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Color name
RGB 34 42 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 42 108 it is the complementary color RGB 221 213 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 42 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 42 108 shade: RGB 39 42 103, RGB 56 60 122, RGB 73 78 141, RGB 90 96 160 and RGB 107 114 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 42 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 42 108 shade: RGB 34 42 108, RGB 17 24 89, RGB 0 6 70, RGB 0 0 51 and RGB 0 0 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 42 108 shade: RGB 34 42 108, RGB 46 34 108, RGB 66 34 108, RGB 86 34 108 and RGB 106 34 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 42 108 shade: RGB 34 42 108 and RGB 34 34 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 42 108 shade matches the following richer shades: RGB 34 42 108, RGB 22 33 120 and RGB 11 24 131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 42 108 shade: RGB 34 42 108, RGB 45 51 96, RGB 57 60 85, RGB 68 69 73 and RGB 80 78 62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 42 108 shade: RGB 34 82 108, RGB 34 62 108, RGB 34 42 108, RGB 45 34 108 and RGB 65 34 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 42 108 shade: RGB 14 17 45, RGB 24 30 77, RGB 34 42 108, RGB 44 54 139 and RGB 54 66 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 42 108 shade: RGB 34 42 108, RGB 108 34 102 and RGB 72 108 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 42 108 shade: RGB 34 42 108, RGB 108 34 42 and RGB 42 108 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 42 108 shade: RGB 34 42 108, RGB 108 34 102, RGB 108 99 34 and RGB 34 108 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 42 108 shade: RGB 34 42 108, RGB 108 34 80, RGB 108 99 34 and RGB 34 108 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 61 / 0 / 58

HEX #222A6C

RGB 34 42 108

HSL 233.51, 0.52%, 0.28%

LAB 20.36, 19.98, -39.59

 

Complementary color

CMYK 0 / 4 / 33 / 13

HEX #DDD593

RGB 221 213 147

HSL 53.51, 0.52%, 0.72%

LAB 84.52, -7.04, 33.67

 

CMYK 62 / 59 / 0 / 60

HEX #272A67

RGB 39 42 103

HSL 237.19, 0.45%, 0.28%

LAB 20.31, 19.04, -36.4

 

CMYK 54 / 51 / 0 / 52

HEX #383C7A

RGB 56 60 122

HSL 236.36, 0.37%, 0.35%

LAB 28.05, 17.27, -36.03

 

CMYK 48 / 45 / 0 / 45

HEX #494E8D

RGB 73 78 141

HSL 235.59, 0.32%, 0.42%

LAB 35.57, 15.92, -35.72

 

CMYK 44 / 40 / 0 / 37

HEX #5A60A0

RGB 90 96 160

HSL 234.86, 0.28%, 0.49%

LAB 42.88, 14.87, -35.49

 

CMYK 40 / 36 / 0 / 30

HEX #6B72B3

RGB 107 114 179

HSL 234.17, 0.32%, 0.56%

LAB 50, 14, -35.34

 

CMYK 69 / 61 / 0 / 58

HEX #222A6C

RGB 34 42 108

HSL 233.51, 0.52%, 0.28%

LAB 20.36, 19.98, -39.59

 

CMYK 81 / 73 / 0 / 65

HEX #111859

RGB 17 24 89

HSL 234.17, 0.68%, 0.21%

LAB 12.57, 22.75, -39.81

 

CMYK 100 / 91 / 0 / 73

HEX #000646

RGB 0 6 70

HSL 234.86, 1%, 0.14%

LAB 5.17, 24.21, -38.94

 

CMYK 100 / 100 / 0 / 80

HEX #000033

RGB 0 0 51

HSL 240, 1%, 0.1%

LAB 2.16, 15.17, -30.07

 

CMYK 100 / 100 / 0 / 87

HEX #000020

RGB 0 0 32

HSL 240, 1%, 0.06%

LAB 0.94, 6.62, -17.34

 

