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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 168 208 it is the complementary color RGB 219 87 47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 168 208. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 36 168 208 shade: RGB 41 168 203, RGB 58 186 222, RGB 75 204 241, RGB 92 222 255 and RGB 109 240 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 168 208. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 36 168 208 shade: RGB 36 168 208, RGB 19 150 189, RGB 2 132 170, RGB 0 114 151 and RGB 0 96 132

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 36 168 208 shade: RGB 36 168 208, RGB 36 122 208, RGB 36 75 208, RGB 43 36 208 and RGB 90 36 208

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 36 168 208 shade: RGB 36 168 208, RGB 36 122 208, RGB 36 75 208 and RGB 36 36 208

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 36 168 208 shade matches the following richer shades: RGB 36 168 208 and RGB 16 178 227

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 36 168 208 shade: RGB 36 168 208, RGB 56 157 188, RGB 76 147 168, RGB 96 136 148 and RGB 115 125 128

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 36 168 208 shade: RGB 36 208 153, RGB 36 208 199, RGB 36 170 208, RGB 36 125 208 and RGB 36 79 208

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 36 168 208 shade: RGB 24 111 137, RGB 30 139 173, RGB 36 168 208, RGB 64 184 221 and RGB 99 197 227

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 36 168 208 shade: RGB 36 168 208, RGB 108 36 208 and RGB 208 176 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 36 168 208 shade: RGB 36 168 208, RGB 208 36 170 and RGB 170 208 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 36 168 208 shade: RGB 36 168 208, RGB 108 36 208, RGB 208 73 36 and RGB 136 208 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 36 168 208 shade: RGB 36 168 208, RGB 159 36 208, RGB 208 73 36 and RGB 85 208 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 19 / 0 / 18

HEX #24A8D0

RGB 36 168 208

HSL 193.95, 0.7%, 0.48%

LAB 64.11, -20.24, -29.99

 

Complementary color

CMYK 0 / 60 / 79 / 14

HEX #DB572F

RGB 219 87 47

HSL 13.95, 0.7%, 0.52%

LAB 54.11, 49.69, 48.3

 

CMYK 80 / 17 / 0 / 20

HEX #29A8CB

RGB 41 168 203

HSL 192.96, 0.66%, 0.48%

LAB 63.99, -21.47, -27.39

 

CMYK 74 / 16 / 0 / 13

HEX #3ABADE

RGB 58 186 222

HSL 193.17, 0.71%, 0.55%

LAB 70.38, -22.73, -27.99

 

CMYK 69 / 15 / 0 / 5

HEX #4BCCF1

RGB 75 204 241

HSL 193.37, 0.86%, 0.62%

LAB 76.7, -23.71, -28.52

 

CMYK 64 / 13 / 0 / 0

HEX #5CDEFF

RGB 92 222 255

HSL 192.15, 1%, 0.68%

LAB 82.77, -25.97, -26.64

 

CMYK 57 / 6 / 0 / 0

HEX #6DF0FF

RGB 109 240 255

HSL 186.16, 1%, 0.71%

LAB 88.35, -31.82, -18.14

 

CMYK 83 / 19 / 0 / 18

HEX #24A8D0

RGB 36 168 208

HSL 193.95, 0.7%, 0.48%

LAB 64.11, -20.24, -29.99

 

CMYK 90 / 21 / 0 / 26

HEX #1396BD

RGB 19 150 189

HSL 193.76, 0.82%, 0.41%

LAB 57.68, -18.41, -29.31

 

CMYK 99 / 22 / 0 / 33

HEX #0284AA

RGB 2 132 170

HSL 193.57, 0.98%, 0.34%

LAB 51.17, -16.18, -28.56

 

CMYK 100 / 25 / 0 / 41

HEX #007297

RGB 0 114 151

HSL 194.7, 1%, 0.3%

LAB 44.62, -13.24, -27.65

 

CMYK 100 / 27 / 0 / 48

HEX #006084

RGB 0 96 132

HSL 196.36, 1%, 0.26%

LAB 37.9, -10.07, -26.74

 

