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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 149 226 it is the complementary color RGB 217 106 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 149 226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 149 226 shade: RGB 43 149 221, RGB 60 167 240, RGB 77 185 255, RGB 94 203 255 and RGB 111 221 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 149 226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 149 226 shade: RGB 38 149 226, RGB 21 131 207, RGB 4 113 188, RGB 0 95 169 and RGB 0 77 150

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 149 226 shade: RGB 39 149 225, RGB 39 99 225, RGB 39 49 225, RGB 80 39 225 and RGB 130 39 225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 149 226 shade: RGB 39 149 225, RGB 39 99 225, RGB 39 49 225 and RGB 39 39 225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 149 226 shade matches the following richer shades: RGB 39 149 225 and RGB 19 153 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 149 226 shade: RGB 39 149 225, RGB 59 145 205, RGB 79 142 186, RGB 98 138 166 and RGB 118 135 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 149 226 shade: RGB 39 225 200, RGB 39 200 225, RGB 39 151 225, RGB 39 101 225 and RGB 39 51 225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 149 226 shade: RGB 21 103 160, RGB 26 127 197, RGB 39 149 225, RGB 75 167 230 and RGB 112 185 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 149 226 shade: RGB 38 149 226, RGB 151 39 225 and RGB 225 225 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 149 226 shade: RGB 38 149 226, RGB 225 39 151 and RGB 151 225 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 149 226 shade: RGB 38 149 226, RGB 151 39 225, RGB 225 113 39 and RGB 113 225 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 149 226 shade: RGB 38 149 226, RGB 207 39 225, RGB 225 113 39 and RGB 58 225 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 34 / 0 / 11

HEX #2695E2

RGB 38 149 226

HSL 204.57, 0.76%, 0.52%

LAB 59.34, -3.22, -47.44

 

Complementary color

CMYK 0 / 51 / 87 / 15

HEX #D96A1D

RGB 217 106 29

HSL 24.57, 0.76%, 0.48%

LAB 57.22, 39.3, 58.53

 

CMYK 81 / 33 / 0 / 13

HEX #2B95DD

RGB 43 149 221

HSL 204.27, 0.72%, 0.52%

LAB 59.19, -4.6, -44.9

 

CMYK 75 / 30 / 0 / 6

HEX #3CA7F0

RGB 60 167 240

HSL 204.33, 0.86%, 0.59%

LAB 65.66, -6.31, -45.16

 

CMYK 70 / 27 / 0 / 0

HEX #4DB9FF

RGB 77 185 255

HSL 203.6, 1%, 0.65%

LAB 71.89, -9.02, -43.5

 

CMYK 63 / 20 / 0 / 0

HEX #5ECBFF

RGB 94 203 255

HSL 199.38, 1%, 0.68%

LAB 77.47, -16.02, -34.79

 

CMYK 56 / 13 / 0 / 0

HEX #6FDDFF

RGB 111 221 255

HSL 194.17, 1%, 0.72%

LAB 83.08, -22.2, -26.12

 

CMYK 83 / 34 / 0 / 11

HEX #2695E2

RGB 38 149 226

HSL 204.57, 0.76%, 0.52%

LAB 59.34, -3.22, -47.44

 

CMYK 90 / 37 / 0 / 19

HEX #1583CF

RGB 21 131 207

HSL 204.52, 0.82%, 0.45%

LAB 52.84, -0.87, -47.11

 

CMYK 98 / 40 / 0 / 26

HEX #0471BC

RGB 4 113 188

HSL 204.46, 0.96%, 0.38%

LAB 46.27, 2, -46.71

 

CMYK 100 / 44 / 0 / 34

HEX #005FA9

RGB 0 95 169

HSL 206.27, 1%, 0.33%

LAB 39.66, 5.59, -46.16

 

CMYK 100 / 49 / 0 / 41

HEX #004D96

RGB 0 77 150

HSL 209.2, 1%, 0.29%

LAB 32.94, 9.61, -45.58

 

