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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 175 213 it is the complementary color RGB 219 80 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 175 213. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 36 175 213 shade: RGB 41 175 208, RGB 58 193 227, RGB 75 211 246, RGB 92 229 255 and RGB 109 247 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 175 213. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 36 175 213 shade: RGB 36 175 213, RGB 19 157 194, RGB 2 139 175, RGB 0 121 156 and RGB 0 103 137

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 36 175 213 shade: RGB 36 175 213, RGB 36 127 213, RGB 36 79 213, RGB 40 36 213 and RGB 88 36 213

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 36 175 213 shade: RGB 36 175 213, RGB 36 127 213, RGB 36 79 213 and RGB 36 36 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 36 175 213 shade matches the following richer shades: RGB 36 175 213 and RGB 16 187 233

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 36 175 213 shade: RGB 36 175 213, RGB 56 164 193, RGB 76 152 173, RGB 96 140 153 and RGB 117 129 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 36 175 213 shade: RGB 36 213 154, RGB 36 213 201, RGB 36 178 213, RGB 36 130 213 and RGB 36 83 213

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 36 175 213 shade: RGB 24 117 143, RGB 30 146 178, RGB 36 175 213, RGB 67 189 223 and RGB 103 202 229

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 36 175 213 shade: RGB 36 175 213, RGB 107 36 213 and RGB 213 178 36

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 36 175 213 shade: RGB 36 175 213, RGB 213 36 178 and RGB 178 213 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 36 175 213 shade: RGB 36 175 213, RGB 107 36 213, RGB 213 71 36 and RGB 142 213 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 36 175 213 shade: RGB 36 175 213, RGB 160 36 213, RGB 213 71 36 and RGB 89 213 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 18 / 0 / 16

HEX #24AFD5

RGB 36 175 213

HSL 192.88, 0.71%, 0.49%

LAB 66.4, -22.2, -29.22

 

Complementary color

CMYK 0 / 63 / 81 / 14

HEX #DB502A

RGB 219 80 42

HSL 12.88, 0.71%, 0.51%

LAB 52.91, 52.61, 49.54

 

CMYK 80 / 16 / 0 / 18

HEX #29AFD0

RGB 41 175 208

HSL 191.86, 0.67%, 0.49%

LAB 66.28, -23.43, -26.63

 

CMYK 74 / 15 / 0 / 11

HEX #3AC1E3

RGB 58 193 227

HSL 192.07, 0.75%, 0.56%

LAB 72.62, -24.69, -27.27

 

CMYK 70 / 14 / 0 / 4

HEX #4BD3F6

RGB 75 211 246

HSL 192.28, 0.9%, 0.63%

LAB 78.89, -25.68, -27.84

 

CMYK 64 / 10 / 0 / 0

HEX #5CE5FF

RGB 92 229 255

HSL 189.57, 1%, 0.68%

LAB 84.76, -29.38, -23.62

 

CMYK 57 / 3 / 0 / 0

HEX #6DF7FF

RGB 109 247 255

HSL 183.29, 1%, 0.71%

LAB 90.32, -35.1, -15.18

 

CMYK 83 / 18 / 0 / 16

HEX #24AFD5

RGB 36 175 213

HSL 192.88, 0.71%, 0.49%

LAB 66.4, -22.2, -29.22

 

CMYK 90 / 19 / 0 / 24

HEX #139DC2

RGB 19 157 194

HSL 192.69, 0.82%, 0.42%

LAB 60.02, -20.39, -28.51

 

CMYK 99 / 21 / 0 / 31

HEX #028BAF

RGB 2 139 175

HSL 192.49, 0.98%, 0.35%

LAB 53.57, -18.19, -27.72

 

CMYK 100 / 22 / 0 / 39

HEX #00799C

RGB 0 121 156

HSL 193.46, 1%, 0.31%

LAB 47.07, -15.32, -26.78

 

CMYK 100 / 25 / 0 / 46

HEX #006789

RGB 0 103 137

HSL 194.89, 1%, 0.27%

LAB 40.42, -12.25, -25.83

 

