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Color name
RGB 38 174 19

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 174 19 it is the complementary color RGB 217 81 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 174 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 174 19 shade: RGB 43 174 14, RGB 60 192 33, RGB 77 210 52, RGB 94 228 71 and RGB 111 246 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 174 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 174 19 shade: RGB 38 174 19, RGB 21 156 0, RGB 4 138 0, RGB 0 120 0 and RGB 0 102 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 174 19 shade: RGB 38 174 19, RGB 80 174 19, RGB 121 174 19, RGB 163 174 19 and RGB 174 143 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 174 19 shade: RGB 38 174 19, RGB 19 174 42, RGB 19 174 84, RGB 19 174 125 and RGB 19 174 167

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 174 19 shade matches the following richer shades: RGB 38 174 19 and RGB 26 190 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 174 19 shade: RGB 38 174 19, RGB 50 158 35, RGB 62 143 50, RGB 73 127 66 and RGB 85 111 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 174 19 shade: RGB 122 174 19, RGB 81 174 19, RGB 40 174 19, RGB 19 174 40 and RGB 19 174 81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 174 19 shade: RGB 22 100 11, RGB 30 137 15, RGB 38 174 19, RGB 46 211 23 and RGB 67 231 44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 174 19 shade: RGB 38 174 19, RGB 19 164 174 and RGB 174 19 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 174 19 shade: RGB 38 174 19, RGB 19 40 174 and RGB 174 19 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 174 19 shade: RGB 38 174 19, RGB 19 164 174, RGB 153 19 174 and RGB 174 29 19

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 174 19 shade: RGB 38 174 19, RGB 19 117 174, RGB 153 19 174 and RGB 174 76 19

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 89 / 32

HEX #26AE13

RGB 38 174 19

HSL 112.65, 0.8%, 0.38%

LAB 62.28, -61.03, 60.14

 

Complementary color

CMYK 8 / 66 / 0 / 7

HEX #D951EC

RGB 217 81 236

HSL 292.65, 0.8%, 0.62%

LAB 58.69, 72.6, -53.22

 

CMYK 75 / 0 / 92 / 32

HEX #2BAE0E

RGB 43 174 14

HSL 109.13, 0.85%, 0.37%

LAB 62.35, -60.44, 61.12

 

CMYK 69 / 0 / 83 / 25

HEX #3CC021

RGB 60 192 33

HSL 109.81, 0.71%, 0.44%

LAB 68.58, -62.37, 62.71

 

CMYK 63 / 0 / 75 / 18

HEX #4DD234

RGB 77 210 52

HSL 110.51, 0.64%, 0.51%

LAB 74.77, -63.69, 63.11

 

CMYK 59 / 0 / 69 / 11

HEX #5EE447

RGB 94 228 71

HSL 111.21, 0.74%, 0.59%

LAB 80.92, -64.57, 62.78

 

CMYK 55 / 0 / 63 / 4

HEX #6FF65A

RGB 111 246 90

HSL 111.92, 0.9%, 0.66%

LAB 87.01, -65.13, 62.03

 

CMYK 78 / 0 / 89 / 32

HEX #26AE13

RGB 38 174 19

HSL 112.65, 0.8%, 0.38%

LAB 62.28, -61.03, 60.14

 

CMYK 87 / 0 / 100 / 39

HEX #159C00

RGB 21 156 0

HSL 111.92, 1%, 0.31%

LAB 56.02, -58.25, 57.82

 

CMYK 97 / 0 / 100 / 46

HEX #048A00

RGB 4 138 0

HSL 118.26, 1%, 0.27%

LAB 49.74, -54.31, 52.73

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 100 / 0 / 100 / 60

HEX #006600

RGB 0 102 0

HSL 120, 1%, 0.2%

LAB 36.93, -43.98, 42.45

 

CMYK 78 / 0 / 89 / 32

HEX #26AE13

RGB 38 174 19

HSL 112.65, 0.8%, 0.38%

LAB 62.28, -61.03, 60.14

 

