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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 36 238 70 it is the complementary color RGB 219 17 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 36 238 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 36 238 70 shade: RGB 41 238 65, RGB 58 255 84, RGB 75 255 103, RGB 92 255 122 and RGB 109 255 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 36 238 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 36 238 70 shade: RGB 36 238 70, RGB 19 220 51, RGB 2 202 32, RGB 0 184 13 and RGB 0 166 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 36 238 70 shade: RGB 36 238 70, RGB 57 238 36, RGB 111 238 36, RGB 166 238 36 and RGB 220 238 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 36 238 70 shade: RGB 36 238 70, RGB 36 238 125, RGB 36 238 179, RGB 36 238 234 and RGB 36 188 238

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 36 238 70 shade matches the following richer shades: RGB 36 238 70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 36 238 70 shade: RGB 36 238 70, RGB 55 219 83, RGB 74 200 95, RGB 93 181 108 and RGB 112 162 121

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 36 238 70 shade: RGB 110 238 36, RGB 56 238 36, RGB 36 238 70, RGB 36 238 124 and RGB 36 238 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 36 238 70 shade: RGB 13 179 41, RGB 16 217 50, RGB 36 238 70, RGB 75 241 103 and RGB 113 244 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 36 238 70 shade: RGB 36 238 70, RGB 36 164 238 and RGB 238 36 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 36 238 70 shade: RGB 36 238 70, RGB 70 36 238 and RGB 238 70 36

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 36 238 70 shade: RGB 36 238 70, RGB 36 164 238, RGB 238 36 204 and RGB 238 110 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 36 238 70 shade: RGB 36 238 70, RGB 36 104 238, RGB 238 36 204 and RGB 238 171 36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 71 / 7

HEX #24EE46

RGB 36 238 70

HSL 130.1, 0.86%, 0.54%

LAB 82.9, -76.97, 64.87

 

Complementary color

CMYK 0 / 92 / 16 / 14

HEX #DB11B9

RGB 219 17 185

HSL 310.1, 0.86%, 0.46%

LAB 50.64, 81.63, -36.83

 

CMYK 83 / 0 / 73 / 7

HEX #29EE41

RGB 41 238 65

HSL 127.31, 0.85%, 0.55%

LAB 82.91, -76.92, 66.66

 

CMYK 77 / 0 / 67 / 0

HEX #3AFF54

RGB 58 255 84

HSL 127.92, 1%, 0.61%

LAB 88.48, -78.45, 65.64

 

CMYK 71 / 0 / 60 / 0

HEX #4BFF67

RGB 75 255 103

HSL 129.33, 1%, 0.65%

LAB 88.92, -74.11, 58.51

 

CMYK 64 / 0 / 52 / 0

HEX #5CFF7A

RGB 92 255 122

HSL 131.04, 1%, 0.68%

LAB 89.49, -68.82, 50.83

 

CMYK 57 / 0 / 45 / 0

HEX #6DFF8D

RGB 109 255 141

HSL 133.15, 1%, 0.71%

LAB 90.18, -62.64, 42.84

 

CMYK 85 / 0 / 71 / 7

HEX #24EE46

RGB 36 238 70

HSL 130.1, 0.86%, 0.54%

LAB 82.9, -76.97, 64.87

 

CMYK 91 / 0 / 77 / 14

HEX #13DC33

RGB 19 220 51

HSL 129.55, 0.84%, 0.47%

LAB 77.02, -74.47, 65.32

 

CMYK 99 / 0 / 84 / 21

HEX #02CA20

RGB 2 202 32

HSL 129, 0.98%, 0.4%

LAB 71.12, -71.3, 65.01

 

CMYK 100 / 0 / 93 / 28

HEX #00B80D

RGB 0 184 13

HSL 124.24, 1%, 0.36%

LAB 65.21, -67.15, 63.5

 

CMYK 100 / 0 / 100 / 35

HEX #00A600

RGB 0 166 0

HSL 120, 1%, 0.33%

LAB 59.23, -62.5, 60.32

 

