When will we get a new Tarantino movie?, plus a short clip show

Actually, I've read what I'm about 99 percent certain is the rough script for Quentin Tarantino's next movie, "Django Unchained," and if he manages to make the movie that he's spelled out on paper, it will be a real doozie, and possibly his best yet (I'm still taking it all in, but I'll put up a script review soon.)

But when will we get to see it? Well, the Weinstein Company has now set up this wild ride as a great Christmas present set for release Dec. 25, 2012.

And what's it about? Having read it, I can tell you it's a fairly epic Southern/Western about a German bounty hunter and a freed slave who join forces to take out slave owners and other generally despicable individuals, and eventually work to rescue the freed slave's (Django) wife.

And the cast, as so far assembled, is just perfect. Christoph Waltz, naturally, will play the bounty hunter, Dr. Schultz, and in even better casting, Leonardo DiCaprio will most likely play the big bad, Calvin Candie, the owner of a mandingo fighting operation (yes, really).

Left among the major parts to cast are Django and his wife, Broomhilda (again, yes, really), and though many names have been thrown about for the former, including one Will Smith, having read this I can see Idris Elba as the natural choice for Django, who in Tarantino parlance, truly is one bad motherf$#%er.

The one thing I know for sure about all this is that, on paper, this is a revenge flick that's even crazier than "Inglourious Basterds," my favorite movie of 2010, so all I can say is hurry up and bring it on!

In the only other major movie news out there this morning, it seems that the Academy of Motion Picture Arts and Sciences is hedging its best when it comes to this big question: What if we don't have 10 movies that can be logically be considered worthy Best Picture contenders?

To prepare for that inevitable eventuality and, in their explicit reasoning, to add some more suspense to the contest, the academy has now announced that, rather than a set field of 10 nominees, there will now be anywhere from five to 10, with the actual number not known until the field of nominees is announced.

Not a shocking development, and I suppose it could add some interest to the nominations announcement, but I'll just leave you with this thought before we move on to a couple of videos: With the field of 10 for this year's awards, I correctly predicted all nominees. Not bragging, just saying.

OK, now on the clips, starting in a great spot with the first trailer I've seen for a new Errol Morris documentary set to come out July 15. That alone would be reason to cheer, but with this movie, "Tabloid," it seems he's found a perfectly bizarre story that just naturally fits his style of filmmaking. Best as I can tell, it's about a model who "kidnaps" a Mormon missionary to sex him up and deliver him from the fold. And no, I'm not kidding. You'll have to see the movie itself to learn more, as I certainly will at the first opportunity, but for now just enjoy this fun trailer, and then stick around for a parting shot from Reel Fanatic fave Anna Faris.



Now that Kristen Wiig has gotten the opportunity to craft a smash comedy (and easily one of this year's best movies) with "Bridesmaids," I'd say Anna Faris is now the comedienne most deserving of the same break. Unfortunately, "What's Your Number?", the first trailer for which I've come across is below, doesn't seem to be it. Although veryfunnyman Chris Pratt of "Parks and Recreation" (aka Mr. Faris) is in this too, the flick, set to come out Sept. 30, just looks like the most generic variation of "romantic comedy." Oh well. "Enjoy" the trailer, and have a perfectly passable Wednesday. Peace out.

Harry Potter, X-Men and much more on a jam-packed Thursday

Before we get into some truly fun trailers for smashes coming this summer and fall, there's some other movie news out there, and for me it all starts with the news that "Rabbit Hole" playwright David Lindsay-Abaire is headed back to the big screen.

If you haven't seen "Rabbit Hole," it's out now on DVD, and there really are very few recent movies I can recommend higher. It features a sublime performance from Nicole Kidman and just tells a great story very well, with touches of wicked humor throughout.

And now, Lindsay-Abaire will have another great leading lady to work with as he adapts his current Broadway hit, "Good People," for the big screen. Frances McDormand, who plays the lead role on Broadway, will do the same for the movie.

So, what's it about? Well, it's set in Boston's working-class Southie neighborhood, and McDormand plays Margie Walsh, a high school dropout and single mother of a mentally disabled daughter struggling to make ends meet. On Broadway at least, Tate Donovan plays a successful former classmate of Margie's who enters into a relationship with her, but no word yet on whether he will reprise that role for the movie.

"Rabbit Hole" focused on similarly odd relationships, so this should be a real winner. And just in case you need any more convincing, here's a clip of McDormand in the play on Broadway. Definitely stay tuned for more on this.



In other news, you know, I can really take or leave Sacha Baron Cohen. Like most of the world, I loved "Borat," but I couldn't even bring myself to watch "Bruno" (and if I'm somehow missing on some kind of comic masterpiece with that one, please let me know.)

His next collaboration with co-conspirator and "Seinfeld" veteran Larry Charles, however, sounds like something I'll definitely be into, especially since he's whittled his candidates for the female lead to, for my money, probably the funniest two women in movies, plus one other solid choice from TV.

The duo are working on "The Dictator," "inspired" by "Zabibah and the King," a novel purportedly written by Saddam Hussein. Cohen would play dual roles of a goat herder and eventually the titular dictator, and now comes word that he's down to Anna Faris, Kristen Wiig and Gillian Jacobs to play the female lead.

Anyone who's been here before knows that I'm extremely partial to Faris and Wiig, but am a big fan of "Community," too, so any of these comediennes would make what already sounds like a very funny movie even better. But for my money, if I had to choose, I'll take Anna Faris every time.

OK, now on to some great clips for a Thursday morning, starting with a couple of trailers for sure-to-be summer smashes. In fact, if I were a betting man (and I no longer am), I'd put my money on "Harry Potter and the Deathly Hallows Part 2" being the highest-grossing flick of this summer. My favorite among both the books and movies will always be "Harry Potter and the Half-Blood Prince," but part one of the finale was fantastic, too, and I can't wait to see the saga finally come to a close July 15 (though, for me at least, certainly not in 3D!) Enjoy the trailer.



