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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 157 123 it is the complementary color RGB 220 98 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 157 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 157 123 shade: RGB 40 157 118, RGB 57 175 137, RGB 74 193 156, RGB 91 211 175 and RGB 108 229 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 157 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 157 123 shade: RGB 35 157 123, RGB 18 139 104, RGB 1 121 85, RGB 0 103 66 and RGB 0 85 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 157 123 shade: RGB 34 158 124, RGB 34 158 90, RGB 34 158 57, RGB 45 158 34 and RGB 79 158 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 157 123 shade: RGB 34 158 124, RGB 34 158 157, RGB 34 126 158, RGB 34 93 158 and RGB 34 59 158

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 157 123 shade matches the following richer shades: RGB 34 158 124, RGB 19 174 131 and RGB 3 190 138

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 157 123 shade: RGB 34 158 124, RGB 50 143 117, RGB 66 127 110, RGB 81 111 103 and RGB 97 96 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 157 123 shade: RGB 34 158 57, RGB 34 158 90, RGB 34 158 123, RGB 34 158 156 and RGB 34 127 158

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 157 123 shade: RGB 20 91 71, RGB 27 125 97, RGB 34 158 124, RGB 42 192 150 and RGB 63 212 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 157 123 shade: RGB 35 157 123, RGB 34 45 158 and RGB 158 74 34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 157 123 shade: RGB 35 157 123, RGB 123 34 158 and RGB 158 123 34

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 157 123 shade: RGB 35 157 123, RGB 34 45 158, RGB 158 34 70 and RGB 158 148 34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 157 123 shade: RGB 35 157 123, RGB 61 34 158, RGB 158 34 70 and RGB 132 158 34

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 22 / 38

HEX #239D7B

RGB 35 157 123

HSL 163.28, 0.64%, 0.38%

LAB 57.94, -40.79, 8.59

 

Complementary color

CMYK 0 / 55 / 40 / 14

HEX #DC6284

RGB 220 98 132

HSL 343.28, 0.64%, 0.62%

LAB 57.67, 50.95, 4.93

 

CMYK 75 / 0 / 25 / 38

HEX #289D76

RGB 40 157 118

HSL 160, 0.59%, 0.39%

LAB 57.92, -41.37, 11.38

 

CMYK 67 / 0 / 22 / 31

HEX #39AF89

RGB 57 175 137

HSL 160.68, 0.51%, 0.45%

LAB 64.43, -41.88, 10.05

 

CMYK 62 / 0 / 19 / 24

HEX #4AC19C

RGB 74 193 156

HSL 161.34, 0.49%, 0.52%

LAB 70.87, -42.16, 8.85

 

CMYK 57 / 0 / 17 / 17

HEX #5BD3AF

RGB 91 211 175

HSL 162, 0.58%, 0.59%

LAB 77.23, -42.27, 7.77

 

CMYK 53 / 0 / 15 / 10

HEX #6CE5C2

RGB 108 229 194

HSL 162.64, 0.7%, 0.66%

LAB 83.51, -42.29, 6.77

 

CMYK 78 / 0 / 22 / 38

HEX #239D7B

RGB 35 157 123

HSL 163.28, 0.64%, 0.38%

LAB 57.94, -40.79, 8.59

 

CMYK 87 / 0 / 25 / 45

HEX #128B68

RGB 18 139 104

HSL 162.64, 0.77%, 0.31%

LAB 51.37, -39.71, 10.08

 

CMYK 99 / 0 / 30 / 53

HEX #017955

RGB 1 121 85

HSL 162, 0.98%, 0.24%

LAB 44.71, -38.19, 11.77

 

CMYK 100 / 0 / 36 / 60

HEX #006742

RGB 0 103 66

HSL 158.45, 1%, 0.2%

LAB 38.01, -35.57, 13.79

 

CMYK 100 / 0 / 45 / 67

HEX #00552F

RGB 0 85 47

HSL 153.18, 1%, 0.17%

LAB 31.12, -32.71, 15.97

 

CMYK 78 / 0 / 22 / 38

HEX #229E7C

RGB 34 158 124

HSL 163.55, 0.65%, 0.38%

LAB 58.27, -41.08, 8.49

 

