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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 152 174 it is the complementary color RGB 216 103 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 152 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 39 152 174 shade: RGB 44 152 169, RGB 61 170 188, RGB 78 188 207, RGB 95 206 226 and RGB 112 224 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 152 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 39 152 174 shade: RGB 39 152 174, RGB 22 134 155, RGB 5 116 136, RGB 0 98 117 and RGB 0 80 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 39 152 174 shade: RGB 39 152 174, RGB 39 116 174, RGB 39 79 174, RGB 39 43 174 and RGB 72 39 174

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 39 152 174 shade: RGB 39 152 174, RGB 39 116 174, RGB 39 79 174, RGB 39 43 174 and RGB 39 39 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 39 152 174 shade matches the following richer shades: RGB 39 152 174, RGB 22 164 191 and RGB 4 175 209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 39 152 174 shade: RGB 39 152 174, RGB 56 140 157, RGB 74 129 139, RGB 91 117 122 and RGB 108 105 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 39 152 174 shade: RGB 39 174 122, RGB 39 174 158, RGB 39 154 174, RGB 39 118 174 and RGB 39 82 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 39 152 174 shade: RGB 24 93 107, RGB 31 123 140, RGB 39 152 174, RGB 47 181 207 and RGB 81 193 215

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 39 152 174 shade: RGB 39 152 174, RGB 86 39 174 and RGB 174 140 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 39 152 174 shade: RGB 39 152 174, RGB 174 39 154 and RGB 154 174 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 39 152 174 shade: RGB 39 152 174, RGB 86 39 174, RGB 174 59 39 and RGB 127 174 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 39 152 174 shade: RGB 39 152 174, RGB 127 39 174, RGB 174 59 39 and RGB 86 174 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 13 / 0 / 32

HEX #2798AE

RGB 39 152 174

HSL 189.78, 0.63%, 0.42%

LAB 57.98, -22.97, -20.32

 

Complementary color

CMYK 0 / 52 / 63 / 15

HEX #D86751

RGB 216 103 81

HSL 9.78, 0.63%, 0.58%

LAB 56.97, 42.67, 33.34

 

CMYK 74 / 10 / 0 / 34

HEX #2C98A9

RGB 44 152 169

HSL 188.16, 0.59%, 0.42%

LAB 57.9, -24, -17.6

 

CMYK 68 / 10 / 0 / 26

HEX #3DAABC

RGB 61 170 188

HSL 188.5, 0.51%, 0.49%

LAB 64.46, -24.86, -18.28

 

CMYK 62 / 9 / 0 / 19

HEX #4EBCCF

RGB 78 188 207

HSL 188.84, 0.57%, 0.56%

LAB 70.93, -25.48, -18.9

 

CMYK 58 / 9 / 0 / 11

HEX #5FCEE2

RGB 95 206 226

HSL 189.16, 0.69%, 0.63%

LAB 77.32, -25.94, -19.47

 

CMYK 54 / 9 / 0 / 4

HEX #70E0F5

RGB 112 224 245

HSL 189.47, 0.87%, 0.7%

LAB 83.63, -26.28, -20

 

CMYK 78 / 13 / 0 / 32

HEX #2798AE

RGB 39 152 174

HSL 189.78, 0.63%, 0.42%

LAB 57.98, -22.97, -20.32

 

CMYK 86 / 14 / 0 / 39

HEX #16869B

RGB 22 134 155

HSL 189.47, 0.75%, 0.35%

LAB 51.37, -21.55, -19.55

 

CMYK 96 / 15 / 0 / 47

HEX #057488

RGB 5 116 136

HSL 189.16, 0.93%, 0.28%

LAB 44.66, -19.65, -18.67

 

CMYK 100 / 16 / 0 / 54

HEX #006275

RGB 0 98 117

HSL 189.74, 1%, 0.23%

LAB 37.88, -17.03, -17.61

 

CMYK 100 / 18 / 0 / 62

HEX #005062

RGB 0 80 98

HSL 191.02, 1%, 0.19%

LAB 30.92, -14, -16.47

 

CMYK 78 / 13 / 0 / 32

HEX #2798AE

RGB 39 152 174

HSL 189.78, 0.63%, 0.42%

LAB 57.98, -22.97, -20.32

 

