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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 34 220 139 it is the complementary color RGB 221 35 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 34 220 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 34 220 139 shade: RGB 39 220 134, RGB 56 238 153, RGB 73 255 172, RGB 90 255 191 and RGB 107 255 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 34 220 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 34 220 139 shade: RGB 34 220 139, RGB 17 202 120, RGB 0 184 101, RGB 0 166 82 and RGB 0 148 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 34 220 139 shade: RGB 34 220 139, RGB 34 220 89, RGB 34 220 39, RGB 79 220 34 and RGB 130 220 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 34 220 139 shade: RGB 34 220 139, RGB 34 220 189, RGB 34 201 220, RGB 34 151 220 and RGB 34 100 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 34 220 139 shade matches the following richer shades: RGB 34 220 139 and RGB 13 241 142

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 34 220 139 shade: RGB 34 220 139, RGB 55 199 136, RGB 75 179 134, RGB 96 158 131 and RGB 116 138 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 34 220 139 shade: RGB 34 220 37, RGB 34 220 87, RGB 34 220 136, RGB 34 220 186 and RGB 34 205 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 34 220 139 shade: RGB 23 149 94, RGB 28 184 116, RGB 34 220 139, RGB 70 226 158 and RGB 105 231 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 34 220 139 shade: RGB 34 220 139, RGB 34 80 220 and RGB 220 62 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 34 220 139 shade: RGB 34 220 139, RGB 136 34 220 and RGB 220 136 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 34 220 139 shade: RGB 34 220 139, RGB 34 80 220, RGB 220 34 118 and RGB 220 174 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 34 220 139 shade: RGB 34 220 139, RGB 43 34 220, RGB 220 34 118 and RGB 211 220 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 37 / 14

HEX #22DC8B

RGB 34 220 139

HSL 153.87, 0.73%, 0.5%

LAB 78.11, -61.77, 27.77

 

Complementary color

CMYK 0 / 84 / 48 / 13

HEX #DD2374

RGB 221 35 116

HSL 333.87, 0.73%, 0.5%

LAB 49.3, 71.99, 2.42

 

CMYK 82 / 0 / 39 / 14

HEX #27DC86

RGB 39 220 134

HSL 151.49, 0.72%, 0.51%

LAB 78.07, -62.31, 30.3

 

CMYK 76 / 0 / 36 / 7

HEX #38EE99

RGB 56 238 153

HSL 151.98, 0.84%, 0.58%

LAB 84.12, -63.34, 28.73

 

CMYK 71 / 0 / 33 / 0

HEX #49FFAC

RGB 73 255 172

HSL 152.64, 1%, 0.64%

LAB 89.82, -63.69, 26.86

 

CMYK 65 / 0 / 25 / 0

HEX #5AFFBF

RGB 90 255 191

HSL 156.73, 1%, 0.68%

LAB 90.53, -57.23, 18.23

 

CMYK 58 / 0 / 18 / 0

HEX #6BFFD2

RGB 107 255 210

HSL 161.76, 1%, 0.71%

LAB 91.37, -50.08, 9.71

 

CMYK 85 / 0 / 37 / 14

HEX #22DC8B

RGB 34 220 139

HSL 153.87, 0.73%, 0.5%

LAB 78.11, -61.77, 27.77

 

CMYK 92 / 0 / 41 / 21

HEX #11CA78

RGB 17 202 120

HSL 153.41, 0.84%, 0.43%

LAB 72.04, -60.22, 29.48

 

CMYK 100 / 0 / 45 / 28

HEX #00B865

RGB 0 184 101

HSL 152.93, 1%, 0.36%

LAB 65.92, -58.26, 31.31

 

CMYK 100 / 0 / 51 / 35

HEX #00A652

RGB 0 166 82

HSL 149.64, 1%, 0.33%

LAB 59.78, -55.49, 33.29

 

CMYK 100 / 0 / 57 / 42

HEX #00943F

RGB 0 148 63

HSL 145.54, 1%, 0.29%

LAB 53.53, -52.51, 35.24

 

