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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 47 116 it is the complementary color RGB 219 208 139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 47 116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 36 47 116 shade: RGB 41 47 111, RGB 58 65 130, RGB 75 83 149, RGB 92 101 168 and RGB 109 119 187

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 47 116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 36 47 116 shade: RGB 36 47 116, RGB 19 29 97, RGB 2 11 78, RGB 0 0 59 and RGB 0 0 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 36 47 116 shade: RGB 35 47 117, RGB 46 35 117, RGB 68 35 117, RGB 90 35 117 and RGB 112 35 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 36 47 116 shade: RGB 35 47 117 and RGB 35 35 117

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 36 47 116 shade matches the following richer shades: RGB 35 47 117, RGB 23 38 129 and RGB 11 29 141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 36 47 116 shade: RGB 35 47 117, RGB 48 56 104, RGB 60 65 92, RGB 73 74 79 and RGB 85 83 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 36 47 116 shade: RGB 35 91 117, RGB 35 69 117, RGB 35 48 117, RGB 45 35 117 and RGB 67 35 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 36 47 116 shade: RGB 16 21 53, RGB 26 34 85, RGB 35 47 117, RGB 45 59 148 and RGB 55 72 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 36 47 116 shade: RGB 36 47 116, RGB 117 35 112 and RGB 80 117 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 36 47 116 shade: RGB 36 47 116, RGB 117 35 48 and RGB 48 117 35

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 36 47 116 shade: RGB 36 47 116, RGB 117 35 112, RGB 117 104 35 and RGB 35 117 40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 36 47 116 shade: RGB 36 47 116, RGB 117 35 88, RGB 117 104 35 and RGB 35 117 64

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 59 / 0 / 55

HEX #242F74

RGB 36 47 116

HSL 231.75, 0.53%, 0.3%

LAB 22.55, 19.9, -41.18

 

Complementary color

CMYK 0 / 5 / 37 / 14

HEX #DBD08B

RGB 219 208 139

HSL 51.75, 0.53%, 0.7%

LAB 82.93, -6.2, 35.65

 

CMYK 63 / 58 / 0 / 56

HEX #292F6F

RGB 41 47 111

HSL 234.86, 0.46%, 0.3%

LAB 22.49, 18.93, -38.05

 

CMYK 55 / 50 / 0 / 49

HEX #3A4182

RGB 58 65 130

HSL 234.17, 0.38%, 0.37%

LAB 30.14, 17.15, -37.69

 

CMYK 50 / 44 / 0 / 42

HEX #4B5395

RGB 75 83 149

HSL 233.51, 0.33%, 0.44%

LAB 37.58, 15.79, -37.38

 

CMYK 45 / 40 / 0 / 34

HEX #5C65A8

RGB 92 101 168

HSL 232.89, 0.3%, 0.51%

LAB 44.82, 14.72, -37.15

 

CMYK 42 / 36 / 0 / 27

HEX #6D77BB

RGB 109 119 187

HSL 232.31, 0.36%, 0.58%

LAB 51.87, 13.84, -37

 

CMYK 69 / 59 / 0 / 55

HEX #242F74

RGB 36 47 116

HSL 231.75, 0.53%, 0.3%

LAB 22.55, 19.9, -41.18

 

CMYK 80 / 70 / 0 / 62

HEX #131D61

RGB 19 29 97

HSL 232.31, 0.67%, 0.23%

LAB 14.85, 22.66, -41.41

 

CMYK 97 / 86 / 0 / 69

HEX #020B4E

RGB 2 11 78

HSL 232.89, 0.95%, 0.16%

LAB 7.25, 25.76, -41.1

 

CMYK 100 / 100 / 0 / 77

HEX #00003B

RGB 0 0 59

HSL 240, 1%, 0.12%

LAB 2.85, 20.04, -34.84

 

