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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 49 43 it is the complementary color RGB 219 206 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 49 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 36 49 43 shade: RGB 41 49 38, RGB 58 67 57, RGB 75 85 76, RGB 92 103 95 and RGB 109 121 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 49 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 36 49 43 shade: RGB 36 49 43, RGB 19 31 24 and RGB 2 13 5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 36 49 43 shade: RGB 36 49 43, RGB 36 49 40, RGB 36 49 36, RGB 40 49 36 and RGB 43 49 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 36 49 43 shade: RGB 36 49 43, RGB 36 49 47, RGB 36 48 49, RGB 36 45 49 and RGB 36 41 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 36 49 43 shade matches the following richer shades: RGB 36 49 43, RGB 29 56 44, RGB 22 63 44, RGB 15 70 45 and RGB 8 77 46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 36 49 43 shade: RGB 36 49 43, RGB 43 42 43, RGB 50 35 42, RGB 57 28 42 and RGB 64 21 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 36 49 43 shade: RGB 36 49 36, RGB 36 49 40, RGB 36 49 43, RGB 36 49 47 and RGB 36 48 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 36 49 43 shade: RGB 1 2 2, RGB 19 26 22, RGB 36 49 43, RGB 54 73 64 and RGB 71 97 85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 36 49 43 shade: RGB 36 49 43, RGB 36 40 49 and RGB 49 38 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 36 49 43 shade: RGB 36 49 43, RGB 43 36 49 and RGB 49 43 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 36 49 43 shade: RGB 36 49 43, RGB 36 40 49, RGB 49 36 42 and RGB 49 46 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 36 49 43 shade: RGB 36 49 43, RGB 37 36 49, RGB 49 36 42 and RGB 49 49 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 12 / 81

HEX #24312B

RGB 36 49 43

HSL 152.31, 0.15%, 0.17%

LAB 19, -7.03, 2.04

 

Complementary color

CMYK 0 / 6 / 3 / 14

HEX #DBCED4

RGB 219 206 212

HSL 332.31, 0.15%, 0.83%

LAB 83.94, 5.55, -1.36

 

CMYK 16 / 0 / 22 / 81

HEX #293126

RGB 41 49 38

HSL 103.64, 0.13%, 0.17%

LAB 19.26, -6.05, 5.9

 

CMYK 13 / 0 / 15 / 74

HEX #3A4339

RGB 58 67 57

HSL 114, 0.08%, 0.24%

LAB 27.32, -5.98, 4.84

 

CMYK 12 / 0 / 11 / 67

HEX #4B554C

RGB 75 85 76

HSL 126, 0.06%, 0.31%

LAB 35.03, -5.94, 3.91

 

CMYK 11 / 0 / 8 / 60

HEX #5C675F

RGB 92 103 95

HSL 136.36, 0.06%, 0.38%

LAB 42.46, -5.93, 3.08

 

CMYK 10 / 0 / 6 / 53

HEX #6D7972

RGB 109 121 114

HSL 145, 0.05%, 0.45%

LAB 49.67, -5.93, 2.31

 

CMYK 27 / 0 / 12 / 81

HEX #24312B

RGB 36 49 43

HSL 152.31, 0.15%, 0.17%

LAB 19, -7.03, 2.04

 

CMYK 39 / 0 / 23 / 88

HEX #131F18

RGB 19 31 24

HSL 145, 0.24%, 0.1%

LAB 10.44, -7.28, 3.1

 

CMYK 85 / 0 / 62 / 95

HEX #020D05

RGB 2 13 5

HSL 136.36, 0.73%, 0.03%

LAB 2.82, -4.09, 2.09

 

CMYK 27 / 0 / 12 / 81

HEX #24312B

RGB 36 49 43

HSL 152.31, 0.15%, 0.17%

LAB 19, -7.03, 2.04

 

CMYK 27 / 0 / 18 / 81

HEX #243128

RGB 36 49 40

HSL 138.46, 0.15%, 0.17%

LAB 18.91, -7.77, 3.98

 

