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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 173 120 it is the complementary color RGB 216 82 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 173 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 39 173 120 shade: RGB 44 173 115, RGB 61 191 134, RGB 78 209 153, RGB 95 227 172 and RGB 112 245 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 173 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 39 173 120 shade: RGB 39 173 120, RGB 22 155 101, RGB 5 137 82, RGB 0 119 63 and RGB 0 101 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 39 173 120 shade: RGB 39 174 121, RGB 39 174 84, RGB 39 174 48, RGB 67 174 39 and RGB 103 174 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 39 173 120 shade: RGB 39 174 121, RGB 39 174 157, RGB 39 155 174, RGB 39 118 174 and RGB 39 82 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 39 173 120 shade matches the following richer shades: RGB 39 174 121, RGB 22 191 124 and RGB 4 209 128

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 39 173 120 shade: RGB 39 174 121, RGB 56 157 117, RGB 74 139 113, RGB 91 122 110 and RGB 108 105 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 39 173 120 shade: RGB 39 174 48, RGB 39 174 84, RGB 39 174 120, RGB 39 174 156 and RGB 39 156 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 39 173 120 shade: RGB 24 107 74, RGB 31 140 97, RGB 39 174 121, RGB 47 207 144 and RGB 81 215 162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 39 173 120 shade: RGB 39 173 120, RGB 39 66 174 and RGB 174 66 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 39 173 120 shade: RGB 39 173 120, RGB 120 39 174 and RGB 174 120 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 39 173 120 shade: RGB 39 173 120, RGB 39 66 174, RGB 174 39 93 and RGB 174 147 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 39 173 120 shade: RGB 39 173 120, RGB 53 39 174, RGB 174 39 93 and RGB 161 174 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 31 / 32

HEX #27AD78

RGB 39 173 120

HSL 156.27, 0.63%, 0.42%

LAB 63.07, -47.61, 17.44

 

Complementary color

CMYK 0 / 62 / 38 / 15

HEX #D85287

RGB 216 82 135

HSL 336.27, 0.63%, 0.58%

LAB 54.43, 57.21, -1.62

 

CMYK 75 / 0 / 34 / 32

HEX #2CAD73

RGB 44 173 115

HSL 153.02, 0.59%, 0.43%

LAB 63.06, -48.03, 20.17

 

CMYK 68 / 0 / 30 / 25

HEX #3DBF86

RGB 61 191 134

HSL 153.69, 0.52%, 0.49%

LAB 69.45, -48.57, 18.71

 

CMYK 63 / 0 / 27 / 18

HEX #4ED199

RGB 78 209 153

HSL 154.35, 0.59%, 0.56%

LAB 75.77, -48.86, 17.39

 

CMYK 58 / 0 / 24 / 11

HEX #5FE3AC

RGB 95 227 172

HSL 155, 0.7%, 0.63%

LAB 82.03, -48.98, 16.18

 

CMYK 54 / 0 / 22 / 4

HEX #70F5BF

RGB 112 245 191

HSL 155.64, 0.87%, 0.7%

LAB 88.21, -48.99, 15.06

 

CMYK 77 / 0 / 31 / 32

HEX #27AD78

RGB 39 173 120

HSL 156.27, 0.63%, 0.42%

LAB 63.07, -47.61, 17.44

 

CMYK 86 / 0 / 35 / 39

HEX #169B65

RGB 22 155 101

HSL 155.64, 0.75%, 0.35%

LAB 56.64, -46.53, 19.06

 

CMYK 96 / 0 / 40 / 46

HEX #058952

RGB 5 137 82

HSL 155, 0.93%, 0.28%

LAB 50.14, -44.92, 20.87

 

CMYK 100 / 0 / 47 / 53

HEX #00773F

RGB 0 119 63

HSL 151.76, 1%, 0.23%

LAB 43.58, -42.43, 22.9

 

CMYK 100 / 0 / 56 / 60

HEX #00652C

RGB 0 101 44

HSL 146.14, 1%, 0.2%

LAB 36.91, -39.37, 25.04

 