Next up comes the first trailer I've seen that really has me thinking that Matthew Vaughn will deliver something fairly great when "X-Men: First Class" really launches Summer when it drops June 3. Enjoy what should be the final trailer for it.

Does the world really need another "300"? I really don't, but even if this trailer for Tarsem Singh's "Immortals" seems to promise just about exactly that, I still have enough faith in Singh to be looking forward to this. If you've never seen his "The Fall," there really are few better examples of truly imaginative filmmaking, and I recommend watching it as soon as you can. And with an eclectic cast that features Superman Henry Cavill, Freida Pinto and somehow Mickey Rourke, too, this should be nothing but fun when it finally drops Nov. 11. Enjoy the first trailer I know of for it.



And finally today, tonight will indeed bring the final appearance of Steve Carell's Michael Scott on "The Office," and NBC has stretched the episode out to 50 minutes to make room for it (though I'm looking forward to the also-extended episode of "Parks and Recreation" that will follow just as much.) The run-up to his departure has been some of the show's funniest stuff in years, and tonight should be no different. I probably won't watch it until next week, though, because today I'm off to the Atlanta Film Festival 365 for the first of two weekends, and really looking forward to it. Enjoy this short clip from tonight's episode of "The Office," and have a perfectly pleasant Thursday. Peace out.

If at first you succeed ... plus a big Wednesday clip show

Well, if you're Aaron Sorkin, if you've done something exactly right the first time (even if it was severely under appreciated), just do it all over again almost exactly the same way.

Does anyone remember "Sports Night"? It was a truly great Sorkin show that ran for a couple of years simultaneously (I think) with the early years of "The West Wing." As you may remember, it was about a sports news show hosted by two dudes and produced by two women, with another producer as a rival for one of the hosts' affections.

Just believe me, it was a whole heck of a lot better than I'm making it sound here. In the original version, the two hosts were Josh Charles and Peter Krause, the producer was Felicity Huffman and the associate producer was the sorely-missed Sabrina Lloyd. I frankly can't remember who played the other part, but you get the idea.

Now, fast forward about 10 years or so, and Sorkin has sold something called "More as This Story Develops" to HBO, and with the exception that it's about a news rather than sports show, it sounds like pretty much exactly the same thing, with pretty much the same cast dynamic taking shape (and although it may sound like I'm complaining, I'm really not ... "Sports Night" was fantastic.)

This time around, if all the pieces fall into shape, Jeff Daniels will play the host, Marisa Tomei the producer (and following the "Sports Night" model, probably unrequited love interest), Alison Pill of "Scott Pilgrim Vs. the World" will play the associate producer and Olivia Munn will play a business news reporter and undoubtedly rival for Daniels' affections. I could be wrong of course, but that certainly does sound familiar, no?

Either way, I'll definitely be tuning in when this hits HBO, perhaps sometime this fall.

And in just a bit of movie news, it seems that Russell Crowe is reuniting with the source of his best movie so far, "L.A. Confidential," for his first directing effort.

Crowe would also star in "77," based on a James Ellroy script that is apparently being rewritten by someone else. Best as I can tell, per Deadline, it's about the unsolved murder of an LAPD officer, and the nationally televised shootout in South Central L.A. between the Symbionese Liberation Army and the LAPD, as seen through the eyes of two police partners, one black and one white.

Sounds like typically juicy Ellroy stuff, so stay tuned. And now, on to the clips ...

OK, today, these are pretty much in descending order of funny until the end, a plug for tonight's premiere of the 15th (really!?!?) season of "South Park." First up, courtesy of The Onion, comes an interview with the screenwriter of "Fast Five," 5-year-old Chris Morgan. Now, I have nothing against the Fast and Furious flicks (that Tokyo one is some pretty seriously satisfying Saturday afternoon viewing for a half hour or so), but this is seriously funny. Enjoy.


Today Now! Interviews The 5-Year-Old Screenwriter Of "Fast Five"

Next up is the first red band trailer for Kristen Wiig's "Bridesmaids," courtesy of Myspace, and having watched it, I'm now certain the ladies are going to bring a whole lot of funny when this drops May 13. You do have to feel more than a little bad for Melissa McCarthy, who is apparently going to be one running fat joke in the flick, but she does at least seem to be in on the joke. Enjoy.



OK, these next two I'm a little more dubious about, but I like the stars of both, so here goes. Paul Rudd, who can be really funny when he allows himself to be (just trust me, "Role Models" is a minor comedy classic), stars as the titular idiot in "Our Idiot Brother," set to come out Aug. 16. Zooey Deschanel, Elizabeth Banks and Rashida Jones all play his sisters, so here's hoping this will be a whole lot funnier than I'm expecting. Enjoy.



And for the last of our trailers, there isn't a comedienne working today who deserves a great starring role more than Anna Faris. She's just a natural wit (and yes, I even love "House Bunny"), but I don't think the role she's been waiting for arrives with "What's Your Number?", for which the titular question seems to be addressing how many rom-com cliches can be stacked into one two-minute or so trailer. Oh well. "Enjoy" this trailer, and then stick around for a much better look back at her career so far, courtesy of the New Yorker.





And finally today, Trey Parker, Matt Stone and friends are indeed back tonight, and only those guys could combine Steve Jobs, the iPad and ... well, just watch the clip to see. I'll just say it's expectedly both disgusting and simply hilarious. "South Park" returns to Comedy Central (and my DVR) tonight at 10 p.m. Enjoy the clip, and have a perfectly passable Wednesday. Peace out.

HUMANCENTiPAD
Tags: SOUTH
PARKmore...

Robert Redford to resurrect the big baseball movie

Where to start in a baseball season in which, while the Orioles have lost a game, they're still in first place in the American League East, and for once by power of something besides sheer alphabetical order? With talk of a grand baseball movie, of course.