CMYK 27 / 0 / 27 / 81

HEX #243124

RGB 36 49 36

HSL 120, 0.15%, 0.17%

LAB 18.8, -8.7, 6.55

 

CMYK 18 / 0 / 27 / 81

HEX #283124

RGB 40 49 36

HSL 101.54, 0.15%, 0.17%

LAB 19.12, -6.93, 7.05

 

CMYK 12 / 0 / 27 / 81

HEX #2B3124

RGB 43 49 36

HSL 87.69, 0.15%, 0.17%

LAB 19.38, -5.55, 7.46

 

CMYK 27 / 0 / 12 / 81

HEX #24312B

RGB 36 49 43

HSL 152.31, 0.15%, 0.17%

LAB 19, -7.03, 2.04

 

CMYK 27 / 0 / 4 / 81

HEX #24312F

RGB 36 49 47

HSL 170.77, 0.15%, 0.17%

LAB 19.13, -5.98, -0.52

 

CMYK 27 / 2 / 0 / 81

HEX #243031

RGB 36 48 49

HSL 184.62, 0.15%, 0.17%

LAB 18.85, -4.77, -2.31

 

CMYK 27 / 8 / 0 / 81

HEX #242D31

RGB 36 45 49

HSL 198.46, 0.15%, 0.17%

LAB 17.8, -2.75, -3.87

 

CMYK 27 / 16 / 0 / 81

HEX #242931

RGB 36 41 49

HSL 216.92, 0.15%, 0.17%

LAB 16.42, 0.01, -5.94

 

CMYK 27 / 0 / 12 / 81

HEX #24312B

RGB 36 49 43

HSL 152.31, 0.15%, 0.17%

LAB 19, -7.03, 2.04

 

CMYK 48 / 0 / 21 / 78

HEX #1D382C

RGB 29 56 44

HSL 153.33, 0.32%, 0.17%

LAB 21.1, -13.73, 4.31

 

CMYK 65 / 0 / 30 / 75

HEX #163F2C

RGB 22 63 44

HSL 152.2, 0.48%, 0.17%

LAB 23.36, -19.73, 7.45

 

CMYK 79 / 0 / 36 / 73

HEX #0F462D

RGB 15 70 45

HSL 152.73, 0.65%, 0.17%

LAB 25.78, -24.54, 10.09

 

CMYK 90 / 0 / 40 / 70

HEX #084D2E

RGB 8 77 46

HSL 153.04, 0.81%, 0.17%

LAB 28.27, -28.56, 12.81

 

CMYK 27 / 0 / 12 / 81

HEX #24312B

RGB 36 49 43

HSL 152.31, 0.15%, 0.17%

LAB 19, -7.03, 2.04

 

CMYK 0 / 2 / 0 / 83

HEX #2B2A2B

RGB 43 42 43

HSL 300, 0.01%, 0.17%

LAB 17.2, 0.69, -0.49

 

CMYK 0 / 30 / 16 / 80

HEX #32232A

RGB 50 35 42

HSL 332, 0.18%, 0.17%

LAB 15.73, 8.55, -1.85

 

CMYK 0 / 51 / 26 / 78

HEX #391C2A

RGB 57 28 42

HSL 331.03, 0.34%, 0.17%

LAB 14.78, 16.45, -3.15

 

CMYK 0 / 67 / 36 / 75

HEX #401529

RGB 64 21 41

HSL 332.09, 0.51%, 0.17%

LAB 14.32, 23.4, -2.97

 

CMYK 27 / 0 / 27 / 81

HEX #243124

RGB 36 49 36

HSL 120, 0.15%, 0.17%

LAB 18.8, -8.7, 6.55

 

CMYK 27 / 0 / 18 / 81

HEX #243128

RGB 36 49 40

HSL 138.46, 0.15%, 0.17%

LAB 18.91, -7.77, 3.98

 

CMYK 27 / 0 / 12 / 81

HEX #24312B

RGB 36 49 43

HSL 152.31, 0.15%, 0.17%

LAB 19, -7.03, 2.04

 

