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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 143 173 it is the complementary color RGB 220 112 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 143 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 143 173 shade: RGB 40 143 168, RGB 57 161 187, RGB 74 179 206, RGB 91 197 225 and RGB 108 215 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 143 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 143 173 shade: RGB 35 143 173, RGB 18 125 154, RGB 1 107 135, RGB 0 89 116 and RGB 0 71 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 143 173 shade: RGB 35 143 173, RGB 35 106 173, RGB 35 69 173, RGB 39 35 173 and RGB 76 35 173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 143 173 shade: RGB 35 143 173, RGB 35 106 173, RGB 35 69 173 and RGB 35 35 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 143 173 shade matches the following richer shades: RGB 35 143 173, RGB 18 153 190 and RGB 1 162 207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 143 173 shade: RGB 35 143 173, RGB 52 133 156, RGB 69 124 139, RGB 86 114 122 and RGB 103 105 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 143 173 shade: RGB 35 173 129, RGB 35 173 166, RGB 35 143 173, RGB 35 106 173 and RGB 35 70 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 143 173 shade: RGB 21 86 105, RGB 28 115 139, RGB 35 143 173, RGB 42 171 207 and RGB 73 186 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 143 173 shade: RGB 35 143 173, RGB 93 35 173 and RGB 173 148 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 143 173 shade: RGB 35 143 173, RGB 173 35 143 and RGB 143 173 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 143 173 shade: RGB 35 143 173, RGB 93 35 173, RGB 173 65 35 and RGB 116 173 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 143 173 shade: RGB 35 143 173, RGB 134 35 173, RGB 173 65 35 and RGB 74 173 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

Complementary color

CMYK 0 / 49 / 63 / 14

HEX #DC7052

RGB 220 112 82

HSL 13.04, 0.66%, 0.59%

LAB 59.35, 39.73, 35.84

 

CMYK 76 / 15 / 0 / 34

HEX #288FA8

RGB 40 143 168

HSL 191.72, 0.62%, 0.41%

LAB 54.99, -20.13, -21.47

 

CMYK 70 / 14 / 0 / 27

HEX #39A1BB

RGB 57 161 187

HSL 192, 0.53%, 0.48%

LAB 61.61, -21.14, -22.08

 

CMYK 64 / 13 / 0 / 19

HEX #4AB3CE

RGB 74 179 206

HSL 192.27, 0.57%, 0.55%

LAB 68.13, -21.89, -22.63

 

CMYK 60 / 12 / 0 / 12

HEX #5BC5E1

RGB 91 197 225

HSL 192.54, 0.69%, 0.62%

LAB 74.57, -22.45, -23.13

 

CMYK 56 / 12 / 0 / 4

HEX #6CD7F4

RGB 108 215 244

HSL 192.79, 0.86%, 0.69%

LAB 80.92, -22.88, -23.59

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

CMYK 88 / 19 / 0 / 40

HEX #127D9A

RGB 18 125 154

HSL 192.79, 0.79%, 0.34%

LAB 48.42, -17.35, -23.5

 

CMYK 99 / 21 / 0 / 47

HEX #016B87

RGB 1 107 135

HSL 192.54, 0.99%, 0.27%

LAB 41.64, -15.26, -22.73

 

CMYK 100 / 23 / 0 / 55

HEX #005974

RGB 0 89 116

HSL 193.97, 1%, 0.23%

LAB 34.81, -12.23, -21.73

 

CMYK 100 / 27 / 0 / 62

HEX #004761

RGB 0 71 97

HSL 196.08, 1%, 0.19%

LAB 27.76, -8.95, -20.74

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

CMYK 80 / 39 / 0 / 32

HEX #236AAD

RGB 35 106 173

HSL 209.13, 0.66%, 0.41%

LAB 43.77, 2.52, -41.91

 

CMYK 80 / 60 / 0 / 32

HEX #2345AD

RGB 35 69 173

HSL 225.22, 0.66%, 0.41%

LAB 33.2, 26.8, -58.96

 

CMYK 77 / 80 / 0 / 32

HEX #2723AD

RGB 39 35 173

HSL 241.74, 0.66%, 0.41%

LAB 25.71, 47.93, -71.27

 

CMYK 56 / 80 / 0 / 32

HEX #4C23AD

RGB 76 35 173

HSL 257.83, 0.66%, 0.41%

LAB 28.79, 51.53, -66.09

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

CMYK 80 / 39 / 0 / 32

HEX #236AAD

RGB 35 106 173

HSL 209.13, 0.66%, 0.41%

LAB 43.77, 2.52, -41.91

 

CMYK 80 / 60 / 0 / 32

HEX #2345AD

RGB 35 69 173

HSL 225.22, 0.66%, 0.41%

LAB 33.2, 26.8, -58.96

 

