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Color name
RGB 35 202 141

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 202 141 it is the complementary color RGB 220 53 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 202 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 202 141 shade: RGB 40 202 136, RGB 57 220 155, RGB 74 238 174, RGB 91 255 193 and RGB 108 255 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 202 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 202 141 shade: RGB 35 202 141, RGB 18 184 122, RGB 1 166 103, RGB 0 148 84 and RGB 0 130 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 202 141 shade: RGB 35 199 139, RGB 35 199 95, RGB 35 199 50, RGB 63 199 35 and RGB 108 199 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 202 141 shade: RGB 35 199 139, RGB 35 199 183, RGB 35 170 199, RGB 35 126 199 and RGB 35 82 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 202 141 shade matches the following richer shades: RGB 35 199 139 and RGB 16 218 144

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 202 141 shade: RGB 35 199 139, RGB 54 180 134, RGB 73 161 129, RGB 92 142 124 and RGB 111 123 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 202 141 shade: RGB 35 199 51, RGB 35 199 95, RGB 35 199 139, RGB 35 199 182 and RGB 35 172 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 202 141 shade: RGB 22 129 90, RGB 29 164 114, RGB 35 199 139, RGB 55 219 160 and RGB 91 226 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 202 141 shade: RGB 35 202 141, RGB 35 62 199 and RGB 199 73 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 202 141 shade: RGB 35 202 141, RGB 139 35 199 and RGB 199 139 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 202 141 shade: RGB 35 202 141, RGB 35 62 199, RGB 199 35 95 and RGB 199 172 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 202 141 shade: RGB 35 202 141, RGB 57 35 199, RGB 199 35 95 and RGB 177 199 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 30 / 21

HEX #23CA8D

RGB 35 202 141

HSL 158.08, 0.7%, 0.46%

LAB 72.58, -54.65, 19.21

 

Complementary color

CMYK 0 / 76 / 48 / 14

HEX #DC3572

RGB 220 53 114

HSL 338.08, 0.7%, 0.54%

LAB 50.66, 67, 5.57

 

CMYK 80 / 0 / 33 / 21

HEX #28CA88

RGB 40 202 136

HSL 155.56, 0.67%, 0.47%

LAB 72.54, -55.25, 21.82

 

CMYK 74 / 0 / 30 / 14

HEX #39DC9B

RGB 57 220 155

HSL 156.07, 0.7%, 0.54%

LAB 78.71, -56.1, 20.33

 

CMYK 69 / 0 / 27 / 7

HEX #4AEEAE

RGB 74 238 174

HSL 156.59, 0.83%, 0.61%

LAB 84.82, -56.67, 18.96

 

CMYK 64 / 0 / 24 / 0

HEX #5BFFC1

RGB 91 255 193

HSL 157.32, 1%, 0.68%

LAB 90.59, -56.64, 17.29

 

CMYK 58 / 0 / 17 / 0

HEX #6CFFD4

RGB 108 255 212

HSL 162.45, 1%, 0.71%

LAB 91.44, -49.44, 8.78

 

CMYK 83 / 0 / 30 / 21

HEX #23CA8D

RGB 35 202 141

HSL 158.08, 0.7%, 0.46%

LAB 72.58, -54.65, 19.21

 

CMYK 90 / 0 / 34 / 28

HEX #12B87A

RGB 18 184 122

HSL 157.59, 0.82%, 0.4%

LAB 66.38, -53.27, 20.84

 

CMYK 99 / 0 / 38 / 35

HEX #01A667

RGB 1 166 103

HSL 157.09, 0.99%, 0.33%

LAB 60.12, -51.48, 22.63

 

CMYK 100 / 0 / 43 / 42

HEX #009454

RGB 0 148 84

HSL 154.05, 1%, 0.29%

LAB 53.84, -48.86, 24.63

 

CMYK 100 / 0 / 50 / 49

HEX #008241

RGB 0 130 65

HSL 150, 1%, 0.25%

LAB 47.43, -46.03, 26.7

 