It seems that Robert Redford, who has been shopping the idea of a Jackie Robinson movie for some time now, is finally getting things rolling with the choice of a writer/director, Brian Helgeland. And being Robert Redford, he's scooped up a choice role for himself: Branch Rickey, the Brooklyn Dodgers general manager who brought Robinson to the big leagues.

The movie will apparently focus on the complicated relationship of Robinson and Rickey rather than specifically on Jackie's breaking of the MLB color barrier, but no matter what the focus, there are few genres of flicks I love more than the big baseball movie, so bring it on!

It will be a short report today because I was up rather late (well, by my standards, anyway) watching "Spamalot" (thanks, Stephanie!), and therefore got up late too. There is, however, some big news out there about just who might be the new boss of "The Office" when Steve Carell steps down at the end of this season.

Following Michael Scott's rather nifty proposal to Holly (Amy Ryan), it was revealed that Will Ferrell will at least be serving as an interim boss, but that's apparently only for a few weeks. Shame, because he's a better candidate than just about anyone else set to interview on the show's season finale (or at least better than anyone who could actually get the job.)

Now scheduled to interview to be the next boss of Dunder Mifflin, according to the seriously TV-obsessed Michael Ausiello, are these five people: Ricky Gervais, Gob Bluth, Ray Romano, James Spader and Catherine Tate.

While having Gervais be the boss for a season or two would certainly be a scream, I really can't see him doing that. And, as Ausiello points out, Ray Romano already has a fairly great show of his own with "Men of a Certain Age," and Arnett is already committed to some kind of other pilot for NBC.

That leaves Spader and Tate, I suppose, and I'd have to say the latter would be the FAR superior choice. Nothing against Spader, who could potentially be very funny, but Catherine Tate is simply great. Perhaps best known for her role as Donna Noble on "Doctor Who," she was also fantastic in "Starter for 10," a rather criminally underseen British romantic comedy starring James McAvoy and Rebecca Hall (rent that one already!) She certainly gets my vote, but no matter how it turns out, this should just be a really fun finale.

OK, I was going to post the New Yorker's profile of veryfunnywoman Anna Faris, but it's behind a pay wall, but just trust me: If you don't get the magazine, it's worth buying this issue, just for that.

And the last thing I have today is the latest Funny or Die production which, though it starts a bit slowly, falls solidly into the former category once it gets going. The "When Harry and Sally 2" of sorts clip stars Billy Crystal, Dame Helen Mirren, Rob Reiner, Adam Scott and even Mike Tyson (but no Meg Ryan), and is pretty sublimely silly. Enjoy, and have a perfectly pleasant Thursday. Peace out.

When Harry Met Sally 2 with Billy Crystal & Helen Mirren from Billy Crystal

Free Rip Torn

You know, that title really is apropos of absolutely nothing, but this morning I'm listening to the surprisingly good Lil Flip album "I Need Mine" (yes, really), and its perfectly pleasant morning listening except for the fact that every couple of minutes or so it's interrupted by the phrase "Free Z-Ro."

Now, I have to assume that's some kind of rapper who was in jail at the time, and I've decided to take up the cause and champion someone far too talented (but obviously just perfectly crazy enough) to be locked up: Rip Torn. I'm fairly certain I don't have any power in this area, but I just saw this morning that he pleaded not guilty to armed robbery (who among us hasn't wanted to rob a bank at some point in your life?), and could only think how great it would be to have him somehow come back to life on "30 Rock."

And yes, it's gonna be one of those kind of days around here. Sandwiched among the absurdities will be exactly one piece of serious news, about what sounds like an absolutely fabulous Errol Morris film, and it will all be wrapped up with the 160 best Arnold Schwarzenegger quotes (again, yes really.)

Where in the world would you start things off, however, than with this: The Coen brothers need a one-armed woman to complete filming on their version of "True Grit" (and being a huge fan both of theirs and of author Charles Portis, you can count me as thoroughly psyched for this one.)

If that proves anything, I guess, it's at least that the Coens have no time for CGI (thank God.) Here, courtesy of AICN, is the casting call they put out:

Paramount Pictures is seeking a WOMAN MISSING HER LEFT ARM to be a photo double in the film, TRUE GRIT, a new film by Joel & Ethan Coen.

Character description: Photo double for adult Mattie Ross: This woman must be MISSING HER LEFT ARM. Optimally, she would be around 5'8", 138 lbs, slender to medium build. However, we are open to various looks.

To submit: Please do so asap! Send photos, measurements & contact information to texascasting2010@gmail.com. Photos should be non-glamorous, simple snapshots (incl face and body. It's best to wear a tank top & shorts). Measurements should include height, weight, bust, waist & hips. Include age, phone numbers & place of residence. Approrpriate candidates may also call our office at 512-637-6775.

So, if you happen to be a one-armed woman who's reading this, this is truly your lucky day. Since I'm not one of those, the best thing I can take from that is the phrase "we are open to various looks" ... as long as, of course, you happen to be a one-armed woman. Priceless.

Before going from that to two things that are almost as crazy, why not class things up at least a bit with some Errol Morris news? Though the man has made many great documentaries, my favorites of his are "Mr. Death" (watch that immediately if you haven't seen it) and "Fog of War," movies which offer well-rounded, almost sympathetic portraits of seriously evil or f-ed up people. And it certainly sounds like that's exactly what he has for his new movie.

It seems he's just finished work on something to be called either "Tabloid" or "A Very Special Love Story." No matter what it ends up being titled, it should be just fascinating. The subject is Joyce McKinney, a former Miss Wyoming who, in the late 70s, abducted a Mormon missionary in England, chained him to a bed and forced him to have sex with her. From there, of course, it just gets weirder. After jumping bail, she was convicted in absentia (sp?) to one year in prison because, at the time, there were no laws on the books about raping men. She was later accused of stalking the same dude, and in 2008, took her dog to Korea to be cloned.

