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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 187 112 it is the complementary color RGB 218 68 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 187 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 37 187 112 shade: RGB 42 187 107, RGB 59 205 126, RGB 76 223 145, RGB 93 241 164 and RGB 110 255 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 187 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 37 187 112 shade: RGB 37 187 112, RGB 20 169 93, RGB 3 151 74, RGB 0 133 55 and RGB 0 115 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 37 187 112 shade: RGB 37 187 112, RGB 37 187 71, RGB 42 187 37, RGB 83 187 37 and RGB 124 187 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 37 187 112 shade: RGB 37 187 112, RGB 37 187 152, RGB 37 181 187, RGB 37 140 187 and RGB 37 100 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 37 187 112 shade matches the following richer shades: RGB 37 187 112, RGB 18 205 112 and RGB 0 223 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 37 187 112 shade: RGB 37 187 112, RGB 55 169 112, RGB 73 151 112, RGB 91 132 112 and RGB 109 114 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 37 187 112 shade: RGB 42 187 37, RGB 37 187 72, RGB 37 187 112, RGB 37 187 152 and RGB 37 182 187

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 37 187 112 shade: RGB 23 118 70, RGB 30 152 91, RGB 37 187 112, RGB 50 214 132 and RGB 85 221 153

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 37 187 112 shade: RGB 37 187 112, RGB 37 82 187 and RGB 187 52 37

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 37 187 112 shade: RGB 37 187 112, RGB 112 37 187 and RGB 187 112 37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 37 187 112 shade: RGB 37 187 112, RGB 37 82 187, RGB 187 37 112 and RGB 187 142 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 37 187 112 shade: RGB 37 187 112, RGB 37 37 187, RGB 187 37 112 and RGB 187 187 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 40 / 27

HEX #25BB70

RGB 37 187 112

HSL 150, 0.67%, 0.44%

LAB 67.35, -54.84, 27.51

 

Complementary color

CMYK 0 / 69 / 34 / 15

HEX #DA448F

RGB 218 68 143

HSL 330, 0.67%, 0.56%

LAB 52.97, 64.25, -8.49

 

CMYK 78 / 0 / 43 / 27

HEX #2ABB6B

RGB 42 187 107

HSL 146.9, 0.63%, 0.45%

LAB 67.35, -55.18, 30.12

 

CMYK 71 / 0 / 39 / 20

HEX #3BCD7E

RGB 59 205 126

HSL 147.53, 0.59%, 0.52%

LAB 73.61, -55.95, 28.55

 

CMYK 66 / 0 / 35 / 13

HEX #4CDF91

RGB 76 223 145

HSL 148.16, 0.7%, 0.59%

LAB 79.82, -56.41, 27.1

 

CMYK 61 / 0 / 32 / 5

HEX #5DF1A4

RGB 93 241 164

HSL 148.78, 0.84%, 0.65%

LAB 85.97, -56.65, 25.75

 

CMYK 57 / 0 / 28 / 0

HEX #6EFFB7

RGB 110 255 183

HSL 150.21, 1%, 0.72%

LAB 90.9, -55.15, 22.9

 

CMYK 80 / 0 / 40 / 27

HEX #25BB70

RGB 37 187 112

HSL 150, 0.67%, 0.44%

LAB 67.35, -54.84, 27.51

 

CMYK 88 / 0 / 45 / 34

HEX #14A95D

RGB 20 169 93

HSL 149.4, 0.79%, 0.37%

LAB 61.06, -53.49, 29.23

 

CMYK 98 / 0 / 51 / 41

HEX #03974A

RGB 3 151 74

HSL 148.78, 0.96%, 0.3%

LAB 54.71, -51.59, 31.08

 

CMYK 100 / 0 / 59 / 48

HEX #008537

RGB 0 133 55

HSL 144.81, 1%, 0.26%

LAB 48.32, -48.71, 33.03

 

CMYK 100 / 0 / 69 / 55

HEX #007324

RGB 0 115 36

HSL 138.78, 1%, 0.23%

LAB 41.83, -45.32, 34.8

 