CMYK 82 / 0 / 30 / 22

HEX #23C78B

RGB 35 199 139

HSL 158.05, 0.7%, 0.46%

LAB 71.6, -53.95, 18.93

 

CMYK 82 / 0 / 52 / 22

HEX #23C75F

RGB 35 199 95

HSL 141.95, 0.7%, 0.46%

LAB 70.89, -62.14, 40.63

 

CMYK 82 / 0 / 75 / 22

HEX #23C732

RGB 35 199 50

HSL 125.49, 0.7%, 0.46%

LAB 70.48, -67.2, 59.25

 

CMYK 68 / 0 / 82 / 22

HEX #3FC723

RGB 63 199 35

HSL 109.76, 0.7%, 0.46%

LAB 70.89, -63.95, 64.33

 

CMYK 46 / 0 / 82 / 22

HEX #6CC723

RGB 108 199 35

HSL 93.29, 0.7%, 0.46%

LAB 72.33, -52.42, 66.17

 

CMYK 82 / 0 / 30 / 22

HEX #23C78B

RGB 35 199 139

HSL 158.05, 0.7%, 0.46%

LAB 71.6, -53.95, 18.93

 

CMYK 82 / 0 / 8 / 22

HEX #23C7B7

RGB 35 199 183

HSL 174.15, 0.7%, 0.46%

LAB 72.64, -42.93, -3.35

 

CMYK 82 / 15 / 0 / 22

HEX #23AAC7

RGB 35 170 199

HSL 190.61, 0.7%, 0.46%

LAB 64.35, -24.36, -24.62

 

CMYK 82 / 37 / 0 / 22

HEX #237EC7

RGB 35 126 199

HSL 206.71, 0.7%, 0.46%

LAB 51.15, 0.11, -45.22

 

CMYK 82 / 59 / 0 / 22

HEX #2352C7

RGB 35 82 199

HSL 222.8, 0.7%, 0.46%

LAB 38.75, 28.18, -65.19

 

CMYK 82 / 0 / 30 / 22

HEX #23C78B

RGB 35 199 139

HSL 158.05, 0.7%, 0.46%

LAB 71.6, -53.95, 18.93

 

CMYK 93 / 0 / 34 / 15

HEX #10DA90

RGB 16 218 144

HSL 158.02, 0.86%, 0.46%

LAB 77.44, -61.12, 24.26

 

CMYK 82 / 0 / 30 / 22

HEX #23C78B

RGB 35 199 139

HSL 158.05, 0.7%, 0.46%

LAB 71.6, -53.95, 18.93

 

CMYK 70 / 0 / 26 / 29

HEX #36B486

RGB 54 180 134

HSL 158.1, 0.54%, 0.46%

LAB 65.86, -45.19, 13.7

 

CMYK 55 / 0 / 20 / 37

HEX #49A181

RGB 73 161 129

HSL 158.18, 0.38%, 0.46%

LAB 60.33, -34.34, 8.74

 

CMYK 35 / 0 / 13 / 44

HEX #5C8E7C

RGB 92 142 124

HSL 158.4, 0.21%, 0.46%

LAB 55.15, -21.03, 4.28

 

CMYK 10 / 0 / 4 / 52

HEX #6F7B76

RGB 111 123 118

HSL 155, 0.05%, 0.46%

LAB 50.52, -5.5, 1.21

 

CMYK 82 / 0 / 74 / 22

HEX #23C733

RGB 35 199 51

HSL 125.85, 0.7%, 0.46%

LAB 70.49, -67.12, 58.92

 

CMYK 82 / 0 / 52 / 22

HEX #23C75F

RGB 35 199 95

HSL 141.95, 0.7%, 0.46%

LAB 70.89, -62.14, 40.63

 

CMYK 82 / 0 / 30 / 22

HEX #23C78B

RGB 35 199 139

HSL 158.05, 0.7%, 0.46%

LAB 71.6, -53.95, 18.93

 

CMYK 82 / 0 / 9 / 22

HEX #23C7B6

RGB 35 199 182

HSL 173.78, 0.7%, 0.46%

LAB 72.62, -43.2, -2.84

 