Not much to build a sympathetic character out of, I suppose, but I'm betting Morris will at least come very close to doing it. Definitely keep your eyes out for this one, which is rumored to be in the running for this year's Cannes Film Festival.

OK, there will be nothing else remotely serious today from here on out, I promise. Anyone who's been here before (and there may be a few of you) knows that I'm a solid backer of Anna Faris, both for her obvious feminine virtues but even moreso because she's just about the best comedienne out there today. For proof that she can be insanely funny in just about anything, look no further than Jody Hill's "Observe and Report," in which her memorable turn as a seriously bitchy counter girl was just about the only redeeming quality.

Well, she's about to put the "watch her in just about anything" idea to a real test by starring in a remake of "Private Benjamin." In the realm of unnecessary remakes, this is far from the worst offender (my vote there goes to "Let Me In," the upcoming English language remake of "Let the Right One In), and though it surely won't win her an Oscar like it did Goldie Hawn, I'm still betting it could be a hoot. And besides, since I've seen "House Bunny" (and actually enjoyed it more than a bit), the odds are pretty good I'll see this too.

And finally today (or at least before Ahnuld), in the category of a man's gotta eat, it seems that Malcolm D. Lee has signed on to direct "Fantasy Basketball Camp," to star one Lebron James. Take a second to digest just how bad that could be, and then please let me come to the defense of the other Mr. Lee (who, if I'm not mistaken, is indeed some kind of cousin to Spike.)

How many directors can you name who have made three movies that you either love or really like? Well with "Undercover Brother," "Roll Bounce" and "Soul Men," Malcolm D. Lee has in my book, so I'm more than a little willing to give him the benefit of the doubt (and yes, maybe even go see his Lebron James movie too.) If you haven't seen the Bow Wow roller skating flick (once again, yes really) "Roll Bounce" or "Soul Men," which paired the late, great Bernie Mac and Samuel L. Jackson, I highly recommend them both.

OK, how better than to wrap up all that absurdity than with the 160 best Arnold Schwarzenegger quotes? I can't imagine anyone will sit through the entire 10 minutes of this, but as far as time-wasters go, this one is pretty epicly good. My favorite part would have be the "bullshit" compendium, but there's obviously a lot of Ahnuld to choose from. Enjoy this clip courtesy of Pajiba.com, have a perfectly pain-free Wednesday, and, now and forever, free Rip Torn. Peace out.



P.S.: In honor of opening day coming Monday (finally!) enjoy this clip of Steve Wynn singing his simply fabulous tribute to Fernando Valenzuela. Play ball!

What will Danny Boyle finally do to follow up "Slumdog Millionaire"?

You know, I should probably just stick around Macon this weekend, what with four movies opening here this weekend and even two ("The Men Who Stare at Goats" and Richard Kelly's "The Box") I actually want to see, but I still think I'm gonna make the hour or so trip up the road to see "Precious: Based on the Novel Push by Sapphire" on Saturday morning.

And not because, like Liz Lemon, I do anything Oprah tells me to, but a hearty endorsement from Tyler Perry does go quite a way in this corner. No, I was already intrigued, but I finally decided to bite when I saw this from a review on Collider.com, not exactly known for its embrace of black cinema: "Precious" isn't a Hallmark movie. It's one of the best movies of the year.

But enough about that movie I haven't seen yet until perhaps Sunday, if it moves me enough to get up in the morning and write a review. For now, there's more than a few tidbits out there worth commenting on, especially what Danny Boyle's gonna finally do to follow up "Slumdog Millionaire," after being idle for quite a while now.

And it in fact sounds pretty fascinating. Boyle, who has already directed two of my favorite flicks with "Trainspotting" and "Shallow Grave" and one I truly detest in "Sunshine," will next turn his attention to "127 Hours," which tells the story of mountaineer Aron Ralston, who got pinned under a boulder for nearly five days while climbing in Utah. Since I assume the story will be well known before the movie comes out (if it isn't to you already), I'll tell you he ended up using a dull knife to amputate his arm and then hiked a 65-foot sheer wall before a family came to his aid.

That all sounds great, if more than a little harrowing, to me. No word on who would play Ralston (though Christian Bale popped immediately into my mind), but Boyle has already written a treatment, and "Slumdog" scribe Simon Beaufoy is in talks to write the script.

It will begin filming next year for a 2010 release, so definitely keep your eyes on this one.

Another Iraq war movie I'll see?

It really is hard to overstate exactly what Kathyrn Bigelow accomplished this year with "The Hurt Locker," and I'm sure she'll get some earned recognition now that we've just entered awards season (already? I'm afraid so.) Before her great movie starring Jeremy Renner and Anthony Mackie, I had sworn off of Iraq war movies, but her approach of simply looking at war through the soldiers' eyes combined with her natural touch for pyrotechnics just made this one incredibly entertaining (I've seen it twice already, and just might again when it finally hits DVD, probably in January.)

And now, Ken Loach is taking on the subject, and given his rather extreme distaste for objectivity I'm sure he'll come up with a completely different animal, though another one I'll take a chance on when I can because I almost always dig his passion.

His flick, "Route Irish," will detail the story of two men who work as private security contractors in Iraq. When Frankie is killed on "Route Irish" - the road linking Baghdad airport with the Green Zone - Fergus, wracked with grief and guilt, rejects the official explanation and determines to investigate the truth of his friend's death.

Sounds awfully earnest to me, but like I said, I have a whole lot of time ("Riff Raff" is still one of my favorite romantic flicks) for Mr. Loach, so this is certainly one that intrigues me.

Is no TV cartoon character safe?

If I were to put together a comedic actors hall of fame, Anna Faris would certainly get a spot, at least in the up-and-comers wing, because she's just that funny in just about everything she does. And just this year, she certainly acquitted herself well as ambitious weather girl Sam Sparks in the goofy, fun animated flick "Cloudy With a Chance of Meatballs."

That, however, doesn't mean I'm going to follow her anywhere near a "live-action/CG hybrid" movie about Yogi Bear. And no, I'm not making that up.

