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Color name
RGB 35 114 6

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 114 6 it is the complementary color RGB 220 141 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 114 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 114 6 shade: RGB 40 114 1, RGB 57 132 20, RGB 74 150 39, RGB 91 168 58 and RGB 108 186 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 114 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 114 6 shade: RGB 35 114 6, RGB 18 96 0, RGB 1 78 0, RGB 0 60 0 and RGB 0 42 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 114 6 shade: RGB 35 116 6, RGB 65 116 6, RGB 95 116 6, RGB 116 107 6 and RGB 116 78 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 114 6 shade: RGB 35 116 6, RGB 6 116 6, RGB 6 116 35, RGB 6 116 65 and RGB 6 116 95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 114 6 shade matches the following richer shades: RGB 35 116 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 114 6 shade: RGB 35 116 6, RGB 40 106 16, RGB 44 96 25, RGB 49 86 35 and RGB 54 76 45

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 114 6 shade: RGB 96 116 6, RGB 66 116 6, RGB 37 116 6, RGB 7 116 6 and RGB 6 116 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 114 6 shade: RGB 11 37 1, RGB 23 77 4, RGB 35 116 6, RGB 47 155 8 and RGB 59 194 10

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 114 6 shade: RGB 35 114 6, RGB 6 116 107 and RGB 116 6 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 114 6 shade: RGB 35 114 6, RGB 6 37 116 and RGB 116 6 37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 114 6 shade: RGB 35 114 6, RGB 6 116 107, RGB 85 6 116 and RGB 116 6 15

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 114 6 shade: RGB 35 114 6, RGB 6 92 116, RGB 85 6 116 and RGB 116 29 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 95 / 55

HEX #237206

RGB 35 114 6

HSL 103.89, 0.9%, 0.24%

LAB 41.85, -42.38, 45.18

 

Complementary color

CMYK 12 / 43 / 0 / 2

HEX #DC8DF9

RGB 220 141 249

HSL 283.89, 0.9%, 0.76%

LAB 70.25, 47.75, -42.13

 

CMYK 65 / 0 / 99 / 55

HEX #287201

RGB 40 114 1

HSL 99.29, 0.98%, 0.23%

LAB 41.98, -41.36, 46.54

 

CMYK 57 / 0 / 85 / 48

HEX #398414

RGB 57 132 20

HSL 100.18, 0.74%, 0.3%

LAB 48.79, -42.71, 48.15

 

CMYK 51 / 0 / 74 / 41

HEX #4A9627

RGB 74 150 39

HSL 101.08, 0.59%, 0.37%

LAB 55.5, -43.51, 48.47

 

CMYK 46 / 0 / 65 / 34

HEX #5BA83A

RGB 91 168 58

HSL 102, 0.49%, 0.44%

LAB 62.11, -43.93, 47.91

 

CMYK 42 / 0 / 59 / 27

HEX #6CBA4D

RGB 108 186 77

HSL 102.94, 0.44%, 0.52%

LAB 68.64, -44.1, 46.95

 

CMYK 69 / 0 / 95 / 55

HEX #237206

RGB 35 114 6

HSL 103.89, 0.9%, 0.24%

LAB 41.85, -42.38, 45.18

 

CMYK 81 / 0 / 100 / 62

HEX #126000

RGB 18 96 0

HSL 108.75, 1%, 0.19%

LAB 34.99, -39.82, 41

 

CMYK 99 / 0 / 100 / 69

HEX #014E00

RGB 1 78 0

HSL 119.23, 1%, 0.15%

LAB 27.99, -36.38, 35.27

 

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 70 / 0 / 95 / 55

HEX #237406

RGB 35 116 6

HSL 104.18, 0.9%, 0.24%

LAB 42.55, -43.09, 45.77

 

CMYK 44 / 0 / 95 / 55

HEX #417406

RGB 65 116 6

HSL 87.82, 0.9%, 0.24%

LAB 43.69, -34.07, 47.18

 

CMYK 18 / 0 / 95 / 55

HEX #5F7406

RGB 95 116 6

HSL 71.45, 0.9%, 0.24%

LAB 45.55, -21.65, 49.46

 

CMYK 0 / 8 / 95 / 55

HEX #746B06

RGB 116 107 6

HSL 55.09, 0.9%, 0.24%

LAB 44.58, -6.89, 49.46

 

CMYK 0 / 33 / 95 / 55

HEX #744E06

RGB 116 78 6

HSL 39.27, 0.9%, 0.24%

LAB 36.32, 10.21, 43.15

 

CMYK 70 / 0 / 95 / 55

HEX #237406

RGB 35 116 6

HSL 104.18, 0.9%, 0.24%

LAB 42.55, -43.09, 45.77

 

CMYK 95 / 0 / 95 / 55

HEX #067406

RGB 6 116 6

HSL 120, 0.9%, 0.24%

LAB 42.07, -47.36, 45.16

 

CMYK 95 / 0 / 70 / 55

HEX #067423

RGB 6 116 35

HSL 135.82, 0.9%, 0.24%

LAB 42.23, -45.24, 35.72

 

CMYK 95 / 0 / 44 / 55

HEX #067441

RGB 6 116 65

HSL 152.18, 0.9%, 0.24%

LAB 42.63, -40.42, 20.55

 

CMYK 95 / 0 / 18 / 55

HEX #06745F

RGB 6 116 95

HSL 168.55, 0.9%, 0.24%

LAB 43.29, -32.99, 3.84

 

CMYK 70 / 0 / 95 / 55

HEX #237406

RGB 35 116 6

HSL 104.18, 0.9%, 0.24%

LAB 42.55, -43.09, 45.77

 

