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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 212 99 it is the complementary color RGB 224 43 156. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 212 99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 212 99 shade: RGB 36 212 94, RGB 53 230 113, RGB 70 248 132, RGB 87 255 151 and RGB 104 255 170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 212 99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 212 99 shade: RGB 31 212 99, RGB 14 194 80, RGB 0 176 61, RGB 0 158 42 and RGB 0 140 23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 212 99 shade: RGB 31 212 99, RGB 31 212 51, RGB 61 212 31, RGB 110 212 31 and RGB 159 212 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 212 99 shade: RGB 31 212 99, RGB 31 212 148, RGB 31 212 197, RGB 31 179 212 and RGB 31 130 212

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 212 99 shade matches the following richer shades: RGB 31 212 99 and RGB 12 232 94

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 212 99 shade: RGB 31 212 99, RGB 51 193 104, RGB 71 173 109, RGB 91 153 114 and RGB 111 133 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 212 99 shade: RGB 62 212 31, RGB 31 212 49, RGB 31 212 98, RGB 31 212 146 and RGB 31 212 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 212 99 shade: RGB 21 141 66, RGB 26 177 83, RGB 31 212 99, RGB 60 225 122 and RGB 96 231 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 212 99 shade: RGB 31 212 99, RGB 31 110 212 and RGB 212 31 37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 212 99 shade: RGB 31 212 99, RGB 98 31 212 and RGB 212 98 31

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 212 99 shade: RGB 31 212 99, RGB 31 110 212, RGB 212 31 146 and RGB 212 134 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 212 99 shade: RGB 31 212 99, RGB 31 55 212, RGB 212 31 146 and RGB 212 188 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 53 / 17

HEX #1FD463

RGB 31 212 99

HSL 142.54, 0.74%, 0.48%

LAB 75, -66.18, 43.71

 

Complementary color

CMYK 0 / 81 / 30 / 12

HEX #E02B9C

RGB 224 43 156

HSL 322.54, 0.74%, 0.52%

LAB 51.81, 74.78, -17.87

 

CMYK 83 / 0 / 56 / 17

HEX #24D45E

RGB 36 212 94

HSL 139.77, 0.71%, 0.49%

LAB 75, -66.44, 46.07

 

CMYK 77 / 0 / 51 / 10

HEX #35E671

RGB 53 230 113

HSL 140.34, 0.78%, 0.55%

LAB 81.04, -67.76, 44.52

 

CMYK 72 / 0 / 47 / 3

HEX #46F884

RGB 70 248 132

HSL 140.9, 0.93%, 0.62%

LAB 87.05, -68.67, 43

 

CMYK 66 / 0 / 41 / 0

HEX #57FF97

RGB 87 255 151

HSL 142.86, 1%, 0.67%

LAB 89.76, -65.36, 37.31

 

CMYK 59 / 0 / 33 / 0

HEX #68FFAA

RGB 104 255 170

HSL 146.23, 1%, 0.7%

LAB 90.49, -58.84, 28.9

 

CMYK 85 / 0 / 53 / 17

HEX #1FD463

RGB 31 212 99

HSL 142.54, 0.74%, 0.48%

LAB 75, -66.18, 43.71

 

CMYK 93 / 0 / 59 / 24

HEX #0EC250

RGB 14 194 80

HSL 142, 0.87%, 0.41%

LAB 68.94, -64.21, 45.34

 

CMYK 100 / 0 / 65 / 31

HEX #00B03D

RGB 0 176 61

HSL 140.8, 1%, 0.35%

LAB 62.83, -61.62, 46.87

 

CMYK 100 / 0 / 73 / 38

HEX #009E2A

RGB 0 158 42

HSL 135.95, 1%, 0.31%

LAB 56.7, -58.13, 48.09

 

CMYK 100 / 0 / 84 / 45

HEX #008C17

RGB 0 140 23

HSL 129.86, 1%, 0.27%

LAB 50.47, -54.22, 48.46

 

CMYK 85 / 0 / 53 / 17

HEX #1FD463

RGB 31 212 99

HSL 142.54, 0.74%, 0.48%

LAB 75, -66.18, 43.71

 

