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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 178 176 it is the complementary color RGB 220 77 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 178 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 178 176 shade: RGB 40 178 171, RGB 57 196 190, RGB 74 214 209, RGB 91 232 228 and RGB 108 250 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 178 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 178 176 shade: RGB 35 178 176, RGB 18 160 157, RGB 1 142 138, RGB 0 124 119 and RGB 0 106 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 178 176 shade: RGB 35 178 176, RGB 35 178 138, RGB 35 178 99, RGB 35 178 60 and RGB 48 178 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 178 176 shade: RGB 35 178 176, RGB 35 142 178, RGB 35 103 178, RGB 35 64 178 and RGB 35 35 178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 178 176 shade matches the following richer shades: RGB 35 178 176, RGB 18 196 193 and RGB 0 213 210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 178 176 shade: RGB 35 178 176, RGB 52 161 160, RGB 70 144 143, RGB 87 126 126 and RGB 104 109 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 178 176 shade: RGB 35 178 99, RGB 35 178 138, RGB 35 178 176, RGB 35 142 178 and RGB 35 104 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 178 176 shade: RGB 21 109 108, RGB 28 144 142, RGB 35 178 176, RGB 42 213 210 and RGB 76 219 217

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 178 176 shade: RGB 35 178 176, RGB 61 35 178 and RGB 178 119 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 178 176 shade: RGB 35 178 176, RGB 176 35 178 and RGB 178 176 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 178 176 shade: RGB 35 178 176, RGB 61 35 178, RGB 178 35 37 and RGB 152 178 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 178 176 shade: RGB 35 178 176, RGB 104 35 178, RGB 178 35 37 and RGB 109 178 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 1 / 30

HEX #23B2B0

RGB 35 178 176

HSL 179.16, 0.67%, 0.42%

LAB 66.01, -35.49, -9.34

 

Complementary color

CMYK 0 / 65 / 64 / 14

HEX #DC4D4F

RGB 220 77 79

HSL 359.16, 0.67%, 0.58%

LAB 53.05, 55.86, 29.73

 

CMYK 78 / 0 / 4 / 30

HEX #28B2AB

RGB 40 178 171

HSL 176.96, 0.63%, 0.43%

LAB 65.93, -36.47, -6.67

 

CMYK 71 / 0 / 3 / 23

HEX #39C4BE

RGB 57 196 190

HSL 177.41, 0.55%, 0.5%

LAB 72.27, -37.35, -7.66

 

CMYK 65 / 0 / 2 / 16

HEX #4AD6D1

RGB 74 214 209

HSL 177.86, 0.63%, 0.56%

LAB 78.55, -37.98, -8.56

 

CMYK 61 / 0 / 2 / 9

HEX #5BE8E4

RGB 91 232 228

HSL 178.3, 0.75%, 0.63%

LAB 84.76, -38.44, -9.39

 

CMYK 57 / 0 / 1 / 2

HEX #6CFAF7

RGB 108 250 247

HSL 178.73, 0.93%, 0.7%

LAB 90.91, -38.76, -10.15

 

CMYK 80 / 0 / 1 / 30

HEX #23B2B0

RGB 35 178 176

HSL 179.16, 0.67%, 0.42%

LAB 66.01, -35.49, -9.34

 

CMYK 89 / 0 / 2 / 37

HEX #12A09D

RGB 18 160 157

HSL 178.73, 0.8%, 0.35%

LAB 59.62, -34.08, -8.23

 

CMYK 99 / 0 / 3 / 44

HEX #018E8A

RGB 1 142 138

HSL 178.3, 0.99%, 0.28%

LAB 53.15, -32.31, -7.01

 

CMYK 100 / 0 / 4 / 51

HEX #007C77

RGB 0 124 119

HSL 177.58, 1%, 0.24%

LAB 46.64, -29.81, -5.57

 

CMYK 100 / 0 / 6 / 58

HEX #006A64

RGB 0 106 100

HSL 176.6, 1%, 0.21%

LAB 39.96, -27.19, -4.05

 

CMYK 80 / 0 / 1 / 30

HEX #23B2B0

RGB 35 178 176

HSL 179.16, 0.67%, 0.42%

LAB 66.01, -35.49, -9.34

 

