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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 192 45 it is the complementary color RGB 218 63 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 192 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 37 192 45 shade: RGB 42 192 40, RGB 59 210 59, RGB 76 228 78, RGB 93 246 97 and RGB 110 255 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 192 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 37 192 45 shade: RGB 37 192 45, RGB 20 174 26, RGB 3 156 7, RGB 0 138 0 and RGB 0 120 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 37 192 45 shade: RGB 36 192 44, RGB 70 192 36, RGB 112 192 36, RGB 154 192 36 and RGB 192 188 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 37 192 45 shade: RGB 36 192 44, RGB 36 192 86, RGB 36 192 128, RGB 36 192 171 and RGB 36 172 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 37 192 45 shade matches the following richer shades: RGB 36 192 44 and RGB 18 211 28

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 37 192 45 shade: RGB 36 192 44, RGB 55 174 61, RGB 73 155 78, RGB 92 137 94 and RGB 110 118 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 37 192 45 shade: RGB 112 192 36, RGB 70 192 36, RGB 36 192 44, RGB 36 192 86 and RGB 36 192 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 37 192 45 shade: RGB 23 123 28, RGB 30 158 36, RGB 36 192 44, RGB 54 216 62 and RGB 88 223 95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 37 192 45 shade: RGB 37 192 45, RGB 36 153 192 and RGB 192 36 91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 37 192 45 shade: RGB 37 192 45, RGB 44 36 192 and RGB 192 44 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 37 192 45 shade: RGB 37 192 45, RGB 36 153 192, RGB 192 36 184 and RGB 192 75 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 37 192 45 shade: RGB 37 192 45, RGB 36 106 192, RGB 192 36 184 and RGB 192 122 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 77 / 25

HEX #25C02D

RGB 37 192 45

HSL 123.1, 0.68%, 0.45%

LAB 68.23, -65.23, 58.71

 

Complementary color

CMYK 0 / 71 / 4 / 15

HEX #DA3FD2

RGB 218 63 210

HSL 303.1, 0.68%, 0.55%

LAB 55.19, 74.96, -44.1

 

CMYK 78 / 0 / 79 / 25

HEX #2AC028

RGB 42 192 40

HSL 119.21, 0.66%, 0.45%

LAB 68.27, -64.93, 60.35

 

CMYK 72 / 0 / 72 / 18

HEX #3BD23B

RGB 59 210 59

HSL 120, 0.63%, 0.53%

LAB 74.41, -66.61, 60.19

 

CMYK 67 / 0 / 66 / 11

HEX #4CE44E

RGB 76 228 78

HSL 120.79, 0.74%, 0.6%

LAB 80.5, -67.76, 59.48

 

CMYK 62 / 0 / 61 / 4

HEX #5DF661

RGB 93 246 97

HSL 121.57, 0.89%, 0.66%

LAB 86.55, -68.52, 58.47

 

CMYK 57 / 0 / 55 / 0

HEX #6EFF74

RGB 110 255 116

HSL 122.48, 1%, 0.72%

LAB 89.9, -65.8, 54.18

 

CMYK 81 / 0 / 77 / 25

HEX #25C02D

RGB 37 192 45

HSL 123.1, 0.68%, 0.45%

LAB 68.23, -65.23, 58.71

 

CMYK 89 / 0 / 85 / 32

HEX #14AE1A

RGB 20 174 26

HSL 122.34, 0.79%, 0.38%

LAB 62.08, -62.73, 58.34

 

CMYK 98 / 0 / 96 / 39

HEX #039C07

RGB 3 156 7

HSL 121.57, 0.96%, 0.31%

LAB 55.9, -59.32, 56.57

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 81 / 0 / 77 / 25

HEX #24C02C

RGB 36 192 44

HSL 123.08, 0.68%, 0.45%

LAB 68.21, -65.42, 59.01

 

CMYK 64 / 0 / 81 / 25

HEX #46C024

RGB 70 192 36

HSL 106.92, 0.68%, 0.45%

LAB 68.84, -60.14, 62.24

 