It at least sounds kinda funny that Dan Aykroyd will voice Yogi and Justin Timberlake will voice Boo Boo, but this still would have to get reviews hailing it as the "Citizen Kane" of "live-action/CG hybrid movies about talking bears" before I'd give it a chance. Faris will apparently play some kind of nature documentarian.

Dr. Horrible going to comics

"Dr. Horrible's Sing-Along Blog," the Web creation of Joss Whedon starring Doogie Howser and Captain Mal Reynolds, was never quite as funny in my book as it was hyped up to be, but it was still a silly enough brand of fun to be enjoyed as a diversion. You can still watch the whole 45-minute-or-so thing at Hulu, and now it seems the character is getting new life thanks to Dark Horse comics.

In a one-shot comic, Zack Whedon, brother of the "Buffy" mastermind himself, and artist Joelle Jones tell the origin story of the wannabe evil genius. According to Dark Horse, they "establish how a young, impressionable, but brilliant Dr. Horrible was drawn into a world of crime. Readers are reacquainted with the charming, brawny, crime-fighting superhero extraordinaire Captain Hammer when Dr. Horrible crosses paths with his greatest enemy in an all-out showdown of immeasurable proportions.

Since it's only a one-shot, I can guarantee I'll spring the three bucks or so this should cost when it hits my local comic book store Nov. 18.

And, since along with "Precious" I'm sure to also go see "The Men Who Stare at Goats" on Sunday this weekend, I'll leave you with this clip of George Clooney explaining to Ewan McGregor what gets him in the spirit to exercise his psychic abilities. Enjoy, and have a great weekend. Peace out.

Goofy with a guarantee of laughs

You know, I always thought Pearl Jam was more than a little overrated at its heyday, mostly I guess because they were just way too earnest for my tastes.

But, over the years, I've warmed a lot to at least Eddie Vedder, mostly because of the great soundtrack for "Into the Wild," but also because their cover of "Last Kiss" is just a little delight.

Anyways, I tell you all that to tell you this: You can stream the new Pearl Jam album, "Backspacer," on the band's MySpace page here. I'm only on song three now (mostly because it has the nasty habit of crashing my Firefox at the end of each track), but it sounds pretty epicly good to me so far.

And on a different subject, it seems that Neil Patrick Harris hosting the Emmys will deliver a bonus for anyone who bothers to tune in for the almost completely suspenseless broadcast. According to Entertainment Weekly's seriously TV-obsessed scribe Michael Ausiello, there will be a "Dr. Horrible"-themed production number about midway through the show. Harris and his castmates already won an Emmy for the Web show "Dr. Horrible's Sing-Along Blog" created by Joss Whedon. No word yet if Whedon will be involved in tonight's show, but that's still more of a reason to tune in than watching "30 Rock" win 20 awards yet again (though I do love the show.)

But on to the main event: "Cloudy With a Chance of Meatballs" is an almost thoroughly enjoyable animated delight and, blasphemy I know, more entertaining (and frankly that's what matters most to me) than "Up."

What makes it, if not unique, at least original enough to work is the goofy spirit of both the story and its voice actors, who are clearly all in on the fun. I think it helped going in to this one that I really knew just about nothing about the children's story by Judi and Ron Barrett, on which this is based.

The story itself is indeed so silly that you have to wonder how it could possibly work for anyone over the age of 4: Our hero, Flint Lockwood (voiced by Bill Hader) is a boy and quickly man who just wants to invent things rather than get any kind of actual job (and really, who doesn't?) He lives in the quickly dying town of Swallow Falls, dying because its most famous export, sardines, are simply disgusting (though I've always kind of liked them.) I don't want to give too much away, but Flint somehow invents a device that turns water into food and, on a grand scale, causes it to rain food down on the town.

You can tell early on that this won't go extremely well, and it surely doesn't, but the jokes do. From the outset, they're not throwaway pop-culture references, but quick-flying bits that fit organicly with the story, from Flint's one-word commands to himself and his helper monkey Steve to the newspaper headline "Sardines are really gross."

The best jokes of all though, largely thanks to Anna Faris as the voice of wannabe-weather girl Sam Sparks, come at the expense of The Weather Channel. For me, the only weather channel I've ever tuned in to has been my front window, so the puns and especially the cut-in to a cute animal just hit their target spot on.

And with Bill Hader and Anna Faris leading the cast, plus Neil Patrick Harris (yes, him again), James Caan, Andy Samberg, Mr. T, Bobb'e J. Thomson (that fantastically foul-mouthed kid from "Role Models") and even Bruce Campbell in the voice cast, this could easily have turned into a hipster-irony disaster, but for the most part they disappear into their parts with ease. Faris (a favorite around here, in case you couldn't tell) fares the best of all, but Bruce Campbell as the mayor of Swallow Falls who jumps all over the opportunity to promote the town with Flint's new creation, is also a hoot. Lauren Graham is somehow in this too, though only for about 90 seconds at the very start, which is about as good a summary as any of just how well her movie career has gone since "Gilmore Girls."

As with any animated movie for kids and goofy-minded adults, there comes a point when the directors, here Phil Lord and Chris Miller, want to tell us the message about gluttony and obesity rather than simply show us through the story. Luckily though, after about a 10-minute dead space (in what is only an 81-minute movie), they quickly realize that any town covered one day with giant hot dogs and the next with kids sliding down giant scoops of ice cream pretty much speaks for itself.

I guess you can tell by now that I had a heck of a lot of fun with this one, but I'll leave you with just one more word about why: I watched it through exactly one pair of glasses, MINE. The colors of "Cloudy With a Chance of Meatballs" jump from the screen, and I thoroughly enjoyed watching them unfold in 2-D rather than being muddied with those silly 3-D glasses. Judging from the packed house at our Saturday afternoon screening, I'm apparently far from the only one who doesn't want to pay an extra $2 for this worthless gimmick. Peace out.