CMYK 85 / 0 / 37 / 14

HEX #22DC8B

RGB 34 220 139

HSL 153.87, 0.73%, 0.5%

LAB 78.11, -61.77, 27.77

 

CMYK 85 / 0 / 60 / 14

HEX #22DC59

RGB 34 220 89

HSL 137.74, 0.73%, 0.5%

LAB 77.43, -69.8, 51.2

 

CMYK 85 / 0 / 82 / 14

HEX #22DC27

RGB 34 220 39

HSL 121.61, 0.73%, 0.5%

LAB 77.08, -74.1, 68.8

 

CMYK 64 / 0 / 85 / 14

HEX #4FDC22

RGB 79 220 34

HSL 105.48, 0.73%, 0.5%

LAB 77.85, -67.52, 70.98

 

CMYK 41 / 0 / 85 / 14

HEX #82DC22

RGB 130 220 34

HSL 89.03, 0.73%, 0.5%

LAB 79.64, -53.56, 73.23

 

CMYK 85 / 0 / 37 / 14

HEX #22DC8B

RGB 34 220 139

HSL 153.87, 0.73%, 0.5%

LAB 78.11, -61.77, 27.77

 

CMYK 85 / 0 / 14 / 14

HEX #22DCBD

RGB 34 220 189

HSL 170, 0.73%, 0.5%

LAB 79.16, -50.29, 2.94

 

CMYK 85 / 9 / 0 / 14

HEX #22C9DC

RGB 34 201 220

HSL 186.13, 0.73%, 0.5%

LAB 74.37, -32.98, -20.84

 

CMYK 85 / 31 / 0 / 14

HEX #2297DC

RGB 34 151 220

HSL 202.26, 0.73%, 0.5%

LAB 59.56, -6.87, -43.76

 

CMYK 85 / 55 / 0 / 14

HEX #2264DC

RGB 34 100 220

HSL 218.71, 0.73%, 0.5%

LAB 45.11, 24.44, -66.9

 

CMYK 85 / 0 / 37 / 14

HEX #22DC8B

RGB 34 220 139

HSL 153.87, 0.73%, 0.5%

LAB 78.11, -61.77, 27.77

 

CMYK 95 / 0 / 41 / 5

HEX #0DF18E

RGB 13 241 142

HSL 153.95, 0.9%, 0.5%

LAB 84.46, -69.56, 34.65

 

CMYK 85 / 0 / 37 / 14

HEX #22DC8B

RGB 34 220 139

HSL 153.87, 0.73%, 0.5%

LAB 78.11, -61.77, 27.77

 

CMYK 72 / 0 / 32 / 22

HEX #37C788

RGB 55 199 136

HSL 153.75, 0.57%, 0.5%

LAB 71.85, -52.26, 20.92

 

CMYK 58 / 0 / 25 / 30

HEX #4BB386

RGB 75 179 134

HSL 154.04, 0.41%, 0.5%

LAB 66.1, -40.86, 14.12

 

CMYK 39 / 0 / 17 / 38

HEX #609E83

RGB 96 158 131

HSL 153.87, 0.24%, 0.5%

LAB 60.41, -26.37, 7.86

 

CMYK 16 / 0 / 7 / 46

HEX #748A80

RGB 116 138 128

HSL 152.73, 0.09%, 0.5%

LAB 55.53, -10, 2.71

 

CMYK 85 / 0 / 83 / 14

HEX #22DC25

RGB 34 220 37

HSL 120.97, 0.73%, 0.5%

LAB 77.08, -74.2, 69.29

 

CMYK 85 / 0 / 60 / 14

HEX #22DC57

RGB 34 220 87

HSL 137.1, 0.73%, 0.5%

LAB 77.41, -70.04, 52.06

 

CMYK 85 / 0 / 38 / 14

HEX #22DC88

RGB 34 220 136

HSL 152.9, 0.73%, 0.5%

LAB 78.05, -62.36, 29.24

 

CMYK 85 / 0 / 15 / 14

HEX #22DCBA

RGB 34 220 186

HSL 169.03, 0.73%, 0.5%

LAB 79.08, -51.06, 4.43

 