CMYK 83 / 19 / 0 / 18

HEX #24A8D0

RGB 36 168 208

HSL 193.95, 0.7%, 0.48%

LAB 64.11, -20.24, -29.99

 

CMYK 83 / 41 / 0 / 18

HEX #247AD0

RGB 36 122 208

HSL 210, 0.7%, 0.48%

LAB 50.51, 6.05, -51.37

 

CMYK 83 / 64 / 0 / 18

HEX #244BD0

RGB 36 75 208

HSL 226.4, 0.7%, 0.48%

LAB 37.77, 36.17, -72.01

 

CMYK 79 / 83 / 0 / 18

HEX #2B24D0

RGB 43 36 208

HSL 242.44, 0.7%, 0.48%

LAB 30.23, 58.43, -84.46

 

CMYK 57 / 83 / 0 / 18

HEX #5A24D0

RGB 90 36 208

HSL 258.84, 0.7%, 0.48%

LAB 33.96, 62.06, -78.16

 

CMYK 83 / 19 / 0 / 18

HEX #24A8D0

RGB 36 168 208

HSL 193.95, 0.7%, 0.48%

LAB 64.11, -20.24, -29.99

 

CMYK 83 / 41 / 0 / 18

HEX #247AD0

RGB 36 122 208

HSL 210, 0.7%, 0.48%

LAB 50.51, 6.05, -51.37

 

CMYK 83 / 64 / 0 / 18

HEX #244BD0

RGB 36 75 208

HSL 226.4, 0.7%, 0.48%

LAB 37.77, 36.17, -72.01

 

CMYK 83 / 83 / 0 / 18

HEX #2424D0

RGB 36 36 208

HSL 240, 0.7%, 0.48%

LAB 29.89, 58.11, -85.03

 

CMYK 83 / 19 / 0 / 18

HEX #24A8D0

RGB 36 168 208

HSL 193.95, 0.7%, 0.48%

LAB 64.11, -20.24, -29.99

 

CMYK 93 / 22 / 0 / 11

HEX #10B2E3

RGB 16 178 227

HSL 193.93, 0.87%, 0.48%

LAB 67.65, -20.12, -34.98

 

CMYK 83 / 19 / 0 / 18

HEX #24A8D0

RGB 36 168 208

HSL 193.95, 0.7%, 0.48%

LAB 64.11, -20.24, -29.99

 

CMYK 70 / 16 / 0 / 26

HEX #389DBC

RGB 56 157 188

HSL 194.09, 0.54%, 0.48%

LAB 60.41, -18.86, -24.48

 

CMYK 55 / 13 / 0 / 34

HEX #4C93A8

RGB 76 147 168

HSL 193.7, 0.38%, 0.48%

LAB 57.3, -16.18, -17.85

 

CMYK 35 / 8 / 0 / 42

HEX #608894

RGB 96 136 148

HSL 193.85, 0.21%, 0.48%

LAB 54.27, -10.69, -10.85

 

CMYK 10 / 2 / 0 / 50

HEX #737D80

RGB 115 125 128

HSL 193.85, 0.05%, 0.48%

LAB 51.69, -3.05, -2.91

 

CMYK 83 / 0 / 26 / 18

HEX #24D099

RGB 36 208 153

HSL 160.81, 0.7%, 0.48%

LAB 74.69, -54.17, 15.76

 

CMYK 83 / 0 / 4 / 18

HEX #24D0C7

RGB 36 208 199

HSL 176.86, 0.7%, 0.48%

LAB 75.83, -42.31, -7.3

 

CMYK 83 / 18 / 0 / 18

HEX #24AAD0

RGB 36 170 208

HSL 193.26, 0.7%, 0.48%

LAB 64.71, -21.28, -29.06

 

CMYK 83 / 40 / 0 / 18

HEX #247DD0

RGB 36 125 208

HSL 208.95, 0.7%, 0.48%

LAB 51.38, 4.2, -49.99

 