CMYK 85 / 0 / 71 / 7

HEX #24EE46

RGB 36 238 70

HSL 130.1, 0.86%, 0.54%

LAB 82.9, -76.97, 64.87

 

CMYK 76 / 0 / 85 / 7

HEX #39EE24

RGB 57 238 36

HSL 113.76, 0.86%, 0.54%

LAB 82.99, -76.76, 74.93

 

CMYK 53 / 0 / 85 / 7

HEX #6FEE24

RGB 111 238 36

HSL 97.72, 0.86%, 0.54%

LAB 84.31, -65.8, 76.59

 

CMYK 30 / 0 / 85 / 7

HEX #A6EE24

RGB 166 238 36

HSL 81.39, 0.86%, 0.54%

LAB 86.69, -48.33, 79.59

 

CMYK 8 / 0 / 85 / 7

HEX #DCEE24

RGB 220 238 36

HSL 65.35, 0.86%, 0.54%

LAB 90.09, -27.38, 83.8

 

CMYK 85 / 0 / 71 / 7

HEX #24EE46

RGB 36 238 70

HSL 130.1, 0.86%, 0.54%

LAB 82.9, -76.97, 64.87

 

CMYK 85 / 0 / 47 / 7

HEX #24EE7D

RGB 36 238 125

HSL 146.44, 0.86%, 0.54%

LAB 83.44, -70.25, 41.72

 

CMYK 85 / 0 / 25 / 7

HEX #24EEB3

RGB 36 238 179

HSL 162.48, 0.86%, 0.54%

LAB 84.37, -59.69, 15.65

 

CMYK 85 / 0 / 2 / 7

HEX #24EEEA

RGB 36 238 234

HSL 178.81, 0.86%, 0.54%

LAB 85.74, -45.53, -11.19

 

CMYK 85 / 21 / 0 / 7

HEX #24BCEE

RGB 36 188 238

HSL 194.85, 0.86%, 0.54%

LAB 71.22, -20.53, -35.41

 

CMYK 85 / 0 / 71 / 7

HEX #24EE46

RGB 36 238 70

HSL 130.1, 0.86%, 0.54%

LAB 82.9, -76.97, 64.87

 

CMYK 85 / 0 / 71 / 7

HEX #24EE46

RGB 36 238 70

HSL 130.1, 0.86%, 0.54%

LAB 82.9, -76.97, 64.87

 

CMYK 75 / 0 / 62 / 14

HEX #37DB53

RGB 55 219 83

HSL 130.24, 0.69%, 0.54%

LAB 77.34, -67.79, 53.79

 

CMYK 63 / 0 / 53 / 22

HEX #4AC85F

RGB 74 200 95

HSL 130, 0.53%, 0.54%

LAB 71.95, -56.45, 42.09

 

CMYK 49 / 0 / 40 / 29

HEX #5DB56C

RGB 93 181 108

HSL 130.23, 0.37%, 0.54%

LAB 66.87, -42.28, 29.24

 

CMYK 31 / 0 / 25 / 36

HEX #70A279

RGB 112 162 121

HSL 130.8, 0.21%, 0.54%

LAB 62.22, -25.36, 16.12

 

CMYK 54 / 0 / 85 / 7

HEX #6EEE24

RGB 110 238 36

HSL 98.02, 0.86%, 0.54%

LAB 84.27, -66.07, 76.55

 

CMYK 76 / 0 / 85 / 7

HEX #38EE24

RGB 56 238 36

HSL 114.06, 0.86%, 0.54%

LAB 82.98, -76.9, 74.91

 

CMYK 85 / 0 / 71 / 7

HEX #24EE46

RGB 36 238 70

HSL 130.1, 0.86%, 0.54%

LAB 82.9, -76.97, 64.87

 

CMYK 85 / 0 / 48 / 7

HEX #24EE7C

RGB 36 238 124

HSL 146.14, 0.86%, 0.54%

LAB 83.43, -70.41, 42.19

 