CMYK 78 / 0 / 43 / 38

HEX #229E5A

RGB 34 158 90

HSL 147.1, 0.65%, 0.38%

LAB 57.59, -48.62, 26.36

 

CMYK 78 / 0 / 64 / 38

HEX #229E39

RGB 34 158 57

HSL 131.13, 0.65%, 0.38%

LAB 57.16, -53.67, 42.39

 

CMYK 72 / 0 / 78 / 38

HEX #2D9E22

RGB 45 158 34

HSL 114.68, 0.65%, 0.38%

LAB 57.2, -54.01, 51.62

 

CMYK 50 / 0 / 78 / 38

HEX #4F9E22

RGB 79 158 34

HSL 98.23, 0.65%, 0.38%

LAB 58.26, -45.5, 53.01

 

CMYK 78 / 0 / 22 / 38

HEX #229E7C

RGB 34 158 124

HSL 163.55, 0.65%, 0.38%

LAB 58.27, -41.08, 8.49

 

CMYK 78 / 0 / 1 / 38

HEX #229E9D

RGB 34 158 157

HSL 179.52, 0.65%, 0.38%

LAB 59.18, -31.86, -8.86

 

CMYK 78 / 20 / 0 / 38

HEX #227E9E

RGB 34 126 158

HSL 195.48, 0.65%, 0.38%

LAB 49.17, -15.01, -24.67

 

CMYK 78 / 41 / 0 / 38

HEX #225D9E

RGB 34 93 158

HSL 211.45, 0.65%, 0.38%

LAB 38.96, 4.86, -40.7

 

CMYK 78 / 63 / 0 / 38

HEX #223B9E

RGB 34 59 158

HSL 227.9, 0.65%, 0.38%

LAB 29.25, 27.62, -56.39

 

CMYK 78 / 0 / 22 / 38

HEX #229E7C

RGB 34 158 124

HSL 163.55, 0.65%, 0.38%

LAB 58.27, -41.08, 8.49

 

CMYK 89 / 0 / 25 / 32

HEX #13AE83

RGB 19 174 131

HSL 163.35, 0.8%, 0.38%

LAB 63.38, -47.27, 11.79

 

CMYK 98 / 0 / 27 / 25

HEX #03BE8A

RGB 3 190 138

HSL 163.32, 0.97%, 0.38%

LAB 68.52, -52.56, 15.15

 

CMYK 78 / 0 / 22 / 38

HEX #229E7C

RGB 34 158 124

HSL 163.55, 0.65%, 0.38%

LAB 58.27, -41.08, 8.49

 

CMYK 65 / 0 / 18 / 44

HEX #328F75

RGB 50 143 117

HSL 163.23, 0.48%, 0.38%

LAB 53.61, -33.8, 5.86

 

CMYK 48 / 0 / 13 / 50

HEX #427F6E

RGB 66 127 110

HSL 163.28, 0.32%, 0.38%

LAB 48.84, -24.19, 3.14

 

CMYK 27 / 0 / 7 / 56

HEX #516F67

RGB 81 111 103

HSL 164, 0.16%, 0.38%

LAB 44.37, -12.74, 0.92

 

CMYK 0 / 1 / 1 / 62

HEX #616060

RGB 97 96 96

HSL 0, 0.01%, 0.38%

LAB 40.82, 0.4, 0.13

 

CMYK 78 / 0 / 64 / 38

HEX #229E39

RGB 34 158 57

HSL 131.13, 0.65%, 0.38%

LAB 57.16, -53.67, 42.39

 

CMYK 78 / 0 / 43 / 38

HEX #229E5A

RGB 34 158 90

HSL 147.1, 0.65%, 0.38%

LAB 57.59, -48.62, 26.36

 

CMYK 78 / 0 / 22 / 38

HEX #229E7B

RGB 34 158 123

HSL 163.06, 0.65%, 0.38%

LAB 58.25, -41.33, 9.02

 

CMYK 78 / 0 / 1 / 38

HEX #229E9C

RGB 34 158 156

HSL 179.03, 0.65%, 0.38%

LAB 59.15, -32.16, -8.34

 