CMYK 80 / 0 / 22 / 30

HEX #23B28A

RGB 35 178 138

HSL 163.22, 0.67%, 0.42%

LAB 64.99, -45.86, 10.23

 

CMYK 80 / 0 / 44 / 30

HEX #23B263

RGB 35 178 99

HSL 146.85, 0.67%, 0.42%

LAB 64.24, -54.2, 30.23

 

CMYK 80 / 0 / 66 / 30

HEX #23B23C

RGB 35 178 60

HSL 130.49, 0.67%, 0.42%

LAB 63.77, -59.79, 48.42

 

CMYK 73 / 0 / 80 / 30

HEX #30B223

RGB 48 178 35

HSL 114.55, 0.67%, 0.42%

LAB 63.83, -59.95, 57.66

 

CMYK 80 / 0 / 1 / 30

HEX #23B2B0

RGB 35 178 176

HSL 179.16, 0.67%, 0.42%

LAB 66.01, -35.49, -9.34

 

CMYK 80 / 20 / 0 / 30

HEX #238EB2

RGB 35 142 178

HSL 195.1, 0.67%, 0.42%

LAB 54.99, -16.73, -27.21

 

CMYK 80 / 42 / 0 / 30

HEX #2367B2

RGB 35 103 178

HSL 211.47, 0.67%, 0.42%

LAB 43.17, 6.34, -45.81

 

CMYK 80 / 64 / 0 / 30

HEX #2340B2

RGB 35 64 178

HSL 227.83, 0.67%, 0.42%

LAB 32.34, 32.01, -63.34

 

CMYK 80 / 80 / 0 / 30

HEX #2323B2

RGB 35 35 178

HSL 240, 0.67%, 0.42%

LAB 26.08, 49.27, -73.67

 

CMYK 80 / 0 / 1 / 30

HEX #23B2B0

RGB 35 178 176

HSL 179.16, 0.67%, 0.42%

LAB 66.01, -35.49, -9.34

 

CMYK 91 / 0 / 2 / 23

HEX #12C4C1

RGB 18 196 193

HSL 178.99, 0.83%, 0.42%

LAB 71.87, -39.76, -9.96

 

CMYK 100 / 0 / 1 / 16

HEX #00D5D2

RGB 0 213 210

HSL 179.15, 1%, 0.42%

LAB 77.43, -42.86, -10.87

 

CMYK 80 / 0 / 1 / 30

HEX #23B2B0

RGB 35 178 176

HSL 179.16, 0.67%, 0.42%

LAB 66.01, -35.49, -9.34

 

CMYK 68 / 0 / 1 / 37

HEX #34A1A0

RGB 52 161 160

HSL 179.45, 0.51%, 0.42%

LAB 60.57, -30.15, -8.46

 

CMYK 51 / 0 / 1 / 44

HEX #46908F

RGB 70 144 143

HSL 179.19, 0.35%, 0.42%

LAB 55.31, -23.16, -6.54

 

CMYK 31 / 0 / 0 / 51

HEX #577E7E

RGB 87 126 126

HSL 180, 0.18%, 0.42%

LAB 50.04, -13.52, -4.38

 

CMYK 5 / 0 / 0 / 57

HEX #686D6D

RGB 104 109 109

HSL 180, 0.02%, 0.42%

LAB 45.61, -1.91, -0.67

 

CMYK 80 / 0 / 44 / 30

HEX #23B263

RGB 35 178 99

HSL 146.85, 0.67%, 0.42%

LAB 64.24, -54.2, 30.23

 

CMYK 80 / 0 / 22 / 30

HEX #23B28A

RGB 35 178 138

HSL 163.22, 0.67%, 0.42%

LAB 64.99, -45.86, 10.23

 

CMYK 80 / 0 / 1 / 30

HEX #23B2B0

RGB 35 178 176

HSL 179.16, 0.67%, 0.42%

LAB 66.01, -35.49, -9.34

 

CMYK 80 / 20 / 0 / 30

HEX #238EB2

RGB 35 142 178

HSL 195.1, 0.67%, 0.42%

LAB 54.99, -16.73, -27.21

 

