69.98, -69.01, 66.54

 

CMYK 83 / 0 / 87 / 9

HEX #28E71D

RGB 40 231 29

HSL 116.73, 0.81%, 0.51%

LAB 80.57, -77.05, 74.1

 

CMYK 68 / 0 / 72 / 8

HEX #4CEB42

RGB 76 235 66

HSL 116.45, 0.81%, 0.59%

LAB 82.56, -71.06, 66.14

 

CMYK 84 / 0 / 89 / 23

HEX #1FC515

RGB 31 197 21

HSL 116.59, 0.81%, 0.43%

LAB 69.67, -68.59, 66.1

 

CMYK 90 / 12 / 0 / 22

HEX #14AEC6

RGB 20 174 198

HSL 188.09, 0.82%, 0.43%

LAB 65.36, -27.7, -22.54

 

CMYK 0 / 90 / 48 / 22

HEX #C61467

RGB 198 20 103

HSL 332.02, 0.82%, 0.43%

LAB 43.49, 68.12, 1.46

 

CMYK 84 / 0 / 89 / 23

HEX #1FC515

RGB 31 197 21

HSL 116.59, 0.81%, 0.43%

LAB 69.67, -68.59, 66.1

 

CMYK 90 / 84 / 0 / 22

HEX #1420C6

RGB 20 32 198

HSL 235.96, 0.82%, 0.43%

LAB 27.46, 56.32, -83.24

 

CMYK 0 / 90 / 84 / 22

HEX #C61420

RGB 198 20 32

HSL 355.96, 0.82%, 0.43%

LAB 42.17, 64.41, 43.1

 

CMYK 84 / 0 / 89 / 23

HEX #1FC515

RGB 31 197 21

HSL 116.59, 0.81%, 0.43%

LAB 69.67, -68.59, 66.1

 

CMYK 90 / 12 / 0 / 22

HEX #14AEC6

RGB 20 174 198

HSL 188.09, 0.82%, 0.43%

LAB 65.36, -27.7, -22.54

 

CMYK 6 / 90 / 0 / 22

HEX #BA14C6

RGB 186 20 198

HSL 295.96, 0.82%, 0.43%

LAB 45.66, 77.27, -52.69

 

CMYK 0 / 78 / 90 / 22

HEX #C62C14

RGB 198 44 20

HSL 8.09, 0.82%, 0.43%

LAB 44.03, 58.67, 50.25

 

CMYK 84 / 0 / 89 / 23

HEX #1FC515

RGB 31 197 21

HSL 116.59, 0.81%, 0.43%

LAB 69.67, -68.59, 66.1

 

CMYK 90 / 39 / 0 / 22

HEX #1479C6

RGB 20 121 198

HSL 205.96, 0.82%, 0.43%

LAB 49.38, 1.67, -47.49

 

CMYK 6 / 90 / 0 / 22

HEX #BA14C6

RGB 186 20 198

HSL 295.96, 0.82%, 0.43%

LAB 45.66, 77.27, -52.69

 

CMYK 0 / 51 / 90 / 22

HEX #C66114

RGB 198 97 20

HSL 25.96, 0.82%, 0.43%

LAB 52.52, 36.13, 56.54

 

Description

Color code: RGB 31 197 21 | qconv.com Color code: RGB 31 197 21 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 197 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 197 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 89 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 89% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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