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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 15 198 it is the complementary color RGB 221 240 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 15 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 15 198 shade: RGB 39 15 193, RGB 56 33 212, RGB 73 51 231, RGB 90 69 250 and RGB 107 87 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 15 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 15 198 shade: RGB 34 15 198, RGB 17 0 179, RGB 0 0 160, RGB 0 0 141 and RGB 0 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 15 198 shade: RGB 34 14 199, RGB 83 14 199, RGB 133 14 199, RGB 183 14 199 and RGB 199 14 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 15 198 shade: RGB 34 14 199 and RGB 14 14 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 15 198 shade matches the following richer shades: RGB 34 14 199

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 15 198 shade: RGB 34 14 199, RGB 47 32 181, RGB 61 49 164, RGB 75 66 147 and RGB 89 84 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 15 198 shade: RGB 14 94 199, RGB 14 45 199, RGB 33 14 199, RGB 82 14 199 and RGB 131 14 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 15 198 shade: RGB 20 9 122, RGB 27 12 160, RGB 34 14 199, RGB 41 18 237 and RGB 75 56 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 15 198 shade: RGB 34 15 198, RGB 199 14 143 and RGB 70 199 14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 15 198 shade: RGB 34 15 198, RGB 199 33 14 and RGB 14 199 33

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 15 198 shade: RGB 34 15 198, RGB 199 14 143, RGB 180 199 14 and RGB 14 199 70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 15 198 shade: RGB 34 15 198, RGB 199 14 88, RGB 180 199 14 and RGB 14 199 125

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 92 / 0 / 22

HEX #220FC6

RGB 34 15 198

HSL 246.23, 0.86%, 0.42%

LAB 26.04, 62.64, -85.6

 

Complementary color

CMYK 8 / 0 / 76 / 6

HEX #DDF039

RGB 221 240 57

HSL 66.23, 0.86%, 0.58%

LAB 90.77, -27.26, 79.28

 

CMYK 80 / 92 / 0 / 24

HEX #270FC1

RGB 39 15 193

HSL 248.09, 0.86%, 0.41%

LAB 25.63, 61.47, -83.32

 

CMYK 74 / 84 / 0 / 17

HEX #3821D4

RGB 56 33 212

HSL 247.71, 0.73%, 0.48%

LAB 31.07, 61.53, -85.35

 

CMYK 68 / 78 / 0 / 9

HEX #4933E7

RGB 73 51 231

HSL 247.33, 0.79%, 0.55%

LAB 37.03, 60.43, -86.35

 

CMYK 64 / 72 / 0 / 2

HEX #5A45FA

RGB 90 69 250

HSL 246.96, 0.95%, 0.63%

LAB 43.26, 58.84, -86.75

 

CMYK 58 / 66 / 0 / 0

HEX #6B57FF

RGB 107 87 255

HSL 247.14, 1%, 0.67%

LAB 48.46, 52.93, -80.95

 

CMYK 83 / 92 / 0 / 22

HEX #220FC6

RGB 34 15 198

HSL 246.23, 0.86%, 0.42%

LAB 26.04, 62.64, -85.6

 

CMYK 91 / 100 / 0 / 30

HEX #1100B3

RGB 17 0 179

HSL 245.7, 1%, 0.35%

LAB 21.48, 60.87, -81.95

 

CMYK 100 / 100 / 0 / 37

HEX #0000A0

RGB 0 0 160

HSL 240, 1%, 0.31%

LAB 18.09, 55.89, -76.13

 

CMYK 100 / 100 / 0 / 45

HEX #00008D

RGB 0 0 141

HSL 240, 1%, 0.28%

LAB 15.08, 50.96, -69.4

 

CMYK 100 / 100 / 0 / 52

HEX #00007A

RGB 0 0 122

HSL 240, 1%, 0.24%

LAB 11.99, 45.9, -62.51

 

CMYK 83 / 93 / 0 / 22

HEX #220EC7

RGB 34 14 199

HSL 246.49, 0.87%, 0.42%

LAB 26.09, 63.16, -86.1

 

CMYK 58 / 93 / 0 / 22

HEX #530EC7

RGB 83 14 199

HSL 262.38, 0.87%, 0.42%

LAB 30.1, 65.56, -79.32

 

CMYK 33 / 93 / 0 / 22

HEX #850EC7

RGB 133 14 199

HSL 278.59, 0.87%, 0.42%

LAB 36.79, 70.54, -68.06

 

CMYK 8 / 93 / 0 / 22

HEX #B70EC7

RGB 183 14 199

HSL 294.81, 0.87%, 0.42%

LAB 44.95, 77.7, -54.44

 

CMYK 0 / 93 / 17 / 22

HEX #C70EA5

RGB 199 14 165

HSL 311.03, 0.87%, 0.42%

LAB 45.87, 75.64, -32.79

 

CMYK 83 / 93 / 0 / 22

HEX #220EC7

RGB 34 14 199

HSL 246.49, 0.87%, 0.42%

LAB 26.09, 63.16, -86.1

 

CMYK 93 / 93 / 0 / 22

HEX #0E0EC7

RGB 14 14 199

HSL 240, 0.87%, 0.42%

LAB 25.35, 62.78, -87.35

 

CMYK 83 / 93 / 0 / 22

HEX #220EC7

RGB 34 14 199

HSL 246.49, 0.87%, 0.42%

LAB 26.09, 63.16, -86.1

 

CMYK 83 / 93 / 0 / 22

HEX #220EC7

RGB 34 14 199

HSL 246.49, 0.87%, 0.42%

LAB 26.09, 63.16, -86.1

 