CMYK 78 / 0 / 30 / 32

HEX #27AE79

RGB 39 174 121

HSL 156.44, 0.63%, 0.42%

LAB 63.41, -47.78, 17.36

 

CMYK 78 / 0 / 52 / 32

HEX #27AE54

RGB 39 174 84

HSL 140, 0.63%, 0.42%

LAB 62.8, -54.8, 36.1

 

CMYK 78 / 0 / 72 / 32

HEX #27AE30

RGB 39 174 48

HSL 124, 0.63%, 0.42%

LAB 62.44, -59.13, 51.84

 

CMYK 61 / 0 / 78 / 32

HEX #43AE27

RGB 67 174 39

HSL 107.56, 0.63%, 0.42%

LAB 63.02, -54.45, 55.81

 

CMYK 41 / 0 / 78 / 32

HEX #67AE27

RGB 103 174 39

HSL 91.56, 0.63%, 0.42%

LAB 64.4, -43.84, 57.62

 

CMYK 78 / 0 / 30 / 32

HEX #27AE79

RGB 39 174 121

HSL 156.44, 0.63%, 0.42%

LAB 63.41, -47.78, 17.36

 

CMYK 78 / 0 / 10 / 32

HEX #27AE9D

RGB 39 174 157

HSL 172.44, 0.63%, 0.42%

LAB 64.27, -38.73, -1.33

 

CMYK 78 / 11 / 0 / 32

HEX #279BAE

RGB 39 155 174

HSL 188.44, 0.63%, 0.42%

LAB 58.91, -24.51, -18.91

 

CMYK 78 / 32 / 0 / 32

HEX #2776AE

RGB 39 118 174

HSL 204.89, 0.63%, 0.42%

LAB 47.55, -4, -36.51

 

CMYK 78 / 53 / 0 / 32

HEX #2752AE

RGB 39 82 174

HSL 220.89, 0.63%, 0.42%

LAB 36.97, 18.94, -53.42

 

CMYK 78 / 0 / 30 / 32

HEX #27AE79

RGB 39 174 121

HSL 156.44, 0.63%, 0.42%

LAB 63.41, -47.78, 17.36

 

CMYK 88 / 0 / 35 / 25

HEX #16BF7C

RGB 22 191 124

HSL 156.21, 0.79%, 0.42%

LAB 68.67, -55.2, 22.89

 

CMYK 98 / 0 / 39 / 18

HEX #04D180

RGB 4 209 128

HSL 156.29, 0.96%, 0.42%

LAB 74.31, -61.61, 28.34

 

CMYK 78 / 0 / 30 / 32

HEX #27AE79

RGB 39 174 121

HSL 156.44, 0.63%, 0.42%

LAB 63.41, -47.78, 17.36

 

CMYK 64 / 0 / 25 / 38

HEX #389D75

RGB 56 157 117

HSL 156.24, 0.47%, 0.42%

LAB 58.26, -38.95, 12.48

 

CMYK 47 / 0 / 19 / 45

HEX #4A8B71

RGB 74 139 113

HSL 156, 0.31%, 0.42%

LAB 53.07, -27.3, 7.52

 

CMYK 25 / 0 / 10 / 52

HEX #5B7A6E

RGB 91 122 110

HSL 156.77, 0.15%, 0.42%

LAB 48.6, -13.82, 2.96

 

CMYK 0 / 3 / 2 / 58

HEX #6C696A

RGB 108 105 106

HSL 340, 0.01%, 0.42%

LAB 44.71, 1.37, -0.15

 

CMYK 78 / 0 / 72 / 32

HEX #27AE30

RGB 39 174 48

HSL 124, 0.63%, 0.42%

LAB 62.44, -59.13, 51.84

 

CMYK 78 / 0 / 52 / 32

HEX #27AE54

RGB 39 174 84

HSL 140, 0.63%, 0.42%

LAB 62.8, -54.8, 36.1

 

CMYK 78 / 0 / 31 / 32

HEX #27AE78

RGB 39 174 120

HSL 156, 0.63%, 0.42%

LAB 63.39, -48, 17.88

 

CMYK 78 / 0 / 10 / 32

HEX #27AE9C

RGB 39 174 156

HSL 172, 0.63%, 0.42%

LAB 64.24, -39.01, -0.81

 

