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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 35 240 175 it is the complementary color RGB 220 15 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 35 240 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 35 240 175 shade: RGB 40 240 170, RGB 57 255 189, RGB 74 255 208, RGB 91 255 227 and RGB 108 255 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 35 240 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 35 240 175 shade: RGB 35 240 175, RGB 18 222 156, RGB 1 204 137, RGB 0 186 118 and RGB 0 168 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 35 240 175 shade: RGB 35 239 175, RGB 35 239 120, RGB 35 239 64, RGB 61 239 35 and RGB 116 239 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 35 240 175 shade: RGB 35 239 175, RGB 35 239 230, RGB 35 194 239, RGB 35 139 239 and RGB 35 84 239

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 35 240 175 shade matches the following richer shades: RGB 35 239 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 35 240 175 shade: RGB 35 239 175, RGB 54 220 168, RGB 73 201 161, RGB 92 182 154 and RGB 111 163 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 35 240 175 shade: RGB 35 239 62, RGB 35 239 117, RGB 35 239 171, RGB 35 239 226 and RGB 35 198 239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 35 240 175 shade: RGB 12 180 127, RGB 15 218 154, RGB 35 239 175, RGB 74 242 189 and RGB 112 245 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 35 240 175 shade: RGB 35 240 175, RGB 35 62 239 and RGB 239 90 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 35 240 175 shade: RGB 35 240 175, RGB 171 35 239 and RGB 239 171 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 35 240 175 shade: RGB 35 240 175, RGB 35 62 239, RGB 239 35 103 and RGB 239 212 35

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 35 240 175 shade: RGB 35 240 175, RGB 69 35 239, RGB 239 35 103 and RGB 205 239 35

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 27 / 6

HEX #23F0AF

RGB 35 240 175

HSL 160.98, 0.87%, 0.54%

LAB 84.88, -61.42, 18.44

 

Complementary color

CMYK 0 / 93 / 64 / 14

HEX #DC0F50

RGB 220 15 80

HSL 340.98, 0.87%, 0.46%

LAB 47.15, 72.46, 21.56

 

CMYK 83 / 0 / 29 / 6

HEX #28F0AA

RGB 40 240 170

HSL 159, 0.87%, 0.55%

LAB 84.83, -62.14, 20.96

 

CMYK 78 / 0 / 26 / 0

HEX #39FFBD

RGB 57 255 189

HSL 160, 1%, 0.61%

LAB 89.89, -62.06, 18.26

 

CMYK 71 / 0 / 18 / 0

HEX #4AFFD0

RGB 74 255 208

HSL 164.42, 1%, 0.65%

LAB 90.56, -55.79, 9.49

 

CMYK 64 / 0 / 11 / 0

HEX #5BFFE3

RGB 91 255 227

HSL 169.76, 1%, 0.68%

LAB 91.37, -48.82, 0.86

 

CMYK 58 / 0 / 4 / 0

HEX #6CFFF6

RGB 108 255 246

HSL 176.33, 1%, 0.71%

LAB 92.29, -41.27, -7.57

 

CMYK 85 / 0 / 27 / 6

HEX #23F0AF

RGB 35 240 175

HSL 160.98, 0.87%, 0.54%

LAB 84.88, -61.42, 18.44

 

CMYK 92 / 0 / 30 / 13

HEX #12DE9C

RGB 18 222 156

HSL 160.59, 0.85%, 0.47%

LAB 78.91, -59.92, 20.02

 

CMYK 100 / 0 / 33 / 20

HEX #01CC89

RGB 1 204 137

HSL 160.2, 0.99%, 0.4%

LAB 72.89, -58.07, 21.72

 

CMYK 100 / 0 / 37 / 27

HEX #00BA76

RGB 0 186 118

HSL 158.06, 1%, 0.36%

LAB 66.84, -55.64, 23.6

 

CMYK 100 / 0 / 41 / 34

HEX #00A863

RGB 0 168 99

HSL 155.36, 1%, 0.33%

LAB 60.7, -53.06, 25.55

 

