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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 212 167 it is the complementary color RGB 224 43 88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 212 167. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 212 167 shade: RGB 36 212 162, RGB 53 230 181, RGB 70 248 200, RGB 87 255 219 and RGB 104 255 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 212 167. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 212 167 shade: RGB 31 212 167, RGB 14 194 148, RGB 0 176 129, RGB 0 158 110 and RGB 0 140 91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 212 167 shade: RGB 31 212 167, RGB 31 212 119, RGB 31 212 70, RGB 42 212 31 and RGB 91 212 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 212 167 shade: RGB 31 212 167, RGB 31 209 212, RGB 31 160 212, RGB 31 111 212 and RGB 31 62 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 212 167 shade matches the following richer shades: RGB 31 212 167 and RGB 12 232 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 212 167 shade: RGB 31 212 167, RGB 51 193 157, RGB 71 173 148, RGB 91 153 138 and RGB 111 133 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 212 167 shade: RGB 31 212 71, RGB 31 212 119, RGB 31 212 167, RGB 31 209 212 and RGB 31 161 212

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 212 167 shade: RGB 21 141 111, RGB 26 177 139, RGB 31 212 167, RGB 60 225 184 and RGB 96 231 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 212 167 shade: RGB 31 212 167, RGB 31 40 212 and RGB 212 95 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 212 167 shade: RGB 31 212 167, RGB 167 31 212 and RGB 212 167 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 212 167 shade: RGB 31 212 167, RGB 31 40 212, RGB 212 31 77 and RGB 212 203 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 212 167 shade: RGB 31 212 167, RGB 77 31 212, RGB 212 31 77 and RGB 167 212 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 21 / 17

HEX #1FD4A7

RGB 31 212 167

HSL 165.08, 0.74%, 0.48%

LAB 76.17, -52.81, 10.38

 

Complementary color

CMYK 0 / 81 / 61 / 12

HEX #E02B58

RGB 224 43 88

HSL 345.08, 0.74%, 0.52%

LAB 49.83, 68.95, 20.35

 

CMYK 83 / 0 / 24 / 17

HEX #24D4A2

RGB 36 212 162

HSL 162.95, 0.71%, 0.49%

LAB 76.11, -53.63, 12.97

 

CMYK 77 / 0 / 21 / 10

HEX #35E6B5

RGB 53 230 181

HSL 163.39, 0.78%, 0.55%

LAB 82.21, -54.64, 11.59

 

CMYK 72 / 0 / 19 / 3

HEX #46F8C8

RGB 70 248 200

HSL 163.82, 0.93%, 0.62%

LAB 88.26, -55.36, 10.32

 

CMYK 66 / 0 / 14 / 0

HEX #57FFDB

RGB 87 255 219

HSL 167.14, 1%, 0.67%

LAB 91.08, -51.37, 4.58

 

CMYK 59 / 0 / 7 / 0

HEX #68FFEE

RGB 104 255 238

HSL 173.25, 1%, 0.7%

LAB 91.97, -43.98, -3.91

 

CMYK 85 / 0 / 21 / 17

HEX #1FD4A7

RGB 31 212 167

HSL 165.08, 0.74%, 0.48%

LAB 76.17, -52.81, 10.38

 

CMYK 93 / 0 / 24 / 24

HEX #0EC294

RGB 14 194 148

HSL 164.67, 0.87%, 0.41%

LAB 70.05, -51.31, 11.89

 

CMYK 100 / 0 / 27 / 31

HEX #00B081

RGB 0 176 129

HSL 163.98, 1%, 0.35%

LAB 63.86, -49.41, 13.55

 

CMYK 100 / 0 / 30 / 38

HEX #009E6E

RGB 0 158 110

HSL 161.77, 1%, 0.31%

LAB 57.64, -46.95, 15.4

 

CMYK 100 / 0 / 35 / 45

HEX #008C5B

RGB 0 140 91

HSL 159, 1%, 0.27%

LAB 51.28, -44.39, 17.34

 

CMYK 85 / 0 / 21 / 17

HEX #1FD4A7

RGB 31 212 167

HSL 165.08, 0.74%, 0.48%

LAB 76.17, -52.81, 10.38

 