CMYK 78 / 20 / 0 / 38

HEX #227F9E

RGB 34 127 158

HSL 195, 0.65%, 0.38%

LAB 49.48, -15.57, -24.18

 

CMYK 78 / 0 / 22 / 64

HEX #145B47

RGB 20 91 71

HSL 163.1, 0.64%, 0.22%

LAB 34.16, -26.8, 5.42

 

CMYK 78 / 0 / 22 / 51

HEX #1B7D61

RGB 27 125 97

HSL 162.86, 0.64%, 0.3%

LAB 46.66, -34.5, 7.51

 

CMYK 78 / 0 / 22 / 38

HEX #229E7C

RGB 34 158 124

HSL 163.55, 0.65%, 0.38%

LAB 58.27, -41.08, 8.49

 

CMYK 78 / 0 / 22 / 25

HEX #2AC096

RGB 42 192 150

HSL 163.2, 0.64%, 0.46%

LAB 69.75, -47.93, 10.43

 

CMYK 70 / 0 / 19 / 17

HEX #3FD4AB

RGB 63 212 171

HSL 163.49, 0.63%, 0.54%

LAB 76.73, -48.47, 9.1

 

CMYK 78 / 0 / 22 / 38

HEX #239D7B

RGB 35 157 123

HSL 163.28, 0.64%, 0.38%

LAB 57.94, -40.79, 8.59

 

CMYK 78 / 72 / 0 / 38

HEX #222D9E

RGB 34 45 158

HSL 234.68, 0.65%, 0.38%

LAB 25.82, 36.74, -62.03

 

CMYK 0 / 53 / 78 / 38

HEX #9E4A22

RGB 158 74 34

HSL 19.35, 0.65%, 0.38%

LAB 41.66, 32.28, 39.03

 

CMYK 78 / 0 / 22 / 38

HEX #239D7B

RGB 35 157 123

HSL 163.28, 0.64%, 0.38%

LAB 57.94, -40.79, 8.59

 

CMYK 22 / 78 / 0 / 38

HEX #7B229E

RGB 123 34 158

HSL 283.06, 0.65%, 0.38%

LAB 33.61, 55.82, -48.9

 

CMYK 0 / 22 / 78 / 38

HEX #9E7B22

RGB 158 123 34

HSL 43.06, 0.65%, 0.38%

LAB 53.55, 4.75, 50.55

 

CMYK 78 / 0 / 22 / 38

HEX #239D7B

RGB 35 157 123

HSL 163.28, 0.64%, 0.38%

LAB 57.94, -40.79, 8.59

 

CMYK 78 / 72 / 0 / 38

HEX #222D9E

RGB 34 45 158

HSL 234.68, 0.65%, 0.38%

LAB 25.82, 36.74, -62.03

 

CMYK 0 / 78 / 56 / 38

HEX #9E2246

RGB 158 34 70

HSL 342.58, 0.65%, 0.38%

LAB 35.7, 51.93, 10.3

 

CMYK 0 / 6 / 78 / 38

HEX #9E9422

RGB 158 148 34

HSL 55.16, 0.65%, 0.38%

LAB 60.4, -9.02, 56.85

 

CMYK 78 / 0 / 22 / 38

HEX #239D7B

RGB 35 157 123

HSL 163.28, 0.64%, 0.38%

LAB 57.94, -40.79, 8.59

 

CMYK 61 / 78 / 0 / 38

HEX #3D229E

RGB 61 34 158

HSL 253.06, 0.65%, 0.38%

LAB 25.58, 45.85, -62.36

 

CMYK 0 / 78 / 56 / 38

HEX #9E2246

RGB 158 34 70

HSL 342.58, 0.65%, 0.38%

LAB 35.7, 51.93, 10.3

 

CMYK 16 / 0 / 78 / 38

HEX #849E22

RGB 132 158 34

HSL 72.58, 0.65%, 0.38%

LAB 61.2, -25.61, 56.82

 

Description

Color code: RGB 35 157 123 | qconv.com Color code: RGB 35 157 123 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 157 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 157 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 22 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 22% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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