CMYK 74 / 82 / 0 / 29

HEX #2F20B5

RGB 47 32 181

HSL 246.04, 0.7%, 0.42%

LAB 26.66, 52.4, -74.48

 

CMYK 63 / 70 / 0 / 36

HEX #3D31A4

RGB 61 49 164

HSL 246.26, 0.54%, 0.42%

LAB 29.08, 39.54, -60.24

 

CMYK 49 / 55 / 0 / 42

HEX #4B4293

RGB 75 66 147

HSL 246.67, 0.38%, 0.42%

LAB 32.92, 26.11, -43.62

 

CMYK 31 / 35 / 0 / 49

HEX #595481

RGB 89 84 129

HSL 246.67, 0.21%, 0.42%

LAB 37.93, 13.05, -24.58

 

CMYK 93 / 53 / 0 / 22

HEX #0E5EC7

RGB 14 94 199

HSL 214.05, 0.87%, 0.42%

LAB 41.57, 18.99, -60.63

 

CMYK 93 / 77 / 0 / 22

HEX #0E2DC7

RGB 14 45 199

HSL 229.95, 0.87%, 0.42%

LAB 29.65, 50.03, -80.2

 

CMYK 83 / 93 / 0 / 22

HEX #210EC7

RGB 33 14 199

HSL 246.16, 0.87%, 0.42%

LAB 26.04, 63.13, -86.18

 

CMYK 59 / 93 / 0 / 22

HEX #520EC7

RGB 82 14 199

HSL 262.05, 0.87%, 0.42%

LAB 29.99, 65.49, -79.51

 

CMYK 34 / 93 / 0 / 22

HEX #830EC7

RGB 131 14 199

HSL 277.95, 0.87%, 0.42%

LAB 36.49, 70.3, -68.57

 

CMYK 84 / 93 / 0 / 52

HEX #14097A

RGB 20 9 122

HSL 245.84, 0.86%, 0.26%

LAB 14.11, 42.65, -58.94

 

CMYK 83 / 93 / 0 / 37

HEX #1B0CA0

RGB 27 12 160

HSL 246.08, 0.86%, 0.34%

LAB 20.18, 52.92, -72.61

 

CMYK 83 / 93 / 0 / 22

HEX #220EC7

RGB 34 14 199

HSL 246.49, 0.87%, 0.42%

LAB 26.09, 63.16, -86.1

 

CMYK 83 / 92 / 0 / 7

HEX #2912ED

RGB 41 18 237

HSL 246.3, 0.86%, 0.5%

LAB 31.85, 72.21, -98.43

 

CMYK 69 / 77 / 0 / 6

HEX #4B38F0

RGB 75 56 240

HSL 246.2, 0.86%, 0.58%

LAB 38.93, 60.87, -88.32

 

CMYK 83 / 92 / 0 / 22

HEX #220FC6

RGB 34 15 198

HSL 246.23, 0.86%, 0.42%

LAB 26.04, 62.64, -85.6

 

CMYK 0 / 93 / 28 / 22

HEX #C70E8F

RGB 199 14 143

HSL 318.16, 0.87%, 0.42%

LAB 44.86, 73.01, -21.13

 

CMYK 65 / 0 / 93 / 22

HEX #46C70E

RGB 70 199 14

HSL 101.84, 0.87%, 0.42%

LAB 71, -63.27, 68.58

 

CMYK 83 / 92 / 0 / 22

HEX #220FC6

RGB 34 15 198

HSL 246.23, 0.86%, 0.42%

LAB 26.04, 62.64, -85.6

 

CMYK 0 / 83 / 93 / 22

HEX #C7210E

RGB 199 33 14

HSL 6.16, 0.87%, 0.42%

LAB 43.15, 61.82, 51.99

 

CMYK 93 / 0 / 83 / 22

HEX #0EC721

RGB 14 199 33

HSL 126.16, 0.87%, 0.42%

LAB 70.21, -69.91, 63.97

 

CMYK 83 / 92 / 0 / 22

HEX #220FC6

RGB 34 15 198

HSL 246.23, 0.86%, 0.42%

LAB 26.04, 62.64, -85.6

 

CMYK 0 / 93 / 28 / 22

HEX #C70E8F

RGB 199 14 143

HSL 318.16, 0.87%, 0.42%

LAB 44.86, 73.01, -21.13

 

CMYK 10 / 0 / 93 / 22

HEX #B4C70E

RGB 180 199 14

HSL 66.16, 0.87%, 0.42%

LAB 76.43, -25.81, 75.22

 

CMYK 93 / 0 / 65 / 22

HEX #0EC746

RGB 14 199 70

HSL 138.16, 0.87%, 0.42%

LAB 70.44, -66.96, 51.48

 

CMYK 83 / 92 / 0 / 22

HEX #220FC6

RGB 34 15 198

HSL 246.23, 0.86%, 0.42%

LAB 26.04, 62.64, -85.6

 

CMYK 0 / 93 / 56 / 22

HEX #C70E58

RGB 199 14 88

HSL 336, 0.87%, 0.42%

LAB 43, 68.03, 10.22

 

CMYK 10 / 0 / 93 / 22

HEX #B4C70E

RGB 180 199 14

HSL 66.16, 0.87%, 0.42%

LAB 76.43, -25.81, 75.22

 

CMYK 93 / 0 / 37 / 22

HEX #0EC77D

RGB 14 199 125

HSL 156, 0.87%, 0.42%

LAB 71.16, -58.32, 25.71

 

Description

Color code: RGB 34 15 198 | qconv.com Color code: RGB 34 15 198 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 15 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 15 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 92 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 92% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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