CMYK 69 / 61 / 0 / 58

HEX #222A6C

RGB 34 42 108

HSL 233.51, 0.52%, 0.28%

LAB 20.36, 19.98, -39.59

 

CMYK 57 / 69 / 0 / 58

HEX #2E226C

RGB 46 34 108

HSL 249.73, 0.52%, 0.28%

LAB 19.26, 27.64, -41.34

 

CMYK 39 / 69 / 0 / 58

HEX #42226C

RGB 66 34 108

HSL 265.95, 0.52%, 0.28%

LAB 21.52, 31.95, -37.55

 

CMYK 20 / 69 / 0 / 58

HEX #56226C

RGB 86 34 108

HSL 282.16, 0.52%, 0.28%

LAB 24.34, 36.87, -32.87

 

CMYK 2 / 69 / 0 / 58

HEX #6A226C

RGB 106 34 108

HSL 298.38, 0.52%, 0.28%

LAB 27.55, 42.05, -27.57

 

CMYK 69 / 61 / 0 / 58

HEX #222A6C

RGB 34 42 108

HSL 233.51, 0.52%, 0.28%

LAB 20.36, 19.98, -39.59

 

CMYK 69 / 69 / 0 / 58

HEX #22226C

RGB 34 34 108

HSL 240, 0.52%, 0.28%

LAB 18.22, 25.53, -43.08

 

CMYK 69 / 61 / 0 / 58

HEX #222A6C

RGB 34 42 108

HSL 233.51, 0.52%, 0.28%

LAB 20.36, 19.98, -39.59

 

CMYK 82 / 73 / 0 / 53

HEX #162178

RGB 22 33 120

HSL 233.27, 0.69%, 0.28%

LAB 18.43, 29.28, -50.51

 

CMYK 92 / 82 / 0 / 49

HEX #0B1883

RGB 11 24 131

HSL 233.5, 0.85%, 0.28%

LAB 17.29, 38.22, -59.41

 

CMYK 69 / 61 / 0 / 58

HEX #222A6C

RGB 34 42 108

HSL 233.51, 0.52%, 0.28%

LAB 20.36, 19.98, -39.59

 

CMYK 53 / 47 / 0 / 62

HEX #2D3360

RGB 45 51 96

HSL 232.94, 0.36%, 0.28%

LAB 22.9, 11.57, -27.65

 

CMYK 33 / 29 / 0 / 67

HEX #393C55

RGB 57 60 85

HSL 233.57, 0.2%, 0.28%

LAB 26.03, 5.46, -15.46

 

CMYK 7 / 5 / 0 / 71

HEX #444549

RGB 68 69 73

HSL 228, 0.04%, 0.28%

LAB 29.33, 0.5, -2.55

 

CMYK 0 / 2 / 23 / 69

HEX #504E3E

RGB 80 78 62

HSL 53.33, 0.13%, 0.28%

LAB 32.92, -2.28, 9.79

 

CMYK 69 / 24 / 0 / 58

HEX #22526C

RGB 34 82 108

HSL 201.08, 0.52%, 0.28%

LAB 32.83, -7.21, -19.77

 

CMYK 69 / 43 / 0 / 58

HEX #223E6C

RGB 34 62 108

HSL 217.3, 0.52%, 0.28%

LAB 26.36, 5.89, -29.94

 

CMYK 69 / 61 / 0 / 58

HEX #222A6C

RGB 34 42 108

HSL 233.51, 0.52%, 0.28%

LAB 20.36, 19.98, -39.59

 

CMYK 58 / 69 / 0 / 58

HEX #2D226C

RGB 45 34 108

HSL 248.92, 0.52%, 0.28%

LAB 19.16, 27.45, -41.5

 

CMYK 40 / 69 / 0 / 58

HEX #41226C

RGB 65 34 108

HSL 265.14, 0.52%, 0.28%

LAB 21.4, 31.72, -37.76

 