CMYK 70 / 0 / 95 / 55

HEX #237406

RGB 35 116 6

HSL 104.18, 0.9%, 0.24%

LAB 42.55, -43.09, 45.77

 

CMYK 62 / 0 / 85 / 58

HEX #286A10

RGB 40 106 16

HSL 104, 0.74%, 0.24%

LAB 39.24, -37.65, 40.34

 

CMYK 54 / 0 / 74 / 62

HEX #2C6019

RGB 44 96 25

HSL 103.94, 0.59%, 0.24%

LAB 35.93, -31.65, 33.72

 

CMYK 43 / 0 / 59 / 66

HEX #315623

RGB 49 86 35

HSL 103.53, 0.42%, 0.24%

LAB 32.77, -24.14, 25.29

 

CMYK 29 / 0 / 41 / 70

HEX #364C2D

RGB 54 76 45

HSL 102.58, 0.26%, 0.24%

LAB 29.77, -15.34, 15.77

 

CMYK 17 / 0 / 95 / 55

HEX #607406

RGB 96 116 6

HSL 70.91, 0.9%, 0.24%

LAB 45.62, -21.2, 49.55

 

CMYK 43 / 0 / 95 / 55

HEX #427406

RGB 66 116 6

HSL 87.27, 0.9%, 0.24%

LAB 43.74, -33.7, 47.24

 

CMYK 68 / 0 / 95 / 55

HEX #257406

RGB 37 116 6

HSL 103.09, 0.9%, 0.24%

LAB 42.61, -42.63, 45.84

 

CMYK 94 / 0 / 95 / 55

HEX #077406

RGB 7 116 6

HSL 119.45, 0.9%, 0.24%

LAB 42.08, -47.27, 45.17

 

CMYK 95 / 0 / 72 / 55

HEX #067421

RGB 6 116 33

HSL 134.73, 0.9%, 0.24%

LAB 42.21, -45.46, 36.59

 

CMYK 70 / 0 / 97 / 85

HEX #0B2501

RGB 11 37 1

HSL 103.33, 0.95%, 0.07%

LAB 11.93, -18.46, 16.92

 

CMYK 70 / 0 / 95 / 70

HEX #174D04

RGB 23 77 4

HSL 104.38, 0.9%, 0.16%

LAB 28.11, -31.61, 33.94

 

CMYK 70 / 0 / 95 / 55

HEX #237406

RGB 35 116 6

HSL 104.18, 0.9%, 0.24%

LAB 42.55, -43.09, 45.77

 

CMYK 70 / 0 / 95 / 39

HEX #2F9B08

RGB 47 155 8

HSL 104.08, 0.9%, 0.32%

LAB 56.15, -53.8, 56.86

 

CMYK 70 / 0 / 95 / 24

HEX #3BC20A

RGB 59 194 10

HSL 104.02, 0.9%, 0.4%

LAB 69.14, -63.98, 67.42

 

CMYK 69 / 0 / 95 / 55

HEX #237206

RGB 35 114 6

HSL 103.89, 0.9%, 0.24%

LAB 41.85, -42.38, 45.18

 

CMYK 95 / 0 / 8 / 55

HEX #06746B

RGB 6 116 107

HSL 175.09, 0.9%, 0.24%

LAB 43.64, -29.39, -2.84

 

CMYK 0 / 95 / 30 / 55

HEX #740651

RGB 116 6 81

HSL 319.09, 0.9%, 0.24%

LAB 25.07, 48.78, -13.58

 

CMYK 69 / 0 / 95 / 55

HEX #237206

RGB 35 114 6

HSL 103.89, 0.9%, 0.24%

LAB 41.85, -42.38, 45.18

 

CMYK 95 / 68 / 0 / 55

HEX #062574

RGB 6 37 116

HSL 223.09, 0.9%, 0.24%

LAB 18.47, 23.74, -47.9

 

CMYK 0 / 95 / 68 / 55

HEX #740625

RGB 116 6 37

HSL 343.09, 0.9%, 0.24%

LAB 23.59, 44.76, 14.49

 

CMYK 69 / 0 / 95 / 55

HEX #237206

RGB 35 114 6

HSL 103.89, 0.9%, 0.24%

LAB 41.85, -42.38, 45.18

 

CMYK 95 / 0 / 8 / 55

HEX #06746B

RGB 6 116 107

HSL 175.09, 0.9%, 0.24%

LAB 43.64, -29.39, -2.84

 

CMYK 27 / 95 / 0 / 55

HEX #550674

RGB 85 6 116

HSL 283.09, 0.9%, 0.24%

LAB 21.29, 48.48, -42.97

 

CMYK 0 / 95 / 87 / 55

HEX #74060F

RGB 116 6 15

HSL 355.09, 0.9%, 0.24%

LAB 23.26, 43.82, 28.48

 

CMYK 69 / 0 / 95 / 55

HEX #237206

RGB 35 114 6

HSL 103.89, 0.9%, 0.24%

LAB 41.85, -42.38, 45.18

 

CMYK 95 / 21 / 0 / 55

HEX #065C74

RGB 6 92 116

HSL 193.09, 0.9%, 0.24%

LAB 35.9, -13.56, -20.05

 

CMYK 27 / 95 / 0 / 55

HEX #550674

RGB 85 6 116

HSL 283.09, 0.9%, 0.24%

LAB 21.29, 48.48, -42.97

 

CMYK 0 / 75 / 95 / 55

HEX #741D06

RGB 116 29 6

HSL 12.55, 0.9%, 0.24%

LAB 25.58, 36.9, 34.71

 

Description

Color code: RGB 35 114 6 | qconv.com Color code: RGB 35 114 6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 114 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 114 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 95 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 95% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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