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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 31 238 125 it is the complementary color RGB 224 17 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 31 238 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 31 238 125 shade: RGB 36 238 120, RGB 53 255 139, RGB 70 255 158, RGB 87 255 177 and RGB 104 255 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 31 238 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 31 238 125 shade: RGB 31 238 125, RGB 14 220 106, RGB 0 202 87, RGB 0 184 68 and RGB 0 166 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 31 238 125 shade: RGB 32 238 125, RGB 32 238 70, RGB 49 238 32, RGB 105 238 32 and RGB 160 238 32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 31 238 125 shade: RGB 32 238 125, RGB 32 238 181, RGB 32 238 236, RGB 32 183 238 and RGB 32 128 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 31 238 125 shade matches the following richer shades: RGB 32 238 125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 31 238 125 shade: RGB 32 238 125, RGB 51 218 127, RGB 70 199 129, RGB 90 180 131 and RGB 109 160 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 31 238 125 shade: RGB 49 238 32, RGB 32 238 69, RGB 32 238 124, RGB 32 238 179 and RGB 32 238 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 31 238 125 shade: RGB 13 174 86, RGB 16 213 105, RGB 32 238 125, RGB 70 241 147 and RGB 108 243 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 31 238 125 shade: RGB 31 238 125, RGB 32 104 238 and RGB 238 42 32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 31 238 125 shade: RGB 31 238 125, RGB 124 32 238 and RGB 238 124 32

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 31 238 125 shade: RGB 31 238 125, RGB 32 104 238, RGB 238 32 145 and RGB 238 166 32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 31 238 125 shade: RGB 31 238 125, RGB 32 42 238, RGB 238 32 145 and RGB 238 227 32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 47 / 7

HEX #1FEE7D

RGB 31 238 125

HSL 147.25, 0.86%, 0.53%

LAB 83.4, -70.61, 41.66

 

Complementary color

CMYK 0 / 92 / 42 / 12

HEX #E01182

RGB 224 17 130

HSL 327.25, 0.86%, 0.47%

LAB 49.33, 76.7, -6

 

CMYK 85 / 0 / 50 / 7

HEX #24EE78

RGB 36 238 120

HSL 144.95, 0.86%, 0.54%

LAB 83.38, -71.03, 44.04

 

CMYK 79 / 0 / 45 / 0

HEX #35FF8B

RGB 53 255 139

HSL 145.54, 1%, 0.6%

LAB 88.99, -72.04, 42.05

 

CMYK 73 / 0 / 38 / 0

HEX #46FF9E

RGB 70 255 158

HSL 148.54, 1%, 0.64%

LAB 89.53, -66.74, 33.48

 

CMYK 66 / 0 / 31 / 0

HEX #57FFB1

RGB 87 255 177

HSL 152.14, 1%, 0.67%

LAB 90.19, -60.59, 24.89

 

CMYK 59 / 0 / 23 / 0

HEX #68FFC4

RGB 104 255 196

HSL 156.56, 1%, 0.7%

LAB 90.98, -53.69, 16.35

 

CMYK 87 / 0 / 47 / 7

HEX #1FEE7D

RGB 31 238 125

HSL 147.25, 0.86%, 0.53%

LAB 83.4, -70.61, 41.66

 

CMYK 94 / 0 / 52 / 14

HEX #0EDC6A

RGB 14 220 106

HSL 146.8, 0.88%, 0.46%

LAB 77.47, -68.72, 43.38

 

CMYK 100 / 0 / 57 / 21

HEX #00CA57

RGB 0 202 87

HSL 145.84, 1%, 0.4%

LAB 71.51, -66.33, 45.12

 

CMYK 100 / 0 / 63 / 28

HEX #00B844

RGB 0 184 68

HSL 142.17, 1%, 0.36%

LAB 65.51, -63.24, 46.81

 

CMYK 100 / 0 / 70 / 35

HEX #00A631

RGB 0 166 49

HSL 137.71, 1%, 0.33%

LAB 59.43, -59.87, 48.19

 