The South rises again ... in comedy

I've never considered myself much of an elitist (which would be pretty friggin hard to do since I see at least half the movies that come out, even sometimes when I'm fairly certain they're gonna just be really bad), but one thing I've never been able to bite on is the "Blue Collar" comedy crew.

Now, I can appreciate in at least small doses Ron White, who - staying true to his character - called in from the road a few years ago just about blind drunk at 2 in the afternoon on a weekday for an interview with our former entertainment writer Maggie Large. But I've been waiting for some time for a brand of Southern comedy that paints things a little less broad and a lot more askew.

And thanks to Jody Hill, Danny McBride, David Gordon Green and Ben Best, I'm convinced it's finally here. It started, of course, with Tyler Perry, whose mix of humanity, hilarity and drama just hooks me every time, but he's really an empire unto himself and probably best left apart from what I'm talking about here today.

The latest example comes with the very welcome news that veryfunnymen James Franco and McBride will be reuniting for something to be called "Your Highness," and from the premise alone I can tell it's gonna be right up my alley. Green, who last directed the duo in "Pineapple Express," will direct the comedy about two "spoiled and arrogant" princes (Franco and McBride, I'd have to assume) in medieval times who are forced to go on a quest to save their family and kingdom from the spell of an evil wizard. I'm laughing at that already.

The production will begin shooting July 20 in Ireland, from a script by McBride and Best, a very funny guy in his own right. I'm not sure you can call it fall-down funny (although that "Myrtle Beach drunk" line just made me howl out loud), but I unconditionally loved what Best, McBride and Hill came up with their first flick, "Foot Fist Way." More a portrait of a guy struggling with life than a straight-out comedy, it's still just a really entertaining little flick (and if you rent it and don't like it, which is entirely possible, please remember before you complain to me that it's only 82 minutes long.)

And you can still watch all six episodes of the recent series the trio cooked up for HBO, "Eastbound and Down," online for free without too much effort (I'd try to find a link, but I don't want to risk steering anyone to anything that might fry their computers.) Like "Foot Fist Way" it takes as its hero an extremely hard-to-like guy, a former Major League ballplayer (McBride) forced to return to his North Carolina hometown and none too happy about it. Again, this certainly isn't for everyone, and it got mixed reviews at best, but I just like their very funny but not insulting view of Southern life.

And Mr. Hill, of course, will try and hit the big time next week with "Observe and Report," but I have a feeling that like "Foot Fist Way" that one's gonna have too much of an edge to make a whole lot of money, even with Seth Rogen and the always-thoroughly-welcome Anna Faris in the leads. Here's hoping I'm wrong, and that this new Southern comedy wave continues to ride high. Peace out.

Saturday morning funnies: A glimpse of "Observe and Report?"

Speaking of funny, it looks like Donald Faison, a k a Dr. Turk, is moving on from "Scrubs," so with J.D. already out it looks like that show will finally be coming to an end this year. It's been a great run, but since the new interns aren't terribly funny or, well, appealing in just about any way, it's probably the right time to call it quits.

But here today briefly it's all about Jody Hill's "Observe and Report," which I can't wait to see when it comes out April 10 (and though I really have nothing against Kevin James, this will be my first mall cop movie, unless you count "Mallrats.")

The flick is directed by veryfunnyman Jody Hill, who created "Foot Fist Way" with fellow veryfunnyman Danny McBride (rent that one already if you haven't seen it and I guarantee you'll laugh.) They also teamed up for the still-going-but-probably-done-after-one-short-season "Eastbound and Down" on HBO, which has pretty much been roundly panned but which I like quite a bit. There's just an art, though I'll concede not a fine one, to making Southern comedy that let's the characters all be in on the joke from the beginning, and Hill and co. certainly know how to do it.

Anyways, here as you can see from this featurette, he's got Seth Rogen as the head of mall security who's investigating the case of a flasher. If that doesn't make you laugh already this just might not be for you. He's also got Anna Faris, who surely deserves much better but will be just as flat-out funny here as she is in anything else (will someone give her the lead in a movie that's not a chick flick already? Sheesh!), and a certain reserve football player for the Dillon Panthers (and if you're not watching "Friday Night Lights," why the heck not? It's easily, with all apologies to "Battlestar Galactica," the best drama on TV, and was just in top form last night.)

Enjoy, and have a perfectly pleasant weekend. And, if you're so inclined, do go see "Watchmen" again, as I'm gonna do this afternoon before watching my Terrapins take out the Dukies. Peace out.

Observe and Report: Introducing Forest Ridge Mall exclusive

What's Zack Snyder up to after "Watchmen"?

The picture above is one of nine in a gallery online at Vanity Fair that's well worth checking out here. This "Honeymooners" shot had to be my favorite because Bill Hader, Anna Faris, Leslie Mann and Jason Bateman are all just sensationally funny people, but there's plenty more to enjoy - including Seth Rogen as Frida Kahlo - in the gallery.

And speaking of seriously funny, a hearty huzzah to Spike TV (which I'm fairly certain I haven't tuned in to up to this point) for reviving a true American hero of physical comedy, the great Super Dave Osborne. If you grew up in the '80s like I did, Super Dave was the king of failed stunts, and now he's about to bring it all back again for four episodes he will write and of course star in this summer. Definitely keep your eyes out for that.

And he's not the only very funny guy who's about to make a comeback. Dave Chappelle sidekick Charlie Murphy - a k a Eddie's currently funnier brother - will launch his show "Charlie Murphy's Crash Comedy" on something called Crackle.com beginning March 20. And please, please, please Mr. Murphy, just go right ahead and steal the concept of "Charlie Murphy's True Hollywood Stories." It was the funniest thing on Dave's show, and he apparently won't be needing it anytime soon.

And since this is already the longest intro having nothing to do with the headline, why not more really funny from Kevin Smith, who proves there's not only life after making a porno, but a real cash cow.

