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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 248 107 it is the complementary color RGB 218 7 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 248 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 37 248 107 shade: RGB 42 248 102, RGB 59 255 121, RGB 76 255 140, RGB 93 255 159 and RGB 110 255 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 248 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 37 248 107 shade: RGB 37 248 107, RGB 20 230 88, RGB 3 212 69, RGB 0 194 50 and RGB 0 176 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 37 248 107 shade: RGB 37 248 107, RGB 37 248 50, RGB 81 248 37, RGB 137 248 37 and RGB 194 248 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 37 248 107 shade: RGB 37 248 107, RGB 37 248 164, RGB 37 248 221, RGB 37 218 248 and RGB 37 161 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 37 248 107 shade matches the following richer shades: RGB 37 248 107

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 37 248 107 shade: RGB 37 248 107, RGB 55 230 113, RGB 73 211 119, RGB 91 193 125 and RGB 109 175 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 37 248 107 shade: RGB 83 248 37, RGB 37 248 47, RGB 37 248 104, RGB 37 248 160 and RGB 37 248 216

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 37 248 107 shade: RGB 6 196 69, RGB 7 237 83, RGB 37 248 107, RGB 77 249 134 and RGB 117 250 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 37 248 107 shade: RGB 37 248 107, RGB 37 139 248 and RGB 248 37 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 37 248 107 shade: RGB 37 248 107, RGB 104 37 248 and RGB 248 104 37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 37 248 107 shade: RGB 37 248 107, RGB 37 139 248, RGB 248 37 181 and RGB 248 146 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 37 248 107 shade: RGB 37 248 107, RGB 37 76 248, RGB 248 37 181 and RGB 248 209 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 57 / 3

HEX #25F86B

RGB 37 248 107

HSL 139.91, 0.94%, 0.56%

LAB 86.3, -75.92, 53.59

 

Complementary color

CMYK 0 / 97 / 32 / 15

HEX #DA0794

RGB 218 7 148

HSL 319.91, 0.94%, 0.44%

LAB 48.51, 78.06, -18.24

 

CMYK 83 / 0 / 59 / 3

HEX #2AF866

RGB 42 248 102

HSL 137.48, 0.94%, 0.57%

LAB 86.3, -76.12, 55.79

 

CMYK 77 / 0 / 53 / 0

HEX #3BFF79

RGB 59 255 121

HSL 138.98, 1%, 0.62%

LAB 88.84, -74.07, 50.36

 

CMYK 70 / 0 / 45 / 0

HEX #4CFF8C

RGB 76 255 140

HSL 141.45, 1%, 0.65%

LAB 89.37, -68.94, 42.12

 

CMYK 64 / 0 / 38 / 0

HEX #5DFF9F

RGB 93 255 159

HSL 144.44, 1%, 0.68%

LAB 90.02, -62.92, 33.73

 

CMYK 57 / 0 / 30 / 0

HEX #6EFFB2

RGB 110 255 178

HSL 148.14, 1%, 0.72%

LAB 90.8, -56.12, 25.31

 

CMYK 85 / 0 / 57 / 3

HEX #25F86B

RGB 37 248 107

HSL 139.91, 0.94%, 0.56%

LAB 86.3, -75.92, 53.59

 

CMYK 91 / 0 / 62 / 10

HEX #14E658

RGB 20 230 88

HSL 139.43, 0.84%, 0.49%

LAB 80.43, -73.91, 55.05

 

CMYK 99 / 0 / 67 / 17

HEX #03D445

RGB 3 212 69

HSL 138.95, 0.97%, 0.42%

LAB 74.53, -71.34, 56.34

 

CMYK 100 / 0 / 74 / 24

HEX #00C232

RGB 0 194 50

HSL 135.46, 1%, 0.38%

LAB 68.62, -67.99, 57.3

 

CMYK 100 / 0 / 82 / 31

HEX #00B01F

RGB 0 176 31

HSL 130.57, 1%, 0.35%

LAB 62.63, -64.18, 57.5

 