CMYK 85 / 0 / 44 / 17

HEX #1FD477

RGB 31 212 119

HSL 149.17, 0.74%, 0.48%

LAB 75.27, -62.96, 34.23

 

CMYK 85 / 0 / 67 / 17

HEX #1FD446

RGB 31 212 70

HSL 132.93, 0.74%, 0.48%

LAB 74.71, -69.73, 56.19

 

CMYK 80 / 0 / 85 / 17

HEX #2AD41F

RGB 42 212 31

HSL 116.35, 0.74%, 0.48%

LAB 74.62, -71.34, 68.5

 

CMYK 57 / 0 / 85 / 17

HEX #5BD41F

RGB 91 212 31

HSL 100.11, 0.74%, 0.48%

LAB 75.71, -62.17, 69.87

 

CMYK 85 / 0 / 21 / 17

HEX #1FD4A7

RGB 31 212 167

HSL 165.08, 0.74%, 0.48%

LAB 76.17, -52.81, 10.38

 

CMYK 85 / 1 / 0 / 17

HEX #1FD1D4

RGB 31 209 212

HSL 180.99, 0.74%, 0.48%

LAB 76.46, -39.32, -13.36

 

CMYK 85 / 25 / 0 / 17

HEX #1FA0D4

RGB 31 160 212

HSL 197.24, 0.74%, 0.48%

LAB 61.81, -14.97, -35.78

 

CMYK 85 / 48 / 0 / 17

HEX #1F6FD4

RGB 31 111 212

HSL 213.48, 0.74%, 0.48%

LAB 47.51, 14.08, -58.46

 

CMYK 85 / 71 / 0 / 17

HEX #1F3ED4

RGB 31 62 212

HSL 229.72, 0.74%, 0.48%

LAB 34.98, 45.38, -78.91

 

CMYK 85 / 0 / 21 / 17

HEX #1FD4A7

RGB 31 212 167

HSL 165.08, 0.74%, 0.48%

LAB 76.17, -52.81, 10.38

 

CMYK 95 / 0 / 24 / 9

HEX #0CE8B1

RGB 12 232 177

HSL 165, 0.9%, 0.48%

LAB 82.36, -59.07, 13.84

 

CMYK 85 / 0 / 21 / 17

HEX #1FD4A7

RGB 31 212 167

HSL 165.08, 0.74%, 0.48%

LAB 76.17, -52.81, 10.38

 

CMYK 74 / 0 / 19 / 24

HEX #33C19D

RGB 51 193 157

HSL 164.79, 0.58%, 0.48%

LAB 70.37, -45.56, 7.53

 

CMYK 59 / 0 / 14 / 32

HEX #47AD94

RGB 71 173 148

HSL 165.29, 0.42%, 0.48%

LAB 64.46, -35.72, 4.03

 

CMYK 41 / 0 / 10 / 40

HEX #5B998A

RGB 91 153 138

HSL 165.48, 0.25%, 0.48%

LAB 58.83, -23.69, 1.59

 

CMYK 17 / 0 / 4 / 48

HEX #6F8580

RGB 111 133 128

HSL 166.36, 0.09%, 0.48%

LAB 53.72, -9, 0.04

 

CMYK 85 / 0 / 67 / 17

HEX #1FD447

RGB 31 212 71

HSL 133.26, 0.74%, 0.48%

LAB 74.72, -69.63, 55.8

 

CMYK 85 / 0 / 44 / 17

HEX #1FD477

RGB 31 212 119

HSL 149.17, 0.74%, 0.48%

LAB 75.27, -62.96, 34.23

 

CMYK 85 / 0 / 21 / 17

HEX #1FD4A7

RGB 31 212 167

HSL 165.08, 0.74%, 0.48%

LAB 76.17, -52.81, 10.38

 

CMYK 85 / 1 / 0 / 17

HEX #1FD1D4

RGB 31 209 212

HSL 180.99, 0.74%, 0.48%

LAB 76.46, -39.32, -13.36

 