CMYK 82 / 14 / 0 / 22

HEX #23ACC7

RGB 35 172 199

HSL 189.88, 0.7%, 0.46%

LAB 64.95, -25.38, -23.7

 

CMYK 83 / 0 / 30 / 49

HEX #16815A

RGB 22 129 90

HSL 158.13, 0.71%, 0.3%

LAB 47.76, -38.59, 13.12

 

CMYK 82 / 0 / 30 / 36

HEX #1DA472

RGB 29 164 114

HSL 157.78, 0.7%, 0.38%

LAB 59.91, -46.5, 16.36

 

CMYK 82 / 0 / 30 / 22

HEX #23C78B

RGB 35 199 139

HSL 158.05, 0.7%, 0.46%

LAB 71.6, -53.95, 18.93

 

CMYK 75 / 0 / 27 / 14

HEX #37DBA0

RGB 55 219 160

HSL 158.41, 0.69%, 0.54%

LAB 78.47, -54.88, 17.37

 

CMYK 60 / 0 / 22 / 11

HEX #5BE2B0

RGB 91 226 176

HSL 157.78, 0.7%, 0.62%

LAB 81.7, -48.49, 13.61

 

CMYK 83 / 0 / 30 / 21

HEX #23CA8D

RGB 35 202 141

HSL 158.08, 0.7%, 0.46%

LAB 72.58, -54.65, 19.21

 

CMYK 82 / 69 / 0 / 22

HEX #233EC7

RGB 35 62 199

HSL 230.12, 0.7%, 0.46%

LAB 33.83, 41, -73.27

 

CMYK 0 / 63 / 82 / 22

HEX #C74923

RGB 199 73 35

HSL 13.9, 0.7%, 0.46%

LAB 48.3, 48.43, 47.3

 

CMYK 83 / 0 / 30 / 21

HEX #23CA8D

RGB 35 202 141

HSL 158.08, 0.7%, 0.46%

LAB 72.58, -54.65, 19.21

 

CMYK 30 / 82 / 0 / 22

HEX #8B23C7

RGB 139 35 199

HSL 278.05, 0.7%, 0.46%

LAB 39.27, 66.7, -63.98

 

CMYK 0 / 30 / 82 / 22

HEX #C78B23

RGB 199 139 35

HSL 38.05, 0.7%, 0.46%

LAB 62.28, 14.33, 59.81

 

CMYK 83 / 0 / 30 / 21

HEX #23CA8D

RGB 35 202 141

HSL 158.08, 0.7%, 0.46%

LAB 72.58, -54.65, 19.21

 

CMYK 82 / 69 / 0 / 22

HEX #233EC7

RGB 35 62 199

HSL 230.12, 0.7%, 0.46%

LAB 33.83, 41, -73.27

 

CMYK 0 / 82 / 52 / 22

HEX #C7235F

RGB 199 35 95

HSL 338.05, 0.7%, 0.46%

LAB 44.48, 64.81, 7.9

 

CMYK 0 / 14 / 82 / 22

HEX #C7AC23

RGB 199 172 35

HSL 50.12, 0.7%, 0.46%

LAB 70.71, -3.45, 67.09

 

CMYK 83 / 0 / 30 / 21

HEX #23CA8D

RGB 35 202 141

HSL 158.08, 0.7%, 0.46%

LAB 72.58, -54.65, 19.21

 

CMYK 71 / 82 / 0 / 22

HEX #3923C7

RGB 57 35 199

HSL 248.05, 0.7%, 0.46%

LAB 29.9, 57.08, -79.72

 

CMYK 0 / 82 / 52 / 22

HEX #C7235F

RGB 199 35 95

HSL 338.05, 0.7%, 0.46%

LAB 44.48, 64.81, 7.9

 

CMYK 11 / 0 / 82 / 22

HEX #B1C723

RGB 177 199 35

HSL 68.05, 0.7%, 0.46%

LAB 76.26, -26.59, 71.14

 

Description

Color code: RGB 35 202 141 | qconv.com Color code: RGB 35 202 141 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 202 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 202 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 30 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 30% 21% C M Y K

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Provide designers and agencies with accurate color values.

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