CMYK 85 / 0 / 57 / 3

HEX #25F86B

RGB 37 248 107

HSL 139.91, 0.94%, 0.56%

LAB 86.3, -75.92, 53.59

 

CMYK 85 / 0 / 80 / 3

HEX #25F832

RGB 37 248 50

HSL 123.7, 0.94%, 0.56%

LAB 85.89, -81.1, 74.11

 

CMYK 67 / 0 / 85 / 3

HEX #51F825

RGB 81 248 37

HSL 107.49, 0.94%, 0.56%

LAB 86.51, -75.82, 78

 

CMYK 45 / 0 / 85 / 3

HEX #89F825

RGB 137 248 37

HSL 91.56, 0.94%, 0.56%

LAB 88.25, -61.93, 80.18

 

CMYK 22 / 0 / 85 / 3

HEX #C2F825

RGB 194 248 37

HSL 75.36, 0.94%, 0.56%

LAB 91.12, -42.17, 83.76

 

CMYK 85 / 0 / 57 / 3

HEX #25F86B

RGB 37 248 107

HSL 139.91, 0.94%, 0.56%

LAB 86.3, -75.92, 53.59

 

CMYK 85 / 0 / 34 / 3

HEX #25F8A4

RGB 37 248 164

HSL 156.11, 0.94%, 0.56%

LAB 87.1, -66.51, 27.13

 

CMYK 85 / 0 / 11 / 3

HEX #25F8DD

RGB 37 248 221

HSL 172.32, 0.94%, 0.56%

LAB 88.33, -53.23, -0.56

 

CMYK 85 / 12 / 0 / 3

HEX #25DAF8

RGB 37 218 248

HSL 188.53, 0.94%, 0.56%

LAB 80.36, -32.15, -26.72

 

CMYK 85 / 35 / 0 / 3

HEX #25A1F8

RGB 37 161 248

HSL 204.74, 0.94%, 0.56%

LAB 63.88, -2.2, -52.37

 

CMYK 85 / 0 / 57 / 3

HEX #25F86B

RGB 37 248 107

HSL 139.91, 0.94%, 0.56%

LAB 86.3, -75.92, 53.59

 

CMYK 85 / 0 / 57 / 3

HEX #25F86B

RGB 37 248 107

HSL 139.91, 0.94%, 0.56%

LAB 86.3, -75.92, 53.59

 

CMYK 76 / 0 / 51 / 10

HEX #37E671

RGB 55 230 113

HSL 139.89, 0.78%, 0.56%

LAB 81.07, -67.51, 44.57

 

CMYK 65 / 0 / 44 / 17

HEX #49D377

RGB 73 211 119

HSL 140, 0.61%, 0.56%

LAB 75.66, -57.05, 34.87

 

CMYK 53 / 0 / 35 / 24

HEX #5BC17D

RGB 91 193 125

HSL 140, 0.45%, 0.56%

LAB 70.76, -44.95, 25.43

 

CMYK 38 / 0 / 25 / 31

HEX #6DAF83

RGB 109 175 131

HSL 140, 0.29%, 0.56%

LAB 66.17, -30.74, 16.06

 

CMYK 67 / 0 / 85 / 3

HEX #53F825

RGB 83 248 37

HSL 106.92, 0.94%, 0.56%

LAB 86.56, -75.44, 78.05

 

CMYK 85 / 0 / 81 / 3

HEX #25F82F

RGB 37 248 47

HSL 122.84, 0.94%, 0.56%

LAB 85.87, -81.26, 74.87

 

CMYK 85 / 0 / 58 / 3

HEX #25F868

RGB 37 248 104

HSL 139.05, 0.94%, 0.56%

LAB 86.27, -76.3, 54.87

 

CMYK 85 / 0 / 35 / 3

HEX #25F8A0

RGB 37 248 160

HSL 154.98, 0.94%, 0.56%

LAB 87.03, -67.3, 29.06

 