CMYK 78 / 33 / 0 / 32

HEX #2774AE

RGB 39 116 174

HSL 205.78, 0.63%, 0.42%

LAB 46.95, -2.8, -37.47

 

CMYK 78 / 55 / 0 / 32

HEX #274FAE

RGB 39 79 174

HSL 222.22, 0.63%, 0.42%

LAB 36.14, 20.93, -54.77

 

CMYK 78 / 75 / 0 / 32

HEX #272BAE

RGB 39 43 174

HSL 238.22, 0.63%, 0.42%

LAB 27.34, 43.93, -69.18

 

CMYK 59 / 78 / 0 / 32

HEX #4827AE

RGB 72 39 174

HSL 254.67, 0.63%, 0.42%

LAB 29.12, 49.46, -66.16

 

CMYK 78 / 13 / 0 / 32

HEX #2798AE

RGB 39 152 174

HSL 189.78, 0.63%, 0.42%

LAB 57.98, -22.97, -20.32

 

CMYK 78 / 33 / 0 / 32

HEX #2774AE

RGB 39 116 174

HSL 205.78, 0.63%, 0.42%

LAB 46.95, -2.8, -37.47

 

CMYK 78 / 55 / 0 / 32

HEX #274FAE

RGB 39 79 174

HSL 222.22, 0.63%, 0.42%

LAB 36.14, 20.93, -54.77

 

CMYK 78 / 75 / 0 / 32

HEX #272BAE

RGB 39 43 174

HSL 238.22, 0.63%, 0.42%

LAB 27.34, 43.93, -69.18

 

CMYK 78 / 78 / 0 / 32

HEX #2727AE

RGB 39 39 174

HSL 240, 0.63%, 0.42%

LAB 26.56, 46.15, -70.47

 

CMYK 78 / 13 / 0 / 32

HEX #2798AE

RGB 39 152 174

HSL 189.78, 0.63%, 0.42%

LAB 57.98, -22.97, -20.32

 

CMYK 88 / 14 / 0 / 25

HEX #16A4BF

RGB 22 164 191

HSL 189.59, 0.79%, 0.42%

LAB 62.07, -24.88, -23.67

 

CMYK 98 / 16 / 0 / 18

HEX #04AFD1

RGB 4 175 209

HSL 189.95, 0.96%, 0.42%

LAB 65.97, -25.1, -27.69

 

CMYK 78 / 13 / 0 / 32

HEX #2798AE

RGB 39 152 174

HSL 189.78, 0.63%, 0.42%

LAB 57.98, -22.97, -20.32

 

CMYK 64 / 11 / 0 / 38

HEX #388C9D

RGB 56 140 157

HSL 190.1, 0.47%, 0.42%

LAB 54.06, -19.75, -16.54

 

CMYK 47 / 7 / 0 / 45

HEX #4A818B

RGB 74 129 139

HSL 189.23, 0.31%, 0.42%

LAB 50.71, -15.35, -11.08

 

CMYK 25 / 4 / 0 / 52

HEX #5B757A

RGB 91 117 122

HSL 189.68, 0.15%, 0.42%

LAB 47.43, -8.18, -5.86

 

CMYK 0 / 3 / 3 / 58

HEX #6C6969

RGB 108 105 105

HSL 0, 0.01%, 0.42%

LAB 44.68, 1.17, 0.41

 

CMYK 78 / 0 / 30 / 32

HEX #27AE7A

RGB 39 174 122

HSL 156.89, 0.63%, 0.42%

LAB 63.43, -47.56, 16.84

 

CMYK 78 / 0 / 9 / 32

HEX #27AE9E

RGB 39 174 158

HSL 172.89, 0.63%, 0.42%

LAB 64.3, -38.46, -1.85

 

CMYK 78 / 11 / 0 / 32

HEX #279AAE

RGB 39 154 174

HSL 188.89, 0.63%, 0.42%

LAB 58.6, -24, -19.38

 

CMYK 78 / 32 / 0 / 32

HEX #2776AE

RGB 39 118 174

HSL 204.89, 0.63%, 0.42%

LAB 47.55, -4, -36.51

 