CMYK 85 / 0 / 76 / 17

HEX #1FD433

RGB 31 212 51

HSL 126.63, 0.74%, 0.48%

LAB 74.58, -71.34, 62.97

 

CMYK 71 / 0 / 85 / 17

HEX #3DD41F

RGB 61 212 31

HSL 110.06, 0.74%, 0.48%

LAB 74.94, -68.58, 68.9

 

CMYK 48 / 0 / 85 / 17

HEX #6ED41F

RGB 110 212 31

HSL 93.81, 0.74%, 0.48%

LAB 76.38, -56.9, 70.72

 

CMYK 25 / 0 / 85 / 17

HEX #9FD41F

RGB 159 212 31

HSL 77.57, 0.74%, 0.48%

LAB 78.79, -39.93, 73.73

 

CMYK 85 / 0 / 53 / 17

HEX #1FD463

RGB 31 212 99

HSL 142.54, 0.74%, 0.48%

LAB 75, -66.18, 43.71

 

CMYK 85 / 0 / 30 / 17

HEX #1FD494

RGB 31 212 148

HSL 158.78, 0.74%, 0.48%

LAB 75.77, -57.21, 19.9

 

CMYK 85 / 0 / 7 / 17

HEX #1FD4C5

RGB 31 212 197

HSL 175.03, 0.74%, 0.48%

LAB 76.93, -44.96, -4.61

 

CMYK 85 / 16 / 0 / 17

HEX #1FB3D4

RGB 31 179 212

HSL 190.94, 0.74%, 0.48%

LAB 67.49, -24.94, -26.99

 

CMYK 85 / 39 / 0 / 17

HEX #1F82D4

RGB 31 130 212

HSL 207.18, 0.74%, 0.48%

LAB 52.96, 2.27, -49.73

 

CMYK 85 / 0 / 53 / 17

HEX #1FD463

RGB 31 212 99

HSL 142.54, 0.74%, 0.48%

LAB 75, -66.18, 43.71

 

CMYK 95 / 0 / 59 / 9

HEX #0CE85E

RGB 12 232 94

HSL 142.36, 0.9%, 0.48%

LAB 81.07, -74.13, 53.17

 

CMYK 85 / 0 / 53 / 17

HEX #1FD463

RGB 31 212 99

HSL 142.54, 0.74%, 0.48%

LAB 75, -66.18, 43.71

 

CMYK 74 / 0 / 46 / 24

HEX #33C168

RGB 51 193 104

HSL 142.39, 0.58%, 0.48%

LAB 69.36, -56.64, 34.28

 

CMYK 59 / 0 / 37 / 32

HEX #47AD6D

RGB 71 173 109

HSL 142.35, 0.42%, 0.48%

LAB 63.62, -44.28, 24.27

 

CMYK 41 / 0 / 25 / 40

HEX #5B9972

RGB 91 153 114

HSL 142.26, 0.25%, 0.48%

LAB 58.25, -29, 14.34

 

CMYK 17 / 0 / 11 / 48

HEX #6F8577

RGB 111 133 119

HSL 141.82, 0.09%, 0.48%

LAB 53.48, -10.9, 4.91

 

CMYK 71 / 0 / 85 / 17

HEX #3ED41F

RGB 62 212 31

HSL 109.72, 0.74%, 0.48%

LAB 74.96, -68.41, 68.92

 

CMYK 85 / 0 / 77 / 17

HEX #1FD431

RGB 31 212 49

HSL 125.97, 0.74%, 0.48%

LAB 74.57, -71.48, 63.6

 

CMYK 85 / 0 / 54 / 17

HEX #1FD462

RGB 31 212 98

HSL 142.21, 0.74%, 0.48%

LAB 74.99, -66.32, 44.17

 

CMYK 85 / 0 / 31 / 17

HEX #1FD492

RGB 31 212 146

HSL 158.12, 0.74%, 0.48%

LAB 75.73, -57.65, 20.9

 