CMYK 85 / 7 / 0 / 14

HEX #22CDDC

RGB 34 205 220

HSL 184.84, 0.73%, 0.5%

LAB 75.56, -34.87, -19.04

 

CMYK 85 / 0 / 37 / 42

HEX #17955E

RGB 23 149 94

HSL 153.81, 0.73%, 0.34%

LAB 54.54, -45.63, 20.1

 

CMYK 85 / 0 / 37 / 28

HEX #1CB874

RGB 28 184 116

HSL 153.85, 0.74%, 0.42%

LAB 66.36, -53.82, 24.04

 

CMYK 85 / 0 / 37 / 14

HEX #22DC8B

RGB 34 220 139

HSL 153.87, 0.73%, 0.5%

LAB 78.11, -61.77, 27.77

 

CMYK 69 / 0 / 30 / 11

HEX #46E29E

RGB 70 226 158

HSL 153.85, 0.73%, 0.58%

LAB 80.83, -55.96, 21.73

 

CMYK 55 / 0 / 24 / 9

HEX #69E7B0

RGB 105 231 176

HSL 153.81, 0.72%, 0.66%

LAB 83.59, -47.73, 16.33

 

CMYK 85 / 0 / 37 / 14

HEX #22DC8B

RGB 34 220 139

HSL 153.87, 0.73%, 0.5%

LAB 78.11, -61.77, 27.77

 

CMYK 85 / 64 / 0 / 14

HEX #2250DC

RGB 34 80 220

HSL 225.16, 0.73%, 0.5%

LAB 39.99, 37.29, -75.27

 

CMYK 0 / 72 / 85 / 14

HEX #DC3E22

RGB 220 62 34

HSL 9.03, 0.73%, 0.5%

LAB 50.42, 59.8, 51.08

 

CMYK 85 / 0 / 37 / 14

HEX #22DC8B

RGB 34 220 139

HSL 153.87, 0.73%, 0.5%

LAB 78.11, -61.77, 27.77

 

CMYK 38 / 85 / 0 / 14

HEX #8822DC

RGB 136 34 220

HSL 272.9, 0.73%, 0.5%

LAB 40.48, 70.99, -74.15

 

CMYK 0 / 38 / 85 / 14

HEX #DC8822

RGB 220 136 34

HSL 32.9, 0.73%, 0.5%

LAB 64.11, 24.99, 62.71

 

CMYK 85 / 0 / 37 / 14

HEX #22DC8B

RGB 34 220 139

HSL 153.87, 0.73%, 0.5%

LAB 78.11, -61.77, 27.77

 

CMYK 85 / 64 / 0 / 14

HEX #2250DC

RGB 34 80 220

HSL 225.16, 0.73%, 0.5%

LAB 39.99, 37.29, -75.27

 

CMYK 0 / 85 / 46 / 14

HEX #DC2276

RGB 220 34 118

HSL 332.9, 0.73%, 0.5%

LAB 49.09, 72.12, 0.87

 

CMYK 0 / 21 / 85 / 14

HEX #DCAE22

RGB 220 174 34

HSL 45.16, 0.73%, 0.5%

LAB 73.29, 4.67, 70.36

 

CMYK 85 / 0 / 37 / 14

HEX #22DC8B

RGB 34 220 139

HSL 153.87, 0.73%, 0.5%

LAB 78.11, -61.77, 27.77

 

CMYK 80 / 85 / 0 / 14

HEX #2B22DC

RGB 43 34 220

HSL 242.9, 0.73%, 0.5%

LAB 31.41, 62.75, -89.44

 

CMYK 0 / 85 / 46 / 14

HEX #DC2276

RGB 220 34 118

HSL 332.9, 0.73%, 0.5%

LAB 49.09, 72.12, 0.87

 

CMYK 4 / 0 / 85 / 14

HEX #D3DC22

RGB 211 220 34

HSL 62.9, 0.73%, 0.5%

LAB 84.56, -22.57, 79.37

 

Description

Color code: RGB 34 220 139 | qconv.com Color code: RGB 34 220 139 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 34 red, 220 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
34 220 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 37 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 37% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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