CMYK 87 / 0 / 47 / 7

HEX #20EE7D

RGB 32 238 125

HSL 147.09, 0.86%, 0.53%

LAB 83.41, -70.54, 41.67

 

CMYK 87 / 0 / 71 / 7

HEX #20EE46

RGB 32 238 70

HSL 131.07, 0.86%, 0.53%

LAB 82.86, -77.29, 64.82

 

CMYK 79 / 0 / 87 / 7

HEX #31EE20

RGB 49 238 32

HSL 115.05, 0.86%, 0.53%

LAB 82.86, -77.93, 75.58

 

CMYK 56 / 0 / 87 / 7

HEX #69EE20

RGB 105 238 32

HSL 98.74, 0.86%, 0.53%

LAB 84.1, -67.5, 77.13

 

CMYK 33 / 0 / 87 / 7

HEX #A0EE20

RGB 160 238 32

HSL 82.72, 0.86%, 0.53%

LAB 86.37, -50.59, 79.97

 

CMYK 87 / 0 / 47 / 7

HEX #20EE7D

RGB 32 238 125

HSL 147.09, 0.86%, 0.53%

LAB 83.41, -70.54, 41.67

 

CMYK 87 / 0 / 24 / 7

HEX #20EEB5

RGB 32 238 181

HSL 163.4, 0.86%, 0.53%

LAB 84.38, -59.5, 14.62

 

CMYK 87 / 0 / 1 / 7

HEX #20EEEC

RGB 32 238 236

HSL 179.42, 0.86%, 0.53%

LAB 85.76, -45.18, -12.21

 

CMYK 87 / 23 / 0 / 7

HEX #20B7EE

RGB 32 183 238

HSL 196.02, 0.86%, 0.53%

LAB 69.72, -18.18, -37.76

 

CMYK 87 / 46 / 0 / 7

HEX #2080EE

RGB 32 128 238

HSL 212.04, 0.86%, 0.53%

LAB 53.94, 13.45, -62.75

 

CMYK 87 / 0 / 47 / 7

HEX #20EE7D

RGB 32 238 125

HSL 147.09, 0.86%, 0.53%

LAB 83.41, -70.54, 41.67

 

CMYK 87 / 0 / 47 / 7

HEX #20EE7D

RGB 32 238 125

HSL 147.09, 0.86%, 0.53%

LAB 83.41, -70.54, 41.67

 

CMYK 77 / 0 / 42 / 15

HEX #33DA7F

RGB 51 218 127

HSL 147.31, 0.69%, 0.53%

LAB 77.51, -61.61, 33.14

 

CMYK 65 / 0 / 35 / 22

HEX #46C781

RGB 70 199 129

HSL 147.44, 0.54%, 0.53%

LAB 72.05, -51.2, 24.94

 

CMYK 50 / 0 / 27 / 29

HEX #5AB483

RGB 90 180 131

HSL 147.33, 0.38%, 0.53%

LAB 66.87, -38.39, 16.9

 

CMYK 32 / 0 / 18 / 37

HEX #6DA084

RGB 109 160 132

HSL 147.06, 0.21%, 0.53%

LAB 61.7, -23.17, 9.23

 

CMYK 79 / 0 / 87 / 7

HEX #31EE20

RGB 49 238 32

HSL 115.05, 0.86%, 0.53%

LAB 82.86, -77.93, 75.58

 

CMYK 87 / 0 / 71 / 7

HEX #20EE45

RGB 32 238 69

HSL 130.78, 0.86%, 0.53%

LAB 82.85, -77.37, 65.17

 

CMYK 87 / 0 / 48 / 7

HEX #20EE7C

RGB 32 238 124

HSL 146.8, 0.86%, 0.53%

LAB 83.4, -70.7, 42.14

 

CMYK 87 / 0 / 25 / 7

HEX #20EEB3

RGB 32 238 179

HSL 162.82, 0.86%, 0.53%

LAB 84.33, -59.96, 15.6

 