For the record, I really liked "Zack and Miri Make a Porno." It was sweet and funny all at once, and that thoroughly disgusting anal sex joke at the end - I suppose it was the "money shot" - just made me laugh out loud. Almost as funny but thoroughly depressing, however, is that - for Wal-Mart, at least - Mr. Smith and those Weinstein boys have stripped the "porno" from the title completely for DVD shelves, labeling it simply "Zack and Miri." Sad. Really sad.

Now, even though that flick only made a rather paltry $31 million in its theatrical run, Mr. Smith is about to hit the big time. Warner Brothers has signed him to direct the detective comedy "A Couple of Cops," which was apparently at one point, and in Smith's hands probably will again be, known as "A Couple of Dicks." It will star Bruce Willis and Tracy Morgan. In the flick, according to the trades, the duo will track down a stolen baseball card, rescue a Mexican beauty and deal with gangsters and laundered drug money.

I can't find anything but good news there. For proof that Willis can be a great comedic actor with the right material, look no further than "Bandits" with Billy Bob Thornton and Cate Blanchett (well worth a rental if you can still find it.) And Tracy Morgan, though Tina Fey and Alec Baldwin try to steal all the acclaim, is the biggest fool on "30 Rock" and plays it with gusto. That recent bit with Dr. Spaceman about how diabetes might give him the chance to replace one of his feet with a wheel was just priceless.

OK, enough of that. Since this is "Watchmen" week, it should be all about Zack Snyder, and I promise that from here on out it mostly will be. It may be old news to most of the world, but the item I came across this morning was the first I had heard about "Sucker Punch," his next flick after "Watchmen."

And it sounds thoroughly intriguing. The new news is that "Mamma Mia!" star Amanda Seyfried is about to sign on to lead the mostly female cast, with Vanessa Hudgens, Abbie Cornish, Evan Rachel Wood and Emma Stone all eyeing the project too.

So, what is it? Well, here's the description from Variety: Set in the 1950s, "Punch" follows a girl who is confined to a mental institution by her stepfather, who intends to have her lobotomized in five days. While there, she imagines an alternative reality to hide her from the pain, and in that world, she begins planning her escape, needing to steal five objects to help get her out before she is deflowered by a vile man.

Sounds like it steals more than a bit from "Pan's Labyrinth," but I love movies about the imagination, especially when it's needed to survive. And Zack Snyder has already proven that he has a pretty wild one himself, and he promises he'll use it to fill "Sucker Punch" to create something like " 'Alice in Wonderland' with machine guns," so definitely stay tuned for more on this.

And finally today, a little catching up. No less than two of my co-workers asked me yesterday if I had seen the new trailer for McG's "Terminator Salvation," which will unspool in front of "Watchmen" (which I'll be watching in Imax!) this weekend. I had to admit I had not, but as you can see below, it does indeed - as they led me to believe - kick all kinds of ass. Enjoy, and have a perfectly passable Wednesday. Peace out.

Kevin Smith, the art of raunch, and the problem with PG-13

The saddest news out there today is that after abusing Mike Judge's wryly funny "King of the Hill" for 13 years now, Fox has finally pulled the plug, effective at the end of this season. After the way it's been treated with the often nonexistent post-pro football slot, you could really probably call this a mercy killing. Besides, 13 years is a pretty darn good run.

And Mike Judge will be OK, with a feature film, "Extract," hopefully soon to come out in more than Austin and L.A. before hitting DVD. Starring Jason Bateman, Ben Affleck, Kristen Wiig, Clifton Collins Jr., Mila Kunis and (huzzah!) J.K. Simmons, all I really know about it is that Bateman plays the owner of a flower extract factory. Mr. Judge will also be returning to animated TV comedy with something called "The Goode Family" coming soon to ABC.

But all that's not the order of the day around here. In honor of Kevin Smith, who I still have loads of time for when he's not simply rehashing his own movies, it's all about R-rated comedies in which the R is squarely for raunch. And before you say that's too harsh, look at his last three movies: "Clerks II", "Jersey Girl" and "Jay and Silent Bob Strike Back." Though both of the sequels-of-sorts were funny enough, he's definitely in need of a new crowd, which he has now with Seth Rogen and the utterly charming Elizabeth Banks (more on her later) for "Zack and Miri Make a Porno."

It's sad that Smith squandered the opportunity he had such a big hand in creating with the current wave of R-rated comedies that throw in just enough heart to make the crude go down as almost sweet. My brother thinks Kevin Smith is just, using language Mr. Smith would surely appreciate, "a tool", but I'll definitely turn out for his new one this weekend (even if I will probably be shamed enough to ask the inevitably teen clerk simply for a ticket to "Zack and Miri," as unable to bring myself to use the taboo word "Porno" as the network TV ads are.)

My main point in this admittedly rather disjointed diatribe, however, is that the PG-13 rating - a shameful ruse for many reasons - has watered down the art of true raunch to the point that it just becomes silly juvenilia (though I admittedly often have a stomach for that too.) Here's a test in the form of my 10 favorite raunchy movies, in no particular order. Can you pick out the only one that's not rated R?

Animal House
Clerks
Bad Santa
Superbad
Super Troopers
Airplane
South Park: Bigger, Longer and Uncut
Blazing Saddles
Fast Times at Ridgemont High
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan

And the answer? I thought for a second it might be "Superbad," but Jonah Hill's tirade about the "Ghostbusters lunchbox dick treasure chest" among many other gems made that one thankfully too rude for PG-13. The answer is "Airplane," which I haven't seen for a while, but I guess must be fairly tame by today's standards.

"Airplane" earned a PG rating four years before the PG-13 rating was created, on July 1, 1984 - a truly dark day in my book.Why? Well, you'll find I'm more than a little conflicted about it, but I think both sides I cling to are right, so bear with me.