CMYK 85 / 24 / 0 / 17

HEX #1FA1D4

RGB 31 161 212

HSL 196.91, 0.74%, 0.48%

LAB 62.11, -15.51, -35.31

 

CMYK 85 / 0 / 21 / 45

HEX #158D6F

RGB 21 141 111

HSL 165, 0.74%, 0.32%

LAB 52.24, -38.49, 7.28

 

CMYK 85 / 0 / 21 / 31

HEX #1AB18B

RGB 26 177 139

HSL 164.9, 0.74%, 0.4%

LAB 64.59, -46.01, 9.09

 

CMYK 85 / 0 / 21 / 17

HEX #1FD4A7

RGB 31 212 167

HSL 165.08, 0.74%, 0.48%

LAB 76.17, -52.81, 10.38

 

CMYK 73 / 0 / 18 / 12

HEX #3CE1B8

RGB 60 225 184

HSL 165.09, 0.73%, 0.56%

LAB 80.89, -51.1, 8.14

 

CMYK 58 / 0 / 15 / 9

HEX #60E7C5

RGB 96 231 197

HSL 164.89, 0.74%, 0.64%

LAB 83.79, -44.89, 5.56

 

CMYK 85 / 0 / 21 / 17

HEX #1FD4A7

RGB 31 212 167

HSL 165.08, 0.74%, 0.48%

LAB 76.17, -52.81, 10.38

 

CMYK 85 / 81 / 0 / 17

HEX #1F28D4

RGB 31 40 212

HSL 237.02, 0.74%, 0.48%

LAB 30.79, 57.3, -85.86

 

CMYK 0 / 55 / 85 / 17

HEX #D45F1F

RGB 212 95 31

HSL 21.22, 0.74%, 0.48%

LAB 54.32, 42.86, 55.11

 

CMYK 85 / 0 / 21 / 17

HEX #1FD4A7

RGB 31 212 167

HSL 165.08, 0.74%, 0.48%

LAB 76.17, -52.81, 10.38

 

CMYK 21 / 85 / 0 / 17

HEX #A71FD4

RGB 167 31 212

HSL 285.08, 0.74%, 0.48%

LAB 44.16, 74.61, -63.36

 

CMYK 0 / 21 / 85 / 17

HEX #D4A71F

RGB 212 167 31

HSL 45.08, 0.74%, 0.48%

LAB 70.69, 4.81, 68.66

 

CMYK 85 / 0 / 21 / 17

HEX #1FD4A7

RGB 31 212 167

HSL 165.08, 0.74%, 0.48%

LAB 76.17, -52.81, 10.38

 

CMYK 85 / 81 / 0 / 17

HEX #1F28D4

RGB 31 40 212

HSL 237.02, 0.74%, 0.48%

LAB 30.79, 57.3, -85.86

 

CMYK 0 / 85 / 64 / 17

HEX #D41F4D

RGB 212 31 77

HSL 344.75, 0.74%, 0.48%

LAB 46.33, 67.87, 22.03

 

CMYK 0 / 4 / 85 / 17

HEX #D4CB1F

RGB 212 203 31

HSL 57.02, 0.74%, 0.48%

LAB 80.07, -13.85, 76.34

 

CMYK 85 / 0 / 21 / 17

HEX #1FD4A7

RGB 31 212 167

HSL 165.08, 0.74%, 0.48%

LAB 76.17, -52.81, 10.38

 

CMYK 64 / 85 / 0 / 17

HEX #4D1FD4

RGB 77 31 212

HSL 255.25, 0.74%, 0.48%

LAB 32.51, 63.71, -82.93

 

CMYK 0 / 85 / 64 / 17

HEX #D41F4D

RGB 212 31 77

HSL 344.75, 0.74%, 0.48%

LAB 46.33, 67.87, 22.03

 

CMYK 21 / 0 / 85 / 17

HEX #A7D41F

RGB 167 212 31

HSL 74.92, 0.74%, 0.48%

LAB 79.27, -36.81, 74.34

 

Description

Color code: RGB 31 212 167 | qconv.com Color code: RGB 31 212 167 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 212 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 212 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 21 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 21% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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