CMYK 27 / 0 / 4 / 81

HEX #24312F

RGB 36 49 47

HSL 170.77, 0.15%, 0.17%

LAB 19.13, -5.98, -0.52

 

CMYK 27 / 2 / 0 / 81

HEX #243031

RGB 36 48 49

HSL 184.62, 0.15%, 0.17%

LAB 18.85, -4.77, -2.31

 

CMYK 50 / 0 / 0 / 99

HEX #010202

RGB 1 2 2

HSL 180, 0.33%, 0.01%

LAB 0.49, -0.26, -0.09

 

CMYK 27 / 0 / 15 / 90

HEX #131A16

RGB 19 26 22

HSL 145.71, 0.16%, 0.09%

LAB 8.44, -4.31, 1.7

 

CMYK 27 / 0 / 12 / 81

HEX #24312B

RGB 36 49 43

HSL 152.31, 0.15%, 0.17%

LAB 19, -7.03, 2.04

 

CMYK 26 / 0 / 12 / 71

HEX #364940

RGB 54 73 64

HSL 151.58, 0.15%, 0.25%

LAB 29.21, -9.67, 2.96

 

CMYK 27 / 0 / 12 / 62

HEX #476155

RGB 71 97 85

HSL 152.31, 0.15%, 0.33%

LAB 38.8, -12.51, 3.71

 

CMYK 27 / 0 / 12 / 81

HEX #24312B

RGB 36 49 43

HSL 152.31, 0.15%, 0.17%

LAB 19, -7.03, 2.04

 

CMYK 27 / 18 / 0 / 81

HEX #242831

RGB 36 40 49

HSL 221.54, 0.15%, 0.17%

LAB 16.08, 0.71, -6.46

 

CMYK 0 / 22 / 27 / 81

HEX #312624

RGB 49 38 36

HSL 9.23, 0.15%, 0.17%

LAB 16.34, 4.77, 3.28

 

CMYK 27 / 0 / 12 / 81

HEX #24312B

RGB 36 49 43

HSL 152.31, 0.15%, 0.17%

LAB 19, -7.03, 2.04

 

CMYK 12 / 27 / 0 / 81

HEX #2B2431

RGB 43 36 49

HSL 272.31, 0.15%, 0.17%

LAB 15.47, 6.44, -7.3

 

CMYK 0 / 12 / 27 / 81

HEX #312B24

RGB 49 43 36

HSL 32.31, 0.15%, 0.17%

LAB 17.96, 1.32, 5.56

 

CMYK 27 / 0 / 12 / 81

HEX #24312B

RGB 36 49 43

HSL 152.31, 0.15%, 0.17%

LAB 19, -7.03, 2.04

 

CMYK 27 / 18 / 0 / 81

HEX #242831

RGB 36 40 49

HSL 221.54, 0.15%, 0.17%

LAB 16.08, 0.71, -6.46

 

CMYK 0 / 27 / 14 / 81

HEX #31242A

RGB 49 36 42

HSL 332.31, 0.15%, 0.17%

LAB 15.91, 7.4, -1.6

 

CMYK 0 / 6 / 27 / 81

HEX #312E24

RGB 49 46 36

HSL 46.15, 0.15%, 0.17%

LAB 18.95, -0.72, 6.95

 

CMYK 27 / 0 / 12 / 81

HEX #24312B

RGB 36 49 43

HSL 152.31, 0.15%, 0.17%

LAB 19, -7.03, 2.04

 

CMYK 24 / 27 / 0 / 81

HEX #252431

RGB 37 36 49

HSL 244.62, 0.15%, 0.17%

LAB 14.83, 3.96, -8.35

 

CMYK 0 / 27 / 14 / 81

HEX #31242A

RGB 49 36 42

HSL 332.31, 0.15%, 0.17%

LAB 15.91, 7.4, -1.6

 

CMYK 0 / 0 / 27 / 81

HEX #313124

RGB 49 49 36

HSL 60, 0.15%, 0.17%

LAB 19.95, -2.72, 8.33

 

Description

Color code: RGB 36 49 43 | qconv.com Color code: RGB 36 49 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 49 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 49 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 12 yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 12% 81% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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