CMYK 54 / 0 / 89 / 32

HEX #50AE13

RGB 80 174 19

HSL 96.39, 0.8%, 0.38%

LAB 63.36, -51.99, 61.5

 

CMYK 30 / 0 / 89 / 32

HEX #79AE13

RGB 121 174 19

HSL 80.52, 0.8%, 0.38%

LAB 65.27, -38.08, 63.87

 

CMYK 6 / 0 / 89 / 32

HEX #A3AE13

RGB 163 174 19

HSL 64.26, 0.8%, 0.38%

LAB 68.1, -20.71, 67.35

 

CMYK 0 / 18 / 89 / 32

HEX #AE8F13

RGB 174 143 19

HSL 48, 0.8%, 0.38%

LAB 60.51, 0.51, 61.7

 

CMYK 78 / 0 / 89 / 32

HEX #26AE13

RGB 38 174 19

HSL 112.65, 0.8%, 0.38%

LAB 62.28, -61.03, 60.14

 

CMYK 89 / 0 / 76 / 32

HEX #13AE2A

RGB 19 174 42

HSL 128.9, 0.8%, 0.38%

LAB 62.15, -61.8, 53.65

 

CMYK 89 / 0 / 52 / 32

HEX #13AE54

RGB 19 174 84

HSL 145.16, 0.8%, 0.38%

LAB 62.55, -56.84, 35.74

 

CMYK 89 / 0 / 28 / 32

HEX #13AE7D

RGB 19 174 125

HSL 161.03, 0.8%, 0.38%

LAB 63.25, -48.71, 14.91

 

CMYK 89 / 0 / 4 / 32

HEX #13AEA7

RGB 19 174 167

HSL 177.29, 0.8%, 0.38%

LAB 64.32, -37.47, -6.86

 

CMYK 78 / 0 / 89 / 32

HEX #26AE13

RGB 38 174 19

HSL 112.65, 0.8%, 0.38%

LAB 62.28, -61.03, 60.14

 

CMYK 86 / 0 / 98 / 25

HEX #1ABE03

RGB 26 190 3

HSL 112.62, 0.97%, 0.38%

LAB 67.32, -67.51, 66.52

 

CMYK 78 / 0 / 89 / 32

HEX #26AE13

RGB 38 174 19

HSL 112.65, 0.8%, 0.38%

LAB 62.28, -61.03, 60.14

 

CMYK 68 / 0 / 78 / 38

HEX #329E23

RGB 50 158 35

HSL 112.68, 0.64%, 0.38%

LAB 57.32, -52.96, 51.45

 

CMYK 57 / 0 / 65 / 44

HEX #3E8F32

RGB 62 143 50

HSL 112.26, 0.48%, 0.38%

LAB 52.84, -43.23, 40.93

 

CMYK 43 / 0 / 48 / 50

HEX #497F42

RGB 73 127 66

HSL 113.11, 0.32%, 0.38%

LAB 48.25, -30.92, 27.58

 

CMYK 23 / 0 / 26 / 56

HEX #556F52

RGB 85 111 82

HSL 113.79, 0.15%, 0.38%

LAB 44.1, -15.74, 13.12

 

CMYK 30 / 0 / 89 / 32

HEX #7AAE13

RGB 122 174 19

HSL 80.13, 0.8%, 0.38%

LAB 65.32, -37.7, 63.94

 

CMYK 53 / 0 / 89 / 32

HEX #51AE13

RGB 81 174 19

HSL 96, 0.8%, 0.38%

LAB 63.4, -51.71, 61.54

 

CMYK 77 / 0 / 89 / 32

HEX #28AE13

RGB 40 174 19

HSL 111.87, 0.8%, 0.38%

LAB 62.31, -60.74, 60.18

 

CMYK 89 / 0 / 77 / 32

HEX #13AE28

RGB 19 174 40

HSL 128.13, 0.8%, 0.38%

LAB 62.14, -61.95, 54.32

 

