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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 204 94 it is the complementary color RGB 221 51 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 204 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 204 94 shade: RGB 39 204 89, RGB 56 222 108, RGB 73 240 127, RGB 90 255 146 and RGB 107 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 204 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 204 94 shade: RGB 34 204 94, RGB 17 186 75, RGB 0 168 56, RGB 0 150 37 and RGB 0 132 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 204 94 shade: RGB 34 204 94, RGB 34 204 48, RGB 66 204 34, RGB 112 204 34 and RGB 158 204 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 204 94 shade: RGB 34 204 94, RGB 34 204 140, RGB 34 204 186, RGB 34 177 204 and RGB 34 131 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 204 94 shade matches the following richer shades: RGB 34 204 94 and RGB 15 224 89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 204 94 shade: RGB 34 204 94, RGB 54 185 100, RGB 73 166 106, RGB 92 146 111 and RGB 112 127 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 204 94 shade: RGB 65 204 34, RGB 34 204 48, RGB 34 204 94, RGB 34 204 139 and RGB 34 204 185

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 204 94 shade: RGB 22 134 62, RGB 28 169 78, RGB 34 204 94, RGB 59 221 116 and RGB 94 227 141

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 204 94 shade: RGB 34 204 94, RGB 34 111 204 and RGB 204 34 43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 204 94 shade: RGB 34 204 94, RGB 94 34 204 and RGB 204 94 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 204 94 shade: RGB 34 204 94, RGB 34 111 204, RGB 204 34 145 and RGB 204 128 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 204 94 shade: RGB 34 204 94, RGB 34 60 204, RGB 204 34 145 and RGB 204 179 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 54 / 20

HEX #22CC5E

RGB 34 204 94

HSL 141.18, 0.71%, 0.47%

LAB 72.45, -64.03, 43.01

 

Complementary color

CMYK 0 / 77 / 27 / 13

HEX #DD33A1

RGB 221 51 161

HSL 321.18, 0.71%, 0.53%

LAB 52.19, 72.59, -20.3

 

CMYK 81 / 0 / 56 / 20

HEX #27CC59

RGB 39 204 89

HSL 138.18, 0.68%, 0.48%

LAB 72.45, -64.22, 45.38

 

CMYK 75 / 0 / 51 / 13

HEX #38DE6C

RGB 56 222 108

HSL 138.8, 0.72%, 0.55%

LAB 78.56, -65.42, 43.86

 

CMYK 70 / 0 / 47 / 6

HEX #49F07F

RGB 73 240 127

HSL 139.4, 0.85%, 0.61%

LAB 84.62, -66.22, 42.36

 

CMYK 65 / 0 / 43 / 0

HEX #5AFF92

RGB 90 255 146

HSL 140.36, 1%, 0.68%

LAB 89.75, -65.65, 39.76

 

CMYK 58 / 0 / 35 / 0

HEX #6BFFA5

RGB 107 255 165

HSL 143.51, 1%, 0.71%

LAB 90.49, -59.14, 31.42

 

CMYK 83 / 0 / 54 / 20

HEX #22CC5E

RGB 34 204 94

HSL 141.18, 0.71%, 0.47%

LAB 72.45, -64.03, 43.01

 

CMYK 91 / 0 / 60 / 27

HEX #11BA4B

RGB 17 186 75

HSL 140.59, 0.83%, 0.4%

LAB 66.32, -62.19, 44.6

 

CMYK 100 / 0 / 67 / 34

HEX #00A838

RGB 0 168 56

HSL 140, 1%, 0.33%

LAB 60.15, -59.75, 46.06

 

CMYK 100 / 0 / 75 / 41

HEX #009625

RGB 0 150 37

HSL 134.8, 1%, 0.29%

LAB 53.97, -56.17, 47.18

RGB 0 150 37

CMYK 100 / 0 / 86 / 48

HEX #008412

RGB 0 132 18

HSL 128.18, 1%, 0.26%

LAB 47.68, -52.13, 47.28

RGB 0 132 18

CMYK 83 / 0 / 54 / 20

HEX #22CC5E

RGB 34 204 94

HSL 141.18, 0.71%, 0.47%

LAB 72.45, -64.03, 43.01

 

