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Color name
RGB 34 197 200

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 197 200 it is the complementary color RGB 221 58 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 197 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 197 200 shade: RGB 39 197 195, RGB 56 215 214, RGB 73 233 233, RGB 90 251 252 and RGB 107 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 197 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 197 200 shade: RGB 34 197 200, RGB 17 179 181, RGB 0 161 162, RGB 0 143 143 and RGB 0 125 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 197 200 shade: RGB 34 197 200, RGB 34 152 200, RGB 34 107 200, RGB 34 62 200 and RGB 50 34 200

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 197 200 shade: RGB 34 197 200, RGB 34 152 200, RGB 34 107 200, RGB 34 62 200 and RGB 34 34 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 197 200 shade matches the following richer shades: RGB 34 197 200 and RGB 15 215 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 197 200 shade: RGB 34 197 200, RGB 52 179 181, RGB 71 160 162, RGB 90 142 143 and RGB 109 124 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 197 200 shade: RGB 34 200 114, RGB 34 200 158, RGB 34 197 200, RGB 34 153 200 and RGB 34 108 200

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 197 200 shade: RGB 22 128 130, RGB 28 162 165, RGB 34 197 200, RGB 54 218 221 and RGB 90 224 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 197 200 shade: RGB 34 197 200, RGB 70 34 200 and RGB 200 136 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 197 200 shade: RGB 34 197 200, RGB 200 34 197 and RGB 197 200 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 197 200 shade: RGB 34 197 200, RGB 70 34 200, RGB 200 36 34 and RGB 164 200 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 197 200 shade: RGB 34 197 200, RGB 120 34 200, RGB 200 36 34 and RGB 114 200 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 1 / 0 / 22

HEX #22C5C8

RGB 34 197 200

HSL 181.08, 0.71%, 0.46%

LAB 72.52, -37.2, -12.77

 

Complementary color

CMYK 0 / 74 / 75 / 13

HEX #DD3A37

RGB 221 58 55

HSL 1.08, 0.71%, 0.54%

LAB 50.3, 62.12, 40.25

 

CMYK 80 / 0 / 1 / 23

HEX #27C5C3

RGB 39 197 195

HSL 179.24, 0.67%, 0.46%

LAB 72.43, -38.28, -10.18

 

CMYK 74 / 0 / 0 / 16

HEX #38D7D6

RGB 56 215 214

HSL 179.62, 0.67%, 0.53%

LAB 78.63, -39.34, -11.15

 

CMYK 69 / 0 / 0 / 9

HEX #49E9E9

RGB 73 233 233

HSL 180, 0.78%, 0.6%

LAB 84.78, -40.15, -12.04

 

CMYK 64 / 0 / 0 / 1

HEX #5AFBFC

RGB 90 251 252

HSL 180.37, 0.96%, 0.67%

LAB 90.87, -40.77, -12.85

 

CMYK 58 / 0 / 0 / 0

HEX #6BFFFF

RGB 107 255 255

HSL 180, 1%, 0.71%

LAB 92.52, -39.12, -11.9

 

CMYK 83 / 1 / 0 / 22

HEX #22C5C8

RGB 34 197 200

HSL 181.08, 0.71%, 0.46%

LAB 72.52, -37.2, -12.77

 

CMYK 91 / 1 / 0 / 29

HEX #11B3B5

RGB 17 179 181

HSL 180.73, 0.83%, 0.39%

LAB 66.29, -35.65, -11.71

 

CMYK 100 / 1 / 0 / 36

HEX #00A1A2

RGB 0 161 162

HSL 180.37, 1%, 0.32%

LAB 59.98, -33.78, -10.54

 

CMYK 100 / 0 / 0 / 44

HEX #008F8F

RGB 0 143 143

HSL 180, 1%, 0.28%

LAB 53.63, -31.25, -9.19

 

CMYK 100 / 0 / 1 / 51

HEX #007D7C

RGB 0 125 124

HSL 179.52, 1%, 0.25%

LAB 47.13, -28.68, -7.8

RGB 0 125 124

CMYK 83 / 1 / 0 / 22

HEX #22C5C8

RGB 34 197 200

HSL 181.08, 0.71%, 0.46%

LAB 72.52, -37.2, -12.77

 