CMYK 80 / 80 / 0 / 32

HEX #2323AD

RGB 35 35 173

HSL 240, 0.66%, 0.41%

LAB 25.49, 47.67, -71.64

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

CMYK 91 / 19 / 0 / 25

HEX #1299BE

RGB 18 153 190

HSL 192.91, 0.83%, 0.41%

LAB 58.63, -19.72, -28.41

 

CMYK 100 / 22 / 0 / 19

HEX #01A2CF

RGB 1 162 207

HSL 193.11, 0.99%, 0.41%

LAB 61.96, -19.14, -32.79

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

CMYK 67 / 15 / 0 / 39

HEX #34859C

RGB 52 133 156

HSL 193.27, 0.5%, 0.41%

LAB 51.73, -16.99, -19.52

 

CMYK 50 / 11 / 0 / 45

HEX #457C8B

RGB 69 124 139

HSL 192.86, 0.34%, 0.41%

LAB 48.94, -13.84, -13.78

 

CMYK 30 / 7 / 0 / 52

HEX #56727A

RGB 86 114 122

HSL 193.33, 0.17%, 0.41%

LAB 46.2, -8.09, -7.73

 

CMYK 2 / 0 / 0 / 59

HEX #676969

RGB 103 105 105

HSL 180, 0.01%, 0.41%

LAB 44.24, -0.77, -0.28

 

CMYK 80 / 0 / 25 / 32

HEX #23AD81

RGB 35 173 129

HSL 160.87, 0.66%, 0.41%

LAB 63.2, -45.99, 12.67

 

CMYK 80 / 0 / 4 / 32

HEX #23ADA6

RGB 35 173 166

HSL 176.96, 0.66%, 0.41%

LAB 64.16, -36.12, -6.52

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

CMYK 80 / 39 / 0 / 32

HEX #236AAD

RGB 35 106 173

HSL 209.13, 0.66%, 0.41%

LAB 43.77, 2.52, -41.91

 

CMYK 80 / 60 / 0 / 32

HEX #2346AD

RGB 35 70 173

HSL 224.78, 0.66%, 0.41%

LAB 33.47, 26.13, -58.53

 

CMYK 80 / 18 / 0 / 59

HEX #155669

RGB 21 86 105

HSL 193.57, 0.67%, 0.25%

LAB 33.64, -12.82, -16.67

 

CMYK 80 / 17 / 0 / 45

HEX #1C738B

RGB 28 115 139

HSL 192.97, 0.66%, 0.33%

LAB 44.76, -16.27, -20.27

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

CMYK 80 / 17 / 0 / 19

HEX #2AABCF

RGB 42 171 207

HSL 193.09, 0.66%, 0.49%

LAB 65.06, -21.61, -27.96

 

CMYK 66 / 14 / 0 / 15

HEX #49BAD9

RGB 73 186 217

HSL 192.92, 0.65%, 0.57%

LAB 70.56, -22.26, -24.96

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

CMYK 46 / 80 / 0 / 32

HEX #5D23AD

RGB 93 35 173

HSL 265.22, 0.66%, 0.41%

LAB 30.75, 53.82, -62.79

 

CMYK 0 / 14 / 80 / 32

HEX #AD9423

RGB 173 148 35

HSL 49.13, 0.66%, 0.41%

LAB 61.81, -2.21, 58.33

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

CMYK 0 / 80 / 17 / 32

HEX #AD238F

RGB 173 35 143

HSL 313.04, 0.66%, 0.41%

LAB 41.33, 63.54, -26.99

 

CMYK 17 / 0 / 80 / 32

HEX #8FAD23

RGB 143 173 35

HSL 73.04, 0.66%, 0.41%

LAB 66.4, -28.24, 61.54

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

CMYK 46 / 80 / 0 / 32

HEX #5D23AD

RGB 93 35 173

HSL 265.22, 0.66%, 0.41%

LAB 30.75, 53.82, -62.79

 

CMYK 0 / 62 / 80 / 32

HEX #AD4123

RGB 173 65 35

HSL 13.04, 0.66%, 0.41%

LAB 42.44, 42.64, 40.12

 

CMYK 33 / 0 / 80 / 32

HEX #74AD23

RGB 116 173 35

HSL 84.78, 0.66%, 0.41%

LAB 64.74, -38.95, 59.41

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

CMYK 23 / 80 / 0 / 32

HEX #8623AD

RGB 134 35 173

HSL 283.04, 0.66%, 0.41%

LAB 36.53, 60.57, -53.12

 

CMYK 0 / 62 / 80 / 32

HEX #AD4123

RGB 173 65 35

HSL 13.04, 0.66%, 0.41%

LAB 42.44, 42.64, 40.12

 

CMYK 57 / 0 / 80 / 32

HEX #4AAD23

RGB 74 173 35

HSL 103.04, 0.66%, 0.41%

LAB 62.9, -52.57, 57.03

 

Description

Color code: RGB 35 143 173 | qconv.com Color code: RGB 35 143 173 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 143 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 143 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 17 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 17% 0% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

41% - DRWC: Home
Link: http://www.delawareriverwaterfront.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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