CMYK 78 / 10 / 0 / 32

HEX #279CAE

RGB 39 156 174

HSL 188, 0.63%, 0.42%

LAB 59.22, -25.02, -18.44

 

CMYK 78 / 0 / 31 / 58

HEX #186B4A

RGB 24 107 74

HSL 156.14, 0.63%, 0.26%

LAB 39.92, -32.76, 11.69

 

CMYK 78 / 0 / 31 / 45

HEX #1F8C61

RGB 31 140 97

HSL 156.33, 0.64%, 0.34%

LAB 51.74, -40.43, 14.62

 

CMYK 78 / 0 / 30 / 32

HEX #27AE79

RGB 39 174 121

HSL 156.44, 0.63%, 0.42%

LAB 63.41, -47.78, 17.36

 

CMYK 77 / 0 / 30 / 19

HEX #2FCF90

RGB 47 207 144

HSL 156.38, 0.63%, 0.5%

LAB 74.35, -54.68, 20.08

 

CMYK 62 / 0 / 25 / 16

HEX #51D7A2

RGB 81 215 162

HSL 156.27, 0.63%, 0.58%

LAB 77.85, -48.84, 15.53

 

CMYK 77 / 0 / 31 / 32

HEX #27AD78

RGB 39 173 120

HSL 156.27, 0.63%, 0.42%

LAB 63.07, -47.61, 17.44

 

CMYK 78 / 62 / 0 / 32

HEX #2742AE

RGB 39 66 174

HSL 228, 0.63%, 0.42%

LAB 32.67, 29.58, -60.42

 

CMYK 0 / 62 / 78 / 32

HEX #AE4227

RGB 174 66 39

HSL 12, 0.63%, 0.42%

LAB 42.83, 42.69, 38.48

 

CMYK 77 / 0 / 31 / 32

HEX #27AD78

RGB 39 173 120

HSL 156.27, 0.63%, 0.42%

LAB 63.07, -47.61, 17.44

 

CMYK 31 / 78 / 0 / 32

HEX #7827AE

RGB 120 39 174

HSL 276, 0.63%, 0.42%

LAB 35, 56.87, -56.29

 

CMYK 0 / 31 / 78 / 32

HEX #AE7827

RGB 174 120 39

HSL 36, 0.63%, 0.42%

LAB 54.64, 13.91, 50.24

 

CMYK 77 / 0 / 31 / 32

HEX #27AD78

RGB 39 173 120

HSL 156.27, 0.63%, 0.42%

LAB 63.07, -47.61, 17.44

 

CMYK 78 / 62 / 0 / 32

HEX #2742AE

RGB 39 66 174

HSL 228, 0.63%, 0.42%

LAB 32.67, 29.58, -60.42

 

CMYK 0 / 78 / 47 / 32

HEX #AE275D

RGB 174 39 93

HSL 336, 0.63%, 0.42%

LAB 39.98, 56.87, 2.08

 

CMYK 0 / 16 / 78 / 32

HEX #AE9327

RGB 174 147 39

HSL 48, 0.63%, 0.42%

LAB 61.67, -1.06, 56.87

 

CMYK 77 / 0 / 31 / 32

HEX #27AD78

RGB 39 173 120

HSL 156.27, 0.63%, 0.42%

LAB 63.07, -47.61, 17.44

 

CMYK 70 / 78 / 0 / 32

HEX #3527AE

RGB 53 39 174

HSL 246.22, 0.63%, 0.42%

LAB 27.47, 47.34, -68.93

 

CMYK 0 / 78 / 47 / 32

HEX #AE275D

RGB 174 39 93

HSL 336, 0.63%, 0.42%

LAB 39.98, 56.87, 2.08

 

CMYK 7 / 0 / 78 / 32

HEX #A1AE27

RGB 161 174 39

HSL 65.78, 0.63%, 0.42%

LAB 68.02, -20.96, 62.29

 

Description

Color code: RGB 39 173 120 | qconv.com Color code: RGB 39 173 120 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 173 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 173 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 31 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 31% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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