CMYK 83 / 18 / 0 / 16

HEX #24AFD5

RGB 36 175 213

HSL 192.88, 0.71%, 0.49%

LAB 66.4, -22.2, -29.22

 

CMYK 83 / 40 / 0 / 16

HEX #247FD5

RGB 36 127 213

HSL 209.15, 0.71%, 0.49%

LAB 52.24, 4.87, -51.44

 

CMYK 83 / 63 / 0 / 16

HEX #244FD5

RGB 36 79 213

HSL 225.42, 0.71%, 0.49%

LAB 39.19, 35.47, -72.56

 

CMYK 81 / 83 / 0 / 16

HEX #2824D5

RGB 40 36 213

HSL 241.36, 0.71%, 0.49%

LAB 30.68, 59.77, -86.61

 

CMYK 59 / 83 / 0 / 16

HEX #5824D5

RGB 88 36 213

HSL 257.63, 0.71%, 0.49%

LAB 34.27, 63.16, -80.54

 

CMYK 83 / 18 / 0 / 16

HEX #24AFD5

RGB 36 175 213

HSL 192.88, 0.71%, 0.49%

LAB 66.4, -22.2, -29.22

 

CMYK 83 / 40 / 0 / 16

HEX #247FD5

RGB 36 127 213

HSL 209.15, 0.71%, 0.49%

LAB 52.24, 4.87, -51.44

 

CMYK 83 / 63 / 0 / 16

HEX #244FD5

RGB 36 79 213

HSL 225.42, 0.71%, 0.49%

LAB 39.19, 35.47, -72.56

 

CMYK 83 / 83 / 0 / 16

HEX #2424D5

RGB 36 36 213

HSL 240, 0.71%, 0.49%

LAB 30.5, 59.6, -86.92

 

CMYK 83 / 18 / 0 / 16

HEX #24AFD5

RGB 36 175 213

HSL 192.88, 0.71%, 0.49%

LAB 66.4, -22.2, -29.22

 

CMYK 93 / 20 / 0 / 9

HEX #10BBE9

RGB 16 187 233

HSL 192.72, 0.87%, 0.49%

LAB 70.55, -22.73, -33.76

 

CMYK 83 / 18 / 0 / 16

HEX #24AFD5

RGB 36 175 213

HSL 192.88, 0.71%, 0.49%

LAB 66.4, -22.2, -29.22

 

CMYK 71 / 15 / 0 / 24

HEX #38A4C1

RGB 56 164 193

HSL 192.7, 0.55%, 0.49%

LAB 62.71, -20.93, -23.75

 

CMYK 56 / 12 / 0 / 32

HEX #4C98AD

RGB 76 152 173

HSL 192.99, 0.39%, 0.49%

LAB 58.98, -17.37, -18.13

 

CMYK 37 / 8 / 0 / 40

HEX #608C99

RGB 96 140 153

HSL 193.68, 0.23%, 0.49%

LAB 55.63, -11.58, -11.7

 

CMYK 11 / 2 / 0 / 48

HEX #758184

RGB 117 129 132

HSL 192, 0.06%, 0.49%

LAB 53.11, -3.75, -3.13

 

CMYK 83 / 0 / 28 / 16

HEX #24D59A

RGB 36 213 154

HSL 160, 0.71%, 0.49%

LAB 76.25, -55.87, 17.41

 

CMYK 83 / 0 / 6 / 16

HEX #24D5C9

RGB 36 213 201

HSL 175.93, 0.71%, 0.49%

LAB 77.39, -43.94, -6.07

 

CMYK 83 / 16 / 0 / 16

HEX #24B2D5

RGB 36 178 213

HSL 191.86, 0.71%, 0.49%

LAB 67.29, -23.74, -27.84

 

CMYK 83 / 39 / 0 / 16

HEX #2482D5

RGB 36 130 213

HSL 208.14, 0.71%, 0.49%

LAB 53.11, 3.05, -50.06

 