CMYK 83 / 0 / 76 / 20

HEX #22CC30

RGB 34 204 48

HSL 124.94, 0.71%, 0.47%

LAB 72.05, -68.93, 61.47

 

CMYK 68 / 0 / 83 / 20

HEX #42CC22

RGB 66 204 34

HSL 108.71, 0.71%, 0.47%

LAB 72.53, -65.02, 66.1

 

CMYK 45 / 0 / 83 / 20

HEX #70CC22

RGB 112 204 34

HSL 92.47, 0.71%, 0.47%

LAB 74.03, -53.14, 68

 

CMYK 23 / 0 / 83 / 20

HEX #9ECC22

RGB 158 204 34

HSL 76.24, 0.71%, 0.47%

LAB 76.42, -36.65, 71.02

 

CMYK 83 / 0 / 54 / 20

HEX #22CC5E

RGB 34 204 94

HSL 141.18, 0.71%, 0.47%

LAB 72.45, -64.03, 43.01

 

CMYK 83 / 0 / 31 / 20

HEX #22CC8C

RGB 34 204 140

HSL 157.41, 0.71%, 0.47%

LAB 73.17, -55.71, 20.55

 

CMYK 83 / 0 / 9 / 20

HEX #22CCBA

RGB 34 204 186

HSL 173.65, 0.71%, 0.47%

LAB 74.24, -44.34, -2.63

 

CMYK 83 / 13 / 0 / 20

HEX #22B1CC

RGB 34 177 204

HSL 189.53, 0.71%, 0.47%

LAB 66.63, -26.34, -23.9

 

CMYK 83 / 36 / 0 / 20

HEX #2283CC

RGB 34 131 204

HSL 205.76, 0.71%, 0.47%

LAB 52.88, -1.1, -45.34

 

CMYK 83 / 0 / 54 / 20

HEX #22CC5E

RGB 34 204 94

HSL 141.18, 0.71%, 0.47%

LAB 72.45, -64.03, 43.01

 

CMYK 93 / 0 / 60 / 12

HEX #0FE059

RGB 15 224 89

HSL 141.24, 0.87%, 0.47%

LAB 78.54, -72.23, 52.45

 

CMYK 83 / 0 / 54 / 20

HEX #22CC5E

RGB 34 204 94

HSL 141.18, 0.71%, 0.47%

LAB 72.45, -64.03, 43.01

 

CMYK 71 / 0 / 46 / 27

HEX #36B964

RGB 54 185 100

HSL 141.07, 0.55%, 0.47%

LAB 66.83, -53.92, 33.1

 

CMYK 56 / 0 / 36 / 35

HEX #49A66A

RGB 73 166 106

HSL 141.29, 0.39%, 0.47%

LAB 61.42, -41.43, 22.96

 

CMYK 37 / 0 / 24 / 43

HEX #5C926F

RGB 92 146 111

HSL 141.11, 0.23%, 0.47%

LAB 56.07, -25.86, 13

 

CMYK 12 / 0 / 8 / 50

HEX #707F75

RGB 112 127 117

HSL 140, 0.06%, 0.47%

LAB 51.73, -7.6, 3.57

 

CMYK 68 / 0 / 83 / 20

HEX #41CC22

RGB 65 204 34

HSL 109.06, 0.71%, 0.47%

LAB 72.51, -65.22, 66.07

 

CMYK 83 / 0 / 76 / 20

HEX #22CC30

RGB 34 204 48

HSL 124.94, 0.71%, 0.47%

LAB 72.05, -68.93, 61.47

 

CMYK 83 / 0 / 54 / 20

HEX #22CC5E

RGB 34 204 94

HSL 141.18, 0.71%, 0.47%

LAB 72.45, -64.03, 43.01

 

CMYK 83 / 0 / 32 / 20

HEX #22CC8B

RGB 34 204 139

HSL 157.06, 0.71%, 0.47%

LAB 73.15, -55.93, 21.05

 