CMYK 83 / 24 / 0 / 22

HEX #2298C8

RGB 34 152 200

HSL 197.35, 0.71%, 0.46%

LAB 58.94, -14.59, -33.54

 

CMYK 83 / 47 / 0 / 22

HEX #226BC8

RGB 34 107 200

HSL 213.61, 0.71%, 0.46%

LAB 45.67, 12.22, -54.56

 

CMYK 83 / 69 / 0 / 22

HEX #223EC8

RGB 34 62 200

HSL 229.88, 0.71%, 0.46%

LAB 33.89, 41.3, -73.75

 

CMYK 75 / 83 / 0 / 22

HEX #3222C8

RGB 50 34 200

HSL 245.78, 0.71%, 0.46%

LAB 29.39, 57.33, -81.16

 

CMYK 83 / 1 / 0 / 22

HEX #22C5C8

RGB 34 197 200

HSL 181.08, 0.71%, 0.46%

LAB 72.52, -37.2, -12.77

 

CMYK 83 / 24 / 0 / 22

HEX #2298C8

RGB 34 152 200

HSL 197.35, 0.71%, 0.46%

LAB 58.94, -14.59, -33.54

 

CMYK 83 / 47 / 0 / 22

HEX #226BC8

RGB 34 107 200

HSL 213.61, 0.71%, 0.46%

LAB 45.67, 12.22, -54.56

 

CMYK 83 / 69 / 0 / 22

HEX #223EC8

RGB 34 62 200

HSL 229.88, 0.71%, 0.46%

LAB 33.89, 41.3, -73.75

 

CMYK 83 / 83 / 0 / 22

HEX #2222C8

RGB 34 34 200

HSL 240, 0.71%, 0.46%

LAB 28.52, 56.51, -82.63

 

CMYK 83 / 1 / 0 / 22

HEX #22C5C8

RGB 34 197 200

HSL 181.08, 0.71%, 0.46%

LAB 72.52, -37.2, -12.77

 

CMYK 93 / 2 / 0 / 14

HEX #0FD7DB

RGB 15 215 219

HSL 181.18, 0.87%, 0.46%

LAB 78.35, -40.69, -14.29

 

CMYK 83 / 1 / 0 / 22

HEX #22C5C8

RGB 34 197 200

HSL 181.08, 0.71%, 0.46%

LAB 72.52, -37.2, -12.77

 

CMYK 71 / 1 / 0 / 29

HEX #34B3B5

RGB 52 179 181

HSL 180.93, 0.55%, 0.46%

LAB 66.75, -32.63, -10.96

 

CMYK 56 / 1 / 0 / 36

HEX #47A0A2

RGB 71 160 162

HSL 181.32, 0.39%, 0.46%

LAB 60.86, -25.75, -9.1

 

CMYK 37 / 1 / 0 / 44

HEX #5A8E8F

RGB 90 142 143

HSL 181.13, 0.23%, 0.46%

LAB 55.59, -16.99, -6.03

 

CMYK 12 / 0 / 0 / 51

HEX #6D7C7C

RGB 109 124 124

HSL 180, 0.06%, 0.46%

LAB 50.83, -5.51, -1.88

 

CMYK 83 / 0 / 43 / 22

HEX #22C872

RGB 34 200 114

HSL 148.92, 0.71%, 0.46%

LAB 71.46, -59.43, 31.84

 

CMYK 83 / 0 / 21 / 22

HEX #22C89E

RGB 34 200 158

HSL 164.82, 0.71%, 0.46%

LAB 72.31, -49.99, 9.72

 

CMYK 83 / 1 / 0 / 22

HEX #22C5C8

RGB 34 197 200

HSL 181.08, 0.71%, 0.46%

LAB 72.52, -37.2, -12.77

 

CMYK 83 / 24 / 0 / 22

HEX #2299C8

RGB 34 153 200

HSL 196.99, 0.71%, 0.46%

LAB 59.24, -15.13, -33.07

 

