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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 185 31 it is the complementary color RGB 217 70 224. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 185 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 185 31 shade: RGB 43 185 26, RGB 60 203 45, RGB 77 221 64, RGB 94 239 83 and RGB 111 255 102

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 185 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 185 31 shade: RGB 38 185 31, RGB 21 167 12, RGB 4 149 0, RGB 0 131 0 and RGB 0 113 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 185 31 shade: RGB 37 183 31, RGB 78 183 31, RGB 120 183 31, RGB 161 183 31 and RGB 183 164 31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 185 31 shade: RGB 37 183 31, RGB 31 183 65, RGB 31 183 106, RGB 31 183 147 and RGB 31 178 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 185 31 shade matches the following richer shades: RGB 37 183 31 and RGB 22 200 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 185 31 shade: RGB 37 183 31, RGB 53 165 48, RGB 69 148 65, RGB 85 131 83 and RGB 100 113 100

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 185 31 shade: RGB 119 183 31, RGB 79 183 31, RGB 38 183 31, RGB 31 183 64 and RGB 31 183 104

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 185 31 shade: RGB 23 112 19, RGB 30 147 25, RGB 37 183 31, RGB 45 218 37 and RGB 79 224 72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 185 31 shade: RGB 38 185 31, RGB 31 160 183 and RGB 183 31 99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 185 31 shade: RGB 38 185 31, RGB 31 38 183 and RGB 183 31 38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 185 31 shade: RGB 38 185 31, RGB 31 160 183, RGB 175 31 183 and RGB 183 53 31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 185 31 shade: RGB 38 185 31, RGB 31 114 183, RGB 175 31 183 and RGB 183 99 31

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 83 / 27

HEX #26B91F

RGB 38 185 31

HSL 117.27, 0.71%, 0.42%

LAB 65.91, -63.84, 60.64

 

Complementary color

CMYK 3 / 69 / 0 / 12

HEX #D946E0

RGB 217 70 224

HSL 297.27, 0.71%, 0.58%

LAB 56.6, 74.62, -49.81

 

CMYK 77 / 0 / 86 / 27

HEX #2BB91A

RGB 43 185 26

HSL 113.58, 0.75%, 0.41%

LAB 65.97, -63.39, 61.93

 

CMYK 70 / 0 / 78 / 20

HEX #3CCB2D

RGB 60 203 45

HSL 114.3, 0.64%, 0.49%

LAB 72.14, -65.22, 62.63

 

CMYK 65 / 0 / 71 / 13

HEX #4DDD40

RGB 77 221 64

HSL 115.03, 0.7%, 0.56%

LAB 78.26, -66.47, 62.46

 

CMYK 61 / 0 / 65 / 6

HEX #5EEF53

RGB 94 239 83

HSL 115.77, 0.83%, 0.63%

LAB 84.35, -67.31, 61.79

 

CMYK 56 / 0 / 60 / 0

HEX #6FFF66

RGB 111 255 102

HSL 116.47, 1%, 0.7%

LAB 89.79, -67.14, 60.17

 

CMYK 79 / 0 / 83 / 27

HEX #26B91F

RGB 38 185 31

HSL 117.27, 0.71%, 0.42%

LAB 65.91, -63.84, 60.64

 

CMYK 87 / 0 / 93 / 35

HEX #15A70C

RGB 21 167 12

HSL 116.52, 0.87%, 0.35%

LAB 59.73, -61.14, 59.09

 

CMYK 97 / 0 / 100 / 42

HEX #049500

RGB 4 149 0

HSL 118.39, 1%, 0.29%

LAB 53.51, -57.47, 55.75

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 80 / 0 / 83 / 28

HEX #25B71F

RGB 37 183 31

HSL 117.63, 0.71%, 0.42%

LAB 65.25, -63.37, 60.03

 

CMYK 57 / 0 / 83 / 28

HEX #4EB71F

RGB 78 183 31

HSL 101.45, 0.71%, 0.42%

LAB 66.2, -55.33, 61.25

 