CMYK 80 / 0 / 40 / 27

HEX #25BB70

RGB 37 187 112

HSL 150, 0.67%, 0.44%

LAB 67.35, -54.84, 27.51

 

CMYK 80 / 0 / 62 / 27

HEX #25BB47

RGB 37 187 71

HSL 133.6, 0.67%, 0.44%

LAB 66.82, -61.21, 47.03

 

CMYK 78 / 0 / 80 / 27

HEX #2ABB25

RGB 42 187 37

HSL 118, 0.67%, 0.44%

LAB 66.65, -63.58, 59.69

 

CMYK 56 / 0 / 80 / 27

HEX #53BB25

RGB 83 187 37

HSL 101.6, 0.67%, 0.44%

LAB 67.66, -55.15, 61.01

 

CMYK 34 / 0 / 80 / 27

HEX #7CBB25

RGB 124 187 37

HSL 85.2, 0.67%, 0.44%

LAB 69.44, -41.98, 63.3

 

CMYK 80 / 0 / 40 / 27

HEX #25BB70

RGB 37 187 112

HSL 150, 0.67%, 0.44%

LAB 67.35, -54.84, 27.51

 

CMYK 80 / 0 / 19 / 27

HEX #25BB98

RGB 37 187 152

HSL 166, 0.67%, 0.44%

LAB 68.17, -45.89, 7.07

 

CMYK 80 / 3 / 0 / 27

HEX #25B5BB

RGB 37 181 187

HSL 182.4, 0.67%, 0.44%

LAB 67.3, -33.41, -13.49

 

CMYK 80 / 25 / 0 / 27

HEX #258CBB

RGB 37 140 187

HSL 198.8, 0.67%, 0.44%

LAB 54.8, -12.26, -32.64

 

CMYK 80 / 47 / 0 / 27

HEX #2564BB

RGB 37 100 187

HSL 214.8, 0.67%, 0.44%

LAB 42.91, 11.96, -51.48

 

CMYK 80 / 0 / 40 / 27

HEX #25BB70

RGB 37 187 112

HSL 150, 0.67%, 0.44%

LAB 67.35, -54.84, 27.51

 

CMYK 91 / 0 / 45 / 20

HEX #12CD70

RGB 18 205 112

HSL 150.16, 0.84%, 0.44%

LAB 72.87, -62.66, 34.64

 

CMYK 100 / 0 / 50 / 13

HEX #00DF70

RGB 0 223 112

HSL 150.13, 1%, 0.44%

LAB 78.43, -69.21, 41.67

 

CMYK 80 / 0 / 40 / 27

HEX #25BB70

RGB 37 187 112

HSL 150, 0.67%, 0.44%

LAB 67.35, -54.84, 27.51

 

CMYK 67 / 0 / 34 / 34

HEX #37A970

RGB 55 169 112

HSL 150, 0.51%, 0.44%

LAB 61.96, -45.3, 20.34

 

CMYK 52 / 0 / 26 / 41

HEX #499770

RGB 73 151 112

HSL 150, 0.35%, 0.44%

LAB 56.8, -33.53, 13.33

 

CMYK 31 / 0 / 15 / 48

HEX #5B8470

RGB 91 132 112

HSL 150.73, 0.18%, 0.44%

LAB 51.72, -18.78, 6.28

 

CMYK 4 / 0 / 2 / 55

HEX #6D7270

RGB 109 114 112

HSL 156, 0.02%, 0.44%

LAB 47.57, -2.31, 0.44

 

CMYK 78 / 0 / 80 / 27

HEX #2ABB25

RGB 42 187 37

HSL 118, 0.67%, 0.44%

LAB 66.65, -63.58, 59.69

 

CMYK 80 / 0 / 61 / 27

HEX #25BB48

RGB 37 187 72

HSL 134, 0.67%, 0.44%

LAB 66.83, -61.09, 46.6

 

CMYK 80 / 0 / 40 / 27

HEX #25BB70

RGB 37 187 112

HSL 150, 0.67%, 0.44%

LAB 67.35, -54.84, 27.51

 