CMYK 100 / 100 / 0 / 84

HEX #000028

RGB 0 0 40

HSL 240, 1%, 0.08%

LAB 1.38, 9.72, -22.95

 

CMYK 70 / 60 / 0 / 54

HEX #232F75

RGB 35 47 117

HSL 231.22, 0.54%, 0.3%

LAB 22.57, 20.12, -41.79

 

CMYK 61 / 70 / 0 / 54

HEX #2E2375

RGB 46 35 117

HSL 248.05, 0.54%, 0.3%

LAB 20.31, 30.06, -45.43

 

CMYK 42 / 70 / 0 / 54

HEX #442375

RGB 68 35 117

HSL 264.15, 0.54%, 0.3%

LAB 22.71, 34.39, -41.42

 

CMYK 23 / 70 / 0 / 54

HEX #5A2375

RGB 90 35 117

HSL 280.24, 0.54%, 0.3%

LAB 25.74, 39.45, -36.37

 

CMYK 4 / 70 / 0 / 54

HEX #702375

RGB 112 35 117

HSL 296.34, 0.54%, 0.3%

LAB 29.24, 44.88, -30.58

 

CMYK 70 / 60 / 0 / 54

HEX #232F75

RGB 35 47 117

HSL 231.22, 0.54%, 0.3%

LAB 22.57, 20.12, -41.79

 

CMYK 70 / 70 / 0 / 54

HEX #232375

RGB 35 35 117

HSL 240, 0.54%, 0.3%

LAB 19.41, 28.33, -46.95

 

CMYK 70 / 60 / 0 / 54

HEX #232F75

RGB 35 47 117

HSL 231.22, 0.54%, 0.3%

LAB 22.57, 20.12, -41.79

 

CMYK 82 / 71 / 0 / 49

HEX #172681

RGB 23 38 129

HSL 231.51, 0.7%, 0.3%

LAB 20.65, 29.49, -52.58

 

CMYK 92 / 79 / 0 / 45

HEX #0B1D8D

RGB 11 29 141

HSL 231.69, 0.86%, 0.3%

LAB 19.53, 38.9, -61.98

 

CMYK 70 / 60 / 0 / 54

HEX #232F75

RGB 35 47 117

HSL 231.22, 0.54%, 0.3%

LAB 22.57, 20.12, -41.79

 

CMYK 54 / 46 / 0 / 59

HEX #303868

RGB 48 56 104

HSL 231.43, 0.37%, 0.3%

LAB 25.13, 11.71, -29.28

 

CMYK 35 / 29 / 0 / 64

HEX #3C415C

RGB 60 65 92

HSL 230.63, 0.21%, 0.3%

LAB 28.15, 5.24, -16.71

 

CMYK 8 / 6 / 0 / 69

HEX #494A4F

RGB 73 74 79

HSL 230, 0.04%, 0.3%

LAB 31.53, 0.73, -3.12

 

CMYK 0 / 2 / 21 / 67

HEX #555343

RGB 85 83 67

HSL 53.33, 0.12%, 0.3%

LAB 35.05, -2.27, 9.68

 

CMYK 70 / 22 / 0 / 54

HEX #235B75

RGB 35 91 117

HSL 199.02, 0.54%, 0.3%

LAB 36.22, -9.26, -20.11

 

CMYK 70 / 41 / 0 / 54

HEX #234575

RGB 35 69 117

HSL 215.12, 0.54%, 0.3%

LAB 29.15, 4.81, -31.2

 

CMYK 70 / 59 / 0 / 54

HEX #233075

RGB 35 48 117

HSL 230.49, 0.54%, 0.3%

LAB 22.85, 19.42, -41.33

 

CMYK 62 / 70 / 0 / 54

HEX #2D2375

RGB 45 35 117

HSL 247.32, 0.54%, 0.3%

LAB 20.22, 29.89, -45.58

 

CMYK 43 / 70 / 0 / 54

HEX #432375

RGB 67 35 117

HSL 263.41, 0.54%, 0.3%

LAB 22.58, 34.17, -41.63

 

