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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 235 230 it is the complementary color RGB 220 20 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 235 230. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 235 230 shade: RGB 40 235 225, RGB 57 253 244, RGB 74 255 255, RGB 91 255 255 and RGB 108 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 235 230. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 235 230 shade: RGB 35 235 230, RGB 18 217 211, RGB 1 199 192, RGB 0 181 173 and RGB 0 163 154

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 235 230 shade: RGB 35 234 229, RGB 35 234 176, RGB 35 234 122, RGB 35 234 68 and RGB 56 234 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 235 230 shade: RGB 35 234 229, RGB 35 185 234, RGB 35 132 234, RGB 35 78 234 and RGB 35 35 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 235 230 shade matches the following richer shades: RGB 35 234 229 and RGB 16 254 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 235 230 shade: RGB 35 234 229, RGB 55 215 211, RGB 74 195 192, RGB 93 176 174 and RGB 113 157 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 235 230 shade: RGB 35 234 121, RGB 35 234 174, RGB 35 234 227, RGB 35 188 234 and RGB 35 135 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 235 230 shade: RGB 15 171 167, RGB 19 209 204, RGB 35 234 229, RGB 73 238 234 and RGB 111 241 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 235 230 shade: RGB 35 235 230, RGB 68 35 234 and RGB 234 148 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 235 230 shade: RGB 35 235 230, RGB 227 35 234 and RGB 234 227 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 235 230 shade: RGB 35 235 230, RGB 68 35 234, RGB 234 35 42 and RGB 201 234 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 235 230 shade: RGB 35 235 230, RGB 128 35 234, RGB 234 35 42 and RGB 141 234 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 2 / 8

HEX #23EBE6

RGB 35 235 230

HSL 178.5, 0.83%, 0.53%

LAB 84.73, -45.41, -10.58

 

Complementary color

CMYK 0 / 91 / 89 / 14

HEX #DC1419

RGB 220 20 25

HSL 358.5, 0.83%, 0.47%

LAB 46.69, 69.98, 52.1

 

CMYK 83 / 0 / 4 / 8

HEX #28EBE1

RGB 40 235 225

HSL 176.92, 0.83%, 0.54%

LAB 84.64, -46.49, -8.08

 

CMYK 77 / 0 / 4 / 1

HEX #39FDF4

RGB 57 253 244

HSL 177.24, 0.98%, 0.61%

LAB 90.62, -47.66, -9.12

 

CMYK 71 / 0 / 0 / 0

HEX #4AFFFF

RGB 74 255 255

HSL 180, 1%, 0.65%

LAB 91.77, -43.79, -13.09

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 58 / 0 / 0 / 0

HEX #6CFFFF

RGB 108 255 255

HSL 180, 1%, 0.71%

LAB 92.54, -38.95, -11.86

 

CMYK 85 / 0 / 2 / 8

HEX #23EBE6

RGB 35 235 230

HSL 178.5, 0.83%, 0.53%

LAB 84.73, -45.41, -10.58

 

CMYK 92 / 0 / 3 / 15

HEX #12D9D3

RGB 18 217 211

HSL 178.19, 0.85%, 0.46%

LAB 78.73, -43.82, -9.45

 

CMYK 99 / 0 / 4 / 22

HEX #01C7C0

RGB 1 199 192

HSL 177.88, 0.99%, 0.39%

LAB 72.67, -41.94, -8.23

 

CMYK 100 / 0 / 4 / 29

HEX #00B5AD

RGB 0 181 173

HSL 177.35, 1%, 0.35%

LAB 66.57, -39.58, -6.87

 

CMYK 100 / 0 / 6 / 36

HEX #00A39A

RGB 0 163 154

HSL 176.69, 1%, 0.32%

LAB 60.36, -37.15, -5.45

 

CMYK 85 / 0 / 2 / 8

HEX #23EAE5

RGB 35 234 229

HSL 178.49, 0.83%, 0.53%

LAB 84.41, -45.26, -10.54

 