CMYK 80 / 0 / 19 / 27

HEX #25BB98

RGB 37 187 152

HSL 166, 0.67%, 0.44%

LAB 68.17, -45.89, 7.07

 

CMYK 80 / 3 / 0 / 27

HEX #25B6BB

RGB 37 182 187

HSL 182, 0.67%, 0.44%

LAB 67.6, -33.88, -13.03

 

CMYK 81 / 0 / 41 / 54

HEX #177646

RGB 23 118 70

HSL 149.68, 0.67%, 0.28%

LAB 43.63, -38.46, 19.05

 

CMYK 80 / 0 / 40 / 40

HEX #1E985B

RGB 30 152 91

HSL 150, 0.67%, 0.36%

LAB 55.57, -46.65, 23.15

 

CMYK 80 / 0 / 40 / 27

HEX #25BB70

RGB 37 187 112

HSL 150, 0.67%, 0.44%

LAB 67.35, -54.84, 27.51

 

CMYK 77 / 0 / 38 / 16

HEX #32D684

RGB 50 214 132

HSL 150, 0.67%, 0.52%

LAB 76.34, -59.37, 29.05

 

CMYK 62 / 0 / 31 / 13

HEX #55DD99

RGB 85 221 153

HSL 150, 0.67%, 0.6%

LAB 79.58, -52.41, 22.67

 

CMYK 80 / 0 / 40 / 27

HEX #25BB70

RGB 37 187 112

HSL 150, 0.67%, 0.44%

LAB 67.35, -54.84, 27.51

 

CMYK 80 / 56 / 0 / 27

HEX #2552BB

RGB 37 82 187

HSL 222, 0.67%, 0.44%

LAB 37.87, 23.75, -59.62

 

CMYK 0 / 72 / 80 / 27

HEX #BB3425

RGB 187 52 37

HSL 6, 0.67%, 0.44%

LAB 42.99, 52.96, 40.47

 

CMYK 80 / 0 / 40 / 27

HEX #25BB70

RGB 37 187 112

HSL 150, 0.67%, 0.44%

LAB 67.35, -54.84, 27.51

 

CMYK 40 / 80 / 0 / 27

HEX #7025BB

RGB 112 37 187

HSL 270, 0.67%, 0.44%

LAB 34.71, 59.28, -64.53

 

CMYK 0 / 40 / 80 / 27

HEX #BB7025

RGB 187 112 37

HSL 30, 0.67%, 0.44%

LAB 54.33, 24, 51.36

 

CMYK 80 / 0 / 40 / 27

HEX #25BB70

RGB 37 187 112

HSL 150, 0.67%, 0.44%

LAB 67.35, -54.84, 27.51

 

CMYK 80 / 56 / 0 / 27

HEX #2552BB

RGB 37 82 187

HSL 222, 0.67%, 0.44%

LAB 37.87, 23.75, -59.62

 

CMYK 0 / 80 / 40 / 27

HEX #BB2570

RGB 187 37 112

HSL 330, 0.67%, 0.44%

LAB 42.85, 62.71, -5.34

 

CMYK 0 / 24 / 80 / 27

HEX #BB8E25

RGB 187 142 37

HSL 42, 0.67%, 0.44%

LAB 61.69, 7.43, 58.09

 

CMYK 80 / 0 / 40 / 27

HEX #25BB70

RGB 37 187 112

HSL 150, 0.67%, 0.44%

LAB 67.35, -54.84, 27.51

 

CMYK 80 / 80 / 0 / 27

HEX #2525BB

RGB 37 37 187

HSL 240, 0.67%, 0.44%

LAB 27.58, 51.24, -76.53

 

CMYK 0 / 80 / 40 / 27

HEX #BB2570

RGB 187 37 112

HSL 330, 0.67%, 0.44%

LAB 42.85, 62.71, -5.34

 

CMYK 0 / 0 / 80 / 27

HEX #BBBB25

RGB 187 187 37

HSL 60, 0.67%, 0.44%

LAB 73.7, -16.38, 68.71

 

Description

Color code: RGB 37 187 112 | qconv.com Color code: RGB 37 187 112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 187 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 187 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 40 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 40% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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