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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 59 118 it is the complementary color RGB 216 196 137. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 59 118. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 39 59 118 shade: RGB 44 59 113, RGB 61 77 132, RGB 78 95 151, RGB 95 113 170 and RGB 112 131 189

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 59 118. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 39 59 118 shade: RGB 39 59 118, RGB 22 41 99, RGB 5 23 80, RGB 0 5 61 and RGB 0 0 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 39 59 118 shade: RGB 39 59 118, RGB 40 39 118, RGB 62 39 118, RGB 83 39 118 and RGB 104 39 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 39 59 118 shade: RGB 39 59 118 and RGB 39 39 118

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 39 59 118 shade matches the following richer shades: RGB 39 59 118, RGB 26 53 131, RGB 13 46 144 and RGB 1 40 156

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 39 59 118 shade: RGB 39 59 118, RGB 52 65 105, RGB 65 72 92, RGB 77 78 80 and RGB 90 84 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 39 59 118 shade: RGB 39 102 118, RGB 39 81 118, RGB 39 60 118, RGB 39 39 118 and RGB 60 39 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 39 59 118 shade: RGB 18 28 56, RGB 29 44 87, RGB 39 59 118, RGB 49 75 149 and RGB 60 90 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 39 59 118 shade: RGB 39 59 118, RGB 113 39 118 and RGB 92 118 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 39 59 118 shade: RGB 39 59 118, RGB 118 39 60 and RGB 60 118 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 39 59 118 shade: RGB 39 59 118, RGB 113 39 118, RGB 118 97 39 and RGB 44 118 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 39 59 118 shade: RGB 39 59 118, RGB 118 39 100, RGB 118 97 39 and RGB 39 118 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 50 / 0 / 54

HEX #273B76

RGB 39 59 118

HSL 224.81, 0.5%, 0.31%

LAB 26.35, 12.82, -36.29

 

Complementary color

CMYK 0 / 9 / 37 / 15

HEX #D8C489

RGB 216 196 137

HSL 44.81, 0.5%, 0.69%

LAB 79.55, -1.41, 32.21

 

CMYK 61 / 48 / 0 / 56

HEX #2C3B71

RGB 44 59 113

HSL 226.96, 0.44%, 0.31%

LAB 26.32, 11.95, -33.16

 

CMYK 54 / 42 / 0 / 48

HEX #3D4D84

RGB 61 77 132

HSL 226.48, 0.37%, 0.38%

LAB 33.91, 10.57, -32.9

 

CMYK 48 / 37 / 0 / 41

HEX #4E5F97

RGB 78 95 151

HSL 226.03, 0.32%, 0.45%

LAB 41.28, 9.54, -32.71

 

CMYK 44 / 34 / 0 / 33

HEX #5F71AA

RGB 95 113 170

HSL 225.6, 0.31%, 0.52%

LAB 48.44, 8.72, -32.6

 

CMYK 41 / 31 / 0 / 26

HEX #7083BD

RGB 112 131 189

HSL 225.19, 0.37%, 0.59%

LAB 55.43, 8.06, -32.55

 

CMYK 67 / 50 / 0 / 54

HEX #273B76

RGB 39 59 118

HSL 224.81, 0.5%, 0.31%

LAB 26.35, 12.82, -36.29

 

CMYK 78 / 59 / 0 / 61

HEX #162963

RGB 22 41 99

HSL 225.19, 0.64%, 0.24%

LAB 18.62, 15.15, -36.58

 

CMYK 94 / 71 / 0 / 69

HEX #051750

RGB 5 23 80

HSL 225.6, 0.88%, 0.17%

LAB 10.74, 18.45, -36.72

 

CMYK 100 / 92 / 0 / 76

HEX #00053D

RGB 0 5 61

HSL 235.08, 1%, 0.12%

LAB 4.02, 19.34, -34.39

 

CMYK 100 / 100 / 0 / 84

HEX #00002A

RGB 0 0 42

HSL 240, 1%, 0.08%

LAB 1.51, 10.61, -24.29

 