CMYK 85 / 0 / 27 / 6

HEX #23EFAF

RGB 35 239 175

HSL 161.18, 0.86%, 0.54%

LAB 84.58, -61.04, 18.02

 

CMYK 85 / 0 / 50 / 6

HEX #23EF78

RGB 35 239 120

HSL 145, 0.86%, 0.54%

LAB 83.68, -71.43, 44.41

 

CMYK 85 / 0 / 73 / 6

HEX #23EF40

RGB 35 239 64

HSL 128.53, 0.86%, 0.54%

LAB 83.16, -77.82, 67.22

 

CMYK 74 / 0 / 85 / 6

HEX #3DEF23

RGB 61 239 35

HSL 112.35, 0.86%, 0.54%

LAB 83.36, -76.53, 75.49

 

CMYK 51 / 0 / 85 / 6

HEX #74EF23

RGB 116 239 35

HSL 96.18, 0.86%, 0.54%

LAB 84.78, -64.83, 77.27

 

CMYK 85 / 0 / 27 / 6

HEX #23EFAF

RGB 35 239 175

HSL 161.18, 0.86%, 0.54%

LAB 84.58, -61.04, 18.02

 

CMYK 85 / 0 / 4 / 6

HEX #23EFE6

RGB 35 239 230

HSL 177.35, 0.86%, 0.54%

LAB 85.91, -47.14, -8.84

 

CMYK 85 / 19 / 0 / 6

HEX #23C2EF

RGB 35 194 239

HSL 193.24, 0.86%, 0.54%

LAB 73.01, -23.34, -33.19

 

CMYK 85 / 42 / 0 / 6

HEX #238BEF

RGB 35 139 239

HSL 209.41, 0.86%, 0.54%

LAB 57.13, 7.3, -58.18

 

CMYK 85 / 65 / 0 / 6

HEX #2354EF

RGB 35 84 239

HSL 225.59, 0.86%, 0.54%

LAB 42.66, 41.78, -81.66

 

CMYK 85 / 0 / 27 / 6

HEX #23EFAF

RGB 35 239 175

HSL 161.18, 0.86%, 0.54%

LAB 84.58, -61.04, 18.02

 

CMYK 85 / 0 / 27 / 6

HEX #23EFAF

RGB 35 239 175

HSL 161.18, 0.86%, 0.54%

LAB 84.58, -61.04, 18.02

 

CMYK 75 / 0 / 24 / 14

HEX #36DCA8

RGB 54 220 168

HSL 161.2, 0.7%, 0.54%

LAB 78.92, -53.59, 13.79

 

CMYK 64 / 0 / 20 / 21

HEX #49C9A1

RGB 73 201 161

HSL 161.25, 0.54%, 0.54%

LAB 73.39, -44.62, 9.74

 

CMYK 49 / 0 / 15 / 29

HEX #5CB69A

RGB 92 182 154

HSL 161.33, 0.38%, 0.54%

LAB 68.07, -33.78, 6.01

 

CMYK 32 / 0 / 10 / 36

HEX #6FA393

RGB 111 163 147

HSL 161.54, 0.22%, 0.54%

LAB 63.08, -20.84, 2.81

 

CMYK 85 / 0 / 74 / 6

HEX #23EF3E

RGB 35 239 62

HSL 127.94, 0.86%, 0.54%

LAB 83.15, -77.97, 67.88

 

CMYK 85 / 0 / 51 / 6

HEX #23EF75

RGB 35 239 117

HSL 144.12, 0.86%, 0.54%

LAB 83.64, -71.88, 45.79

 

CMYK 85 / 0 / 28 / 6

HEX #23EFAB

RGB 35 239 171

HSL 160, 0.86%, 0.54%

LAB 84.5, -61.93, 19.98

 

CMYK 85 / 0 / 5 / 6

HEX #23EFE2

RGB 35 239 226

HSL 176.18, 0.86%, 0.54%

LAB 85.8, -48.25, -6.9

 