My main beef with PG-13 is that it's so arbitrary. It was created, according to Wikipedia, in response to the violence in "Indiana Jones and the Temple of Doom" and "Gremlins" (really? WTF?!?!) Since then, however, it has clearly become a toilet for really gross "horror" movies and teen "comedies" that test the limits of taste without taking any time to think about such trivialities as much of a plot.

At the same time, however (remember, I said I'm very inconsistent on this), PG-13 movies too often just don't go far enough. I still find that woman in "Clerks" dryly explaining that she "manually masturbates caged animals for artificial insemination" for a living and the perpetually 8-year-old Stan looking for the clitoris in "South Park: Bigger, Longer and Uncut" to be extremely funny, and I hope I always will.

I suppose that's just the built-in problem with the middle ground: It may be the best way forward, but it will always leave increasingly both grumpy and old men like me complaining. The bottom line is, even if "High School Musical 3: Senior Year" will probably top the box office yet again, I'm glad Kevin Smith is back with a lot of raunch, a little smarts and a little more heart, and I hope a lot of people turn out for "Zack and Miri Make a Porno."

And I'll close with a bit more about Elizabeth Banks, easily my favorite comic actress working today (though Anna Faris is rising in the ranks too). She was rather severely underused in "W.", but you're about to see a lot of her: This week in Smith's flick, next week in the extremely silly but hopefully fun (and yes, R-rated) "Role Models" with Paul Rudd, and early next year in the horror movie "The Uninvited" with David Strathairn and Emily Browning (Violet in "Lemony Snicket's A Series of Unfortunate Events).

I don't turn out for horror movies much any more (the last one I saw and kind of enjoyed was J.A. Bayona's "The Orphanage), but with that cast I'll give this one a chance. Here's the trailer, which does indeed make it look like it might be a cut above the gore-over-suspense fare that passes for most "horror" flicks nowadays. Enjoy, and have a perfectly pleasant weekend.

I truly love Anna Faris, but ...

Before we get into this week's movies, two of which I think I'll actually see. there's a couple of other cool little nuggets out there today to deal with.

First, it seems that Mike Judge might actually get to make a movie that plays in theaters somewhere besides New York, L.A. and Austin before hitting DVD.

As far as I can tell, "Extract" is about two dudes who toil in a flower extract factory, to be played by Ben Affleck and Jason Bateman (huzzah!). I'm not even sure what "flower extract" means, but with Mila Kunis and Clifton Collins Jr. (who, frankly, should be an Oscar winner already for his work in "Capote") also in the cast - and Judge writing and directing - I'm definitely in.

And I've never really understood why Judge hasn't been given much of a chance to show he has artistic life after Beavis and Butthead. "Idiocracy," while certainly not a groundbreaking work of any kind, was a solidly funny comedy that almost no one got to see in a movie theater, and if you haven't seen "Office Space" more than once by now I'm just really not sure what to tell you.

The second thing that grabbed my attention was a Michael Ausiello piece for Entertainment Weekly with this rather enticing headline: Exclusive: Bell, Thomas Orbit 'Veronica Mars' Movie.

Despite that bit of exaggeration, the actual news isn't all that major, but when it comes to a "Veronica Mars" movie I'll take whatever I can get. What actually happened was that Kristen Bell stopped by the office of "Veronica Mars" creator Rob Thomas, which just happens to be on the same studio lot where Bell is working on the next season of "Heroes" (which I think is gonna be just great after a rather off-putting Vol. 2.) The talk naturally turned to "Veronica Mars," and Thomas tells Ausiello, "Kristen and I ran into each other, and we did discuss a Veronica movie," and that he's also had "a few conversations" with "Mars" executive producer Joel Silver.

I'd say that's pretty far from them "circling" a "Veronica Mars" movie, but we can always keep hope alive!

And now, finally, on to this week's movies, in the order that I want to see them:

1. "The Rocker"
From the reviews I've read so far, just about every scene in this one is stolen almost directly from either "School of Rock" or "This is Spinal Tap," but if you're gonna pilfer your inspiration you might as well start with two flicks I just adore. Besides, Rainn Wilson is simply a very funny guy, and if it means seeing him expose his rather flabby physique way too much to get him a starring role on the big screen, I'm in.

2. "The House Bunny"
As the title of this post makes clear, I think Anna Faris is also just a natural comedienne (and a first-rate cutie, of course, which never hurts.) I've been pleasantly surprised by the positive reviews so far for this one, with a glowing one from Variety and an even split (13 tomatoes, 13 splats) at Rotten Tomatoes. One critic I always trust, however, Nell Minow, has this to say: "The screenplay inflicts a little more injury on Faris than it intends to by committing the very sins it half-heartedly attempts to parody." I'm still in and hoping against hope that she's wrong on this one.

3. "The Longshots"
It's certainly nice to see Ice Cube doing something besides abusing himself, his movie family and all his audience members in those pathetic "Are We There Yet" movies, but I'm afraid I'm just too old for this feel-good flick about a girl who just wants to play Pop Warner football with the boys. That said, Keke Palmer was simply fantastic in "Akeelah and the Bee," so I hope this makes tons of cash and continues her road to stardom.

4. "Death Race"
As cool as Jason Statham was in this year's most surprisingly entertaining flick, "The Bank Job," I just don't think there's any way I can go for a beyond thoroughly unnecessary remake of Paul Bartel's already very silly (bur also really fun) "Death Race 2000." As my rather observant and witty co-worker Erin Ivanov noted, once a movie has had the "Mystery Science Theater 3000" treatment, there's just no way it should ever be remade. And I sure hope Joan Allen and Ian McShane were well, well paid for lowering themselves to this!

And there you have it. Because of an odd confluence of overtime I actually have four days off in a row (I'm not complaining, believe me!), so I'm also headed to Atlanta on Sunday to finally see the Georgia Aquarium and possibly even another movie. Woody Allen's "Vicky Christina Barcelona," which should be playing everywhere already (as its TV commercial already promises) is probably my first choice, but we'll see. Have a perfectly pleasant weekend!