CMYK 89 / 0 / 53 / 32

HEX #13AE51

RGB 19 174 81

HSL 144, 0.8%, 0.38%

LAB 62.51, -57.31, 37.19

 

CMYK 78 / 0 / 89 / 61

HEX #16640B

RGB 22 100 11

HSL 112.58, 0.8%, 0.22%

LAB 36.57, -39.91, 39.2

 

CMYK 78 / 0 / 89 / 46

HEX #1E890F

RGB 30 137 15

HSL 112.62, 0.8%, 0.3%

LAB 49.74, -50.77, 49.99

 

CMYK 78 / 0 / 89 / 32

HEX #26AE13

RGB 38 174 19

HSL 112.65, 0.8%, 0.38%

LAB 62.28, -61.03, 60.14

 

CMYK 78 / 0 / 89 / 17

HEX #2ED317

RGB 46 211 23

HSL 112.66, 0.8%, 0.46%

LAB 74.34, -70.85, 69.84

 

CMYK 71 / 0 / 81 / 9

HEX #43E72C

RGB 67 231 44

HSL 112.62, 0.8%, 0.54%

LAB 81.03, -72.79, 71.33

 

CMYK 78 / 0 / 89 / 32

HEX #26AE13

RGB 38 174 19

HSL 112.65, 0.8%, 0.38%

LAB 62.28, -61.03, 60.14

 

CMYK 89 / 6 / 0 / 32

HEX #13A4AE

RGB 19 164 174

HSL 183.87, 0.8%, 0.38%

LAB 61.43, -30.62, -15.1

 

CMYK 0 / 89 / 41 / 32

HEX #AE1366

RGB 174 19 102

HSL 327.87, 0.8%, 0.38%

LAB 38.59, 62.51, -5.66

 

CMYK 78 / 0 / 89 / 32

HEX #26AE13

RGB 38 174 19

HSL 112.65, 0.8%, 0.38%

LAB 62.28, -61.03, 60.14

 

CMYK 89 / 77 / 0 / 32

HEX #1328AE

RGB 19 40 174

HSL 231.87, 0.8%, 0.38%

LAB 25.9, 44.46, -71.59

 

CMYK 0 / 89 / 77 / 32

HEX #AE1328

RGB 174 19 40

HSL 351.87, 0.8%, 0.38%

LAB 37.15, 58.43, 31.83

 

CMYK 78 / 0 / 89 / 32

HEX #26AE13

RGB 38 174 19

HSL 112.65, 0.8%, 0.38%

LAB 62.28, -61.03, 60.14

 

CMYK 89 / 6 / 0 / 32

HEX #13A4AE

RGB 19 164 174

HSL 183.87, 0.8%, 0.38%

LAB 61.43, -30.62, -15.1

 

CMYK 12 / 89 / 0 / 32

HEX #9913AE

RGB 153 19 174

HSL 291.87, 0.8%, 0.38%

LAB 38.37, 67.99, -50.6

 

CMYK 0 / 83 / 89 / 32

HEX #AE1D13

RGB 174 29 19

HSL 3.87, 0.8%, 0.38%

LAB 37.71, 55.7, 43.79

 

CMYK 78 / 0 / 89 / 32

HEX #26AE13

RGB 38 174 19

HSL 112.65, 0.8%, 0.38%

LAB 62.28, -61.03, 60.14

 

CMYK 89 / 33 / 0 / 32

HEX #1375AE

RGB 19 117 174

HSL 202.06, 0.8%, 0.38%

LAB 46.87, -5.23, -37.62

 

CMYK 12 / 89 / 0 / 32

HEX #9913AE

RGB 153 19 174

HSL 291.87, 0.8%, 0.38%

LAB 38.37, 67.99, -50.6

 

CMYK 0 / 56 / 89 / 32

HEX #AE4C13

RGB 174 76 19

HSL 22.06, 0.8%, 0.38%

LAB 44.54, 37.23, 49.11

 

Description

Color code: RGB 38 174 19 | qconv.com Color code: RGB 38 174 19 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 174 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 174 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 89 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 89% 32% C M Y K

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