CMYK 80 / 42 / 0 / 30

HEX #2368B2

RGB 35 104 178

HSL 211.05, 0.67%, 0.42%

LAB 43.47, 5.71, -45.33

 

CMYK 81 / 0 / 1 / 57

HEX #156D6C

RGB 21 109 108

HSL 179.32, 0.68%, 0.25%

LAB 41.5, -24.38, -6.6

 

CMYK 81 / 0 / 1 / 44

HEX #1C908E

RGB 28 144 142

HSL 178.97, 0.67%, 0.34%

LAB 54.18, -30.31, -7.76

 

CMYK 80 / 0 / 1 / 30

HEX #23B2B0

RGB 35 178 176

HSL 179.16, 0.67%, 0.42%

LAB 66.01, -35.49, -9.34

 

CMYK 80 / 0 / 1 / 16

HEX #2AD5D2

RGB 42 213 210

HSL 178.95, 0.67%, 0.5%

LAB 77.72, -40.92, -10.4

 

CMYK 65 / 0 / 1 / 14

HEX #4CDBD9

RGB 76 219 217

HSL 179.16, 0.67%, 0.58%

LAB 80.3, -37.79, -10.23

 

CMYK 80 / 0 / 1 / 30

HEX #23B2B0

RGB 35 178 176

HSL 179.16, 0.67%, 0.42%

LAB 66.01, -35.49, -9.34

 

CMYK 66 / 80 / 0 / 30

HEX #3D23B2

RGB 61 35 178

HSL 250.91, 0.67%, 0.42%

LAB 27.87, 51.29, -70.65

 

CMYK 0 / 33 / 80 / 30

HEX #B27723

RGB 178 119 35

HSL 35.24, 0.67%, 0.42%

LAB 54.84, 16.1, 52.21

 

CMYK 80 / 0 / 1 / 30

HEX #23B2B0

RGB 35 178 176

HSL 179.16, 0.67%, 0.42%

LAB 66.01, -35.49, -9.34

 

CMYK 1 / 80 / 0 / 30

HEX #B023B2

RGB 176 35 178

HSL 299.16, 0.67%, 0.42%

LAB 43.72, 69.39, -44.17

 

CMYK 0 / 1 / 80 / 30

HEX #B2B023

RGB 178 176 35

HSL 59.16, 0.67%, 0.42%

LAB 69.92, -14.76, 65.68

 

CMYK 80 / 0 / 1 / 30

HEX #23B2B0

RGB 35 178 176

HSL 179.16, 0.67%, 0.42%

LAB 66.01, -35.49, -9.34

 

CMYK 66 / 80 / 0 / 30

HEX #3D23B2

RGB 61 35 178

HSL 250.91, 0.67%, 0.42%

LAB 27.87, 51.29, -70.65

 

CMYK 0 / 80 / 79 / 30

HEX #B22325

RGB 178 35 37

HSL 359.16, 0.67%, 0.42%

LAB 39.24, 55.74, 36.09

 

CMYK 15 / 0 / 80 / 30

HEX #98B223

RGB 152 178 35

HSL 70.91, 0.67%, 0.42%

LAB 68.49, -26.9, 63.65

 

CMYK 80 / 0 / 1 / 30

HEX #23B2B0

RGB 35 178 176

HSL 179.16, 0.67%, 0.42%

LAB 66.01, -35.49, -9.34

 

CMYK 42 / 80 / 0 / 30

HEX #6823B2

RGB 104 35 178

HSL 268.95, 0.67%, 0.42%

LAB 32.61, 56.68, -62.68

 

CMYK 0 / 80 / 79 / 30

HEX #B22325

RGB 178 35 37

HSL 359.16, 0.67%, 0.42%

LAB 39.24, 55.74, 36.09

 

CMYK 39 / 0 / 80 / 30

HEX #6DB223

RGB 109 178 35

HSL 88.95, 0.67%, 0.42%

LAB 65.91, -43.64, 60.36

 

Description

Color code: RGB 35 178 176 | qconv.com Color code: RGB 35 178 176 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 178 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 178 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 1 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 1% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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