CMYK 34 / 0 / 83 / 28

HEX #78B71F

RGB 120 183 31

HSL 84.87, 0.71%, 0.42%

LAB 67.99, -41.98, 63.53

 

CMYK 12 / 0 / 83 / 28

HEX #A1B71F

RGB 161 183 31

HSL 68.68, 0.71%, 0.42%

LAB 70.55, -25.68, 66.76

 

CMYK 0 / 10 / 83 / 28

HEX #B7A41F

RGB 183 164 31

HSL 52.5, 0.71%, 0.42%

LAB 67.06, -6.43, 64.49

 

CMYK 80 / 0 / 83 / 28

HEX #25B71F

RGB 37 183 31

HSL 117.63, 0.71%, 0.42%

LAB 65.25, -63.37, 60.03

 

CMYK 83 / 0 / 64 / 28

HEX #1FB741

RGB 31 183 65

HSL 133.42, 0.71%, 0.42%

LAB 65.39, -61.3, 48.05

 

CMYK 83 / 0 / 42 / 28

HEX #1FB76A

RGB 31 183 106

HSL 149.61, 0.71%, 0.42%

LAB 65.9, -55.14, 28.73

 

CMYK 83 / 0 / 20 / 28

HEX #1FB793

RGB 31 183 147

HSL 165.79, 0.71%, 0.42%

LAB 66.72, -46.05, 7.74

 

CMYK 83 / 3 / 0 / 28

HEX #1FB2B7

RGB 31 178 183

HSL 181.97, 0.71%, 0.42%

LAB 66.18, -33.71, -12.97

 

CMYK 80 / 0 / 83 / 28

HEX #25B71F

RGB 37 183 31

HSL 117.63, 0.71%, 0.42%

LAB 65.25, -63.37, 60.03

 

CMYK 89 / 0 / 94 / 22

HEX #16C80D

RGB 22 200 13

HSL 117.11, 0.88%, 0.42%

LAB 70.53, -70.43, 68.01

 

CMYK 80 / 0 / 83 / 28

HEX #25B71F

RGB 37 183 31

HSL 117.63, 0.71%, 0.42%

LAB 65.25, -63.37, 60.03

 

CMYK 68 / 0 / 71 / 35

HEX #35A530

RGB 53 165 48

HSL 117.44, 0.55%, 0.42%

LAB 59.78, -53.72, 49.17

 

CMYK 53 / 0 / 56 / 42

HEX #459441

RGB 69 148 65

HSL 117.11, 0.39%, 0.42%

LAB 54.89, -41.53, 36.19

 

CMYK 35 / 0 / 37 / 49

HEX #558353

RGB 85 131 83

HSL 117.5, 0.22%, 0.42%

LAB 50.44, -25.99, 21.11

 

CMYK 12 / 0 / 12 / 56

HEX #647164

RGB 100 113 100

HSL 120, 0.06%, 0.42%

LAB 46.23, -7.61, 5.57

 

CMYK 35 / 0 / 83 / 28

HEX #77B71F

RGB 119 183 31

HSL 85.26, 0.71%, 0.42%

LAB 67.94, -42.35, 63.46

 

CMYK 57 / 0 / 83 / 28

HEX #4FB71F

RGB 79 183 31

HSL 101.05, 0.71%, 0.42%

LAB 66.23, -55.07, 61.29

 

CMYK 79 / 0 / 83 / 28

HEX #26B71F

RGB 38 183 31

HSL 117.24, 0.71%, 0.42%

LAB 65.26, -63.24, 60.05

 

CMYK 83 / 0 / 65 / 28

HEX #1FB740

RGB 31 183 64

HSL 133.03, 0.71%, 0.42%

LAB 65.38, -61.41, 48.47

 

CMYK 83 / 0 / 43 / 28

HEX #1FB768

RGB 31 183 104

HSL 148.82, 0.71%, 0.42%

LAB 65.87, -55.51, 29.73

 

