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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 38 204 39 it is the complementary color RGB 217 51 216. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 38 204 39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 38 204 39 shade: RGB 43 204 34, RGB 60 222 53, RGB 77 240 72, RGB 94 255 91 and RGB 111 255 110

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 38 204 39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 38 204 39 shade: RGB 38 204 39, RGB 21 186 20, RGB 4 168 1, RGB 0 150 0 and RGB 0 132 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 38 204 39 shade: RGB 37 202 38, RGB 80 202 37, RGB 125 202 37, RGB 169 202 37 and RGB 202 190 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 38 204 39 shade: RGB 37 202 38, RGB 37 202 82, RGB 37 202 127, RGB 37 202 171 and RGB 37 188 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 38 204 39 shade matches the following richer shades: RGB 37 202 38 and RGB 17 221 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 38 204 39 shade: RGB 37 202 38, RGB 56 183 57, RGB 75 163 76, RGB 95 144 95 and RGB 114 124 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 38 204 39 shade: RGB 125 202 37, RGB 81 202 37, RGB 37 202 37, RGB 37 202 81 and RGB 37 202 125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 38 204 39 shade: RGB 24 132 25, RGB 30 167 31, RGB 37 202 38, RGB 61 219 62 and RGB 96 225 97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 38 204 39 shade: RGB 38 204 39, RGB 37 169 202 and RGB 202 37 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 38 204 39 shade: RGB 38 204 39, RGB 37 37 202 and RGB 202 37 37

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 38 204 39 shade: RGB 38 204 39, RGB 37 169 202, RGB 202 37 202 and RGB 202 70 37

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 38 204 39 shade: RGB 38 204 39, RGB 37 119 202, RGB 202 37 202 and RGB 202 119 37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 81 / 20

HEX #26CC27

RGB 38 204 39

HSL 120.36, 0.69%, 0.47%

LAB 72.06, -69.07, 64.18

 

Complementary color

CMYK 0 / 76 / 0 / 15

HEX #D933D8

RGB 217 51 216

HSL 300.36, 0.69%, 0.53%

LAB 54.11, 79.23, -49.24

 

CMYK 79 / 0 / 83 / 20

HEX #2BCC22

RGB 43 204 34

HSL 116.82, 0.71%, 0.47%

LAB 72.1, -68.74, 65.55

 

CMYK 73 / 0 / 76 / 13

HEX #3CDE35

RGB 60 222 53

HSL 117.51, 0.72%, 0.54%

LAB 78.15, -70.64, 65.96

 

CMYK 68 / 0 / 70 / 6

HEX #4DF048

RGB 77 240 72

HSL 118.21, 0.85%, 0.61%

LAB 84.16, -72, 65.65

 

CMYK 63 / 0 / 64 / 0

HEX #5EFF5B

RGB 94 255 91

HSL 118.9, 1%, 0.68%

LAB 89.23, -71.95, 63.93

 

CMYK 56 / 0 / 57 / 0

HEX #6FFF6E

RGB 111 255 110

HSL 119.59, 1%, 0.72%

LAB 89.87, -66.27, 56.81

 

CMYK 81 / 0 / 81 / 20

HEX #26CC27

RGB 38 204 39

HSL 120.36, 0.69%, 0.47%

LAB 72.06, -69.07, 64.18

 

CMYK 89 / 0 / 89 / 27

HEX #15BA14

RGB 21 186 20

HSL 119.64, 0.81%, 0.4%

LAB 66, -66.36, 63.09

 

CMYK 98 / 0 / 99 / 34

HEX #04A801

RGB 4 168 1

HSL 118.92, 0.99%, 0.33%

LAB 59.92, -62.81, 60.74

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 100 / 0 / 100 / 48

HEX #008400

RGB 0 132 0

HSL 120, 1%, 0.26%

LAB 47.63, -52.86, 51.02

 

CMYK 82 / 0 / 81 / 21

HEX #25CA26

RGB 37 202 38

HSL 120.36, 0.69%, 0.47%

LAB 71.4, -68.65, 63.84

 