CMYK 69 / 62 / 0 / 82

HEX #0E112D

RGB 14 17 45

HSL 234.19, 0.53%, 0.12%

LAB 6.18, 8.41, -19.13

 

CMYK 69 / 61 / 0 / 70

HEX #181E4D

RGB 24 30 77

HSL 233.21, 0.52%, 0.2%

LAB 13.58, 14.56, -29.97

 

CMYK 69 / 61 / 0 / 58

HEX #222A6C

RGB 34 42 108

HSL 233.51, 0.52%, 0.28%

LAB 20.36, 19.98, -39.59

 

CMYK 68 / 61 / 0 / 45

HEX #2C368B

RGB 44 54 139

HSL 233.68, 0.52%, 0.36%

LAB 26.84, 25.1, -48.65

 

CMYK 68 / 61 / 0 / 33

HEX #3642AB

RGB 54 66 171

HSL 233.85, 0.52%, 0.44%

LAB 33.18, 30.34, -57.76

 

CMYK 69 / 61 / 0 / 58

HEX #222A6C

RGB 34 42 108

HSL 233.51, 0.52%, 0.28%

LAB 20.36, 19.98, -39.59

 

CMYK 0 / 69 / 6 / 58

HEX #6C2266

RGB 108 34 102

HSL 304.86, 0.52%, 0.28%

LAB 27.55, 41.48, -23.67

 

CMYK 33 / 0 / 69 / 58

HEX #486C22

RGB 72 108 34

HSL 89.19, 0.52%, 0.28%

LAB 41.56, -26.07, 36.06

 

CMYK 69 / 61 / 0 / 58

HEX #222A6C

RGB 34 42 108

HSL 233.51, 0.52%, 0.28%

LAB 20.36, 19.98, -39.59

 

CMYK 0 / 69 / 61 / 58

HEX #6C222A

RGB 108 34 42

HSL 353.51, 0.52%, 0.28%

LAB 25.26, 33.47, 12.95

 

CMYK 61 / 0 / 69 / 58

HEX #2A6C22

RGB 42 108 34

HSL 113.51, 0.52%, 0.28%

LAB 40.14, -36.39, 34.1

 

CMYK 69 / 61 / 0 / 58

HEX #222A6C

RGB 34 42 108

HSL 233.51, 0.52%, 0.28%

LAB 20.36, 19.98, -39.59

 

CMYK 0 / 69 / 6 / 58

HEX #6C2266

RGB 108 34 102

HSL 304.86, 0.52%, 0.28%

LAB 27.55, 41.48, -23.67

 

CMYK 0 / 8 / 69 / 58

HEX #6C6322

RGB 108 99 34

HSL 52.7, 0.52%, 0.28%

LAB 41.58, -4.99, 36.93

 

CMYK 69 / 0 / 63 / 58

HEX #226C28

RGB 34 108 40

HSL 124.86, 0.52%, 0.28%

LAB 39.95, -37.68, 30.9

 

CMYK 69 / 61 / 0 / 58

HEX #222A6C

RGB 34 42 108

HSL 233.51, 0.52%, 0.28%

LAB 20.36, 19.98, -39.59

 

CMYK 0 / 69 / 26 / 58

HEX #6C2250

RGB 108 34 80

HSL 322.7, 0.52%, 0.28%

LAB 26.48, 37.87, -10.89

 

CMYK 0 / 8 / 69 / 58

HEX #6C6322

RGB 108 99 34

HSL 52.7, 0.52%, 0.28%

LAB 41.58, -4.99, 36.93

 

CMYK 69 / 0 / 43 / 58

HEX #226C3E

RGB 34 108 62

HSL 142.7, 0.52%, 0.28%

LAB 40.27, -34.04, 19.26

 

Description

Color code: RGB 34 42 108 | qconv.com Color code: RGB 34 42 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 42 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 42 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 61 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 61% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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