CMYK 85 / 0 / 25 / 7

HEX #24EEB2

RGB 36 238 178

HSL 162.18, 0.86%, 0.54%

LAB 84.35, -59.92, 16.14

 

CMYK 93 / 0 / 77 / 30

HEX #0DB329

RGB 13 179 41

HSL 130.12, 0.86%, 0.38%

LAB 63.74, -63.75, 55.54

 

CMYK 93 / 0 / 77 / 15

HEX #10D932

RGB 16 217 50

HSL 130.15, 0.86%, 0.46%

LAB 76.05, -73.85, 64.68

 

CMYK 85 / 0 / 71 / 7

HEX #24EE46

RGB 36 238 70

HSL 130.1, 0.86%, 0.54%

LAB 82.9, -76.97, 64.87

 

CMYK 69 / 0 / 57 / 5

HEX #4BF167

RGB 75 241 103

HSL 130.12, 0.86%, 0.62%

LAB 84.68, -69.53, 53.6

 

CMYK 54 / 0 / 45 / 4

HEX #71F487

RGB 113 244 135

HSL 130.08, 0.86%, 0.7%

LAB 86.98, -58.45, 41.69

 

CMYK 85 / 0 / 71 / 7

HEX #24EE46

RGB 36 238 70

HSL 130.1, 0.86%, 0.54%

LAB 82.9, -76.97, 64.87

 

CMYK 85 / 31 / 0 / 7

HEX #24A4EE

RGB 36 164 238

HSL 201.98, 0.86%, 0.54%

LAB 64.24, -7.58, -46.33

 

CMYK 0 / 85 / 65 / 7

HEX #EE2453

RGB 238 36 83

HSL 346.04, 0.86%, 0.54%

LAB 51.91, 73.85, 26.6

 

CMYK 85 / 0 / 71 / 7

HEX #24EE46

RGB 36 238 70

HSL 130.1, 0.86%, 0.54%

LAB 82.9, -76.97, 64.87

 

CMYK 71 / 85 / 0 / 7

HEX #4624EE

RGB 70 36 238

HSL 250.1, 0.86%, 0.54%

LAB 35.47, 68.37, -92.92

 

CMYK 0 / 71 / 85 / 7

HEX #EE4624

RGB 238 70 36

HSL 10.1, 0.86%, 0.54%

LAB 54.75, 62.65, 55.18

 

CMYK 85 / 0 / 71 / 7

HEX #24EE46

RGB 36 238 70

HSL 130.1, 0.86%, 0.54%

LAB 82.9, -76.97, 64.87

 

CMYK 85 / 31 / 0 / 7

HEX #24A4EE

RGB 36 164 238

HSL 201.98, 0.86%, 0.54%

LAB 64.24, -7.58, -46.33

 

CMYK 0 / 85 / 14 / 7

HEX #EE24CC

RGB 238 36 204

HSL 310.1, 0.86%, 0.54%

LAB 55.89, 84.95, -39.35

 

CMYK 0 / 54 / 85 / 7

HEX #EE6E24

RGB 238 110 36

HSL 21.98, 0.86%, 0.54%

LAB 61.18, 45.58, 60.58

 

CMYK 85 / 0 / 71 / 7

HEX #24EE46

RGB 36 238 70

HSL 130.1, 0.86%, 0.54%

LAB 82.9, -76.97, 64.87

 

CMYK 85 / 56 / 0 / 7

HEX #2468EE

RGB 36 104 238

HSL 219.8, 0.86%, 0.54%

LAB 47.56, 28.84, -73.08

 

CMYK 0 / 85 / 14 / 7

HEX #EE24CC

RGB 238 36 204

HSL 310.1, 0.86%, 0.54%

LAB 55.89, 84.95, -39.35

 

CMYK 0 / 28 / 85 / 7

HEX #EEAB24

RGB 238 171 36

HSL 40.1, 0.86%, 0.54%

LAB 74.46, 14.08, 71.58

 

Description

Color code: RGB 36 238 70 | qconv.com Color code: RGB 36 238 70 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 36 red, 238 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
36 238 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 71 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 71% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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