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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 50 245 it is the complementary color RGB 216 205 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 50 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 39 50 245 shade: RGB 44 50 240, RGB 61 68 255, RGB 78 86 255, RGB 95 104 255 and RGB 112 122 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 50 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 39 50 245 shade: RGB 39 50 245, RGB 22 32 226, RGB 5 14 207, RGB 0 0 188 and RGB 0 0 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 39 50 245 shade: RGB 40 51 244, RGB 84 40 244, RGB 139 40 244, RGB 195 40 244 and RGB 244 40 239

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 39 50 245 shade: RGB 40 51 244 and RGB 40 40 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 39 50 245 shade matches the following richer shades: RGB 40 51 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 39 50 245 shade: RGB 40 51 244, RGB 58 67 226, RGB 77 84 208, RGB 95 100 190 and RGB 113 116 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 39 50 245 shade: RGB 40 163 244, RGB 40 108 244, RGB 40 54 244, RGB 81 40 244 and RGB 135 40 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 39 50 245 shade: RGB 9 18 193, RGB 10 22 233, RGB 40 51 244, RGB 80 88 246 and RGB 119 126 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 39 50 245 shade: RGB 39 50 245, RGB 244 40 217 and RGB 135 244 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 39 50 245 shade: RGB 39 50 245, RGB 244 40 54 and RGB 54 244 40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 39 50 245 shade: RGB 39 50 245, RGB 244 40 217, RGB 244 231 40 and RGB 40 244 67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 39 50 245 shade: RGB 39 50 245, RGB 244 40 156, RGB 244 231 40 and RGB 40 244 129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 80 / 0 / 4

HEX #2732F5

RGB 39 50 245

HSL 236.8, 0.91%, 0.56%

LAB 36.57, 62.98, -95.11

 

Complementary color

CMYK 0 / 5 / 95 / 15

HEX #D8CD0A

RGB 216 205 10

HSL 56.8, 0.91%, 0.44%

LAB 80.9, -13.48, 80.29

 

CMYK 82 / 79 / 0 / 6

HEX #2C32F0

RGB 44 50 240

HSL 238.16, 0.87%, 0.56%

LAB 36.19, 61.68, -92.9

 

CMYK 76 / 73 / 0 / 0

HEX #3D44FF

RGB 61 68 255

HSL 237.84, 1%, 0.62%

LAB 41.76, 58.22, -92.08

 

CMYK 69 / 66 / 0 / 0

HEX #4E56FF

RGB 78 86 255

HSL 237.29, 1%, 0.65%

LAB 46.31, 49.74, -84.56

 

CMYK 63 / 59 / 0 / 0

HEX #5F68FF

RGB 95 104 255

HSL 236.63, 1%, 0.69%

LAB 51.33, 41.37, -76.31

 

CMYK 56 / 52 / 0 / 0

HEX #707AFF

RGB 112 122 255

HSL 235.8, 1%, 0.72%

LAB 56.67, 33.49, -67.6

 

CMYK 84 / 80 / 0 / 4

HEX #2732F5

RGB 39 50 245

HSL 236.8, 0.91%, 0.56%

LAB 36.57, 62.98, -95.11

 

CMYK 90 / 86 / 0 / 11

HEX #1620E2

RGB 22 32 226

HSL 237.06, 0.82%, 0.49%

LAB 31.1, 64.6, -93.42

 

CMYK 98 / 93 / 0 / 19

HEX #050ECF

RGB 5 14 207

HSL 237.33, 0.95%, 0.42%

LAB 26.31, 64.81, -90.44

 

CMYK 100 / 100 / 0 / 26

HEX #0000BC

RGB 0 0 188

HSL 240, 1%, 0.37%

LAB 22.41, 62.98, -85.78

 

CMYK 100 / 100 / 0 / 34

HEX #0000A9

RGB 0 0 169

HSL 240, 1%, 0.33%

LAB 19.49, 58.19, -79.26

 

CMYK 84 / 79 / 0 / 4

HEX #2833F4

RGB 40 51 244

HSL 236.76, 0.9%, 0.56%

LAB 36.65, 62.24, -94.4

 

CMYK 66 / 84 / 0 / 4

HEX #5428F4

RGB 84 40 244

HSL 252.94, 0.9%, 0.56%

LAB 37.72, 69.47, -92.54

 

CMYK 43 / 84 / 0 / 4

HEX #8B28F4

RGB 139 40 244

HSL 269.12, 0.9%, 0.56%

LAB 43.56, 74.9, -82.71

 

CMYK 20 / 84 / 0 / 4

HEX #C328F4

RGB 195 40 244

HSL 285.59, 0.9%, 0.56%

LAB 51.44, 82.73, -69.52

 

CMYK 0 / 84 / 2 / 4

HEX #F428EF

RGB 244 40 239

HSL 301.47, 0.9%, 0.56%

LAB 58.96, 90.12, -54.22

 

CMYK 84 / 79 / 0 / 4

HEX #2833F4

RGB 40 51 244

HSL 236.76, 0.9%, 0.56%

LAB 36.65, 62.24, -94.4

 

CMYK 84 / 84 / 0 / 4

HEX #2828F4

RGB 40 40 244

HSL 240, 0.9%, 0.56%

LAB 35, 67.09, -97.14

 

CMYK 84 / 79 / 0 / 4

HEX #2833F4

RGB 40 51 244

HSL 236.76, 0.9%, 0.56%

LAB 36.65, 62.24, -94.4

 

CMYK 84 / 79 / 0 / 4

HEX #2833F4

RGB 40 51 244

HSL 236.76, 0.9%, 0.56%

LAB 36.65, 62.24, -94.4

 