CMYK 67 / 50 / 0 / 54

HEX #273B76

RGB 39 59 118

HSL 224.81, 0.5%, 0.31%

LAB 26.35, 12.82, -36.29

 

CMYK 66 / 67 / 0 / 54

HEX #282776

RGB 40 39 118

HSL 240.76, 0.5%, 0.31%

LAB 20.87, 26.81, -45.18

 

CMYK 47 / 67 / 0 / 54

HEX #3E2776

RGB 62 39 118

HSL 257.47, 0.5%, 0.31%

LAB 22.94, 31.04, -41.71

 

CMYK 30 / 67 / 0 / 54

HEX #532776

RGB 83 39 118

HSL 273.42, 0.5%, 0.31%

LAB 25.56, 35.93, -37.35

 

CMYK 12 / 67 / 0 / 54

HEX #682776

RGB 104 39 118

HSL 289.37, 0.5%, 0.31%

LAB 28.65, 41.25, -32.23

 

CMYK 67 / 50 / 0 / 54

HEX #273B76

RGB 39 59 118

HSL 224.81, 0.5%, 0.31%

LAB 26.35, 12.82, -36.29

 

CMYK 67 / 67 / 0 / 54

HEX #272776

RGB 39 39 118

HSL 240, 0.5%, 0.31%

LAB 20.79, 26.65, -45.31

 

CMYK 67 / 50 / 0 / 54

HEX #273B76

RGB 39 59 118

HSL 224.81, 0.5%, 0.31%

LAB 26.35, 12.82, -36.29

 

CMYK 80 / 60 / 0 / 49

HEX #1A3583

RGB 26 53 131

HSL 224.57, 0.67%, 0.31%

LAB 24.97, 20.22, -46.76

 

CMYK 91 / 68 / 0 / 44

HEX #0D2E90

RGB 13 46 144

HSL 224.89, 0.83%, 0.31%

LAB 23.85, 29.27, -56.7

 

CMYK 99 / 74 / 0 / 39

HEX #01289C

RGB 1 40 156

HSL 224.9, 0.99%, 0.31%

LAB 23.42, 37.37, -64.8

 

CMYK 67 / 50 / 0 / 54

HEX #273B76

RGB 39 59 118

HSL 224.81, 0.5%, 0.31%

LAB 26.35, 12.82, -36.29

 

CMYK 50 / 38 / 0 / 59

HEX #344169

RGB 52 65 105

HSL 225.28, 0.34%, 0.31%

LAB 28.2, 6.98, -25.04

 

CMYK 29 / 22 / 0 / 64

HEX #41485C

RGB 65 72 92

HSL 224.44, 0.17%, 0.31%

LAB 30.72, 2.37, -12.74

 

CMYK 4 / 2 / 0 / 69

HEX #4D4E50

RGB 77 78 80

HSL 220, 0.02%, 0.31%

LAB 33.15, 0.04, -1.33

 

CMYK 0 / 7 / 26 / 65

HEX #5A5443

RGB 90 84 67

HSL 44.35, 0.15%, 0.31%

LAB 35.83, -0.69, 10.84

 

CMYK 67 / 14 / 0 / 54

HEX #276676

RGB 39 102 118

HSL 192.15, 0.5%, 0.31%

LAB 39.99, -14.62, -14.93

 

CMYK 67 / 31 / 0 / 54

HEX #275176

RGB 39 81 118

HSL 208.1, 0.5%, 0.31%

LAB 33.19, -1.94, -25.44

 

CMYK 67 / 49 / 0 / 54

HEX #273C76

RGB 39 60 118

HSL 224.05, 0.5%, 0.31%

LAB 26.65, 12.12, -35.81

 

CMYK 67 / 67 / 0 / 54

HEX #272776

RGB 39 39 118

HSL 240, 0.5%, 0.31%

LAB 20.79, 26.65, -45.31

 

