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Color name
RGB 39 215 127

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 39 215 127 it is the complementary color RGB 216 40 128. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 39 215 127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 39 215 127 shade: RGB 44 215 122, RGB 61 233 141, RGB 78 251 160, RGB 95 255 179 and RGB 112 255 198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 39 215 127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 39 215 127 shade: RGB 39 215 127, RGB 22 197 108, RGB 5 179 89, RGB 0 161 70 and RGB 0 143 51

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 39 215 127 shade: RGB 39 215 127, RGB 39 215 80, RGB 46 215 39, RGB 93 215 39 and RGB 141 215 39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 39 215 127 shade: RGB 39 215 127, RGB 39 215 174, RGB 39 208 215, RGB 39 161 215 and RGB 39 113 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 39 215 127 shade matches the following richer shades: RGB 39 215 127 and RGB 18 236 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 39 215 127 shade: RGB 39 215 127, RGB 60 194 127, RGB 80 174 127, RGB 101 153 127 and RGB 122 132 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 39 215 127 shade: RGB 45 215 39, RGB 39 215 80, RGB 39 215 127, RGB 39 215 174 and RGB 39 209 215

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 39 215 127 shade: RGB 26 145 86, RGB 33 180 106, RGB 39 215 127, RGB 74 221 148 and RGB 109 228 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 39 215 127 shade: RGB 39 215 127, RGB 39 92 215 and RGB 215 57 39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 39 215 127 shade: RGB 39 215 127, RGB 127 39 215 and RGB 215 127 39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 39 215 127 shade: RGB 39 215 127, RGB 39 92 215, RGB 215 39 127 and RGB 215 162 39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 39 215 127 shade: RGB 39 215 127, RGB 39 39 215, RGB 215 39 127 and RGB 215 215 39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

Complementary color

CMYK 0 / 81 / 41 / 15

HEX #D82880

RGB 216 40 128

HSL 330, 0.69%, 0.5%

LAB 49.1, 70.73, -5.29

 

CMYK 80 / 0 / 43 / 16

HEX #2CD77A

RGB 44 215 122

HSL 147.37, 0.68%, 0.51%

LAB 76.4, -62.24, 34.21

 

CMYK 74 / 0 / 39 / 9

HEX #3DE98D

RGB 61 233 141

HSL 147.91, 0.8%, 0.58%

LAB 82.48, -63.16, 32.64

 

CMYK 69 / 0 / 36 / 2

HEX #4EFBA0

RGB 78 251 160

HSL 148.44, 0.96%, 0.65%

LAB 88.52, -63.77, 31.17

 

CMYK 63 / 0 / 30 / 0

HEX #5FFFB3

RGB 95 255 179

HSL 151.5, 1%, 0.69%

LAB 90.42, -58.83, 24.21

 

CMYK 56 / 0 / 22 / 0

HEX #70FFC6

RGB 112 255 198

HSL 156.08, 1%, 0.72%

LAB 91.25, -51.7, 15.74

 

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

CMYK 89 / 0 / 45 / 23

HEX #16C56C

RGB 22 197 108

HSL 149.49, 0.8%, 0.43%

LAB 70.31, -60.41, 33.39

 

CMYK 97 / 0 / 50 / 30

HEX #05B359

RGB 5 179 89

HSL 148.97, 0.95%, 0.36%

LAB 64.16, -58.44, 35.2

 

CMYK 100 / 0 / 57 / 37

HEX #00A146

RGB 0 161 70

HSL 146.09, 1%, 0.32%

LAB 57.97, -55.73, 37.09

 

CMYK 100 / 0 / 64 / 44

HEX #008F33

RGB 0 143 51

HSL 141.4, 1%, 0.28%

LAB 51.71, -52.53, 38.89

 

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

CMYK 82 / 0 / 63 / 16

HEX #27D750

RGB 39 215 80

HSL 133.98, 0.69%, 0.5%

LAB 75.83, -68.83, 53.31

 

CMYK 79 / 0 / 82 / 16

HEX #2ED727

RGB 46 215 39

HSL 117.61, 0.69%, 0.5%

LAB 75.66, -71.35, 67.55

 

CMYK 57 / 0 / 82 / 16

HEX #5DD727

RGB 93 215 39

HSL 101.59, 0.69%, 0.5%

LAB 76.72, -62.37, 68.92

 

CMYK 34 / 0 / 82 / 16

HEX #8DD727

RGB 141 215 39

HSL 85.23, 0.69%, 0.5%

LAB 78.7, -47.6, 71.44

 

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

CMYK 82 / 0 / 19 / 16

HEX #27D7AE

RGB 39 215 174

HSL 166.02, 0.69%, 0.5%

LAB 77.33, -51.67, 8.31

 

CMYK 82 / 3 / 0 / 16

HEX #27D0D7

RGB 39 208 215

HSL 182.39, 0.69%, 0.5%

LAB 76.34, -37.42, -15.15

 

CMYK 82 / 25 / 0 / 16

HEX #27A1D7

RGB 39 161 215

HSL 198.41, 0.69%, 0.5%

LAB 62.36, -13.83, -36.58

 

