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Color name
RGB 37 34 107

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 37 34 107 it is the complementary color RGB 218 221 148. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 37 34 107. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 37 34 107 shade: RGB 42 34 102, RGB 59 52 121, RGB 76 70 140, RGB 93 88 159 and RGB 110 106 178

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 37 34 107. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 37 34 107 shade: RGB 37 34 107, RGB 20 16 88, RGB 3 0 69, RGB 0 0 50 and RGB 0 0 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 37 34 107 shade: RGB 37 34 108, RGB 57 34 108, RGB 77 34 108, RGB 97 34 108 and RGB 108 34 99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 37 34 107 shade: RGB 37 34 108 and RGB 34 34 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 37 34 107 shade matches the following richer shades: RGB 37 34 108, RGB 26 22 120 and RGB 16 11 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 37 34 107 shade: RGB 37 34 108, RGB 47 45 96, RGB 58 57 85, RGB 69 68 73 and RGB 79 80 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 37 34 107 shade: RGB 34 71 108, RGB 34 51 108, RGB 36 34 108, RGB 56 34 108 and RGB 76 34 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 37 34 107 shade: RGB 15 14 45, RGB 26 24 77, RGB 37 34 108, RGB 48 44 139 and RGB 58 54 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 37 34 107 shade: RGB 37 34 107, RGB 108 34 91 and RGB 61 108 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 37 34 107 shade: RGB 37 34 107, RGB 108 36 34 and RGB 34 108 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 37 34 107 shade: RGB 37 34 107, RGB 108 34 91, RGB 106 108 34 and RGB 34 108 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 37 34 107 shade: RGB 37 34 107, RGB 108 34 68, RGB 106 108 34 and RGB 34 108 73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 68 / 0 / 58

HEX #25226B

RGB 37 34 107

HSL 242.47, 0.52%, 0.28%

LAB 18.36, 25.65, -42.19

 

Complementary color

CMYK 1 / 0 / 33 / 13

HEX #DADD94

RGB 218 221 148

HSL 62.47, 0.52%, 0.72%

LAB 86.38, -12.12, 35.56

 

CMYK 59 / 67 / 0 / 60

HEX #2A2266

RGB 42 34 102

HSL 247.06, 0.5%, 0.27%

LAB 18.35, 24.78, -38.92

 

CMYK 51 / 57 / 0 / 53

HEX #3B3479

RGB 59 52 121

HSL 246.09, 0.4%, 0.34%

LAB 26.06, 23, -38.59

 

CMYK 46 / 50 / 0 / 45

HEX #4C468C

RGB 76 70 140

HSL 245.14, 0.33%, 0.41%

LAB 33.58, 21.56, -38.26

 

CMYK 42 / 45 / 0 / 38

HEX #5D589F

RGB 93 88 159

HSL 244.23, 0.29%, 0.48%

LAB 40.91, 20.38, -38

 

CMYK 38 / 40 / 0 / 30

HEX #6E6AB2

RGB 110 106 178

HSL 243.33, 0.32%, 0.56%

LAB 48.05, 19.4, -37.8

 

CMYK 65 / 68 / 0 / 58

HEX #25226B

RGB 37 34 107

HSL 242.47, 0.52%, 0.28%

LAB 18.36, 25.65, -42.19

 

CMYK 77 / 82 / 0 / 65

HEX #141058

RGB 20 16 88

HSL 243.33, 0.69%, 0.2%

LAB 10.73, 28.03, -42.15

 

CMYK 96 / 100 / 0 / 73

HEX #030045

RGB 3 0 69

HSL 242.61, 1%, 0.14%

LAB 4.06, 27.05, -40.05

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 66 / 69 / 0 / 58

HEX #25226C

RGB 37 34 108

HSL 242.43, 0.52%, 0.28%

LAB 18.45, 26.02, -42.68

 

CMYK 47 / 69 / 0 / 58

HEX #39226C

RGB 57 34 108

HSL 258.65, 0.52%, 0.28%

LAB 20.43, 29.91, -39.38

 

CMYK 29 / 69 / 0 / 58

HEX #4D226C

RGB 77 34 108

HSL 274.86, 0.52%, 0.28%

LAB 23.01, 34.61, -35.07

 

CMYK 10 / 69 / 0 / 58

HEX #61226C

RGB 97 34 108

HSL 291.08, 0.52%, 0.28%

LAB 26.06, 39.7, -30.02

 

CMYK 0 / 69 / 8 / 58

HEX #6C2263

RGB 108 34 99

HSL 307.3, 0.52%, 0.28%

LAB 27.39, 40.95, -21.98

 

CMYK 66 / 69 / 0 / 58

HEX #25226C

RGB 37 34 108

HSL 242.43, 0.52%, 0.28%

LAB 18.45, 26.02, -42.68

 

CMYK 69 / 69 / 0 / 58

HEX #22226C

RGB 34 34 108

HSL 240, 0.52%, 0.28%

LAB 18.22, 25.53, -43.08

 

CMYK 66 / 69 / 0 / 58

HEX #25226C

RGB 37 34 108

HSL 242.43, 0.52%, 0.28%

LAB 18.45, 26.02, -42.68

 

CMYK 78 / 82 / 0 / 53

HEX #1A1678

RGB 26 22 120

HSL 242.45, 0.69%, 0.28%

LAB 16.25, 36.38, -54.09

 

CMYK 88 / 92 / 0 / 49

HEX #100B83

RGB 16 11 131

HSL 242.5, 0.85%, 0.28%

LAB 15.43, 44.49, -62.5

 

CMYK 66 / 69 / 0 / 58

HEX #25226C

RGB 37 34 108

HSL 242.43, 0.52%, 0.28%

LAB 18.45, 26.02, -42.68

 