CMYK 85 / 0 / 25 / 8

HEX #23EAB0

RGB 35 234 176

HSL 162.51, 0.83%, 0.53%

LAB 83.09, -58.93, 15.42

 

CMYK 85 / 0 / 48 / 8

HEX #23EA7A

RGB 35 234 122

HSL 146.23, 0.83%, 0.53%

LAB 82.17, -69.5, 41.56

 

CMYK 85 / 0 / 71 / 8

HEX #23EA44

RGB 35 234 68

HSL 129.95, 0.83%, 0.53%

LAB 81.63, -76.06, 64.27

 

CMYK 76 / 0 / 85 / 8

HEX #38EA23

RGB 56 234 35

HSL 113.67, 0.83%, 0.53%

LAB 81.73, -75.78, 74.02

 

CMYK 85 / 0 / 2 / 8

HEX #23EAE5

RGB 35 234 229

HSL 178.49, 0.83%, 0.53%

LAB 84.41, -45.26, -10.54

 

CMYK 85 / 21 / 0 / 8

HEX #23B9EA

RGB 35 185 234

HSL 194.77, 0.83%, 0.53%

LAB 70.17, -20.39, -34.87

 

CMYK 85 / 44 / 0 / 8

HEX #2384EA

RGB 35 132 234

HSL 210.75, 0.83%, 0.53%

LAB 54.87, 9.67, -59.03

 

CMYK 85 / 67 / 0 / 8

HEX #234EEA

RGB 35 78 234

HSL 227.04, 0.83%, 0.53%

LAB 40.81, 43.68, -81.88

 

CMYK 85 / 85 / 0 / 8

HEX #2323EA

RGB 35 35 234

HSL 240, 0.83%, 0.53%

LAB 32.92, 66.05, -94.95

 

CMYK 85 / 0 / 2 / 8

HEX #23EAE5

RGB 35 234 229

HSL 178.49, 0.83%, 0.53%

LAB 84.41, -45.26, -10.54

 

CMYK 94 / 0 / 2 / 0

HEX #10FEF8

RGB 16 254 248

HSL 178.49, 0.99%, 0.53%

LAB 90.68, -49.31, -11.16

 

CMYK 85 / 0 / 2 / 8

HEX #23EAE5

RGB 35 234 229

HSL 178.49, 0.83%, 0.53%

LAB 84.41, -45.26, -10.54

 

CMYK 74 / 0 / 2 / 16

HEX #37D7D3

RGB 55 215 211

HSL 178.5, 0.67%, 0.53%

LAB 78.53, -40.3, -9.71

 

CMYK 62 / 0 / 2 / 24

HEX #4AC3C0

RGB 74 195 192

HSL 178.51, 0.5%, 0.53%

LAB 72.42, -33.83, -8.49

 

CMYK 47 / 0 / 1 / 31

HEX #5DB0AE

RGB 93 176 174

HSL 178.55, 0.34%, 0.53%

LAB 66.85, -25.69, -6.81

 

CMYK 28 / 0 / 1 / 38

HEX #719D9B

RGB 113 157 155

HSL 177.27, 0.18%, 0.53%

LAB 61.65, -15.25, -3.77

 

CMYK 85 / 0 / 48 / 8

HEX #23EA79

RGB 35 234 121

HSL 145.93, 0.83%, 0.53%

LAB 82.15, -69.66, 42.03

 

CMYK 85 / 0 / 26 / 8

HEX #23EAAE

RGB 35 234 174

HSL 161.91, 0.83%, 0.53%

LAB 83.05, -59.39, 16.4

 

CMYK 85 / 0 / 3 / 8

HEX #23EAE3

RGB 35 234 227

HSL 177.89, 0.83%, 0.53%

LAB 84.35, -45.83, -9.57

 

CMYK 85 / 20 / 0 / 8

HEX #23BCEA

RGB 35 188 234

HSL 193.87, 0.83%, 0.53%

LAB 71.05, -21.94, -33.51

 