CMYK 83 / 46 / 0 / 22

HEX #226CC8

RGB 34 108 200

HSL 213.25, 0.71%, 0.46%

LAB 45.95, 11.58, -54.1

 

CMYK 83 / 2 / 0 / 49

HEX #168082

RGB 22 128 130

HSL 181.11, 0.71%, 0.3%

LAB 48.54, -26.79, -9.22

 

CMYK 83 / 2 / 0 / 35

HEX #1CA2A5

RGB 28 162 165

HSL 181.31, 0.71%, 0.38%

LAB 60.61, -31.87, -11.27

 

CMYK 83 / 1 / 0 / 22

HEX #22C5C8

RGB 34 197 200

HSL 181.08, 0.71%, 0.46%

LAB 72.52, -37.2, -12.77

 

CMYK 76 / 1 / 0 / 13

HEX #36DADD

RGB 54 218 221

HSL 181.08, 0.71%, 0.54%

LAB 79.7, -38.91, -13.31

 

CMYK 60 / 1 / 0 / 11

HEX #5AE0E3

RGB 90 224 227

HSL 181.31, 0.71%, 0.62%

LAB 82.4, -35.18, -12.39

 

CMYK 83 / 1 / 0 / 22

HEX #22C5C8

RGB 34 197 200

HSL 181.08, 0.71%, 0.46%

LAB 72.52, -37.2, -12.77

 

CMYK 65 / 83 / 0 / 22

HEX #4622C8

RGB 70 34 200

HSL 253.01, 0.71%, 0.46%

LAB 30.92, 58.8, -78.59

 

CMYK 0 / 32 / 83 / 22

HEX #C88822

RGB 200 136 34

HSL 36.87, 0.71%, 0.46%

LAB 61.66, 16.38, 59.65

 

CMYK 83 / 1 / 0 / 22

HEX #22C5C8

RGB 34 197 200

HSL 181.08, 0.71%, 0.46%

LAB 72.52, -37.2, -12.77

 

CMYK 0 / 83 / 1 / 22

HEX #C822C5

RGB 200 34 197

HSL 301.08, 0.71%, 0.46%

LAB 48.83, 77.13, -46.9

 

CMYK 1 / 0 / 83 / 22

HEX #C5C822

RGB 197 200 34

HSL 61.08, 0.71%, 0.46%

LAB 78.05, -18.68, 73.5

 

CMYK 83 / 1 / 0 / 22

HEX #22C5C8

RGB 34 197 200

HSL 181.08, 0.71%, 0.46%

LAB 72.52, -37.2, -12.77

 

CMYK 65 / 83 / 0 / 22

HEX #4622C8

RGB 70 34 200

HSL 253.01, 0.71%, 0.46%

LAB 30.92, 58.8, -78.59

 

CMYK 0 / 82 / 83 / 22

HEX #C82422

RGB 200 36 34

HSL 0.72, 0.71%, 0.46%

LAB 43.74, 61.76, 43.64

 

CMYK 18 / 0 / 83 / 22

HEX #A4C822

RGB 164 200 34

HSL 73.01, 0.71%, 0.46%

LAB 75.65, -32.43, 70.5

 

CMYK 83 / 1 / 0 / 22

HEX #22C5C8

RGB 34 197 200

HSL 181.08, 0.71%, 0.46%

LAB 72.52, -37.2, -12.77

 

CMYK 40 / 83 / 0 / 22

HEX #7822C8

RGB 120 34 200

HSL 271.08, 0.71%, 0.46%

LAB 36.57, 64.44, -69.08

 

CMYK 0 / 82 / 83 / 22

HEX #C82422

RGB 200 36 34

HSL 0.72, 0.71%, 0.46%

LAB 43.74, 61.76, 43.64

 

CMYK 43 / 0 / 83 / 22

HEX #72C822

RGB 114 200 34

HSL 91.08, 0.71%, 0.46%

LAB 72.89, -50.93, 67.02

 

Description

Color code: RGB 34 197 200 | qconv.com Color code: RGB 34 197 200 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 197 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 197 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 1 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 1% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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