CMYK 82 / 47 / 0 / 16

HEX #2771D7

RGB 39 113 215

HSL 214.77, 0.69%, 0.5%

LAB 48.45, 14.61, -58.66

 

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

CMYK 92 / 0 / 46 / 7

HEX #12EC7F

RGB 18 236 127

HSL 150, 0.86%, 0.5%

LAB 82.73, -70.35, 39.82

 

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

CMYK 69 / 0 / 35 / 24

HEX #3CC27F

RGB 60 194 127

HSL 150, 0.53%, 0.5%

LAB 70.23, -51.38, 23.5

 

CMYK 54 / 0 / 27 / 32

HEX #50AE7F

RGB 80 174 127

HSL 150, 0.37%, 0.5%

LAB 64.57, -39.02, 15.84

 

CMYK 34 / 0 / 17 / 40

HEX #65997F

RGB 101 153 127

HSL 150, 0.2%, 0.5%

LAB 59.05, -23.2, 8.21

 

CMYK 8 / 0 / 4 / 48

HEX #7A847F

RGB 122 132 127

HSL 150, 0.04%, 0.5%

LAB 54.21, -4.7, 1.43

 

CMYK 79 / 0 / 82 / 16

HEX #2DD727

RGB 45 215 39

HSL 117.95, 0.69%, 0.5%

LAB 75.64, -71.48, 67.53

 

CMYK 82 / 0 / 63 / 16

HEX #27D750

RGB 39 215 80

HSL 133.98, 0.69%, 0.5%

LAB 75.83, -68.83, 53.31

 

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

CMYK 82 / 0 / 19 / 16

HEX #27D7AE

RGB 39 215 174

HSL 166.02, 0.69%, 0.5%

LAB 77.33, -51.67, 8.31

 

CMYK 82 / 3 / 0 / 16

HEX #27D1D7

RGB 39 209 215

HSL 182.05, 0.69%, 0.5%

LAB 76.64, -37.88, -14.7

 

CMYK 82 / 0 / 41 / 43

HEX #1A9156

RGB 26 145 86

HSL 150.25, 0.7%, 0.34%

LAB 53.1, -45.43, 22.62

 

CMYK 82 / 0 / 41 / 29

HEX #21B46A

RGB 33 180 106

HSL 149.8, 0.69%, 0.42%

LAB 64.97, -53.85, 27.51

 

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

CMYK 67 / 0 / 33 / 13

HEX #4ADD94

RGB 74 221 148

HSL 150.2, 0.68%, 0.58%

LAB 79.22, -55.4, 24.73

 

CMYK 52 / 0 / 26 / 11

HEX #6DE4A8

RGB 109 228 168

HSL 149.75, 0.69%, 0.66%

LAB 82.68, -47.2, 19.25

 

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

CMYK 82 / 57 / 0 / 16

HEX #275CD7

RGB 39 92 215

HSL 221.93, 0.69%, 0.5%

LAB 42.75, 28.09, -67.89

 

CMYK 0 / 73 / 82 / 16

HEX #D73927

RGB 215 57 39

HSL 6.14, 0.69%, 0.5%

LAB 48.91, 60.1, 46.97

 

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

CMYK 41 / 82 / 0 / 16

HEX #7F27D7

RGB 127 39 215

HSL 270, 0.69%, 0.5%

LAB 39.36, 67.18, -73.16

 

CMYK 0 / 41 / 82 / 16

HEX #D77F27

RGB 215 127 39

HSL 30, 0.69%, 0.5%

LAB 61.46, 27.83, 58.43

 

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

CMYK 82 / 57 / 0 / 16

HEX #275CD7

RGB 39 92 215

HSL 221.93, 0.69%, 0.5%

LAB 42.75, 28.09, -67.89

 

CMYK 0 / 82 / 41 / 16

HEX #D7277F

RGB 215 39 127

HSL 330, 0.69%, 0.5%

LAB 48.8, 70.63, -5.15

 

CMYK 0 / 25 / 82 / 16

HEX #D7A227

RGB 215 162 39

HSL 41.93, 0.69%, 0.5%

LAB 69.78, 9.01, 65.74

 

CMYK 82 / 0 / 41 / 16

HEX #27D77F

RGB 39 215 127

HSL 150, 0.69%, 0.5%

LAB 76.41, -61.86, 31.68

 

CMYK 82 / 82 / 0 / 16

HEX #2727D7

RGB 39 39 215

HSL 240, 0.69%, 0.5%

LAB 31.32, 59, -86.7

 

CMYK 0 / 82 / 41 / 16

HEX #D7277F

RGB 215 39 127

HSL 330, 0.69%, 0.5%

LAB 48.8, 70.63, -5.15

 

CMYK 0 / 0 / 82 / 16

HEX #D7D727

RGB 215 215 39

HSL 60, 0.69%, 0.5%

LAB 83.54, -18.33, 77.53

 

Description

Color code: RGB 39 215 127 | qconv.com Color code: RGB 39 215 127 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 215 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 215 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 41 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 41% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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