CMYK 85 / 42 / 0 / 8

HEX #2387EA

RGB 35 135 234

HSL 209.85, 0.83%, 0.53%

LAB 55.71, 7.84, -57.67

 

CMYK 91 / 0 / 2 / 33

HEX #0FABA7

RGB 15 171 167

HSL 178.46, 0.84%, 0.36%

LAB 63.36, -36.3, -8.29

 

CMYK 91 / 0 / 2 / 18

HEX #13D1CC

RGB 19 209 204

HSL 178.42, 0.83%, 0.45%

LAB 76.13, -42.29, -9.56

 

CMYK 85 / 0 / 2 / 8

HEX #23EAE5

RGB 35 234 229

HSL 178.49, 0.83%, 0.53%

LAB 84.41, -45.26, -10.54

 

CMYK 69 / 0 / 2 / 7

HEX #49EEEA

RGB 73 238 234

HSL 178.55, 0.83%, 0.61%

LAB 86.26, -42.12, -10.36

 

CMYK 54 / 0 / 1 / 5

HEX #6FF1EE

RGB 111 241 238

HSL 178.62, 0.82%, 0.69%

LAB 88.19, -36.41, -9.48

 

CMYK 85 / 0 / 2 / 8

HEX #23EBE6

RGB 35 235 230

HSL 178.5, 0.83%, 0.53%

LAB 84.73, -45.41, -10.58

 

CMYK 71 / 85 / 0 / 8

HEX #4423EA

RGB 68 35 234

HSL 249.95, 0.83%, 0.53%

LAB 34.74, 67.53, -91.86

 

CMYK 0 / 37 / 85 / 8

HEX #EA9423

RGB 234 148 35

HSL 34.07, 0.83%, 0.53%

LAB 68.6, 24.53, 66.84

 

CMYK 85 / 0 / 2 / 8

HEX #23EBE6

RGB 35 235 230

HSL 178.5, 0.83%, 0.53%

LAB 84.73, -45.41, -10.58

 

CMYK 3 / 85 / 0 / 8

HEX #E323EA

RGB 227 35 234

HSL 297.89, 0.83%, 0.53%

LAB 55.56, 87.32, -57.01

 

CMYK 0 / 3 / 85 / 8

HEX #EAE323

RGB 234 227 35

HSL 57.89, 0.83%, 0.53%

LAB 88.23, -16.34, 82.92

 

CMYK 85 / 0 / 2 / 8

HEX #23EBE6

RGB 35 235 230

HSL 178.5, 0.83%, 0.53%

LAB 84.73, -45.41, -10.58

 

CMYK 71 / 85 / 0 / 8

HEX #4423EA

RGB 68 35 234

HSL 249.95, 0.83%, 0.53%

LAB 34.74, 67.53, -91.86

 

CMYK 0 / 85 / 82 / 8

HEX #EA232A

RGB 234 35 42

HSL 357.89, 0.83%, 0.53%

LAB 50.52, 71.47, 48.27

 

CMYK 14 / 0 / 85 / 8

HEX #C9EA23

RGB 201 234 35

HSL 69.95, 0.83%, 0.53%

LAB 87.67, -33.22, 81.46

 

CMYK 85 / 0 / 2 / 8

HEX #23EBE6

RGB 35 235 230

HSL 178.5, 0.83%, 0.53%

LAB 84.73, -45.41, -10.58

 

CMYK 45 / 85 / 0 / 8

HEX #8023EA

RGB 128 35 234

HSL 268.04, 0.83%, 0.53%

LAB 40.79, 72.81, -81.67

 

CMYK 0 / 85 / 82 / 8

HEX #EA232A

RGB 234 35 42

HSL 357.89, 0.83%, 0.53%

LAB 50.52, 71.47, 48.27

 

CMYK 40 / 0 / 85 / 8

HEX #8DEA23

RGB 141 234 35

HSL 88.04, 0.83%, 0.53%

LAB 84.29, -55.4, 77.24

 

Description

Color code: RGB 35 235 230 | qconv.com Color code: RGB 35 235 230 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 235 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 235 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 2 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 2% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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