CMYK 83 / 61 / 0 / 16

HEX #2453D5

RGB 36 83 213

HSL 224.07, 0.71%, 0.49%

LAB 40.19, 32.91, -70.93

 

CMYK 83 / 18 / 0 / 44

HEX #18758F

RGB 24 117 143

HSL 193.11, 0.71%, 0.33%

LAB 45.5, -16.38, -21.53

 

CMYK 83 / 18 / 0 / 30

HEX #1E92B2

RGB 30 146 178

HSL 192.97, 0.71%, 0.41%

LAB 56.14, -19.35, -25.45

 

CMYK 83 / 18 / 0 / 16

HEX #24AFD5

RGB 36 175 213

HSL 192.88, 0.71%, 0.49%

LAB 66.4, -22.2, -29.22

 

CMYK 70 / 15 / 0 / 13

HEX #43BDDF

RGB 67 189 223

HSL 193.08, 0.71%, 0.57%

LAB 71.5, -22.8, -26.8

 

CMYK 55 / 12 / 0 / 10

HEX #67CAE5

RGB 103 202 229

HSL 192.86, 0.71%, 0.65%

LAB 76.55, -21.56, -22.23

 

CMYK 83 / 18 / 0 / 16

HEX #24AFD5

RGB 36 175 213

HSL 192.88, 0.71%, 0.49%

LAB 66.4, -22.2, -29.22

 

CMYK 50 / 83 / 0 / 16

HEX #6B24D5

RGB 107 36 213

HSL 264.07, 0.71%, 0.49%

LAB 36.35, 65.18, -77.05

 

CMYK 0 / 16 / 83 / 16

HEX #D5B224

RGB 213 178 36

HSL 48.14, 0.71%, 0.49%

LAB 73.62, -0.44, 69.82

 

CMYK 83 / 18 / 0 / 16

HEX #24AFD5

RGB 36 175 213

HSL 192.88, 0.71%, 0.49%

LAB 66.4, -22.2, -29.22

 

CMYK 0 / 83 / 16 / 16

HEX #D524B2

RGB 213 36 178

HSL 311.86, 0.71%, 0.49%

LAB 50.24, 76.6, -33.44

 

CMYK 16 / 0 / 83 / 16

HEX #B2D524

RGB 178 213 36

HSL 71.86, 0.71%, 0.49%

LAB 80.28, -32.74, 74.38

 

CMYK 83 / 18 / 0 / 16

HEX #24AFD5

RGB 36 175 213

HSL 192.88, 0.71%, 0.49%

LAB 66.4, -22.2, -29.22

 

CMYK 50 / 83 / 0 / 16

HEX #6B24D5

RGB 107 36 213

HSL 264.07, 0.71%, 0.49%

LAB 36.35, 65.18, -77.05

 

CMYK 0 / 67 / 83 / 16

HEX #D54724

RGB 213 71 36

HSL 11.86, 0.71%, 0.49%

LAB 50.43, 54.15, 49.68

 

CMYK 33 / 0 / 83 / 16

HEX #8ED524

RGB 142 213 36

HSL 84.07, 0.71%, 0.49%

LAB 78.15, -46.52, 71.7

 

CMYK 83 / 18 / 0 / 16

HEX #24AFD5

RGB 36 175 213

HSL 192.88, 0.71%, 0.49%

LAB 66.4, -22.2, -29.22

 

CMYK 25 / 83 / 0 / 16

HEX #A024D5

RGB 160 36 213

HSL 282.03, 0.71%, 0.49%

LAB 43.57, 72.5, -64.95

 

CMYK 0 / 67 / 83 / 16

HEX #D54724

RGB 213 71 36

HSL 11.86, 0.71%, 0.49%

LAB 50.43, 54.15, 49.68

 

CMYK 58 / 0 / 83 / 16

HEX #59D524

RGB 89 213 36

HSL 102.03, 0.71%, 0.49%

LAB 75.97, -62.81, 68.94

 

Description

Color code: RGB 36 175 213 | qconv.com Color code: RGB 36 175 213 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 175 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 175 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 18 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 18% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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