CMYK 70 / 60 / 0 / 79

HEX #101535

RGB 16 21 53

HSL 231.89, 0.54%, 0.14%

LAB 8.16, 9.79, -21.83

 

CMYK 69 / 60 / 0 / 67

HEX #1A2255

RGB 26 34 85

HSL 231.86, 0.53%, 0.22%

LAB 15.59, 15.22, -32.15

 

CMYK 70 / 60 / 0 / 54

HEX #232F75

RGB 35 47 117

HSL 231.22, 0.54%, 0.3%

LAB 22.57, 20.12, -41.79

 

CMYK 70 / 60 / 0 / 42

HEX #2D3B94

RGB 45 59 148

HSL 231.84, 0.53%, 0.38%

LAB 28.96, 25.23, -50.74

 

CMYK 69 / 60 / 0 / 29

HEX #3748B4

RGB 55 72 180

HSL 231.84, 0.53%, 0.46%

LAB 35.48, 29.83, -59.35

 

CMYK 69 / 59 / 0 / 55

HEX #242F74

RGB 36 47 116

HSL 231.75, 0.53%, 0.3%

LAB 22.55, 19.9, -41.18

 

CMYK 0 / 70 / 4 / 54

HEX #752370

RGB 117 35 112

HSL 303.66, 0.54%, 0.3%

LAB 29.8, 45.24, -26.46

 

CMYK 32 / 0 / 70 / 54

HEX #507523

RGB 80 117 35

HSL 87.07, 0.54%, 0.3%

LAB 45.01, -27.15, 39.42

 

CMYK 69 / 59 / 0 / 55

HEX #242F74

RGB 36 47 116

HSL 231.75, 0.53%, 0.3%

LAB 22.55, 19.9, -41.18

 

CMYK 0 / 70 / 59 / 54

HEX #752330

RGB 117 35 48

HSL 350.49, 0.54%, 0.3%

LAB 27.29, 36.74, 11.95

 

CMYK 59 / 0 / 70 / 54

HEX #307523

RGB 48 117 35

HSL 110.49, 0.54%, 0.3%

LAB 43.47, -38.27, 37.31

 

CMYK 69 / 59 / 0 / 55

HEX #242F74

RGB 36 47 116

HSL 231.75, 0.53%, 0.3%

LAB 22.55, 19.9, -41.18

 

CMYK 0 / 70 / 4 / 54

HEX #752370

RGB 117 35 112

HSL 303.66, 0.54%, 0.3%

LAB 29.8, 45.24, -26.46

 

CMYK 0 / 11 / 70 / 54

HEX #756823

RGB 117 104 35

HSL 50.49, 0.54%, 0.3%

LAB 43.95, -3.53, 39.22

 

CMYK 70 / 0 / 66 / 54

HEX #237528

RGB 35 117 40

HSL 123.66, 0.54%, 0.3%

LAB 43.11, -40.93, 34.5

 

CMYK 69 / 59 / 0 / 55

HEX #242F74

RGB 36 47 116

HSL 231.75, 0.53%, 0.3%

LAB 22.55, 19.9, -41.18

 

CMYK 0 / 70 / 25 / 54

HEX #752358

RGB 117 35 88

HSL 321.22, 0.54%, 0.3%

LAB 28.61, 41.35, -12.77

 

CMYK 0 / 11 / 70 / 54

HEX #756823

RGB 117 104 35

HSL 50.49, 0.54%, 0.3%

LAB 43.95, -3.53, 39.22

 

CMYK 70 / 0 / 45 / 54

HEX #237540

RGB 35 117 64

HSL 141.22, 0.54%, 0.3%

LAB 43.43, -37.24, 22.25

 

Description

Color code: RGB 36 47 116 | qconv.com Color code: RGB 36 47 116 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 47 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 47 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 59 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 59% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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