CMYK 87 / 0 / 2 / 7

HEX #20EEEA

RGB 32 238 234

HSL 178.83, 0.86%, 0.53%

LAB 85.7, -45.75, -11.24

 

CMYK 93 / 0 / 51 / 32

HEX #0DAE56

RGB 13 174 86

HSL 147.2, 0.86%, 0.37%

LAB 62.53, -56.89, 34.7

 

CMYK 92 / 0 / 51 / 16

HEX #10D569

RGB 16 213 105

HSL 147.11, 0.86%, 0.45%

LAB 75.28, -66.55, 41.15

 

CMYK 87 / 0 / 47 / 7

HEX #20EE7D

RGB 32 238 125

HSL 147.09, 0.86%, 0.53%

LAB 83.41, -70.54, 41.67

 

CMYK 71 / 0 / 39 / 5

HEX #46F193

RGB 70 241 147

HSL 147.02, 0.86%, 0.61%

LAB 85.16, -63.7, 33.19

 

CMYK 56 / 0 / 30 / 5

HEX #6CF3AA

RGB 108 243 170

HSL 147.56, 0.85%, 0.69%

LAB 87.09, -53.25, 24.29

 

CMYK 87 / 0 / 47 / 7

HEX #1FEE7D

RGB 31 238 125

HSL 147.25, 0.86%, 0.53%

LAB 83.4, -70.61, 41.66

 

CMYK 87 / 56 / 0 / 7

HEX #2068EE

RGB 32 104 238

HSL 219.03, 0.86%, 0.53%

LAB 47.47, 28.59, -73.23

 

CMYK 0 / 82 / 87 / 7

HEX #EE2A20

RGB 238 42 32

HSL 2.91, 0.86%, 0.53%

LAB 51.77, 70.83, 54.49

 

CMYK 87 / 0 / 47 / 7

HEX #1FEE7D

RGB 31 238 125

HSL 147.25, 0.86%, 0.53%

LAB 83.4, -70.61, 41.66

 

CMYK 48 / 87 / 0 / 7

HEX #7C20EE

RGB 124 32 238

HSL 266.8, 0.86%, 0.53%

LAB 40.4, 74.09, -84.6

 

CMYK 0 / 48 / 87 / 7

HEX #EE7C20

RGB 238 124 32

HSL 26.8, 0.86%, 0.53%

LAB 63.91, 38.57, 64.19

 

CMYK 87 / 0 / 47 / 7

HEX #1FEE7D

RGB 31 238 125

HSL 147.25, 0.86%, 0.53%

LAB 83.4, -70.61, 41.66

 

CMYK 87 / 56 / 0 / 7

HEX #2068EE

RGB 32 104 238

HSL 219.03, 0.86%, 0.53%

LAB 47.47, 28.59, -73.23

 

CMYK 0 / 87 / 39 / 7

HEX #EE2091

RGB 238 32 145

HSL 327.09, 0.86%, 0.53%

LAB 53.23, 79.05, -8.93

 

CMYK 0 / 30 / 87 / 7

HEX #EEA620

RGB 238 166 32

HSL 39.03, 0.86%, 0.53%

LAB 73.26, 16.63, 71.66

 

CMYK 87 / 0 / 47 / 7

HEX #1FEE7D

RGB 31 238 125

HSL 147.25, 0.86%, 0.53%

LAB 83.4, -70.61, 41.66

 

CMYK 87 / 82 / 0 / 7

HEX #202AEE

RGB 32 42 238

HSL 237.09, 0.86%, 0.53%

LAB 34.26, 64.26, -94.98

 

CMYK 0 / 87 / 39 / 7

HEX #EE2091

RGB 238 32 145

HSL 327.09, 0.86%, 0.53%

LAB 53.23, 79.05, -8.93

 

CMYK 0 / 5 / 87 / 7

HEX #EEE320

RGB 238 227 32

HSL 56.8, 0.86%, 0.53%

LAB 88.55, -14.73, 83.9

 

Description

Color code: RGB 31 238 125 | qconv.com Color code: RGB 31 238 125 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 238 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 238 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 47 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 47% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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