CMYK 85 / 0 / 8 / 17

HEX #1FD4C2

RGB 31 212 194

HSL 174.03, 0.74%, 0.48%

LAB 76.84, -45.79, -3.12

 

CMYK 85 / 0 / 53 / 45

HEX #158D42

RGB 21 141 66

HSL 142.5, 0.74%, 0.32%

LAB 51.38, -48.14, 31.15

 

CMYK 85 / 0 / 53 / 31

HEX #1AB153

RGB 26 177 83

HSL 142.65, 0.74%, 0.4%

LAB 63.58, -57.44, 37.52

 

CMYK 85 / 0 / 53 / 17

HEX #1FD463

RGB 31 212 99

HSL 142.54, 0.74%, 0.48%

LAB 75, -66.18, 43.71

 

CMYK 73 / 0 / 46 / 12

HEX #3CE17A

RGB 60 225 122

HSL 142.55, 0.73%, 0.56%

LAB 79.74, -63.73, 38.55

 

CMYK 58 / 0 / 37 / 9

HEX #60E792

RGB 96 231 146

HSL 142.22, 0.74%, 0.64%

LAB 82.76, -55.46, 30.62

 

CMYK 85 / 0 / 53 / 17

HEX #1FD463

RGB 31 212 99

HSL 142.54, 0.74%, 0.48%

LAB 75, -66.18, 43.71

 

CMYK 85 / 48 / 0 / 17

HEX #1F6ED4

RGB 31 110 212

HSL 213.81, 0.74%, 0.48%

LAB 47.23, 14.71, -58.92

 

CMYK 0 / 85 / 83 / 17

HEX #D41F25

RGB 212 31 37

HSL 358.01, 0.74%, 0.48%

LAB 45.79, 66.28, 44.85

 

CMYK 85 / 0 / 53 / 17

HEX #1FD463

RGB 31 212 99

HSL 142.54, 0.74%, 0.48%

LAB 75, -66.18, 43.71

 

CMYK 54 / 85 / 0 / 17

HEX #621FD4

RGB 98 31 212

HSL 262.21, 0.74%, 0.48%

LAB 34.66, 65.6, -79.29

 

CMYK 0 / 54 / 85 / 17

HEX #D4621F

RGB 212 98 31

HSL 22.21, 0.74%, 0.48%

LAB 54.9, 41.39, 55.59

 

CMYK 85 / 0 / 53 / 17

HEX #1FD463

RGB 31 212 99

HSL 142.54, 0.74%, 0.48%

LAB 75, -66.18, 43.71

 

CMYK 85 / 48 / 0 / 17

HEX #1F6ED4

RGB 31 110 212

HSL 213.81, 0.74%, 0.48%

LAB 47.23, 14.71, -58.92

 

CMYK 0 / 85 / 31 / 17

HEX #D41F92

RGB 212 31 146

HSL 321.88, 0.74%, 0.48%

LAB 48.33, 73.55, -17.41

 

CMYK 0 / 37 / 85 / 17

HEX #D4861F

RGB 212 134 31

HSL 34.14, 0.74%, 0.48%

LAB 62.63, 22.58, 62.02

 

CMYK 85 / 0 / 53 / 17

HEX #1FD463

RGB 31 212 99

HSL 142.54, 0.74%, 0.48%

LAB 75, -66.18, 43.71

 

CMYK 85 / 74 / 0 / 17

HEX #1F37D4

RGB 31 55 212

HSL 232.04, 0.74%, 0.48%

LAB 33.51, 49.47, -81.34

 

CMYK 0 / 85 / 31 / 17

HEX #D41F92

RGB 212 31 146

HSL 321.88, 0.74%, 0.48%

LAB 48.33, 73.55, -17.41

 

CMYK 0 / 11 / 85 / 17

HEX #D4BC1F

RGB 212 188 31

HSL 52.04, 0.74%, 0.48%

LAB 76.11, -6.22, 73.1

 

Description

Color code: RGB 31 212 99 | qconv.com Color code: RGB 31 212 99 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 212 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 212 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 53 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 53% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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