CMYK 83 / 34 / 0 / 12

HEX #2795E1

RGB 39 149 225

HSL 204.52, 0.76%, 0.52%

LAB 59.31, -3.5, -46.94

 

CMYK 83 / 56 / 0 / 12

HEX #2763E1

RGB 39 99 225

HSL 220.65, 0.76%, 0.52%

LAB 45.35, 27.36, -69.35

 

CMYK 83 / 78 / 0 / 12

HEX #2731E1

RGB 39 49 225

HSL 236.77, 0.76%, 0.52%

LAB 34.12, 57.3, -87.81

 

CMYK 64 / 83 / 0 / 12

HEX #5027E1

RGB 80 39 225

HSL 253.23, 0.76%, 0.52%

LAB 35.19, 64.48, -85.96

 

CMYK 42 / 83 / 0 / 12

HEX #8227E1

RGB 130 39 225

HSL 269.35, 0.76%, 0.52%

LAB 40.63, 69.84, -76.8

 

CMYK 83 / 34 / 0 / 12

HEX #2795E1

RGB 39 149 225

HSL 204.52, 0.76%, 0.52%

LAB 59.31, -3.5, -46.94

 

CMYK 83 / 56 / 0 / 12

HEX #2763E1

RGB 39 99 225

HSL 220.65, 0.76%, 0.52%

LAB 45.35, 27.36, -69.35

 

CMYK 83 / 78 / 0 / 12

HEX #2731E1

RGB 39 49 225

HSL 236.77, 0.76%, 0.52%

LAB 34.12, 57.3, -87.81

 

CMYK 83 / 83 / 0 / 12

HEX #2727E1

RGB 39 39 225

HSL 240, 0.76%, 0.52%

LAB 32.52, 61.97, -90.46

 

CMYK 83 / 34 / 0 / 12

HEX #2795E1

RGB 39 149 225

HSL 204.52, 0.76%, 0.52%

LAB 59.31, -3.5, -46.94

 

CMYK 92 / 38 / 0 / 4

HEX #1399F5

RGB 19 153 245

HSL 204.42, 0.92%, 0.52%

LAB 61.23, 0.35, -54.95

 

CMYK 83 / 34 / 0 / 12

HEX #2795E1

RGB 39 149 225

HSL 204.52, 0.76%, 0.52%

LAB 59.31, -3.5, -46.94

 

CMYK 71 / 29 / 0 / 20

HEX #3B91CD

RGB 59 145 205

HSL 204.66, 0.59%, 0.52%

LAB 57.64, -6.09, -38.34

 

CMYK 58 / 24 / 0 / 27

HEX #4F8EBA

RGB 79 142 186

HSL 204.67, 0.44%, 0.52%

LAB 56.64, -7.22, -29.11

 

CMYK 41 / 17 / 0 / 35

HEX #628AA6

RGB 98 138 166

HSL 204.71, 0.28%, 0.52%

LAB 55.61, -6.36, -19.19

 

CMYK 19 / 8 / 0 / 43

HEX #768792

RGB 118 135 146

HSL 203.57, 0.11%, 0.52%

LAB 55.33, -3.66, -7.96

 

CMYK 83 / 0 / 11 / 12

HEX #27E1C8

RGB 39 225 200

HSL 171.94, 0.76%, 0.52%

LAB 80.99, -49.11, -0.24

 

CMYK 83 / 11 / 0 / 12

HEX #27C8E1

RGB 39 200 225

HSL 188.06, 0.76%, 0.52%

LAB 74.3, -30.57, -23.64

 

CMYK 83 / 33 / 0 / 12

HEX #2797E1

RGB 39 151 225

HSL 203.87, 0.76%, 0.52%

LAB 59.89, -4.65, -46.02

 

CMYK 83 / 55 / 0 / 12

HEX #2765E1

RGB 39 101 225

HSL 220, 0.76%, 0.52%

LAB 45.87, 26.07, -68.49

 