CMYK 42 / 0 / 81 / 25

HEX #70C024

RGB 112 192 36

HSL 90.77, 0.68%, 0.45%

LAB 70.37, -48.32, 64.2

 

CMYK 20 / 0 / 81 / 25

HEX #9AC024

RGB 154 192 36

HSL 74.62, 0.68%, 0.45%

LAB 72.69, -32.67, 67.16

 

CMYK 0 / 2 / 81 / 25

HEX #C0BC24

RGB 192 188 36

HSL 58.46, 0.68%, 0.45%

LAB 74.38, -14.76, 69.73

 

CMYK 81 / 0 / 77 / 25

HEX #24C02C

RGB 36 192 44

HSL 123.08, 0.68%, 0.45%

LAB 68.21, -65.42, 59.01

 

CMYK 81 / 0 / 55 / 25

HEX #24C056

RGB 36 192 86

HSL 139.23, 0.68%, 0.45%

LAB 68.57, -61.01, 42.14

 

CMYK 81 / 0 / 33 / 25

HEX #24C080

RGB 36 192 128

HSL 155.38, 0.68%, 0.45%

LAB 69.21, -53.57, 21.52

 

CMYK 81 / 0 / 11 / 25

HEX #24C0AB

RGB 36 192 171

HSL 171.92, 0.68%, 0.45%

LAB 70.19, -43.1, -0.41

 

CMYK 81 / 10 / 0 / 25

HEX #24ACC0

RGB 36 172 192

HSL 187.69, 0.68%, 0.45%

LAB 64.71, -27.56, -20.17

 

CMYK 81 / 0 / 77 / 25

HEX #24C02C

RGB 36 192 44

HSL 123.08, 0.68%, 0.45%

LAB 68.21, -65.42, 59.01

 

CMYK 91 / 0 / 87 / 17

HEX #12D31C

RGB 18 211 28

HSL 123.11, 0.84%, 0.45%

LAB 74.06, -73.26, 68.55

 

CMYK 81 / 0 / 77 / 25

HEX #24C02C

RGB 36 192 44

HSL 123.08, 0.68%, 0.45%

LAB 68.21, -65.42, 59.01

 

CMYK 68 / 0 / 65 / 32

HEX #37AE3D

RGB 55 174 61

HSL 123.03, 0.52%, 0.45%

LAB 62.86, -55.18, 47.09

 

CMYK 53 / 0 / 50 / 39

HEX #499B4E

RGB 73 155 78

HSL 123.66, 0.36%, 0.45%

LAB 57.47, -41.51, 32.75

 

CMYK 33 / 0 / 31 / 46

HEX #5C895E

RGB 92 137 94

HSL 122.67, 0.2%, 0.45%

LAB 52.92, -24.61, 18.3

 

CMYK 7 / 0 / 6 / 54

HEX #6E766F

RGB 110 118 111

HSL 127.5, 0.04%, 0.45%

LAB 48.78, -4.45, 2.81

 

CMYK 42 / 0 / 81 / 25

HEX #70C024

RGB 112 192 36

HSL 90.77, 0.68%, 0.45%

LAB 70.37, -48.32, 64.2

 

CMYK 64 / 0 / 81 / 25

HEX #46C024

RGB 70 192 36

HSL 106.92, 0.68%, 0.45%

LAB 68.84, -60.14, 62.24

 

CMYK 81 / 0 / 77 / 25

HEX #24C02C

RGB 36 192 44

HSL 123.08, 0.68%, 0.45%

LAB 68.21, -65.42, 59.01

 

CMYK 81 / 0 / 55 / 25

HEX #24C056

RGB 36 192 86

HSL 139.23, 0.68%, 0.45%

LAB 68.57, -61.01, 42.14

 

CMYK 81 / 0 / 34 / 25

HEX #24C07F

RGB 36 192 127

HSL 155, 0.68%, 0.45%

LAB 69.19, -53.78, 22.02

 