CMYK 74 / 70 / 0 / 11

HEX #3A43E2

RGB 58 67 226

HSL 236.79, 0.74%, 0.56%

LAB 38.56, 49.17, -81.01

 

CMYK 63 / 60 / 0 / 18

HEX #4D54D0

RGB 77 84 208

HSL 236.79, 0.58%, 0.56%

LAB 41.96, 35.26, -65.09

 

CMYK 50 / 47 / 0 / 25

HEX #5F64BE

RGB 95 100 190

HSL 236.84, 0.42%, 0.56%

LAB 45.99, 22.92, -48.11

 

CMYK 34 / 33 / 0 / 33

HEX #7174AC

RGB 113 116 172

HSL 236.95, 0.26%, 0.56%

LAB 50.66, 12.52, -30.2

 

CMYK 84 / 33 / 0 / 4

HEX #28A3F4

RGB 40 163 244

HSL 203.82, 0.9%, 0.56%

LAB 64.3, -4.57, -49.52

 

CMYK 84 / 56 / 0 / 4

HEX #286CF4

RGB 40 108 244

HSL 220, 0.9%, 0.56%

LAB 49.14, 28.83, -73.86

 

CMYK 84 / 78 / 0 / 4

HEX #2836F4

RGB 40 54 244

HSL 235.88, 0.9%, 0.56%

LAB 37.15, 60.78, -93.57

 

CMYK 67 / 84 / 0 / 4

HEX #5128F4

RGB 81 40 244

HSL 252.06, 0.9%, 0.56%

LAB 37.48, 69.25, -92.96

 

CMYK 45 / 84 / 0 / 4

HEX #8728F4

RGB 135 40 244

HSL 267.94, 0.9%, 0.56%

LAB 43.06, 74.42, -83.55

 

CMYK 95 / 91 / 0 / 24

HEX #0912C1

RGB 9 18 193

HSL 237.07, 0.91%, 0.4%

LAB 24.77, 59.96, -84.79

 

CMYK 96 / 91 / 0 / 9

HEX #0A16E9

RGB 10 22 233

HSL 236.77, 0.92%, 0.48%

LAB 30.69, 69.66, -98.11

 

CMYK 84 / 79 / 0 / 4

HEX #2833F4

RGB 40 51 244

HSL 236.76, 0.9%, 0.56%

LAB 36.65, 62.24, -94.4

 

CMYK 67 / 64 / 0 / 4

HEX #5058F6

RGB 80 88 246

HSL 237.11, 0.9%, 0.64%

LAB 46.09, 45.87, -79.88

 

CMYK 52 / 49 / 0 / 3

HEX #777EF8

RGB 119 126 248

HSL 236.74, 0.9%, 0.72%

LAB 57.68, 30.31, -62.1

 

CMYK 84 / 80 / 0 / 4

HEX #2732F5

RGB 39 50 245

HSL 236.8, 0.91%, 0.56%

LAB 36.57, 62.98, -95.11

 

CMYK 0 / 84 / 11 / 4

HEX #F428D9

RGB 244 40 217

HSL 307.94, 0.9%, 0.56%

LAB 57.81, 87.07, -43.66

 

CMYK 45 / 0 / 84 / 4

HEX #87F428

RGB 135 244 40

HSL 92.06, 0.9%, 0.56%

LAB 87, -60.95, 78.43

 

CMYK 84 / 80 / 0 / 4

HEX #2732F5

RGB 39 50 245

HSL 236.8, 0.91%, 0.56%

LAB 36.57, 62.98, -95.11

 

CMYK 0 / 84 / 78 / 4

HEX #F42836

RGB 244 40 54

HSL 355.88, 0.9%, 0.56%

LAB 52.97, 73.42, 44.96

 

CMYK 78 / 0 / 84 / 4

HEX #36F428

RGB 54 244 40

HSL 115.88, 0.9%, 0.56%

LAB 84.81, -78.71, 75.66

 

CMYK 84 / 80 / 0 / 4

HEX #2732F5

RGB 39 50 245

HSL 236.8, 0.91%, 0.56%

LAB 36.57, 62.98, -95.11

 

CMYK 0 / 84 / 11 / 4

HEX #F428D9

RGB 244 40 217

HSL 307.94, 0.9%, 0.56%

LAB 57.81, 87.07, -43.66

 

CMYK 0 / 5 / 84 / 4

HEX #F4E728

RGB 244 231 40

HSL 56.18, 0.9%, 0.56%

LAB 90.11, -14, 83.74

 

CMYK 84 / 0 / 73 / 4

HEX #28F443

RGB 40 244 67

HSL 127.94, 0.9%, 0.56%

LAB 84.77, -78.59, 67.85

 

CMYK 84 / 80 / 0 / 4

HEX #2732F5

RGB 39 50 245

HSL 236.8, 0.91%, 0.56%

LAB 36.57, 62.98, -95.11

 

CMYK 0 / 84 / 36 / 4

HEX #F4289C

RGB 244 40 156

HSL 325.88, 0.9%, 0.56%

LAB 55.23, 79.97, -12.34

 

CMYK 0 / 5 / 84 / 4

HEX #F4E728

RGB 244 231 40

HSL 56.18, 0.9%, 0.56%

LAB 90.11, -14, 83.74

 

CMYK 84 / 0 / 47 / 4

HEX #28F481

RGB 40 244 129

HSL 146.18, 0.9%, 0.56%

LAB 85.37, -71.24, 42.24

 

Description

Color code: RGB 39 50 245 | qconv.com Color code: RGB 39 50 245 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 50 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 50 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 80 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 80% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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