CMYK 51 / 53 / 0 / 62

HEX #2F2D60

RGB 47 45 96

HSL 242.35, 0.36%, 0.28%

LAB 21.3, 16.29, -30.18

 

CMYK 32 / 33 / 0 / 67

HEX #3A3955

RGB 58 57 85

HSL 242.14, 0.2%, 0.28%

LAB 25.2, 7.82, -16.73

 

CMYK 5 / 7 / 0 / 71

HEX #454449

RGB 69 68 73

HSL 252, 0.04%, 0.28%

LAB 29.11, 1.55, -2.86

 

CMYK 1 / 0 / 23 / 69

HEX #4F503E

RGB 79 80 62

HSL 63.33, 0.13%, 0.28%

LAB 33.45, -3.94, 10.51

 

CMYK 69 / 34 / 0 / 58

HEX #22476C

RGB 34 71 108

HSL 210, 0.52%, 0.28%

LAB 29.23, -0.18, -25.39

 

CMYK 69 / 53 / 0 / 58

HEX #22336C

RGB 34 51 108

HSL 226.22, 0.52%, 0.28%

LAB 22.97, 13.6, -35.37

 

CMYK 67 / 69 / 0 / 58

HEX #24226C

RGB 36 34 108

HSL 241.62, 0.52%, 0.28%

LAB 18.37, 25.85, -42.82

 

CMYK 48 / 69 / 0 / 58

HEX #38226C

RGB 56 34 108

HSL 257.84, 0.52%, 0.28%

LAB 20.31, 29.69, -39.57

 

CMYK 30 / 69 / 0 / 58

HEX #4C226C

RGB 76 34 108

HSL 274.05, 0.52%, 0.28%

LAB 22.87, 34.36, -35.31

 

CMYK 67 / 69 / 0 / 82

HEX #0F0E2D

RGB 15 14 45

HSL 241.94, 0.53%, 0.12%

LAB 5.47, 10.35, -20.25

 

CMYK 66 / 69 / 0 / 70

HEX #1A184D

RGB 26 24 77

HSL 242.26, 0.52%, 0.2%

LAB 12.02, 19.37, -32.51

 

CMYK 66 / 69 / 0 / 58

HEX #25226C

RGB 37 34 108

HSL 242.43, 0.52%, 0.28%

LAB 18.45, 26.02, -42.68

 

CMYK 65 / 68 / 0 / 45

HEX #302C8B

RGB 48 44 139

HSL 242.53, 0.52%, 0.36%

LAB 24.62, 32.28, -52.27

 

CMYK 66 / 68 / 0 / 33

HEX #3A36AB

RGB 58 54 171

HSL 242.05, 0.52%, 0.44%

LAB 30.59, 38.45, -61.99

 

CMYK 65 / 68 / 0 / 58

HEX #25226B

RGB 37 34 107

HSL 242.47, 0.52%, 0.28%

LAB 18.36, 25.65, -42.19

 

CMYK 0 / 69 / 16 / 58

HEX #6C225B

RGB 108 34 91

HSL 313.78, 0.52%, 0.28%

LAB 26.98, 39.59, -17.38

 

CMYK 44 / 0 / 69 / 58

HEX #3D6C22

RGB 61 108 34

HSL 98.11, 0.52%, 0.28%

LAB 40.95, -30.29, 35.22

 

CMYK 65 / 68 / 0 / 58

HEX #25226B

RGB 37 34 107

HSL 242.47, 0.52%, 0.28%

LAB 18.36, 25.65, -42.19

 

CMYK 0 / 67 / 69 / 58

HEX #6C2422

RGB 108 36 34

HSL 1.62, 0.52%, 0.28%

LAB 25.46, 31.91, 18.53

 

CMYK 69 / 0 / 67 / 58

HEX #226C24

RGB 34 108 36

HSL 121.62, 0.52%, 0.28%

LAB 39.9, -38.18, 32.82

 

CMYK 65 / 68 / 0 / 58

HEX #25226B

RGB 37 34 107

HSL 242.47, 0.52%, 0.28%

LAB 18.36, 25.65, -42.19

 

CMYK 0 / 69 / 16 / 58

HEX #6C225B

RGB 108 34 91

HSL 313.78, 0.52%, 0.28%

LAB 26.98, 39.59, -17.38

 

CMYK 2 / 0 / 69 / 58

HEX #6A6C22

RGB 106 108 34

HSL 61.62, 0.52%, 0.28%

LAB 44.1, -11.06, 39.5

 

CMYK 69 / 0 / 53 / 58

HEX #226C33

RGB 34 108 51

HSL 133.78, 0.52%, 0.28%

LAB 40.09, -36.04, 25.25

 

CMYK 65 / 68 / 0 / 58

HEX #25226B

RGB 37 34 107

HSL 242.47, 0.52%, 0.28%

LAB 18.36, 25.65, -42.19

 

CMYK 0 / 69 / 37 / 58

HEX #6C2244

RGB 108 34 68

HSL 332.43, 0.52%, 0.28%

LAB 26.01, 36.21, -3.57

 

CMYK 2 / 0 / 69 / 58

HEX #6A6C22

RGB 106 108 34

HSL 61.62, 0.52%, 0.28%

LAB 44.1, -11.06, 39.5

 

CMYK 69 / 0 / 32 / 58

HEX #226C49

RGB 34 108 73

HSL 151.62, 0.52%, 0.28%

LAB 40.49, -31.67, 13.1

 

Description

Color code: RGB 37 34 107 | qconv.com Color code: RGB 37 34 107 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 37 red, 34 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
37 34 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 68 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 68% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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