CMYK 49 / 67 / 0 / 54

HEX #3C2776

RGB 60 39 118

HSL 255.95, 0.5%, 0.31%

LAB 22.72, 30.61, -42.08

 

CMYK 68 / 50 / 0 / 78

HEX #121C38

RGB 18 28 56

HSL 224.21, 0.51%, 0.15%

LAB 10.88, 6.06, -19.63

 

CMYK 67 / 49 / 0 / 66

HEX #1D2C57

RGB 29 44 87

HSL 224.48, 0.5%, 0.23%

LAB 19.02, 9.29, -27.97

 

CMYK 67 / 50 / 0 / 54

HEX #273B76

RGB 39 59 118

HSL 224.81, 0.5%, 0.31%

LAB 26.35, 12.82, -36.29

 

CMYK 67 / 50 / 0 / 42

HEX #314B95

RGB 49 75 149

HSL 224.4, 0.51%, 0.39%

LAB 33.68, 15.5, -43.71

 

CMYK 67 / 50 / 0 / 29

HEX #3C5AB4

RGB 60 90 180

HSL 225, 0.5%, 0.47%

LAB 40.52, 18.9, -51.18

 

CMYK 67 / 50 / 0 / 54

HEX #273B76

RGB 39 59 118

HSL 224.81, 0.5%, 0.31%

LAB 26.35, 12.82, -36.29

 

CMYK 4 / 67 / 0 / 54

HEX #712776

RGB 113 39 118

HSL 296.2, 0.5%, 0.31%

LAB 30.08, 43.58, -29.86

 

CMYK 22 / 0 / 67 / 54

HEX #5C7627

RGB 92 118 39

HSL 79.75, 0.5%, 0.31%

LAB 46.15, -22.33, 39.07

 

CMYK 67 / 50 / 0 / 54

HEX #273B76

RGB 39 59 118

HSL 224.81, 0.5%, 0.31%

LAB 26.35, 12.82, -36.29

 

CMYK 0 / 67 / 49 / 54

HEX #76273C

RGB 118 39 60

HSL 344.05, 0.5%, 0.31%

LAB 28.46, 36.38, 5.57

 

CMYK 49 / 0 / 67 / 54

HEX #3C7627

RGB 60 118 39

HSL 104.05, 0.5%, 0.31%

LAB 44.32, -34.61, 36.57

 

CMYK 67 / 50 / 0 / 54

HEX #273B76

RGB 39 59 118

HSL 224.81, 0.5%, 0.31%

LAB 26.35, 12.82, -36.29

 

CMYK 4 / 67 / 0 / 54

HEX #712776

RGB 113 39 118

HSL 296.2, 0.5%, 0.31%

LAB 30.08, 43.58, -29.86

 

CMYK 0 / 18 / 67 / 54

HEX #766127

RGB 118 97 39

HSL 44.05, 0.5%, 0.31%

LAB 42.07, 1.3, 35.33

 

CMYK 63 / 0 / 67 / 54

HEX #2C7627

RGB 44 118 39

HSL 116.2, 0.5%, 0.31%

LAB 43.71, -39.32, 35.72

 

CMYK 67 / 50 / 0 / 54

HEX #273B76

RGB 39 59 118

HSL 224.81, 0.5%, 0.31%

LAB 26.35, 12.82, -36.29

 

CMYK 0 / 67 / 15 / 54

HEX #762764

RGB 118 39 100

HSL 313.67, 0.5%, 0.31%

LAB 29.97, 41.75, -18.48

 

CMYK 0 / 18 / 67 / 54

HEX #766127

RGB 118 97 39

HSL 44.05, 0.5%, 0.31%

LAB 42.07, 1.3, 35.33

 

CMYK 67 / 0 / 52 / 54

HEX #277639

RGB 39 118 57

HSL 133.67, 0.5%, 0.31%

LAB 43.78, -38.04, 26.59

 

Description

Color code: RGB 39 59 118 | qconv.com Color code: RGB 39 59 118 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 59 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 59 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 50 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 50% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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