CMYK 81 / 0 / 77 / 52

HEX #177B1C

RGB 23 123 28

HSL 123, 0.68%, 0.29%

LAB 44.85, -46.43, 41.43

 

CMYK 81 / 0 / 77 / 38

HEX #1E9E24

RGB 30 158 36

HSL 122.81, 0.68%, 0.37%

LAB 56.94, -56.23, 50.6

 

CMYK 81 / 0 / 77 / 25

HEX #24C02C

RGB 36 192 44

HSL 123.08, 0.68%, 0.45%

LAB 68.21, -65.42, 59.01

 

CMYK 75 / 0 / 71 / 15

HEX #36D83E

RGB 54 216 62

HSL 122.96, 0.68%, 0.53%

LAB 76.22, -69.03, 60.93

 

CMYK 61 / 0 / 57 / 13

HEX #58DF5F

RGB 88 223 95

HSL 123.11, 0.68%, 0.61%

LAB 79.43, -61.77, 51.11

 

CMYK 81 / 0 / 77 / 25

HEX #25C02D

RGB 37 192 45

HSL 123.1, 0.68%, 0.45%

LAB 68.23, -65.23, 58.71

 

CMYK 81 / 20 / 0 / 25

HEX #2499C0

RGB 36 153 192

HSL 195, 0.68%, 0.45%

LAB 58.94, -17.74, -29.04

 

CMYK 0 / 81 / 53 / 25

HEX #C0245B

RGB 192 36 91

HSL 338.85, 0.68%, 0.45%

LAB 43.1, 62.42, 8.26

 

CMYK 81 / 0 / 77 / 25

HEX #25C02D

RGB 37 192 45

HSL 123.1, 0.68%, 0.45%

LAB 68.23, -65.23, 58.71

 

CMYK 77 / 81 / 0 / 25

HEX #2C24C0

RGB 44 36 192

HSL 243.08, 0.68%, 0.45%

LAB 28.39, 53.69, -78.14

 

CMYK 0 / 77 / 81 / 25

HEX #C02C24

RGB 192 44 36

HSL 3.08, 0.68%, 0.45%

LAB 42.97, 57.22, 41.3

 

CMYK 81 / 0 / 77 / 25

HEX #25C02D

RGB 37 192 45

HSL 123.1, 0.68%, 0.45%

LAB 68.23, -65.23, 58.71

 

CMYK 81 / 20 / 0 / 25

HEX #2499C0

RGB 36 153 192

HSL 195, 0.68%, 0.45%

LAB 58.94, -17.74, -29.04

 

CMYK 0 / 81 / 4 / 25

HEX #C024B8

RGB 192 36 184

HSL 303.08, 0.68%, 0.45%

LAB 46.88, 73.21, -42.51

 

CMYK 0 / 61 / 81 / 25

HEX #C04B24

RGB 192 75 36

HSL 15, 0.68%, 0.45%

LAB 47.45, 45.03, 45.61

 

CMYK 81 / 0 / 77 / 25

HEX #25C02D

RGB 37 192 45

HSL 123.1, 0.68%, 0.45%

LAB 68.23, -65.23, 58.71

 

CMYK 81 / 45 / 0 / 25

HEX #246AC0

RGB 36 106 192

HSL 213.08, 0.68%, 0.45%

LAB 44.93, 9.95, -51.14

 

CMYK 0 / 81 / 4 / 25

HEX #C024B8

RGB 192 36 184

HSL 303.08, 0.68%, 0.45%

LAB 46.88, 73.21, -42.51

 

CMYK 0 / 36 / 81 / 25

HEX #C07A24

RGB 192 122 36

HSL 33.08, 0.68%, 0.45%

LAB 57.32, 20.63, 54.73

 

Description

Color code: RGB 37 192 45 | qconv.com Color code: RGB 37 192 45 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 192 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 192 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 77 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 77% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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