CMYK 83 / 77 / 0 / 12

HEX #2733E1

RGB 39 51 225

HSL 236.13, 0.76%, 0.52%

LAB 34.47, 56.29, -87.23

 

CMYK 87 / 36 / 0 / 37

HEX #1567A0

RGB 21 103 160

HSL 204.6, 0.77%, 0.35%

LAB 41.84, -1.99, -37.33

 

CMYK 87 / 36 / 0 / 23

HEX #1A7FC5

RGB 26 127 197

HSL 204.56, 0.77%, 0.44%

LAB 51.19, -1.97, -44.04

 

CMYK 83 / 34 / 0 / 12

HEX #2795E1

RGB 39 149 225

HSL 204.52, 0.76%, 0.52%

LAB 59.31, -3.5, -46.94

 

CMYK 67 / 27 / 0 / 10

HEX #4BA7E6

RGB 75 167 230

HSL 204.39, 0.76%, 0.6%

LAB 65.63, -7.66, -39.7

 

CMYK 52 / 21 / 0 / 8

HEX #70B9EB

RGB 112 185 235

HSL 204.39, 0.75%, 0.68%

LAB 72.32, -9.07, -31.92

 

CMYK 83 / 34 / 0 / 11

HEX #2695E2

RGB 38 149 226

HSL 204.57, 0.76%, 0.52%

LAB 59.34, -3.22, -47.44

 

CMYK 33 / 83 / 0 / 12

HEX #9727E1

RGB 151 39 225

HSL 276.13, 0.76%, 0.52%

LAB 43.46, 72.72, -72.06

 

CMYK 0 / 0 / 83 / 12

HEX #E1E127

RGB 225 225 39

HSL 60, 0.76%, 0.52%

LAB 87, -19.03, 80.75

 

CMYK 83 / 34 / 0 / 11

HEX #2695E2

RGB 38 149 226

HSL 204.57, 0.76%, 0.52%

LAB 59.34, -3.22, -47.44

 

CMYK 0 / 83 / 33 / 12

HEX #E12797

RGB 225 39 151

HSL 323.87, 0.76%, 0.52%

LAB 51.49, 75.37, -15.37

 

CMYK 33 / 0 / 83 / 12

HEX #97E127

RGB 151 225 39

HSL 83.87, 0.76%, 0.52%

LAB 82.15, -48.2, 74.68

 

CMYK 83 / 34 / 0 / 11

HEX #2695E2

RGB 38 149 226

HSL 204.57, 0.76%, 0.52%

LAB 59.34, -3.22, -47.44

 

CMYK 33 / 83 / 0 / 12

HEX #9727E1

RGB 151 39 225

HSL 276.13, 0.76%, 0.52%

LAB 43.46, 72.72, -72.06

 

CMYK 0 / 50 / 83 / 12

HEX #E17127

RGB 225 113 39

HSL 23.87, 0.76%, 0.52%

LAB 59.86, 39.17, 57.53

 

CMYK 50 / 0 / 83 / 12

HEX #71E127

RGB 113 225 39

HSL 96.13, 0.76%, 0.52%

LAB 80.46, -60.51, 72.55

 

CMYK 83 / 34 / 0 / 11

HEX #2695E2

RGB 38 149 226

HSL 204.57, 0.76%, 0.52%

LAB 59.34, -3.22, -47.44

 

CMYK 8 / 83 / 0 / 12

HEX #CF27E1

RGB 207 39 225

HSL 294.19, 0.76%, 0.52%

LAB 52.01, 81.7, -57.8

 

CMYK 0 / 50 / 83 / 12

HEX #E17127

RGB 225 113 39

HSL 23.87, 0.76%, 0.52%

LAB 59.86, 39.17, 57.53

 

CMYK 74 / 0 / 83 / 12

HEX #3AE127

RGB 58 225 39

HSL 113.87, 0.76%, 0.52%

LAB 78.98, -72.66, 70.66

 

Description

Color code: RGB 38 149 226 | qconv.com Color code: RGB 38 149 226 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 149 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 149 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 34 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 34% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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