CMYK 60 / 0 / 82 / 21

HEX #50CA25

RGB 80 202 37

HSL 104.36, 0.69%, 0.47%

LAB 72.28, -61.18, 65.24

 

CMYK 38 / 0 / 82 / 21

HEX #7DCA25

RGB 125 202 37

HSL 88, 0.69%, 0.47%

LAB 74.02, -47.92, 67.46

 

CMYK 16 / 0 / 82 / 21

HEX #A9CA25

RGB 169 202 37

HSL 72, 0.69%, 0.47%

LAB 76.56, -31.23, 70.69

 

CMYK 0 / 6 / 82 / 21

HEX #CABE25

RGB 202 190 37

HSL 55.64, 0.69%, 0.47%

LAB 75.77, -11.42, 70.99

 

CMYK 82 / 0 / 81 / 21

HEX #25CA26

RGB 37 202 38

HSL 120.36, 0.69%, 0.47%

LAB 71.4, -68.65, 63.84

 

CMYK 82 / 0 / 59 / 21

HEX #25CA52

RGB 37 202 82

HSL 136.36, 0.69%, 0.47%

LAB 71.72, -64.7, 47.73

 

CMYK 82 / 0 / 37 / 21

HEX #25CA7F

RGB 37 202 127

HSL 152.73, 0.69%, 0.47%

LAB 72.34, -57.39, 26.28

 

CMYK 82 / 0 / 15 / 21

HEX #25CAAB

RGB 37 202 171

HSL 168.73, 0.69%, 0.47%

LAB 73.27, -47.27, 4.08

 

CMYK 82 / 7 / 0 / 21

HEX #25BCCA

RGB 37 188 202

HSL 185.09, 0.69%, 0.47%

LAB 69.91, -32.14, -17.8

 

CMYK 82 / 0 / 81 / 21

HEX #25CA26

RGB 37 202 38

HSL 120.36, 0.69%, 0.47%

LAB 71.4, -68.65, 63.84

 

CMYK 92 / 0 / 92 / 13

HEX #11DD12

RGB 17 221 18

HSL 120.29, 0.86%, 0.47%

LAB 77.21, -76.36, 72.92

 

CMYK 82 / 0 / 81 / 21

HEX #25CA26

RGB 37 202 38

HSL 120.36, 0.69%, 0.47%

LAB 71.4, -68.65, 63.84

 

CMYK 69 / 0 / 69 / 28

HEX #38B739

RGB 56 183 57

HSL 120.47, 0.53%, 0.47%

LAB 65.75, -58.48, 51.9

 

CMYK 54 / 0 / 53 / 36

HEX #4BA34C

RGB 75 163 76

HSL 120.68, 0.37%, 0.47%

LAB 60.08, -44.55, 36.99

 

CMYK 34 / 0 / 34 / 44

HEX #5F905F

RGB 95 144 95

HSL 120, 0.21%, 0.47%

LAB 55.28, -26.89, 20.95

 

CMYK 8 / 0 / 8 / 51

HEX #727C72

RGB 114 124 114

HSL 120, 0.04%, 0.47%

LAB 50.93, -5.76, 4.18

 

CMYK 38 / 0 / 82 / 21

HEX #7DCA25

RGB 125 202 37

HSL 88, 0.69%, 0.47%

LAB 74.02, -47.92, 67.46

 

CMYK 60 / 0 / 82 / 21

HEX #51CA25

RGB 81 202 37

HSL 104, 0.69%, 0.47%

LAB 72.31, -60.94, 65.28

 

CMYK 82 / 0 / 82 / 21

HEX #25CA25

RGB 37 202 37

HSL 120, 0.69%, 0.47%

LAB 71.4, -68.71, 64.1

 

CMYK 82 / 0 / 60 / 21

HEX #25CA51

RGB 37 202 81

HSL 136, 0.69%, 0.47%

LAB 71.71, -64.83, 48.17

 