CMYK 85 / 0 / 13 / 3

HEX #25F8D8

RGB 37 248 216

HSL 170.9, 0.94%, 0.56%

LAB 88.2, -54.53, 1.86

 

CMYK 97 / 0 / 65 / 23

HEX #06C445

RGB 6 196 69

HSL 139.89, 0.94%, 0.4%

LAB 69.43, -66.51, 50.77

 

CMYK 97 / 0 / 65 / 7

HEX #07ED53

RGB 7 237 83

HSL 139.83, 0.94%, 0.48%

LAB 82.51, -77, 59.42

 

CMYK 85 / 0 / 57 / 3

HEX #25F86B

RGB 37 248 107

HSL 139.91, 0.94%, 0.56%

LAB 86.3, -75.92, 53.59

 

CMYK 69 / 0 / 46 / 2

HEX #4DF986

RGB 77 249 134

HSL 139.88, 0.93%, 0.64%

LAB 87.51, -67.64, 42.65

 

CMYK 53 / 0 / 36 / 2

HEX #75FAA1

RGB 117 250 161

HSL 139.85, 0.93%, 0.72%

LAB 89.26, -55.68, 31.84

 

CMYK 85 / 0 / 57 / 3

HEX #25F86B

RGB 37 248 107

HSL 139.91, 0.94%, 0.56%

LAB 86.3, -75.92, 53.59

 

CMYK 85 / 44 / 0 / 3

HEX #258BF8

RGB 37 139 248

HSL 211, 0.94%, 0.56%

LAB 57.69, 10.81, -62.26

 

CMYK 0 / 85 / 78 / 3

HEX #F82536

RGB 248 37 54

HSL 355.17, 0.94%, 0.56%

LAB 53.54, 75.07, 45.8

 

CMYK 85 / 0 / 57 / 3

HEX #25F86B

RGB 37 248 107

HSL 139.91, 0.94%, 0.56%

LAB 86.3, -75.92, 53.59

 

CMYK 58 / 85 / 0 / 3

HEX #6825F8

RGB 104 37 248

HSL 259.05, 0.94%, 0.56%

LAB 39.65, 73.1, -91.54

 

CMYK 0 / 58 / 85 / 3

HEX #F86825

RGB 248 104 37

HSL 19.05, 0.94%, 0.56%

LAB 61.65, 52.1, 61.22

 

CMYK 85 / 0 / 57 / 3

HEX #25F86B

RGB 37 248 107

HSL 139.91, 0.94%, 0.56%

LAB 86.3, -75.92, 53.59

 

CMYK 85 / 44 / 0 / 3

HEX #258BF8

RGB 37 139 248

HSL 211, 0.94%, 0.56%

LAB 57.69, 10.81, -62.26

 

CMYK 0 / 85 / 27 / 3

HEX #F825B5

RGB 248 37 181

HSL 319.05, 0.94%, 0.56%

LAB 56.7, 84.02, -24.68

 

CMYK 0 / 41 / 85 / 3

HEX #F89225

RGB 248 146 37

HSL 31, 0.94%, 0.56%

LAB 69.93, 31.42, 68.05

 

CMYK 85 / 0 / 57 / 3

HEX #25F86B

RGB 37 248 107

HSL 139.91, 0.94%, 0.56%

LAB 86.3, -75.92, 53.59

 

CMYK 85 / 69 / 0 / 3

HEX #254CF8

RGB 37 76 248

HSL 228.91, 0.94%, 0.56%

LAB 41.75, 49.9, -88.21

 

CMYK 0 / 85 / 27 / 3

HEX #F825B5

RGB 248 37 181

HSL 319.05, 0.94%, 0.56%

LAB 56.7, 84.02, -24.68

 

CMYK 0 / 16 / 85 / 3

HEX #F8D125

RGB 248 209 37

HSL 48.91, 0.94%, 0.56%

LAB 84.84, -1.38, 80.23

 

Description

Color code: RGB 37 248 107 | qconv.com Color code: RGB 37 248 107 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 248 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 248 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 57 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 57% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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