CMYK 83 / 0 / 9 / 20

HEX #22CCB9

RGB 34 204 185

HSL 173.29, 0.71%, 0.47%

LAB 74.21, -44.62, -2.13

 

CMYK 84 / 0 / 54 / 47

HEX #16863E

RGB 22 134 62

HSL 141.43, 0.72%, 0.31%

LAB 48.97, -46.17, 30.26

 

CMYK 83 / 0 / 54 / 34

HEX #1CA94E

RGB 28 169 78

HSL 141.28, 0.72%, 0.39%

LAB 60.93, -55.29, 36.77

 

CMYK 83 / 0 / 54 / 20

HEX #22CC5E

RGB 34 204 94

HSL 141.18, 0.71%, 0.47%

LAB 72.45, -64.03, 43.01

 

CMYK 73 / 0 / 48 / 13

HEX #3BDD74

RGB 59 221 116

HSL 141.11, 0.7%, 0.55%

LAB 78.41, -63.44, 39.81

 

CMYK 59 / 0 / 38 / 11

HEX #5EE38D

RGB 94 227 141

HSL 141.2, 0.7%, 0.63%

LAB 81.42, -55.2, 31.37

 

CMYK 83 / 0 / 54 / 20

HEX #22CC5E

RGB 34 204 94

HSL 141.18, 0.71%, 0.47%

LAB 72.45, -64.03, 43.01

 

CMYK 83 / 46 / 0 / 20

HEX #226FCC

RGB 34 111 204

HSL 212.82, 0.71%, 0.47%

LAB 47.06, 11.22, -54.61

 

CMYK 0 / 83 / 79 / 20

HEX #CC222B

RGB 204 34 43

HSL 356.82, 0.71%, 0.47%

LAB 44.46, 63.62, 39.73

 

CMYK 83 / 0 / 54 / 20

HEX #22CC5E

RGB 34 204 94

HSL 141.18, 0.71%, 0.47%

LAB 72.45, -64.03, 43.01

 

CMYK 54 / 83 / 0 / 20

HEX #5E22CC

RGB 94 34 204

HSL 261.18, 0.71%, 0.47%

LAB 33.74, 62.19, -76.18

 

CMYK 0 / 54 / 83 / 20

HEX #CC5E22

RGB 204 94 34

HSL 21.18, 0.71%, 0.47%

LAB 52.9, 40.35, 52.2

 

CMYK 83 / 0 / 54 / 20

HEX #22CC5E

RGB 34 204 94

HSL 141.18, 0.71%, 0.47%

LAB 72.45, -64.03, 43.01

 

CMYK 83 / 46 / 0 / 20

HEX #226FCC

RGB 34 111 204

HSL 212.82, 0.71%, 0.47%

LAB 47.06, 11.22, -54.61

 

CMYK 0 / 83 / 29 / 20

HEX #CC2291

RGB 204 34 145

HSL 320.82, 0.71%, 0.47%

LAB 47.01, 71.04, -18.95

 

CMYK 0 / 37 / 83 / 20

HEX #CC8022

RGB 204 128 34

HSL 33.18, 0.71%, 0.47%

LAB 60.24, 22.48, 58.61

 

CMYK 83 / 0 / 54 / 20

HEX #22CC5E

RGB 34 204 94

HSL 141.18, 0.71%, 0.47%

LAB 72.45, -64.03, 43.01

 

CMYK 83 / 71 / 0 / 20

HEX #223CCC

RGB 34 60 204

HSL 230.82, 0.71%, 0.47%

LAB 33.84, 43.94, -76.16

 

CMYK 0 / 83 / 29 / 20

HEX #CC2291

RGB 204 34 145

HSL 320.82, 0.71%, 0.47%

LAB 47.01, 71.04, -18.95

 

CMYK 0 / 12 / 83 / 20

HEX #CCB322

RGB 204 179 34

HSL 51.18, 0.71%, 0.47%

LAB 73.02, -4.96, 69.51

 

Description

Color code: RGB 34 204 94 | qconv.com Color code: RGB 34 204 94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 204 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 204 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 54 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 54% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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