CMYK 78 / 53 / 0 / 32

HEX #2752AE

RGB 39 82 174

HSL 220.89, 0.63%, 0.42%

LAB 36.97, 18.94, -53.42

 

CMYK 78 / 13 / 0 / 58

HEX #185D6B

RGB 24 93 107

HSL 190.12, 0.63%, 0.26%

LAB 36.15, -15.74, -14.06

 

CMYK 78 / 12 / 0 / 45

HEX #1F7B8C

RGB 31 123 140

HSL 189.36, 0.64%, 0.34%

LAB 47.43, -19.95, -16.77

 

CMYK 78 / 13 / 0 / 32

HEX #2798AE

RGB 39 152 174

HSL 189.78, 0.63%, 0.42%

LAB 57.98, -22.97, -20.32

 

CMYK 77 / 13 / 0 / 19

HEX #2FB5CF

RGB 47 181 207

HSL 189.75, 0.63%, 0.5%

LAB 68.14, -26.21, -23.23

 

CMYK 62 / 10 / 0 / 16

HEX #51C1D7

RGB 81 193 215

HSL 189.85, 0.63%, 0.58%

LAB 72.76, -25.12, -20.49

 

CMYK 78 / 13 / 0 / 32

HEX #2798AE

RGB 39 152 174

HSL 189.78, 0.63%, 0.42%

LAB 57.98, -22.97, -20.32

 

CMYK 51 / 78 / 0 / 32

HEX #5627AE

RGB 86 39 174

HSL 260.89, 0.63%, 0.42%

LAB 30.61, 51.35, -63.66

 

CMYK 0 / 20 / 78 / 32

HEX #AE8C27

RGB 174 140 39

HSL 44.89, 0.63%, 0.42%

LAB 59.8, 2.77, 55.13

 

CMYK 78 / 13 / 0 / 32

HEX #2798AE

RGB 39 152 174

HSL 189.78, 0.63%, 0.42%

LAB 57.98, -22.97, -20.32

 

CMYK 0 / 78 / 11 / 32

HEX #AE279A

RGB 174 39 154

HSL 308.89, 0.63%, 0.42%

LAB 42.43, 64.22, -31.91

 

CMYK 11 / 0 / 78 / 32

HEX #9AAE27

RGB 154 174 39

HSL 68.89, 0.63%, 0.42%

LAB 67.49, -23.94, 61.62

 

CMYK 78 / 13 / 0 / 32

HEX #2798AE

RGB 39 152 174

HSL 189.78, 0.63%, 0.42%

LAB 57.98, -22.97, -20.32

 

CMYK 51 / 78 / 0 / 32

HEX #5627AE

RGB 86 39 174

HSL 260.89, 0.63%, 0.42%

LAB 30.61, 51.35, -63.66

 

CMYK 0 / 66 / 78 / 32

HEX #AE3B27

RGB 174 59 39

HSL 8.89, 0.63%, 0.42%

LAB 41.65, 45.84, 37.25

 

CMYK 27 / 0 / 78 / 32

HEX #7FAE27

RGB 127 174 39

HSL 80.89, 0.63%, 0.42%

LAB 65.69, -34.99, 59.3

 

CMYK 78 / 13 / 0 / 32

HEX #2798AE

RGB 39 152 174

HSL 189.78, 0.63%, 0.42%

LAB 57.98, -22.97, -20.32

 

CMYK 27 / 78 / 0 / 32

HEX #7F27AE

RGB 127 39 174

HSL 279.11, 0.63%, 0.42%

LAB 36.02, 58.13, -54.59

 

CMYK 0 / 66 / 78 / 32

HEX #AE3B27

RGB 174 59 39

HSL 8.89, 0.63%, 0.42%

LAB 41.65, 45.84, 37.25

 

CMYK 51 / 0 / 78 / 32

HEX #56AE27

RGB 86 174 39

HSL 99.11, 0.63%, 0.42%

LAB 63.67, -49.32, 56.66

 

Description

Color code: RGB 39 152 174 | qconv.com Color code: RGB 39 152 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 152 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 152 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 13 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 13% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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