CMYK 79 / 0 / 83 / 56

HEX #177013

RGB 23 112 19

HSL 117.42, 0.71%, 0.26%

LAB 40.92, -43.39, 40.8

 

CMYK 80 / 0 / 83 / 42

HEX #1E9319

RGB 30 147 25

HSL 117.54, 0.71%, 0.34%

LAB 53.18, -53.48, 50.51

 

CMYK 80 / 0 / 83 / 28

HEX #25B71F

RGB 37 183 31

HSL 117.63, 0.71%, 0.42%

LAB 65.25, -63.37, 60.03

 

CMYK 79 / 0 / 83 / 15

HEX #2DDA25

RGB 45 218 37

HSL 117.35, 0.71%, 0.5%

LAB 76.58, -72.45, 68.89

 

CMYK 65 / 0 / 68 / 12

HEX #4FE048

RGB 79 224 72

HSL 117.24, 0.71%, 0.58%

LAB 79.29, -66.4, 60.56

 

CMYK 79 / 0 / 83 / 27

HEX #26B91F

RGB 38 185 31

HSL 117.27, 0.71%, 0.42%

LAB 65.91, -63.84, 60.64

 

CMYK 83 / 13 / 0 / 28

HEX #1FA0B7

RGB 31 160 183

HSL 189.08, 0.71%, 0.42%

LAB 60.65, -24.88, -21.34

 

CMYK 0 / 83 / 46 / 28

HEX #B71F63

RGB 183 31 99

HSL 333.16, 0.71%, 0.42%

LAB 41.13, 61.98, 0.18

 

CMYK 79 / 0 / 83 / 27

HEX #26B91F

RGB 38 185 31

HSL 117.27, 0.71%, 0.42%

LAB 65.91, -63.84, 60.64

 

CMYK 83 / 79 / 0 / 28

HEX #1F26B7

RGB 31 38 183

HSL 237.24, 0.71%, 0.42%

LAB 27.01, 49.12, -75.12

 

CMYK 0 / 83 / 79 / 28

HEX #B71F26

RGB 183 31 38

HSL 357.24, 0.71%, 0.42%

LAB 39.89, 58.29, 36.51

 

CMYK 79 / 0 / 83 / 27

HEX #26B91F

RGB 38 185 31

HSL 117.27, 0.71%, 0.42%

LAB 65.91, -63.84, 60.64

 

CMYK 83 / 13 / 0 / 28

HEX #1FA0B7

RGB 31 160 183

HSL 189.08, 0.71%, 0.42%

LAB 60.65, -24.88, -21.34

 

CMYK 4 / 83 / 0 / 28

HEX #AF1FB7

RGB 175 31 183

HSL 296.84, 0.71%, 0.42%

LAB 43.53, 70.95, -47.44

 

CMYK 0 / 71 / 83 / 28

HEX #B7351F

RGB 183 53 31

HSL 8.68, 0.71%, 0.42%

LAB 42.33, 51.1, 42.67

 

CMYK 79 / 0 / 83 / 27

HEX #26B91F

RGB 38 185 31

HSL 117.27, 0.71%, 0.42%

LAB 65.91, -63.84, 60.64

 

CMYK 83 / 38 / 0 / 28

HEX #1F72B7

RGB 31 114 183

HSL 207.24, 0.71%, 0.42%

LAB 46.64, 0.99, -43.2

 

CMYK 4 / 83 / 0 / 28

HEX #AF1FB7

RGB 175 31 183

HSL 296.84, 0.71%, 0.42%

LAB 43.53, 70.95, -47.44

 

CMYK 0 / 46 / 83 / 28

HEX #B7631F

RGB 183 99 31

HSL 26.84, 0.71%, 0.42%

LAB 50.79, 29.17, 50.36

 

Description

Color code: RGB 38 185 31 | qconv.com Color code: RGB 38 185 31 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 185 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 185 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 83 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 83% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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