CMYK 83 / 62 / 0 / 18

HEX #244FD0

RGB 36 79 208

HSL 225, 0.7%, 0.48%

LAB 38.76, 33.61, -70.38

 

CMYK 82 / 19 / 0 / 46

HEX #186F89

RGB 24 111 137

HSL 193.81, 0.7%, 0.32%

LAB 43.31, -15.17, -21.32

 

CMYK 83 / 20 / 0 / 32

HEX #1E8BAD

RGB 30 139 173

HSL 194.27, 0.7%, 0.4%

LAB 53.77, -17.31, -26.24

 

CMYK 83 / 19 / 0 / 18

HEX #24A8D0

RGB 36 168 208

HSL 193.95, 0.7%, 0.48%

LAB 64.11, -20.24, -29.99

 

CMYK 71 / 17 / 0 / 13

HEX #40B8DD

RGB 64 184 221

HSL 194.14, 0.7%, 0.56%

LAB 69.89, -21.27, -28.18

 

CMYK 56 / 13 / 0 / 11

HEX #63C5E3

RGB 99 197 227

HSL 194.06, 0.7%, 0.64%

LAB 74.91, -20.37, -23.66

 

CMYK 83 / 19 / 0 / 18

HEX #24A8D0

RGB 36 168 208

HSL 193.95, 0.7%, 0.48%

LAB 64.11, -20.24, -29.99

 

CMYK 48 / 83 / 0 / 18

HEX #6C24D0

RGB 108 36 208

HSL 265.12, 0.7%, 0.48%

LAB 35.99, 64.09, -74.74

 

CMYK 0 / 15 / 83 / 18

HEX #D0B024

RGB 208 176 36

HSL 48.84, 0.7%, 0.48%

LAB 72.62, -1.58, 68.78

 

CMYK 83 / 19 / 0 / 18

HEX #24A8D0

RGB 36 168 208

HSL 193.95, 0.7%, 0.48%

LAB 64.11, -20.24, -29.99

 

CMYK 0 / 83 / 18 / 18

HEX #D024AA

RGB 208 36 170

HSL 313.26, 0.7%, 0.48%

LAB 48.98, 74.52, -30.78

 

CMYK 18 / 0 / 83 / 18

HEX #AAD024

RGB 170 208 36

HSL 73.26, 0.7%, 0.48%

LAB 78.34, -33.65, 72.5

 

CMYK 83 / 19 / 0 / 18

HEX #24A8D0

RGB 36 168 208

HSL 193.95, 0.7%, 0.48%

LAB 64.11, -20.24, -29.99

 

CMYK 48 / 83 / 0 / 18

HEX #6C24D0

RGB 108 36 208

HSL 265.12, 0.7%, 0.48%

LAB 35.99, 64.09, -74.74

 

CMYK 0 / 65 / 83 / 18

HEX #D04924

RGB 208 73 36

HSL 12.91, 0.7%, 0.48%

LAB 49.86, 51.61, 48.84

 

CMYK 35 / 0 / 83 / 18

HEX #88D024

RGB 136 208 36

HSL 85.12, 0.7%, 0.48%

LAB 76.36, -46.58, 70.01

 

CMYK 83 / 19 / 0 / 18

HEX #24A8D0

RGB 36 168 208

HSL 193.95, 0.7%, 0.48%

LAB 64.11, -20.24, -29.99

 

CMYK 24 / 83 / 0 / 18

HEX #9F24D0

RGB 159 36 208

HSL 282.91, 0.7%, 0.48%

LAB 43.04, 71.38, -62.92

 

CMYK 0 / 65 / 83 / 18

HEX #D04924

RGB 208 73 36

HSL 12.91, 0.7%, 0.48%

LAB 49.86, 51.61, 48.84

 

CMYK 59 / 0 / 83 / 18

HEX #55D024

RGB 85 208 36

HSL 102.91, 0.7%, 0.48%

LAB 74.3, -62.08, 67.39

 

Description

Color code: RGB 36 168 208 | qconv.com Color code: RGB 36 168 208 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 168 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 168 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 19 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 19% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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