CMYK 82 / 0 / 38 / 21

HEX #25CA7D

RGB 37 202 125

HSL 152, 0.69%, 0.47%

LAB 72.31, -57.79, 27.27

 

CMYK 82 / 0 / 81 / 48

HEX #188419

RGB 24 132 25

HSL 120.56, 0.69%, 0.31%

LAB 47.96, -49.49, 45.55

 

CMYK 82 / 0 / 81 / 35

HEX #1EA71F

RGB 30 167 31

HSL 120.44, 0.7%, 0.39%

LAB 59.9, -59.37, 55.04

 

CMYK 82 / 0 / 81 / 21

HEX #25CA26

RGB 37 202 38

HSL 120.36, 0.69%, 0.47%

LAB 71.4, -68.65, 63.84

 

CMYK 72 / 0 / 72 / 14

HEX #3DDB3E

RGB 61 219 62

HSL 120.38, 0.69%, 0.55%

LAB 77.28, -68.89, 62.07

 

CMYK 57 / 0 / 57 / 12

HEX #60E161

RGB 96 225 97

HSL 120.47, 0.68%, 0.63%

LAB 80.29, -60.44, 51.27

 

CMYK 81 / 0 / 81 / 20

HEX #26CC27

RGB 38 204 39

HSL 120.36, 0.69%, 0.47%

LAB 72.06, -69.07, 64.18

 

CMYK 82 / 16 / 0 / 21

HEX #25A9CA

RGB 37 169 202

HSL 192, 0.69%, 0.47%

LAB 64.19, -22.69, -26.53

 

CMYK 0 / 82 / 49 / 21

HEX #CA2567

RGB 202 37 103

HSL 336, 0.69%, 0.47%

LAB 45.44, 65.74, 4.38

 

CMYK 81 / 0 / 81 / 20

HEX #26CC27

RGB 38 204 39

HSL 120.36, 0.69%, 0.47%

LAB 72.06, -69.07, 64.18

 

CMYK 82 / 82 / 0 / 21

HEX #2525CA

RGB 37 37 202

HSL 240, 0.69%, 0.47%

LAB 29.36, 55.89, -82.4

 

CMYK 0 / 82 / 82 / 21

HEX #CA2525

RGB 202 37 37

HSL 0, 0.69%, 0.47%

LAB 44.25, 62.15, 42.69

 

CMYK 81 / 0 / 81 / 20

HEX #26CC27

RGB 38 204 39

HSL 120.36, 0.69%, 0.47%

LAB 72.06, -69.07, 64.18

 

CMYK 82 / 16 / 0 / 21

HEX #25A9CA

RGB 37 169 202

HSL 192, 0.69%, 0.47%

LAB 64.19, -22.69, -26.53

 

CMYK 0 / 82 / 0 / 21

HEX #CA25CA

RGB 202 37 202

HSL 300, 0.69%, 0.47%

LAB 49.67, 77.62, -48.43

 

CMYK 0 / 65 / 82 / 21

HEX #CA4625

RGB 202 70 37

HSL 12, 0.69%, 0.47%

LAB 48.35, 50.84, 46.59

 

CMYK 81 / 0 / 81 / 20

HEX #26CC27

RGB 38 204 39

HSL 120.36, 0.69%, 0.47%

LAB 72.06, -69.07, 64.18

 

CMYK 82 / 41 / 0 / 21

HEX #2577CA

RGB 37 119 202

HSL 210.18, 0.69%, 0.47%

LAB 49.32, 5.71, -49.86

 

CMYK 0 / 82 / 0 / 21

HEX #CA25CA

RGB 202 37 202

HSL 300, 0.69%, 0.47%

LAB 49.67, 77.62, -48.43

 

CMYK 0 / 41 / 82 / 21

HEX #CA7725

RGB 202 119 37

HSL 29.82, 0.69%, 0.47%

LAB 57.93, 26.59, 55.38

 

Description

Color code: RGB 38 204 39 | qconv.com Color code: RGB 38 204 39 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 204 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 204 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 81 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 81% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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