CMYK 85 / 17 / 0 / 6

HEX #23C6EF

RGB 35 198 239

HSL 192.06, 0.86%, 0.54%

LAB 74.18, -25.37, -31.39

 

CMYK 93 / 0 / 29 / 29

HEX #0CB47F

RGB 12 180 127

HSL 161.07, 0.88%, 0.38%

LAB 65.16, -50.95, 16.46

 

CMYK 93 / 0 / 29 / 15

HEX #0FDA9A

RGB 15 218 154

HSL 161.08, 0.87%, 0.46%

LAB 77.62, -59.01, 19.29

 

CMYK 85 / 0 / 27 / 6

HEX #23EFAF

RGB 35 239 175

HSL 161.18, 0.86%, 0.54%

LAB 84.58, -61.04, 18.02

 

CMYK 69 / 0 / 22 / 5

HEX #4AF2BD

RGB 74 242 189

HSL 161.07, 0.87%, 0.62%

LAB 86.32, -54.96, 13.29

 

CMYK 54 / 0 / 17 / 4

HEX #70F5CB

RGB 112 245 203

HSL 161.05, 0.87%, 0.7%

LAB 88.48, -46.4, 9.21

 

CMYK 85 / 0 / 27 / 6

HEX #23F0AF

RGB 35 240 175

HSL 160.98, 0.87%, 0.54%

LAB 84.88, -61.42, 18.44

 

CMYK 85 / 74 / 0 / 6

HEX #233EEF

RGB 35 62 239

HSL 232.06, 0.86%, 0.54%

LAB 37.9, 54.76, -89.5

 

CMYK 0 / 62 / 85 / 6

HEX #EF5A23

RGB 239 90 35

HSL 16.18, 0.86%, 0.54%

LAB 57.83, 55.06, 58.24

 

CMYK 85 / 0 / 27 / 6

HEX #23F0AF

RGB 35 240 175

HSL 160.98, 0.87%, 0.54%

LAB 84.88, -61.42, 18.44

 

CMYK 28 / 85 / 0 / 6

HEX #AB23EF

RGB 171 35 239

HSL 280, 0.86%, 0.54%

LAB 47.09, 79.37, -73.94

 

CMYK 0 / 28 / 85 / 6

HEX #EFAB23

RGB 239 171 35

HSL 40, 0.86%, 0.54%

LAB 74.57, 14.48, 71.98

 

CMYK 85 / 0 / 27 / 6

HEX #23F0AF

RGB 35 240 175

HSL 160.98, 0.87%, 0.54%

LAB 84.88, -61.42, 18.44

 

CMYK 85 / 74 / 0 / 6

HEX #233EEF

RGB 35 62 239

HSL 232.06, 0.86%, 0.54%

LAB 37.9, 54.76, -89.5

 

CMYK 0 / 85 / 57 / 6

HEX #EF2367

RGB 239 35 103

HSL 340, 0.86%, 0.54%

LAB 52.43, 75.45, 15.25

 

CMYK 0 / 11 / 85 / 6

HEX #EFD423

RGB 239 212 35

HSL 52.06, 0.86%, 0.54%

LAB 84.77, -6.77, 80.28

 

CMYK 85 / 0 / 27 / 6

HEX #23F0AF

RGB 35 240 175

HSL 160.98, 0.87%, 0.54%

LAB 84.88, -61.42, 18.44

 

CMYK 71 / 85 / 0 / 6

HEX #4523EF

RGB 69 35 239

HSL 250, 0.86%, 0.54%

LAB 35.4, 68.92, -93.61

 

CMYK 0 / 85 / 57 / 6

HEX #EF2367

RGB 239 35 103

HSL 340, 0.86%, 0.54%

LAB 52.43, 75.45, 15.25

 

CMYK 14 / 0 / 85 / 6

HEX #CDEF23

RGB 205 239 35

HSL 70, 0.86%, 0.54%

LAB 89.31, -33.91, 82.93

 

Description

Color code: RGB 35 240 175 | qconv.com Color code: RGB 35 240 175 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 240 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 240 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 27 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 27% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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